9781107698215 Index.Pdf

Cambridge University Press 978-1-107-69821-5 - Charles Dickens in Context Edited by Sally Ledger and Holly Furneaux Index More information

I n d e x

A b o r i g i n e s P r o t e c t i o n S o c i e t y ,    C i v i l W a r ,    ,    A c k r o y d , P e t e r ,   ,   ,   ,   ,   –  d e m o c r a c y ,    –   ,    –   ,    a c t o r s a n d a c t i n g ,   ,   ,    –  D i c k e n s ’ s     v i s i t ,  ,    –  ,    ,    adaptations and appropriations of Dickens’s D i c k e n s ’ s     /  v i s i t ,   ,   ,    ,    w o r k s . See ﬁ lm adaptations; musical p e n a l s y s t e m s ,    adaptations; stage adaptations; p r e s s ,    television adaptations r e v o l u t i o n o f     ,   A d m i n i s t r a t i v e R e f o r m A s s o c i a t i o n ,    s l a v e r y ,    ,    Adshead, Joseph,  t r a v e l o g u e s ,    –   a ﬀ e c t ,    ,    ,    ,    ,    ,    ,    ,    American Notes for General Circulation ,   ,   , Agnew, Sir Andrew,    ,    ,    ,    ,    ,    ,    ,    ,    , A i n s w o r t h , W i l l i a m H a r r i s o n ,  ,    ,    –  ,    ,    ,       ,    Anderson, Amanda,  ,  Jack Sheppard ,   ,   ,    ,    A n d e r s o n , M i c h a e l ,    ,    A i t k e n , W i l l i a m ,    A n d r e w s , M a l c o l m ,   ,    A l b e r t , P r i n c e C o n s o r t ,    ,    a n i m a t e / i n a n i m a t e ,   All the Year Round ,  ,   ,   ,   ,   ,    –   ,    , Anthropological Society of London,     ,    ,    ,    a n t h r o p o l o g y ,    ,    ‘ A b o a r d S h i p ’ ,    a n t i - C a t h o l i c i s m . See Catholicism ‘An Old Stage-Coaching House’,  anti-Poor Law movement. See Poor Laws ‘Black is not Quite White’,  a n t i - S e m i t i s m ,   ,    –  ‘ C h a t h a m D o c k y a r d ’ ,    Arabian Nights ,  ,    ,    ,    C h r i s t m a s n u m b e r s ,  ,   ,   ,    –  ,    ,    Ariès, Philippe,  ‘Refreshments for Travellers’,  a r i s t o c r a c y , t h e ,    –   ‘ Th e Calais Night Mail’,  and A Tale of Two Cities ,  ‘ Th e Italian Prisoner’,  a n d a r t ,    ‘ Th e Parliamentary M.C.’,  and Barnaby Rudge ,  ‘ Th e Schoolmaster’,  and Bleak House ,  ‘ Th e Uncommercial Traveller’ series,  ,  , and Dombey and Son , –    ,    and Little Dorrit , – ‘ A r c a d i a n L o n d o n ’ ,    and Nicholas Nickleby ,  ‘City of London Churches’,  and Our Mutual Friend , – ‘ D u l l b o r o u g h T o w n ’ ,   –  and political reform,  ‘ N i g h t W a l k s ’ ,    ,    ,    and the Crimean War,  ‘ S h y N e i g h b o u r h o o d s ’ ,    ,    ,    and the Manchester School,  A l l e n , M i c h a e l ,   and Th e Pickwick Papers ,  A l m a r , G e o r g e ,   Dickens’s aristocratic friends, – A m e r i c a ,  ,    –   . See also American Notes for F r e n c h a r i s t o c r a c y , t h e ,    ,    ,    General Circulation relations with the middle classes,  and Martin Chuzzlewit ,  ,   ,    ,    ,    , A r i s t o t l e ,       ,    ,    ,    Arnold, Dr Th omas, 

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© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-69821-5 - Charles Dickens in Context Edited by Sally Ledger and Holly Furneaux Index More information

 Index

A r n o l d , M a t t h e w ,    Beeton, Isabella Art Treasures of the United Kingdom Book of Household Management ,    ,    (exhibition),  Beeton, Samuel,  Artists’ Benevolent Fund,  Belinsky, V. G.,  A s t l e y , P h i l i p Bell, Andrew,  A s t l e y ’ s A m p h i t h e a t r e ,   ,    ,    B e n h a m , C a n o n W i l l i a m ,   ,   Athenaeum , Th e ,  Bentley ’s Miscellany ,  Atlantic Monthly D i c k e n s ’ s e d i t o r s h i p o f ,  ,  ,    ,    ‘George Silverman’s Explanation’ (short B e r r y , L a u r a ,    s t o r y ) ,   Bewick, Th omas,  A u s t e n , J a n e ,  ,   ,   ,    B i b l e ,    –  A u s t i n , H e n r y ( D i c k e n s ’ s b r o t h e r - i n - l a w ) ,   , Bildungsroman , –  and David Copperfi eld ,    ,    ,    ,    –  , A u s t r a l i a ,    ,    ,    ,       A u s t r o - H u n g a r i a n E m p i r e ,    and Great Expectations ,    ,    ,    –  , a u t h o r s h i p a n d p r o f e s s i o n a l w r i t i n g ,    –      –  a n d A m e r i c a ,    –  and Johann Wolfgang von Goethe, – a n d c e l e b r i t y ,    defi nitions of,  and David Copperfi eld ,  ,  Birmingham and Midland Institute,  and Nicholas Nickleby ,  B l a c k w a l l r a i l w a y ,    and Th e Pickwick Papers ,  Blackwood’s Edinburgh Magazine ,    Dickens and the status of authorship,  B l a n c h a r d , L a m a n ,    Dignity of Literature debate,  Bleak House ,  ,   ,   ,   ,   ,   ,   ,   ,    , Guild of Literature and Art,  ,  ,     ,    ,    ,    ,    –  ,    ,    ,    , Royal Literary Fund,  ,  ,     –    ,    ,    –   ,    ,    ,    ,    , t h e e c o n o m i c s o f w r i t i n g ,    –      ,    ,    ,    ,    ,    ,    ,    , V i c t o r i a n f a s c i n a t i o n w i t h ,    –      ,    ,    ,    ,    ,    ,    ,    , A y l m e r , F e l i x ,      ,    –   ,    ,    ,    ,    –  ,    ,    ,    ,    ,    –  ,    ,    ,    –  ,    , B a c o n , J a n e ,      ,    Baden-Powell, Colonel Robert,  B o d e n h e i m e r , R o s e m a r i e ,   B a g e h o t , W a l t e r ,   B o d i c h o n , B a r b a r a ,    Bagwell, Philip,  B o e r W a r ,   Bailin, Miriam,  ,  Bolton, H. Philip,  Balzac, Honoré de,  ,  Book of Common Prayer,  ,  B a n c r o f t , M a r i e ,    Book Monthly , – Baptist Missionary Society of Great Britain, B o s w e l l , J a m e s ,    B o u c i c a u l t , D i o n ,   ,    ,    ,    B a p t i s t s ,    ,    ,    B o u l o g n e ,   ,    B a r e c c a , R e g i n a ,   B o w e n , J o h n ,   ,    Barnaby Rudge ,  ,   ,   ,    –  ,    ,    ,    , Boy Called Twist ,   ,       ,    ,    ,    ,    ,    ,    , Boylston school,     ,    B r a d b u r y a n d E v a n s ,   Barnet, C. Z.,  Brady, Mathew,  B a r r y , C h a r l e s ,    B r a n t l i n g e r , P a t r i c k ,    B a r r y m o r e , L i o n e l ,   B r a u d y , L e o ,   B a r t , L i o n e l ,   ,   B r e c h t , B e r t o l t ,   B a r t h o l o m e w F a i r ,   B r i e r s , R i c h a r d ,   B a r t l e t t , N e i l ,   –  Bright, John,  ,  Battle of Life , Th e ,    ,    ,    ,    Brimley, George,  B a u d e l a i r e , C h a r l e s ,   ,    British and Foreign School Society,  Bazalgette, Joseph,  British Medical Journal ,  ,  B e a d n e l l , M a r i a ,  ,  ,   British Museum,  ,  ,  B e c k e t t , G i l b e r t à ,   ,   B r o a d s t a i r s ,   ,    Bedford, William Russell, Duke of,  Broadstairs Dickens Festival, 

Index 

Broca, Paul,  Carroll, Lewis (Charles Lutwidge Dodgson) Broderip, W. J.,  Alice’s Adventures in Wonderland ,  Brontë Museum,  Catholicism B r o n t ë , A n n e and Pictures from Italy ,    ,    ,    Th e Tenant of Wildfell Hall ,  A n g l o - C a t h o l i c i s m ,    B r o n t ë , C h a r l o t t e ,  ,    anti-Catholicism,  Jane Eyre ,    ,    ,    Catholic Emancipation Act (),  B r o n t ë , E m i l y ,  D i c k e n s ’ s a t t i t u d e s t o w a r d s ,  ,   ,    ,    , B r o o k s , P e t e r ,       –  Brown, Arthur Washburn,  C a t t e r m o l e , G e o r g e ,    ,    ,    Brown, Ford Madox Cavour, Camillo Benso, Count of,  Work ,    ,    C a z a m i a n , L o u i s ,    B r o w n , J a m e s ,   c e l e b r i t y c u l t u r e ,   –    Brown, Reverend James Baldwin,  and American Notes for General Circulation , B r o w n e , H a b l o t K n i g h t ( ‘ P h i z ’ ) ,   ,    ,    ,     ,    ,    –  ,    ,    ,    and Great Expectations ,  Browning, Elizabeth Barrett,  Dickens as a celebrity, – Browning, Robert,  ,  e i g h t e e n t h - c e n t u r y o r i g i n s ,   –  B r u n e l , I s a m b a r d K i n g d o m ,    ,    images and photographs of Dickens,  Buckle, Henry Th omas,  ,  Cerjat, W. W. F. de,  Buckley, Arabella,  Cervantes, Miguel de B u c k s t o n e , J . B . ,   Don Quixote ,  ,    ,   ,    B u ff on, Georges-Louis Leclerc, Comte de,  C h a d w i c k , E d w i n ,    ,    B u l w e r L y t t o n , S i r E d w a r d ,  ,   ,    ,    ,    , Chambers’s Edinburgh Journal ,   ,       ,    ,    ,    –  ,    ,    ,    ,    C h a m p fl eury (Jules François Félix Fleury- B u n y a n , J o h n H u s s o n ) ,   A Pilgrim’s Progress ,  C h a n c e r y , C o u r t o f ,   ,   ,    ,    ,    B u r d e t t - C o u t t s , A n g e l a ,  –  ,    ,    ,    . C h a n e y , L o n ,   See also Urania Cottage C h a p l i n , C h a r l i e ,   Burke and Hare murders,  Charles Dickens Museum,  b u r l e t t a ,   ,    C h a r t i s m ,    ,    ,    ,    ,    ,    . B u r n e y , F a n n y ,  See also Northern Star B u s s , R o b e r t W i l l i a m ,    C h a s e , K a r e n ,    Dickens’s Dream ,    ,    ,    C h a t h a m ,  ,  ,   ,    ,    ,    Byron, George Gordon, Lord,  ,  ,  C h a t s w o r t h H o u s e ,    Chemical News ,  C a l l o w , S i m o n ,   C h e n e r y , Th omas,  C a l v i n i s m ,    ,    C h e r n y s h e v s k y , N i k o l a y ,   C a m d e n T o w n ,    ,    ,    ,    C h e s t e r fi eld, Lord,  C a m e r o n , R i c h a r d ,   C h e s t e r t o n , G . K . ,   ,   ,   ,    ,    –  ,    , C a n a d a ,     c a p i t a l p u n i s h m e n t ,    ,    ,    –  ,    c h i l d r e n a n d c h i l d h o o d ,   ,    –   C a r e y , J o h n ,   and David Copperfi eld, – ,  Carey, Peter and Dickens’s journalism, – Jack Maggs ,   ,   ,   –  and Dombey and Son ,  C a r l t o n , W . J . ,   a n d e r o t i c i s m ,    –  C a r l y l e , Th o m a s ,   ,   ,   ,   ,    ,    ,    , and Great Expectations , –    ,    ,    ,    ,    ,    ,    ,    ,    , and Nicholas Nickleby , – ,     ,    ,    ,    ,    ,    ,    –  ,    , and Oliver Twist ,  ,     ,    and sentiment and sentimentality,  ,  , ‘Occasional Discourse on the Negro    ,    Q u e s t i o n ’ ,    –  ,    and the Christmas Books, – Th e French Revolution ,    –  ,    and Th e Life of Our Lord ,  C a r p e n t e r , M a r y ,    c h i l d l a b o u r ,    ,    ,    Carr, J. Comyns,  Child’s History of England , A ,  , 

 Index

Chimes , Th e ,    ,    –  ,    ,    C o u r b e t , J e a n D é s i r é G u s t a v e ,   Chisholm, Caroline,  C o u r v o i s i e r , F r a n ç o i s ,    ,    C h i t t i c k , K a t h r y n ,   C r a i g , D a v i d ,    C h o r l e y , H e n r y ,    Cricket on the Hearth , Th e ,   ,   ,    ,    C h r i s t m a s ,    –   . See also individual titles of c r i m e ,    –  the Christmas Books and David Copperfi eld ,  and children and childhood, – a n d e d u c a t i o n ,    and Dickens’s journalism,  , – and Great Expectations ,    ,    ,    –   a n d d o m e s t i c i t y ,    –  and Oliver Twist ,    –  ,    ,    –   and Great Expectations ,  and science,  and Sketches by Boz ,  c r i m i n a l l a w ,    and Th e Mystery of Edwin Drood ,  Dickens and capital punishment, – ,  and Th e Pickwick Papers ,  penal reform, – Christmas Carol , A ,   ,   ,   ,    ,    ,    ,    , p e n a l t r a n s p o r t a t i o n ,       –  ,    ,    ,    ,    ,    ,    C r i m e a n W a r ,    ,    –  C h u r c h o f E n g l a n d ,  ,    ,    critical responses to Dickens’s work, – . Clark, Lewis Gaylord,  See also names of individual critics c l a s s . See aristocracy ; middle classes C r o s b y , C h r i s t i n a ,    Cleland, John,  C r u i k s h a n k , G e o r g e ,  ,    ,    ,    ,    C o b d e n , R i c h a r d ,    ,    C u k o r , G e o r g e ,   C o h e n , J a n e R . ,   Cunningham, Hugh,  C o h e n , W i l l i a m ,    C u r t i n , P h i l i p ,    ,    ,    ,    ,    C o l b y , R o b e r t A . ,   Coldbath Fields Prison,  ,  Daily Chronicle , Th e ,  Coleridge, Samuel Taylor,  ,  Daily News , Th e ,  C o l l i n s , C h a r l e s ,   ,   ,    ,    ,    –  D i c k e n s ’ s e d i t o r s h i p o f ,  ,   ,    ,    ,    C o l l i n s , P h i l i p ,   ,   ,   ,   –  ,    ,    Dallas, Eneas Sweetland, 40 C o l l i n s , W i l k i e ,  ,  ,   ,   ,   ,   ,   ,    ,    , D a r w i n , C h a r l e s ,   ,    ,    ,    ,    ,    ,    ,    ,       Th e Frozen Deep ,  ,   ,   ,    On the Origin of Species ,    ,    ,    ,    Th e Moonstone ,   ,    ,    Dascent, George,  C o l l i n s , W i l l i a m ,    D a u d e t , A l p h o n s e ,   ,   Combination Acts ( repeal),  David Copperfi eld ,  ,  ,   ,   ,   ,   ,   ,    , Condition of England question,  ,  ,  ,    ,    ,    ,    ,    ,    –  ,    ,    ,    ,    ,       ,    –  ,    ,    –  ,    ,    ,    , Connor, Steven,     ,    ,    ,    ,    ,    ,    ,    , Conrad, Joseph,     ,    ,    ,    ,    ,    ,    ,    ,    , Contagious Diseases Acts (s),     –  ,    ,    –  ,    C o o g a n , J a c k i e ,   a n d a u t o b i o g r a p h y ,   ,   ,   ,    ,    –  Cook, Th omas,  D a v i d o ff , Leonore,  ,  C o o p e r , F r e d e r i c k F o x ,   ,   Davies, John Howard,  c o p y r i g h t l e g i s l a t i o n ,    death drive, the,  A m e r i c a n o p p o s i t i o n t o ,   ,    ,    –  ,    Defoe, Daniel,  and Nicholas Nickleby ,  Robinson Crusoe ,   ,    Copyright Act (),  Delane, John,  Copyright Act (),  D e r r i d a , J a c q u e s ,   Copyright Act (),  D e v o n s h i r e T e r r a c e ,   Dickens’s friendship with Th omas Talfourd, Devonshire, William Cavendish, Duke of,   D i b e l i u s , W i l h e l m ,   D i c k e n s ’ s s u p p o r t f o r ,    ,    –  D i c k e n s F e l l o w s h i p ,   ,   C o r e l l i , M a r i e ,    –  Th e Dickensian ,   ,   ,   ,   C o r n L a w s ,    ,    Dickens in America ( p l a y ) ,   Anti-Corn Law League,  ,  D i c k e n s W o r l d ( t h e m e p a r k ) ,   ,   ,    repeal (),  Dickens, Alfred D’Orsay Tennyson (Dickens’s Cornhill Magazine , Th e ,  s o n ) ,   ,    ,   

Index 

Dickens, Alfred Lamert (Dickens’s brother),  D i c k e n s , F a n n y ( D i c k e n s ’ s s i s t e r ) ,  ,  ,  , Dickens, Augustus Newnham (Dickens’s  b r o t h e r ) ,   Dickens, Francis Jeff rey (‘Frank’) (Dickens’s Dickens, Catherine (née Hogarth, Dickens’s s o n ) ,   w i f e ) ,  ,   ,    ,    Dickens, Fred (Frederick William) (Dickens’s Dickens, Charles brother), ,  a m a t e u r t h e a t r i c s ,  ,   ,   ,    Dickens, Gerald (Dickens’s great-great- a n d A m e r i c a ,    . See also American Notes for g r a n d s o n ) ,   General Circulation D i c k e n s , J o h n ( D i c k e n s ’ s f a t h e r ) ,  ,  ,  ,    , a n d a r t ,    –     ,    ,    a n d b l a c k i n g f a c t o r y ,  –  ,   ,   ,   ,    , depiction as Mr Micawber in David    ,    ,    ,    Copperfi eld ,   and fi lm,  , – ,  Dickens, Katherine Macready (‘Kate’) a n d F r a n c e ,  ,   ,    –  ,    –  ( D i c k e n s ’ s d a u g h t e r ) ,  ,   ,   ,   ,    , a n d I t a l y ,   ,   . See also Pictures from Italy    ,    and London, – Dickens, Mary Angela (‘Mamie’) (Dickens’s and Parliament,  d a u g h t e r ) ,  ,   ,   ,   ,    a n d p o l i t i c s ,    –   Dickens, Sir Henry Fielding (Dickens’s son), a n d p o p u l a r c u l t u r e ,   –    ,   a n d t h e a t r e ,  ,  ,   ,    –  Dickens, Sydney Smith Haldimand (Dickens’s a u t o b i o g r a p h i c a l f r a g m e n t ,  ,  ,   ,   ,   , son),  ,   Dickens, Walter Landor (Dickens’s son),  , c h i l d h o o d ,  –  ,   ,   ,   –  ,    ,    ,    ,   ,       ,    ,    Dickens’s Secret Lover (TV documentary),  dress and appearance,  Dicks, John,  early adult life and career,  ,  ,  ,  ,  , D i s r a e l i , B e n j a m i n ,    ,    ,    ,    ,       ,    ,    ,    ,    ,    –  D o c t o r s ’ C o m m o n s ,    ,    ,    ,    e d u c a t i o n ,  ,   ,    ,    D o d , C h a r l e s ,    h e a l t h ,   ,   ,    Dombey and Son ,  ,   ,   –  ,   ,    ,    ,    , i n c o m e ,   ,      ,    ,    ,    ,    ,    ,    ,    , m a r r i a g e a n d s e p a r a t i o n ,  ,  ,   ,   ,   ,       ,    ,    ,    ,    –  ,    –  ,    , p o p u l a r i t y ,  ,   ,   –  ,   ,   ,       ,    ,    ,    ,    ,    ,    ,    , portraits and photographs of,  ,  ,  ,    ,    ,    ,    ,    ,       ,    ,    d o m e s t i c i t y ,   –  ,    ,    ,    ,    –  ,    –  , p u b l i c r e a d i n g s a n d r e a d i n g t o u r s ,   –   ,   ,    . See also gender   ,   ,    ,    alternative families and families of choice, public speeches    ,    ,    ,    Birmingham and Midland Institute,  and Bleak House ,    –    ,    ,    ,    –  Boston, MA,  and David Copperfi eld ,    –  G o v e r n e s s e s ’ B e n e v o l e n t I n s t i t u t i o n ,    a n d D i c k e n s ,  ,  ,    –  ,    ,    Hartford, CT,  and Dickens’s journalism,  ,  Royal Academy Banquet, – ,  and Dombey and Son ,    ,    ,    ,    Society of Artists, Birmingham,  and Great Expectations ,  p u b l i s h e r s , r e l a t i o n s h i p w i t h ,  ,   ,   ,    , and Hard Times ,   and Little Dorrit ,  ,  religious beliefs and opinions,  , – and Our Mutual Friend ,    –  Dickens, Charles Culliford Boz (‘Charley’) and Sketches by Boz ,  ( D i c k e n s ’ s s o n ) ,  ,   ,   ,    ,    and the Christmas Books, – ,  Dickens’s Dictionary of London ,  dysfunctional families,  Dickens, Dora Annie (Dickens’s daughter),  , D o r n f o r d - M a y , M a r k ,    ,    ,    D o s t o e v s k y , F y o d o r ,   ,    Dickens, Edward Bulwer Lytton (‘Plorn’) d o u b l e n e s s ,   ,    ( D i c k e n s ’ s s o n ) ,  ,   ,    D o y l e , A r t h u r C o n a n ,    D i c k e n s , E l i z a b e t h ( D i c k e n s ’ s m o t h e r ) ,  ,  , D o y l e , R i c h a r d ,      ,    ‘Dr Marigold’s Prescriptions’ (short story), 

 Index

Dramatic and Musical Review , Th e ,  Morant Bay uprising (), – . Dramatic Register , Th e ,  See also Jamaica Drew, John L.,  English Mechanic ,  Drummond, Rose Emma,  E n g l i s h n e s s ,   ,   ,    Dulwich Picture Gallery,  Englishwoman’s Domestic Magazine ,  Dying for Love ( p l a y ) ,   Ethnological Society of London,  E u r o p e ,    –  . See also names of individual E a s t I n d i a C o m p a n y ,    ,    c o u n t r i e s ; Pictures from Italy E d e l m a n , L e e ,    –   ,    and A Tale of Two Cities , – E d g a r , D a v i d ,   and British tourists, – Edinburgh Review ,    ,    ,    and Dickens’s journalism, – , e d u c a t i o n ,    ,    ,    –   ,       ,    and Barnaby Rudge ,  and Dombey and Son ,  and Bleak House ,  and Little Dorrit ,    ,    ,    a n d c r i m e ,    –  ,    and Our Mutual Friend ,    ,    and David Copperﬁ eld ,    ,    ,    e v a n g e l i c a l i s m ,  ,   ,    and Dombey and Son,  ,  and children and childhood, – and Great Expectations ,    ,    ,    a n d D i c k e n s ,  ,    ,    ,    –  and Hard Times ,    ,    ,    ,    –  a n d s e x u a l i t y ,    and Little Dorrit ,  E x e t e r H a l l ,    ,    and Nicholas Nickleby ,    ,    Evans, David Morier,  and Oliver Twist ,    –  ,    ,    Evening Chronicle and Our Mutual Friend ,    ,    ,    Dickens’s contributions to and Th e Mystery of Edwin Drood ,  ‘ L o n d o n R e c r e a t i o n s ’ ,   and Th e Old Curiosity Shop ,    ,    –  ,    Examiner , Th e Education Acts (,  ),  ,  Dickens’s contributions to,  i n c r e a s i n g g o v e r n m e n t a l o v e r s i g h t ,    ‘A Fine Old English Gentleman’,  l i t e r a c y l e v e l s ,    –   ,    ‘Ignorance and Crime’,  ,  o f g i r l s ,    –  ‘ Th e Q u e e n ’ s C o r o n a t i o n ’ ,   R a g g e d S c h o o l s ,    ,    Eyre, Edward. See J a m a i c a teachers and teaching,  Y o r k s h i r e S c h o o l s ,    ,    ,    . F a c t o r y A c t s ,    ,    ,    ,    ,    See also Nicholas Nickleby Family Colonization Loan Society,  E d z a r d , C h r i s t i n e ,   Family Economist ,  E g a n , P i e r c e ,   Family Friend ,  E g g , A u g u s t u s ,  ,   ,    ,    ,    Family Herald ,    ,    E i s e n s t e i n , S e r g e i ,   ,   ,    f a n c y ,   ,   ,    ,    ,    ,    ,    ,    ,    , E l i o t , G e o r g e ,   ,    ,    ,    ,    ,    ,    ,     ,    ,    F a n g e r , D o n a l d ,   Adam Bede ,   f a r c e ,    Middlemarch ,  F a u l k n e r , W i l l i a m ,   Th e Mill on the Floss ,  F a w c e t t , F . D u b r e z ,   E l l i o t s o n , J o h n ,   ,    Fayle, J.,  Ellis and Blackmore (solicitors),  F e c h t e r , C h a r l e s ,   Ellis, Havelock,  F e l d m a n , D a v i d ,    ,    Ellis, Sarah Stickney,  f e m i n i n i t i e s . See gender Emmanuel II, King Victor,  Field, Reverend John,  e m p i r e s a n d c o l o n i e s ,   –  ,    ,    ,    , F i e l d i n g , H e n r y ,  ,    ,    ,    ,       –   . See also names of individual Fielding, J. K.,  countries Fields, W. C.,  and A Tale of Two Cities ,  F i l d e s , L u k e ,   ,    ,    ,    –  and Th e Mystery of Edwin Drood ,    Th e Empty Chair ,    ,    C r i m e a n W a r ,    –  ﬁ lm adaptations of Dickens’s work, – ,  emigration, – A Christmas Carol ,   ,   ,   ,   I n d i a n ‘ M u t i n y ’ (     ) ,    –  . See also India A Tale of Two Cities ,   ,  

Index 

David Copperfi eld ,   –  F u r n e a u x , H o l l y ,    ,    Great Expectations ,   ,   –   ,   Hard Times ,   ‘ G a b r i e l V a r d o n ’ ,    . See also Barnaby Rudge Little Dorrit ,   G a d ’ s H i l l P l a c e ,  ,   ,   ,   ,   ,   ,    ,    , Oliver Twist ,   ,   –  ,   ,       ,    fi nancial markets and the banking system, G a l d ó s , B e n i t o P é r e z ,   ,   ,      –   G a l l a g h e r , C a t h e r i n e ,   ,    and A Tale of Two Cities ,    –   G a r d i n e r , J o h n ,   ,   ,   and American Notes for General Circulation , Garibaldi, Giuseppe,  ,   G a r i s , R o b e r t ,   and Hard Times , – G a s k e l l , E l i z a b e t h ,   ,    ,    and Little Dorrit ,    –  Mary Barton ,    ,    ,    and Martin Chuzzlewit ,  Th e Life of Charlotte Brontë ,  and Nicholas Nickleby ,  Wives and Daughters ,    F i t z g e r a l d , E d w a r d ,   Gatty, Margaret,  F i t z g e r a l d , F . S c o t t ,   G e a r i n g , N i g e l ,   fl â n e u r ,  ,  g e n d e r ,    –  Fleet Prison,  and A Tale of Two Cities,  ,  Foote, Horace,  and All the Year Round ,  F o o t e , L y d i a ,    and Bleak House ,  ,  F o r d , G e o r g e H . ,   ,   a n d c l a s s ,    –  F o r r e s t , E d w i n ,    and David Copperfi eld ,    –  ,    F o r s t e r , J o h n ,  ,  ,   ,   ,   ,   ,    ,    ,    , and Dombey and Son,     and Great Expectations ,    ,    –  biography of Oliver Goldsmith,  and Household Words ,  reviews of Dickens’s work in the Examiner , and Martin Chuzzlewit ,    –  and Oliver Twist,  Th e Life of Charles Dickens ,  ,   –   ,   , and Our Mutual Friend ,    ,   ,   ,    –  ,    ,    ,    ,    ,    , and the newspaper and periodical press,    ,       ,    F o r s t e r , W . E . ,    . See also education a n d w o r k ,    ,    ,    ,    Fortnightly Review ,   g e n t l e m a n l i n e s s ,   ,    ,    ,    ,    F o u c a u l t , M i c h e l ,   ,   ,    men and masculinities in Dickens’s work, F o u r i e r , J o s e p h ,      ,    ,    –  F o w l e s , J o h n ‘separate spheres’ ideology, – ,  , Th e French Lieutenant’s Woman ,      ,    Foxe, John,  women and femininities in Dickens’s work, F r a n c e    ,    –  ,    –  . See also domesticity British attitudes towards, – General Th eatrical Fund,  ,  Dickens’s infl uence on French authors, G e r m a n y   Dickens’s infl uence on German authors,  Dickens’s travels to, – G h e n t , D o r o t h y v a n ,   French stage productions of Dickens’s G i ff o r d , H e n r y ,   w o r k s ,   –  G i l e s , R e v e r e n d W i l l i a m ,    r e v o l u t i o n o f     ,   ,    ,    –  ,    ,    , G i s s i n g , G e o r g e ,      ,    Gladstone, William E.,  ,  revolution of ,  Goethe, Johann Wolfgang von,  Second Republic,  Th e Sorrows of Young Werther (Die Leiden des Franklin, Sir John,  jungen Werthers ) ,   Fraser’s Magazine ,    Wilhelm Meister’s Apprenticeship ( Wilhelm F r e u d , S i g m u n d ,    –   ,    Meisters Lehrjahre ) ,    ,    ,    Frith, William Powell,  ,  Gogh, Vincent van,  Frozen Deep , Th e (play). See Collins, Wilkie G o g o l , N i k o l a i ,   Fry, Elizabeth Gurney,  ,  G o l d s m i t h , O l i v e r ,  ,    ,    ,    ,    Fulkerson, Richard P.,  Goncourt, Edmond and Jules de, 

 Index

Gong Donkeys ( p l a y ) ,   H i c k s , G e o r g e E l g a r ,    ,    G o o d r u m , J o h n ,   H i c k s , S i r S e y m o u r ,   G o r d o n R i o t s ,    ,    . See also Barnaby Rudge H i g h e r J o u r n a l i s m ,   ,   G o r i n g , M a r i u s ,   h i s t o r i c a l n o v e l , t h e ,    –   Gothicism and the Gothic,  ,  ,  ,  , and A Tale of Two Cities , –    ,    ,    and Barnaby Rudge,  ,  Grandville, J. J.,  and Bleak House ,  G r a n t , J a m e s ,    a n d S i r W a l t e r S c o t t ,    –   Graphic ,    ,    ,    and Th o m a s C a r l y l e ,    –  G r a y , S i m o n ,   H o d g k i n , Th omas,  G r e a t E x h i b i t i o n ,   ,    ,    Hogarth, Georgina (Dickens’s sister-in-law), Great Expectations ,   ,   ,   ,   ,   ,   ,    ,    ,  –  ,   ,   ,   ,   ,    ,       ,    ,    ,    ,    ,    –  ,    –  ,    , H o g a r t h , M a r y ( D i c k e n s ’ s s i s t e r - i n - l a w ) ,  ,   ,    ,    –  ,    ,    ,    ,    ,    ,    ,    ,    ,       ,    ,    –  ,    ,    ,    ,    ,    , H o g a r t h , W i l l i a m ,    ,    ,       ,    ,    –   ,    ,    ,    ,    –  ,    , H o l l i n g t o n , M i c h a e l ,    ,    ,       ,    ,    ,    ,    –  h o m o e r o t i c i s m ,    ,    –  ,    serialisation in All the Year Round ,  h o m o s o c i a l i t y ,  ,    ,    . See also Eve Great Ormond Street Hospital for Sick Kosofsky Sedgwick Children, – Dickens’s friendships with men,  G r e e n a w a y , V i c k y ,    ,    H o n e , W i l l i a m ,    G r e e n e , T i m ,    Hood, Th o m a s ,   ,    ,    Grimaldi, Joseph,  Horne, Richard Henry,  Memoirs of ,  H o u s e , H u m p h r y ,   ,    G u e r a r d , A . J . ,   Household Words ,  ,   ,   ,    ,    ,    ,    , G u i l d o f L i t e r a t u r e a n d A r t . See authorship and    ,    ,    professional writing. See also copyright ‘A Bundle of Emigrant’s Letters’,  legislation ‘A Christmas Tree’,  G u i n n e s s , A l e c ,   ,   ,   ‘A Crisis in the Aﬀ airs of Mr John Bull’,  Gurney, Jeremiah,  ‘A Detective Police Party’,  ‘ A F l i g h t ’ ,    –  ,    ,    Hall, Captain Basil,  ‘ A H o m e Q u e s t i o n ’ ,    H a l l , C a t h e r i n e ,    ,    ‘A Narrative of Extraordinary Suﬀ ering’,  H a l l , P e t e r ,   ‘A Poor Man’s Tale of a Patent’,  H a m p t o n C o u r t ,    ‘A Sleep to Startle Us’,  Hard Times ,  ,   ,   ,   ,   ,   ,   ,    ,    , ‘A Walk in a Workhouse’,  ,     ,    ,    –  ,    ,    ,    ,    , ‘An Unsettled Neighbourhood’,     –  ,    ,    ,    ,    ,    –  ,    , ‘Appeal to the English People on Behalf of    –  ,    ,    the Italian Refugees’,  serialisation in Household Words ,   ‘ B i l l S t i c k i n g ’ ,    H a r d y , B a r b a r a ,   ,    ‘Busy with the Photograph’,  H a r d y , Th omas,  ,  ,  C h r i s t m a s n u m b e r s ,  Haunted Man , Th e ,  ,    ,    ,    –  ‘ D r o o p i n g B u d s ’ ,    –  Havey, John,  ‘Frauds on the Fairies’,  H a y w a r d , A b r a h a m ,   ‘ G o n e A s t r a y ’ ,   Health of Towns Association,  ‘How to Kill Labourers’,  Helps, Sir Arthur,  ‘Lying Awake’,  ,  H e m i n g w a y , E r n e s t ,   ‘On Duty with Inspector Field’,  ,  h e r i t a g e i n d u s t r y ,   –  ,    ‘ O n S t r i k e ’ ,    and A Christmas Carol ,   ‘ O u r S c h o o l ’ ,    and Barnaby Rudge ,   ‘ O u t o f T o w n ’ ,    and Th e Old Curiosity Shop ,   ‘Passing Faces’,  and Th e Pickwick Papers ,   ‘Pet Prisoners’, – Herschel, Sir John,  ,  ‘ P h o t o g r a p h y ’ ,    H e w i s o n , R o b e r t ,   ‘ R a i l w a y D r e a m i n g ’ ,   

Index 

‘Railway Strikes’,  s i c k r o o m , t h e ,    ‘Short Cuts Across the Globe’,  s m a l l p o x ,    ‘ Th e Amusements of the People’,  ,  ,  Illustrated London News ,    ,    ,    ,    ‘ Th e Demeanour of Murderers’,  i l l u s t r a t e d n o v e l , t h e ,    –   . See also names of ‘ Th e Detective Police’,  individual illustrators ‘ Th e Finishing Schoolmaster’,  and Bleak House ,    –  ‘ Th e Ghost of Art’,  and David Copperfi eld ,  ‘ Th e Individuality of Locomotives’,  a n d D i c k e n s ,    –   ‘ Th e Lazy Tour of Two Idle Apprentices’, and Dombey and Son ,    ,   ,    and Th e Battle of Life ,  ‘ Th e Lost Arctic Voyagers’,  and Th e Mystery of Edwin Drood ,  , – ‘ Th e Noble Savage’,  and Th e Old Curiosity Shop ,    ,    ,    ‘ Th e Perils of Certain English Prisoners’, and Th e Pickwick Papers ,    ,     I n c h b a l d , E l i z a b e t h ,  ‘ Th e Prisoners’ Van’,  I n d i a ,   ,    ‘ Th e Sunday Screw’,      ‘ M u t i n y ’ ,    ,    –  ,    ‘To Working Men’,  i n d u s t r i a l i s a t i o n ,   ,    –  ,    ‘ W h e r e W e S t o p p e d G r o w i n g ’ ,   and gender,  ,  H o w i t t , W i l l i a m ,    International Exhibition ,  H u d d , R o y ,   I r e l a n d ,    Hughes, Th omas,  Dickens’s depictions of Irish immigrants, H u g h e s , W i l l i a m ,    Hughes, William Hasting, – ,  Irish immigration to Britain,  ,  H u g o , V i c t o r I r v i n g , H e n r y ,    Notre-Dame de Paris , – I r v i n g , W a s h i n g t o n ,   ,    ,    ‘hungry forties’. See Condition of England Is She His Wife? (play),  question I s a n g o / P o r t o b e l l o P r o d u c t i o n s ,   H u n t , J a m e s ,    –  ,    I t a l y ,   ,    ,    H u n t , M a r t i t a ,   D i c k e n s ’ s s o j o u r n i n ,  ,   ,   ,    –  ,    Hunt, William Holman, ,  R i s o r g i m e n t o ,   ,    –  H u t c h e o n , L i n d a ,   Huxley, Th o m a s H e n r y ,    ,    ,    ,    Jackson, Andrew,  J a c k s o n , J o h n H u g h l i n g s ,    Ikrismas Kherol ( p l a y ) ,   –  J a c k s o n , T . A . ,   ,   illness, disease and social hygiene, – ,  J a c k s o n , T o m m y ,    and Bleak House ,    ,    ,    –  Jamaica and Dickens’s journalism,  Morant Bay uprising (), – ,  and Dombey and Son ,    ,    ,    D i c k e n s ’ s a t t i t u d e t o w a r d s ,   and Great Expectations ,    –  E y r e D e f e n c e L e a g u e ,   ,    and Little Dorrit ,  James, G. P. R.,  and Martin Chuzzlewit ,  J a m e s , H e n r y ,   ,    ,    and Nicholas Nickleby ,  ,  J e ff r e y , F r a n c i s ,   and Oliver Twist ,  J e ff r e y s , S t e p h e n ,   and Our Mutual Friend ,  J e r r o l d , D o u g l a s ,    ,    ,    and public health reform, – J e r r o l d , W i l l i a m B l a n c h a r d ,   ,    and Th e Old Curiosity Shop ,  ,  J o h n , J u l i e t ,   and Th e Pickwick Papers ,  J o h n s o n , E d g a r ,   ,    ,    c h o l e r a e p i d e m i c s ,    ,    ,    Johnson, Michael K.,  i n f a n t m o r t a l i t y ,    –  Johnson, Pamela Hansford,  ,  m e d i c a l p r o f e s s i o n a l s ,    –  ,    J o h n s o n , S a m u e l ,   miasmatism,  Jones, Lloyd Public Health Act (),  Mister Pip ,   ,   ,   –  public health reform,  ,  Jones, Sir Horace,  s a n i t a t i o n a n d s a n i t a r y r e f o r m ,    ,    , J o n e s - E v a n s , E r i c ,      ,    –  J o n s o n , B e n ,   

 Index

J o w e t t , B e n j a m i n ,   L e w e s , G e o r g e H e n r y ,   ,    ,    ,    ,    J o y c e , J a m e s ,   Ranthorpe ,    ,    L e w i s , S a r a h ,    K a f k a , F r a n z ,   Ley, J. W. T.,  K a p l a n , F r e d ,   Life of Our Lord , Th e ,    ,    ,    –  K a y - S h u t t l e w o r t h , D r J a m e s ,    ,    L i n d s a y , J a c k ,   K e a n , C h a r l e s ,   Linnaeus, Carl,  Kean, Edmund,  Linton, Eliza Lynn,  ,  Keats, John,  ,  Little Dorrit ,  ,   ,   ,   ,   ,   ,   ,    ,    , K e m b l e , C h a r l e s ,       ,    –  ,    ,    ,    ,    ,    –  , K e m b l e , F a n n y ,       ,    ,    ,    ,    ,    ,    ,    –  , K i e l l a n d , A l e x a n d e r ,   ,   ,   ,      ,    –  ,    ,    ,    ,    ,    ,    , K i n g s l e y , C h a r l e s ,       ,    ,    K i n k a i d , J a m e s ,    Little Nell ( p l a y ) ,   Kitton, F. G.,  Liverpool and Manchester Railway,  K n e b w o r t h ,    L l o y d , E d w a r d ,   ,   ,    ,    Knox, Robert, – ,  L l o y d , F r e d e r i c k ,   Koch, Robert,  Lombroso, Cesare,  L o n d o n ,    –   L a m e r t , J a m e s ,    and Bleak House ,    –   ,    Lamplighter , Th e ( p l a y ) ,   and Dombey and Son,  ,  Lancaster, Joseph,  and Great Expectations ,  L a n d o n , L e t i t i a ,    and Little Dorrit ,  Landor, Walter Savage,  and Martin Chuzzlewit ,  L a n d s e e r , E d w i n ,    b r i d g e s ,    L a n g b r i d g e , C a n o n F r e d e r i c k ,   cemeteries,  L a n g l e y , N o e l ,   ‘Dickensian’ London, – L a n g t o n , R o b e r t ,   employment, types of, – Laurence, Samuel,  h o u s i n g ,    l a w ,    ,    –   Metropolitan Board of Works (estd ), and Bleak House ,    –      ,    and David Copperﬁ eld ,  Metropolitan Police (estd ),  and Oliver Twist ,    –   population and growth,  , – ,  and Th e Pickwick Papers ,  ,  p r i s o n s ,    Bloody Code, the,  public buildings,  Dickens’s interest in as a career,  ,  railways and stations, – l e g a l p r o f e s s i o n a l s ,    –   r o a d s ,    trial scenes in Dickens’s ﬁ c t i o n ,    sewerage system,  L a w r e n c e , D . H . ,   ,   London and Westminster Review ,   Layard, Austen Henry,  L o n d o n C i t y C o r p o r a t i o n ,   Leader ,  L o n d o n C i t y M i s s i o n ,   ,    L e a n , D a v i d ,   ,   –   London to Birmingham railway,  L e a v i s , F . R . ,   ,   –  London University,  Leavis, Q. D.,  L o n g , E d w a r d ,    ,    L e d g e r , S a l l y ,   ,    Lord Liverpool’s administration (–), L e e , C a r o l ,     L e e c h , J o h n ,    ,    ,    ,    L o r i m e r , D o u g l a s ,    L e i g h t o n , F r e d e r i c k ,    Lowe, Robert,  L e s a g e , A l a i n - R e n é L o w e l l f a c t o r y ,    Gil Blas ,  L o w e n t h a l , D a v i d ,   l e s b i a n i s m ,   L u d w i g , O t t o ,   ,   M i s s W a d e ( Little Dorrit ) ,   ,    L u k á c s , G y ö r g y ,    ,    –  L e v e n s o n , M i c h a e l ,    L u n n , H . K . ( ‘ H u g h K i n g s m i l l ’ ) ,   L e v e r , C h a r l e s ,    Lyell, Sir Charles, ,  L e v i n , B e r n a r d ,   L y t t e l t o n , S p e n c e r ,   

Index 

Macaulay, Th omas Babington,  a n d ‘ Th e Amusements of the People’,  M a c k e n z i e , D r R . S h e l t o n ,   and Th e Old Curiosity Shop,  M a c l i s e , D a n i e l ,  ,    ,    ,    ,    a u d i e n c e s ,    –  Maconochie, Captain Alexander,  Dickens’s melodramatic aesthetics, – M a c P i k e , L o r a l e e ,   historical genesis of, – M a c r e a d y , W i l l i a m C h a r l e s ,  ,    ,    ,    –  , M e n k e , R i c h a r d ,       ,    ,    m e s m e r i s m ,   ,   ,    ,    Macrone, John,  M e t h o d i s m ,    Malthus, Th omas,  M e t r o p o l i t a n S a n i t a r y A s s o c i a t i o n ,    Dickens’s attacks on Malthusian population m i d d l e c l a s s e s , t h e ,    –  theory, – ,  and A Tale of Two Cities ,  M a n c h e s t e r S c h o o l ,    ,    ,    a n d a r t ,    –  M a n d l e r , P e t e r ,    and Chartism,  Mann, Th omas,  and Dombey and Son , – Mannings, execution of,  ,  a n d d o m e s t i c i t y ,   ,    ,    –  Marcus, Sharon,  and Great Expectations , – M a r c u s , S t e v e n ,   ,   ,    –   a n d p o p u l a r c u l t u r e ,   M a r g o l y e s , M i r i a m ,   ,   and the franchise,  Marryat, Captain Frederick,  and the ‘Gospel of work’,  M a r s d e n , G o r d o n ,   and the suburbs,  Marsh, Joss Lutz,  a n d t h e t h e a t r e ,   ,    –  ,    M a r s h a l s e a p r i s o n ,  ,   ,    ,    and work,  and Little Dorrit ,   ,    deﬁ nitions of, – Martin Chuzzlewit ,  ,   ,   ,   ,   ,    , Miles, William Augustus,     ,    ,    ,    ,    –   ,    ,    , M i l l , J o h n S t u a r t ,   ,    ,    ,    ,    ,    ,    ,    ,    ,    ,    ,    ,    ,    ,    ,    –   M i l l a i s , S i r J o h n E v e r e t t ,    ,    ,    ,    M a r t i n e a u , H a r r i e t ,    ,    ,    ,    Dickens’s hostile response to Christ in the Martin-Harvey, Sir John,  House of his Parents ,  M a r x , K a r l ,    ,    ,    Miller, D. A., – M a r x i s m ,   ,   ,    ,    ,    M i l l e r , J . H i l l i s ,   ,   ,    m a s c u l i n i t i e s . See gender Miller, Th omas,  m a s o c h i s m ,   M i l l s , J o h n ,   M a s o n , M i c h a e l ,    Mines Act (),  ,  Mason, Robert Hindry,  Mirror of Parliament ,  ,  M a s s o n , D a v i d ,   modern life painting,  Master Humphrey’s Clock ,  ,    ,   ,    m o d e r n i s m ,   ,   M a t h e w s , C h a r l e s ,  M o l l o y , C h a r l e s ,    Matrimonial Causes Act (),  M o n c r i e ﬀ , William Th o m a s ,   ,   ,    ,    , Maurice, Frederick Denison,   Maurier, George du,  M o n r o e , M a r i l y n ,    Maxwell, James Clerk,  Monthly Magazine M a x w e l l , R i c h a r d ,    Dickens’s contributions to Mayall, John, ,  ‘ A D i n n e r a t P o p l a r W a l k ’ ,  M a y h e w , H e n r y ,   ,    ,    ,    ,    M o o d y , R o n ,   Mechanics’ Institutes,  M o o r e , G r a c e ,    m e l o d r a m a ,   ,   ,   ,   ,   ,    ,    ,    , Moretti, Franco,  ,     ,    M o r l e y , H e n r y ,    ,    ,    ,    and A Christmas Carol ,  Morning Chronicle ,  ,    ,    ,    and Barnaby Rudge , – Dickens’s contributions to,  and Great Expectations ,  ‘ Th e Streets – Morning’,  a n d l i t e r a r y c r i t i c i s m ,    ,    ‘ Th e Streets – Night’,  and Nicholas Nickleby ,  Morris, R. J.,  ,  and Oliver Twist , – ,  M o r t i m e r , J o h n ,   and Sketches by Boz ,  Mrs Lirriper (short stories), 

 Index

Munby, Arthur,  N i c h o l s o n , R e n t o n ,   Murray, John,  Nightingale, Florence,  m u s i c h a l l s ,   ,   –  ,   ,   N i s b e t , A d a ,   musical adaptations of Dickens’s work,  , No Th oroughfare (play),  ,    –  ,   N o n c o n f o r m i s m ,    ,    Mystery of Charles Dickens , Th e ( p l a y ) ,   a n d D i c k e n s ,    –   Mystery of Edwin Drood , Th e ,   ,   ,   ,    , Northern Star ,    ,    . See also Chartism    –  ,    ,    ,    ,    ,    ,    ,    , N o r t h w e s t P a s s a g e ,       ,    ,    ,    Norton v. Melbourne ( t r i a l ) ,    n o s t a l g i a ,   ,   N a p o l e o n B o n a p a r t e ,   ,    N u n n , T r e v o r ,   ,   N a p o l e o n I I I ,    ,    ,    n u r s e s a n d n u r s i n g ,    ,    –  ,    . N a p o l e o n i c w a r s ,  ,   ,    ,    ,    ,    ,    , See also h o m o e r o t i c i s m ; t o u c h ;  s e x u a l i t y n a t i o n a l i d e n t i t y ,   ,   ,   ,    N a t i o n a l P o r t r a i t G a l l e r y ,    O ’ C o n n e l l , D a n i e l ,   N a t i o n a l S o c i e t y ,    object relations theory, – n a t u r a l h i s t o r y ,    ,    Observer,  natural theology,  Old Bailey,  ,  ,  Nature ,  Old Curiosity Shop , Th e ,  ,   ,   ,   ,   ,    , Nelson, Admiral Horatio,     ,    ,    ,    ,    ,    ,    ,    –  , n e o - V i c t o r i a n ,      ,    ,    ,    ,    ,    ,    ,    , and Dickens ,   –     ,    and Fingersmith ,   –  O l i v e r , E d n a M a y ,   and Jack Maggs ,   –  Oliver Twist ,  ,   ,   ,   ,   ,   ,    –  ,    , and Mister Pip ,   –     ,    ,    ,    ,    ,    ,    –  ,    , and Th e French Lieutenant’s Woman ,      ,    ,    ,    ,    ,    ,    ,    , n e u r o l o g y ,       ,    ,    –  ,    ,    ,    –   ,    , N e w C r i t i c i s m ,   ,      ,    ,    ,    New Journalism,  Once a Week ,  N e w Z e a l a n d ,    O r w e l l , G e o r g e ,   –  Newcastle Commission,  O s b o r n , E m i l y ,    N e w g a t e n o v e l s ,    ,    ,    ,    Our Mutual Friend ,   ,   ,   ,   ,   ,   , N e w s o m , R o b e r t ,      ,    ,    ,    ,    ,    ,    , newspaper and periodical market, –    ,    ,    ,    –  ,    ,    ,    –  , and A Christmas Carol ,     ,    ,    ,    ,    –  ,    ,    ,    , and All the Year Round ,    –      a n d D i c k e n s ,    –   Our Ocean Highways ,  and Household Words ,  O w e n , R i c h a r d ,    ,    ,    and Master Humphrey’s Clock ,  O x f o r d M o v e m e n t ,    government interference and taxation,  h i e r a r c h i e s ,    P a i n e , Th omas,  mass market, development of,  Palmer, John,  ,  m o n t h l i e s ,    P a l m e r , W i l l i a m ,    publication ﬁ g u r e s ,    Pant, Dhundu (‘Nana Sahib’),  q u a r t e r l i e s ,    p a n t o m i m e ,  ,    ,    –  Sketches by Boz ,  Papal Aggression,  u n s t a m p e d p r e s s ,    Paris International Exhibition,  newspaper and periodical press P a s t e u r , L o u i s ,    and gender,  ,  p a t e r n a l i s m ,    ,    reviews of Dickens’s works, – P a t m o r e , C o v e n t r y Nicholas Nickleby ,  ,   ,   ,    ,    –  ,    , ‘Angel in the House’,     ,    ,    ,    ,    –  ,    ,    ,    , Patten, Robert L.,  ,  ,     ,    ,    ,    ,    ,    ,    ,    , P a t t i , A d e l i n a ,      ,    ,    Pauw, Abbé Corneille de, 

Index 

Peel, Sir Robert,  ,  m u s i c h a l l s ,   –  P e l a y o , M a r c e l i n o M e n d e z y ,   o r g a n i s e d s p o r t ,   P e m b e r t o n , Th omas Edgar,  u r b a n e n t e r t a i n m e n t s ,   –  P e n n i n g t o n , M i c h a e l ,   p o r n o g r a p h y ,   Penny Magazine ,  P o r t e r , R o y ,    Pentonville prison,  P o r t s m o u t h ,  ,    P e t c h , S i m o n ,    Pre-Raphaelite Brotherhood,  Phelps, Samuel,  P r e s t , Th o m a s P e c k e t t ,   P h i l l i p s , C h a r l e s ,    P r e s t o n l o c k - o u t (     –   ) ,    ,    P h i l l i p s , S a m u e l ,   P r i c h a r d , J a m e s ,    –  ,    p h r e n o l o g y ,    ,    ,    Prison Discipline Society,  Pickford, Mary,  ,  prison fever (typhus),  Pickwick Papers , Th e ,  ,   ,   ,   ,   ,   ,    , Prisoners’ Counsel Act (),     ,    ,    ,    ,    ,    ,    ,    ,    , Proctor, Richard Anthony,     ,    ,    ,    ,    ,    ,    ,    ,    , Prospective Review ,      –  ,    ,    ,    ,    ,    p r o s t i t u t i o n ,   ,   ,    ,    ,    ,    –  . Pictures from Italy ,   ,    ,    ,    –  ,    , See also Urania Cottage    –  ,    ,    P r o u s t , M a r c e l ,   Pixérécourt, Guilbert de,  p s y c h o a n a l y s i s ,    ,    –   ,    –  p l a g i a r i s m s o f D i c k e n s ’ s w o r k s ,   ,   psychology,  P l a y f a i r , N i g e l ,   Punch ,    ,    ,    ,    p o l i t i c a l e c o n o m y ,    ,    ,    ,    ,    ,    –   Quarterly Review ,   ,    a n d D i c k e n s ,    ,    –   q u e e r t h e o r y ,    –   ,    –  and Dombey and Son ,  and Hard Times , – r a c e ,    –  and Oliver Twist ,  and American Notes for General Circulation , and Our Mutual Friend ,   and societal connections,  and Bleak House ,  and the ‘invisible hand’,  a n d D a r w i n i s m ,    p o l i t i c s ,    –   and Dombey and Son ,  and Bleak House ,  and Oliver Twist ,  and Hard Times ,    ,    ,    and Our Mutual Friend , – and Sketches by Boz ,  a n d s l a v e r y ,    and Th e Old Curiosity Shop ,  and the Indian ‘Mutiny’ (),  and Th e Pickwick Papers ,  and the Morant Bay uprising (),  Chartism and working-class radicalism,  a n d ‘ Th e Noble Savage’,  Parliamentary politics, – ,  b i o l o g i c a l d e t e r m i n i s m ,    –  p o l i t i c a l p a r t i e s ,    –  monogenesis and polygenesis, – r a d i c a l i s m ,    –   shifting meanings of, – T o r i e s a n d T o r y i s m ,    –  r a d i c a l i s m ,    ,    –   ,    Poor Laws,  r a i l w a y s . See transport A m e n d m e n t A c t (     ) ,    ,    ,    ,    , Rainhill trials,     ,    ,    ,    R a t h b o n e , B a s i l ,   P o o v e y , M a r y ,   Raynal, Abbé Guillaume Th omas P o p e , A l e x a n d e r ,   François,  P o p e - H e n n e s s y , D a m e U n a ,   R e a d e , C h a r l e s ,    ,    –  ,    p o p u l a r c u l t u r e ,   –  ,    ,    Griﬃ th Gaunt ,    a g r i c u l t u r a l e n t e r t a i n m e n t s ,   Reading Gaol,  and A Christmas Carol ,   r e a l i s m ,   ,   ,   ,    ,    ,    ,    ,    and All the Year Round ,   –  R e d g r a v e , R i c h a r d ,    and Hard Times ,   R e e s , R o g e r ,   and Household Words ,   –  ,   ,   r e f o r m c r o s s - c l a s s e n t e r t a i n m e n t s ,   Great Reform Act (),  ,  ,  ,  e r o s i o n o f ,   –  Second Reform Act (),  , 

 Index

r e l i g i o n ,    –   . See also names of individual S a l t y k o v - S h c h e d r i n , M i k h a i l ,   s e c t s ; e v a n g e l i c a l i s m ; C a t h o l i c i s m ; Sam Weller, or the Pickwickians ( p l a y ) ,   ,   C h u r c h o f E n g l a n d ; N o n c o n f o r m i s m ; Sanders, Andrew,  S a b b a t a r i a n i s m ; t e m p e r a n c e m o v e m e n t Santayana, George,  and A Tale of Two Cities ,  ,  Saturday Review , Th e, – and Bleak House ,    ,    –  ,    Schad, John,  and David Copperfi eld ,  ,  S c h e ff er, Ary,  and Great Expectations ,    S c h i c k e l , R i c h a r d ,    and Little Dorrit ,  s c i e n c e ,    ,    –   and Our Mutual Friend ,  and Bleak House ,  and Th e Old Curiosity Shop ,  a n d c r i m e ,    and Th e Pickwick Papers ,    a n d c u l t u r e ,    –  ,    –  Reynolds, G. W. M.,  ,  ,  a n d D i c k e n s ,    –  Pickwick Abroad, or the Tour in France , a n d p r i n t c u l t u r e ,    –     ,   a n d s o c i e t y ,    Reynolds, Sir Joshua,  and spontaneous combustion,  R i c a r d o , D a v i d ,    a n d w o m e n ,    –  R i d l e y , J a m e s . See Tales of the Genii Science-Gossip ,  R o b e r t s o n , Th o m a s W i l l i a m ,    ,    S c o t t , S i r W a l t e r ,   ,   ,    ,    ,    –   Robinson, Geoff r e y ,   Th e Heart of Mid-Lothian ,    ,    ,    R o b i n s o n , G e o r g e W h a r t o n ,   ,   Waverley n o v e l s ,    ,    ,    ,    R o b s o n , C a t h e r i n e ,    ,    S c o t t i s h E n l i g h t e n m e n t ,    R o c h e s t e r ,  ,  ,   ,    Searle, G. R.,  R o c k i n g h a m C a s t l e ,    S e d g w i c k , E v e K o s o f s k y ,   ,    ,    . R o j e k , C h r i s ,   See also homosociality Romano, Giulio,  Selznick, David O.,  Rossetti, Dante Gabriel,  s e n t i m e n t a n d s e n t i m e n t a l i t y ,   ,   ,    ,    , Rousseau, Jean-Jacques,  ,     ,    . See also aff ect R o y a l A c a d e m y ,    and children and childhood,  ,  ,  Royal Literary Fund. See authorship and Sesame Street ,  professional writing S e t h , R o s h a n ,   R o y a l S h a k e s p e a r e C o m p a n y ,   ,   ,   s e x o l o g y ,    R o y a l S o c i e t y ,    s e x u a l i t y ,   ,    ,    ,    –   . R u b i n , L e o n ,   See also d o m e s t i c i t y ; g e n d e r ; R u m p u s Th e a t r e C o m p a n y ,   h o m o e r o t i c i s m ; h o m o s o c i a l i t y ; R u s k i n , J o h n ,   ,   ,    ,    –  ,    ,    ,    lesbianism ; queer theory; touch ‘Of Queens’ Gardens’,  ,  , – ,  and A Tale of Two Cities,  Unto Th is Last,  ,  and Bleak House,  Russell, Lord John,  and David Copperfi eld,  ,  R u s s e l l , L o r d W i l l i a m ,    a n d d i s c o u r s e ,    ,    ,    Russell, William Howard,  ,  and Dombey and Son ,  R u s s i a and Great Expectations,  ,  Dickens’s infl uence on Russian authors, and Little Dorrit ,      ,    and Martin Chuzzlewit ,  ,  Russian stage productions of Dickens’s and Oliver Twist,  w o r k s ,   and Our Mutual Friend,  ,  Russian translations of Dickens’s works, a n d p s y c h o a n a l y s i s ,    –     ,   and Th e Old Curiosity Shop ,  and Th e Pickwick Papers,  S a b b a t a r i a n i s m ,   ,   ,    . See also Sunday Dickens and sexual repression, – Under Th ree Heads sexual double standard,  Sabbath Observances Bill,  Seymour, Robert,  ,  s a d i s m ,   ,    ,    Shadow , Th e ,  Sadleir, John,  S h a ff ner, Randolph, – S a l a , G e o r g e A u g u s t u s H e n r y ,   ,   ,    ,    , Shaftesbury, Anthony Ashley Cooper, th Earl    ,    of,  , 

Index 

S h a k e s p e a r e , W i l l i a m ,   ,   ,    ,    ,    , S o u t h A f r i c a ,   ,   ,       ,    ,    Soweto uprisings (),  Shared Experience (theatre company),  Spain S h a w , G e o r g e B e r n a r d ,   ,    Dickens’s infl uence on Spanish authors,  Shelley, Percy Bysshe,  Spectator , Th e ,   Sheppard, Jack,  S p e n c e r , H e r b e r t ,    ,    ,    S i d d o n s , S a r a h ,   S p i e l h a g e n , F r i e d r i c h ,   Signalman , Th e (short story),  s p i r i t u a l i s m ,    ,    S i m , A l a s t a i r ,   spontaneous combustion,  ,  ,  S ketches by Boz ,  ,   ,   ,   ,    ,   ,    ,    S t D e i n i o l ’ s l i b r a r y ,   ‘A Christmas Dinner’ (chapter  of stage adaptations of Dickens’s work ‘ C h a r a c t e r s ’ ) ,    n i n e t e e n t h - c e n t u r y ,   –   ‘A Visit to Newgate’,  ,  ,  A Christmas Carol ,   ‘ A s t l e y ’ s ’ ,   A Tale of Two Cities ,   ‘ C r i m i n a l C o u r t s ’ ,    Barnaby Rudge ,   ‘Early Coaches’,  Bleak House ,   ‘Gin-Shops’,  Hard Times ,   ,   –  ‘ G r e e n w i c h F a i r ’ ,    Little Dorrit ,   ‘ H a c k n e y - c o a c h S t a n d s ’ ,    Martin Chuzzlewit ,   ,   ‘Miss Evans and “Th e E a g l e ” ’ ,   ,    Nicholas Nickleby ,   ,   ,   ,    ‘ O m n i b u s e s ’ ,    Oliver Twist ,   ,   ,   ,    ‘Our Next-Door Neighbour’,  Th e Battle of Life ,   ‘ P a u p e r S c h o o l m a s t e r ’ ,    ‘ Th e Bloomsbury Christening’,  ‘ P r i v a t e Th eatrics’,  Th e Chimes ,   ‘ S e n t i m e n t ’ ,    Th e Cricket on the Hearth ,   ,   ,   ‘Steam Excursion’,  Th e Old Curiosity Shop ,   ‘ Th e Great Winglebury Duel’,  Th e Pickwick Papers ,   ,   ,    ‘ Th e Last Cab-driver, and the First Omnibus t w e n t i e t h - a n d t w e n t y - fi r s t - c e n t u r y ,   Cad’,  A Christmas Carol ,   ,   ,   ,   –  ‘ Th e Streets – Night’,  A Tale of Two Cities ,   ,   ,   S l a t e r , M i c h a e l ,   Bleak House ,   s l a v e r y ,  ,    ,    David Copperfi eld ,   Abolition Act (),  Great Expectations ,   ,   ,   ,   S m i l e s , S a m u e l ,    ,    ,    Hard Times ,   ,   Self-Help ,  Nicholas Nickleby ,   ,   –  S m i t h , A d a m ,    ,    Oliver Twist ,   ,   ,   ,   Wealth of Nations ,    ,    Sketches by Boz ,   S m i t h , A l b e r t ,   ,   ,    ,    Th e Black Veil ,   Smith, Dr Th omas Southwood,  ,  Th e Mystery of Edwin Drood ,   ,   ,   S m i t h , G r a h a m e ,   ,    ,    Th e Pickwick Papers ,   S m i t h , S y d n e y ,   ,    Th e Signalman ,   Smollett, Tobias,  S t a n fi eld, Clarkson,  ,  ,  Th e Adventures of Peregrine Pickle ,  ,  Staplehurst train crash (),  ,  Th e Adventures of Roderick Random ,  ,  S t e i g , M i c h a e l ,    Th e Expedition of Humphry Clinker ,    ,    S t e p a n , N a n c y ,    ,    S n a p e , S a m ,   S t e p h e n , L e s l i e ,   s o c i a l i s m ,    ,    ,    Stephen, Sir James Fitzjames, – ,  Society for Promoting Due Observance of the Stephenson, George and Robert,  Lord’s Day,  Sterling, John,  Society for the Diff usion of Useful Knowledge, Sterne, Lawrence,     ,    Tristram Shandy ,  Society of Artists, Birmingham,  S t e v e n s o n , L i o n e l ,   Society of British Artists,  S t e v e n s o n , R o b e r t L o u i s ,    Society of Painters in Water Colours,  S t e w a r t , G a r r e t t ,   S o l o m o n , R e b e c c a ,    S t e w a r t , P a t r i c k ,   S o n t a g , S u s a n ,    S t i r l i n g , E d w a r d ,   ,   ,   ,    ,   

 Index

S t o c k i n g , G e o r g e ,    ,    a u d i e n c e s ,   ,   ,   ,   ,    –  S t o n e , F r a n k ,    ,    Lord Chamberlain’s licensing of plays,  , S t o n e , M a r c u s ,   ,    ,     S t o r e y , G l a d y s ,   Th eatre Regulation Act (),  , Stowe, Harriet Beecher    ,    Uncle Tom’s Cabin ,   Th eatrical Licensing Act (),  ,  Strange Gentleman , Th e ( p l a y ) ,  ,   ,    Th eatrical Times ,  S t r a u s , R a l p h ,   t h i n g t h e o r y ,   ,   –  ,    Street, G. E.,  Th r e l f a l l , D a v i d ,   S t r u t t , J o s e p h ,   Tid-Bits ,   S u e z C a n a l ,    Times , Th e ,   ,   ,   ,    ,    S u l l i v a n , F r a n c i s ,   T o l s t o y , L e o ,   ,    Summerson, Sir John,  Childhood, Boyhood, Youth ,   Sunday Under Th ree Heads ,   ,    ,    Tomahawk ,  S u s s m a n , H e r b e r t ,    T o m a l i n , C l a i r e ,   ,   S w e e t , M a t t h e w ,    Toole, J. L.,  ,  ,  S w i t z e r l a n d ,  Tooting baby farm scandal,  Tothill Fields Prison,  tableau vivant ,   ,    ,    t o u c h ,    –  ,    . See also aff ect ; nurses and Taine, Hippolyte,  nursing ; sexuality Tale of Two Cities , A ,   ,   ,   ,    –  ,    ,    , Townsend, Chauncey Hare,     –  ,    ,    ,    ,    ,    ,    ,    , transport    ,    ,    ,    –   ,    ,    ,    , and A Tale of Two Cities ,     ,    ,    ,    ,    ,    and Barnaby Rudge ,  serialisation in All the Year Round ,    ,    and David Copperfi eld ,  Tales of the Genii ,  and Dickens’s journalism, – Talfourd, Th omas,  and Dombey and Son ,    T a v i s t o c k H o u s e ,   and Little Dorrit ,  T a y l o r , H e n r y ,    and Nicholas Nickleby ,  T a y l o r , T o m ,   ,    and Sketches by Boz ,  television adaptations of Dickens’s work,  , and Th e Old Curiosity Shop ,    ,   and Th e Pickwick Papers ,    –  ,    ,    t e m p e r a n c e m o v e m e n t ,   ,    Cheap Trains Act (),  Tempos Difíceis ( fi l m ) ,   r a i l w a y s ,   ,    ,    ,    ,    ,    ,    , Tenniel, John,     –   Tennyson, Alfred, Lord,  ,  ,  revolution in Dickens’s lifetime,  ten-pound note, Dickens’s image on,  ,  road engineering and improvements,  T e r n a n , E l l e n ,   ,   ,   ,   ,   ,   ,   –  ,   ,   , r o a d s ,       ,    ,    s h i p s a n d b o a t s ,    ,    ,    T e r n a n , F r a n c e s ,   stage coaches and coaching inns, – T e r n a n , M a r i a ,   T r e e , H e r b e r t B e e r b o h m ,   Th a c k e r a y , W i l l i a m M a k e p e a c e ,  ,   ,   ,   , T r i s t a n , F l o r a ,      ,   ,    ,    ,    ,    ,    ,    T r o l l o p e , A n t h o n y ,   ,    ,    ,    ,    Pendennis ,   ,    ,    Th e Way We Live Now ,  Vanity Fair ,    ,    ,    T r o l l o p e , F r a n c e s ,    ,    t h e a t r e ,   –   ,    –   . See also b u r l e t t a ; True Sun ,  f a r c e ; m e l o d r a m a ; p a n t o m i m e ; s t a g e T u r g e n e v , I v a n ,   adaptations Turner, J. M. W. and Bleak House ,    Th e Fighting Temeraire ,  and David Copperfi eld ,  T w a i n , M a r k ,    and Great Expectations ,  and Nicholas Nickleby ,    –  ,    ,    u n c a n n y , t h e ,    and Sketches by Boz ,  Underhill, Dr Edward Bean, – and Th e Old Curiosity Shop ,  U n i t a r i a n i s m ,  ,    ,    – 

Index 

U n i t e d S t a t e s . See America W e l s h , A l e x a n d e r ,   U r a n i a C o t t a g e ,  –  ,   ,   ,    ,    ,    . West, Dr Charles,  See also prostitution ; Coutts, Angela Westminster Review,  ,  Burdett W h e w e l l , W i l l i a m ,    urban migration and mobility,  ,  ,  , W h i g r e f o r m s (     s ) ,    ,       –   Whistler, James A. McNeill,  and A Tale of Two Cities ,  Whittington, Dick,  and Bleak House ,  W i l d e , O s c a r ,   ,   ,    ,    ,    ,    and Dombey and Son ,  ,  An Ideal Husband ,  a n d d o m e s t i c i t y ,    W i l l i a m s , B r a n s b y ,   ,    and Oliver Twist ,  W i l l i a m s , E m l y n ,   and Sketches by Box ,    W i l l i a m s , J o h n ,   and the Irish,  W i l l i a m s , R a y m o n d ,    and Th e Mystery of Edwin Drood ,  Williams, Samuel,  and Th e Old Curiosity Shop ,  W i l l i a m s , V a n e s s a ,   rural depopulation, – Wills, Lieutenant-Colonel the Reverend u r b a n d e p r i v a t i o n ,   ,   ,    ,    ,    –  , F r e e m a n ,      W i l l s , W i l l i a m H e n r y ,   ,    ,    u t i l i t a r i a n i s m ,   ,    ,    ,    ,    ,    W i l s o n , A n g u s ,   ,    W i l s o n , E d m u n d ,   ,   Vallance, Rosalind,  Wizard of Oz , Th e ,   Vestiges of Creation ,  Women in Dickens , Th e ( p l a y ) ,   Victoria and Albert Museum,  ,  ,  Wood, Reverend John G.,  V i c t o r i a , Q u e e n ,   ,   ,    ,    ,    –  W o o d v i n e , J o h n ,   Village Coquettes , Th e ( p l a y ) ,  ,   ,    W o o l n e r , Th omas,  Virgil,  W o r d s w o r t h , W i l l i a m ,   ,    ,    ,    ,    v i s u a l c u l t u r e ,    –   w o r k ,    –    ,    ,    . See also g e n d e r ; and A Christmas Carol ,  d o m e s t i c i t y and Bleak House,  ,  and Bleak House ,    –    and Little Dorrit ,  and David Copperﬁ eld ,    –  ,    ,    and Our Mutual Friend ,  and Dickens’s journalism,  ,  and Pictures from Italy , – and Dombey and Son ,    ,    ,    D i c k e n s a n d ,    –  and domestic labour,  p h o t o g r a p h y ,    –  and Great Expectations ,  psychology of perception,  and Hard Times ,    ,    ,    –  ,    V v e d e n s k y , I r i n a r k h ,   ,   and Little Dorrit , – and Nicholas Nickleby ,  W a l l , M a x ,   and the ‘self-made man’,  W a l p o l e , H u g h ,   ,    a n d w o m e n ,    –    W a l s h , K e v i n ,   child labour,  Ward, Edward Matthew,  Dickens’s attitudes towards, – W a r r e n ’ s B l a c k i n g ,  –  ,   ,   ,   ,    ,    , Dickens’s depictions of clerks,  ,     ,    ‘ G o s p e l o f W o r k ’ ,    –  Warwick Castle,  World , Th e ,  Waterloo Directory of English Newspapers and W r i g h t , E l i z a b e t h ,   Periodicals , – ,  Wright, Th o m a s ,   Waters, Sarah Fingersmith ,   –  Y a t e s , E d m u n d ,   ,    ,    ,    Watson, Hon. Mrs Richard (Lavinia),  Y o u n g , R o l a n d ,   W a t s o n , H o n . R i c h a r d ,    W e e k s , J e ﬀ r e y ,    Zola, Émile François,  Weller, Mary,  Z w e i g , S t e f a n ,   ,  