Readings by Charles 'Dickens
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Dombey and Son: an Inverted Maid's Tragedy
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 6 No. 3; June 2015 Flourishing Creativity & Literacy Australian International Academic Centre, Australia Dombey and Son: An Inverted Maid's Tragedy Taher Badinjki Department of English, Faculty of Arts, Al-Zaytoonah University P O box 1089 Marj Al-Hamam, Amman 11732, Jordan E-mail: [email protected] Doi:10.7575/aiac.alls.v.6n.3p.210 Received: 14/02/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.6n.3p.210 Accepted: 29/04/2015 Abstract Ross Dabney, J. Butt & K. Tillotson, and others think that Dickens revised the role of Edith in the original plan of Dombey and Son upon the advice of a friend. I tend to believe that Dickens's swerve from his course was prompted by two motives, his relish for grand scenes, and his endeavour to engage the reader's sympathies for a character who was a victim of a social practice which he was trying to condemn. Dickens's humanitarian attitude sought to redeem the sinner and condemn the sin. In engaging the reader's sympathies, Dickens had entrapped his own. Both Edith and Alice are shown as victims of rapacious mothers who sell anything, or anybody for money. While Good Mrs Brown sells Alice's virtue and innocence for cash, Mrs Skewton trades on Edith's beauty in the marriage market to secure fortune and a good establishment. Edith and Alice's maturity and moral growth and their scorn and anger at their mothers' false teaching come in line with public prudery. -
Liminal Dickens
Liminal Dickens Liminal Dickens: Rites of Passage in His Work Edited by Valerie Kennedy and Katerina Kitsi-Mitakou Liminal Dickens: Rites of Passage in His Work Edited by Valerie Kennedy and Katerina Kitsi-Mitakou This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Valerie Kennedy, Katerina Kitsi-Mitakou and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8890-7 ISBN (13): 978-1-4438-8890-5 To Dimitra in love and gratitude (Katerina Kitsi-Mitakou) TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Abbreviations ................................................................................... x Introduction ................................................................................................. 1 Liminal Dickens: Rites of Passage in His Work Valerie Kennedy, Katerina Kitsi-Mitakou Part I: Christian Births, Marriages and Deaths Contested Chapter One ............................................................................................... 20 Posthumous and Prenatal Dickens Dominic Rainsford Chapter -
FLORENCE AS CHRIST-FIGURE in DOMBEY and SON Sarah Flenniken John Carroll University, [email protected]
John Carroll University Carroll Collected Masters Essays Theses, Essays, and Senior Honors Projects Spring 2017 TOUCHED BY LOVE: FLORENCE AS CHRIST-FIGURE IN DOMBEY AND SON Sarah Flenniken John Carroll University, [email protected] Follow this and additional works at: http://collected.jcu.edu/mastersessays Part of the English Language and Literature Commons Recommended Citation Flenniken, Sarah, "TOUCHED BY LOVE: FLORENCE AS CHRIST-FIGURE IN DOMBEY AND SON" (2017). Masters Essays. 61. http://collected.jcu.edu/mastersessays/61 This Essay is brought to you for free and open access by the Theses, Essays, and Senior Honors Projects at Carroll Collected. It has been accepted for inclusion in Masters Essays by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. TOUCHED BY LOVE: FLORENCE AS CHRIST-FIGURE IN DOMBEY AND SON An Essay Submitted to the Office of Graduate Studies College of Arts & Sciences of John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Sarah Flenniken 2017 The essay of Sarah Flenniken is hereby accepted: ______________________________________________ __________________ Advisor- Dr. John McBratney Date I certify that this is the original document ______________________________________________ __________________ Author- Sarah E. Flenniken Date A recent movement in Victorian literary criticism involves a fascination with tactile imagery. Heather Tilley wrote an introduction to an essay collection that purports to “deepen our understanding of the interconnections Victorians made between mind, body, and self, and the ways in which each came into being through tactile modes” (5). According to Tilley, “who touched whom, and how, counted in nineteenth-century society” and literature; in the collection she introduces, “contributors variously consider the ways in which an increasingly delineated touch sense enabled the articulation and differing experience of individual subjectivity” across a wide range of novels and even disciplines (1, 7). -
Charles' Childhood
Charles’ Childhood His Childhood Charles Dickens was born on February 7, 1812 in Portsmouth. His parents were John and Elizabeth Dickens. Charles was the second of their eight children . John was a clerk in a payroll office of the navy. He and Elizabeth were an outgoing, social couple. They loved parties, dinners and family functions. In fact, Elizabeth attended a ball on the night that she gave birth to Charles. Mary Weller was an early influence on Charles. She was hired to care for the Dickens children. Her bedtime stories, stories she swore were quite true, featured people like Captain Murder who would make pies of out his wives. Young Charles Dickens Finances were a constant concern for the family. The costs of entertaining along with the expenses of having a large family were too much for John's salary. In fact, when Charles was just four months old the family moved to a smaller home to cut expenses. At a very young age, despite his family's financial situation, Charles dreamed of becoming a gentleman. However when he was 12 it looked like his dreams would never come true. John Dickens was arrested and sent to jail for failure to pay a debt. Also, Charles was sent to work in a shoe-polish factory. (While employed there he met Bob Fagin. Charles later used the name in Oliver Twist.) Charles was deeply marked by these experiences. He rarely spoke of this time of his life. Luckily the situation improved within a year. Charles was released from his duties at the factory and his father was released from jail. -
Katie Wetzel MA Thesis Final SP12
DOMESTIC TRAUMA AND COLONIAL GUILT: A STUDY OF SLOW VIOLENCE IN DOMBEY AND SON AND BLEAK HOUSE BY KATHERINE E. WETZEL Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. _____________________________ Chairperson Dr. Dorice Elliott _____________________________ Dr. Anna Neill _____________________________ Dr. Paul Outka Date Defended: April 3, 2012 ii The Thesis Committee for Katherine E. Wetzel certifies that this is the approved version of the following thesis: DOMESTIC TRAUMA AND COLONIAL GUILT: A STUDY OF SLOW VIOLENCE IN DOMBEY AND SON AND BLEAK HOUSE _______________________________ Chairperson Dr. Dorice Elliott Date Approved: April 3, 2012 iii Abstract In this study of Charles Dickens’s Dombey and Son and Bleak House, I examine the two forms of violence that occur within the homes: slow violence through the naturalized practices of the everyday and immediate forms of violence. I argue that these novels prioritize the immediate forms of violence and trauma within the home and the intimate spaces of the family in order to avoid the colonial anxiety and guilt that is embedded in the naturalized practices of the everyday. For this I utilize Rob Nixon’s theory on slow violence, which posits that some practices and objects that occur as part of the everyday possess the potential to be just as violent as immediate forms of violence. Additionally, the British empire’s presence within the home makes the home a dark and violent place. Dombey and Son does this by displacing colonial anxiety, such as Mr. -
Domestic Trauma and Imperial Pessimism: the Crisis at Home in Charles Dickens’S Dombey and Son
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 21 (2019) Issue 5 Article 13 Domestic Trauma and Imperial Pessimism: The Crisis at Home in Charles Dickens’s Dombey and Son Katherine E. Ostdiek University of Iowa Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. -
The Treatment of Children in the Novels of Charles
THE TREATMENT OF CHILDREN IN THE NOVELS OF CHARLES DICKENS A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY CLEOPATRA JONES DEPARTMENT OF ENGLISH ATLANTA, GEORGIA AUGUST 1948 ? C? TABLE OF CONTENTS % Pag® PREFACE ii CHAPTER I. REASONS FOR DICKENS' INTEREST IN CHILDREN ....... 1 II. TYPES OF CHILDREN IN DICKENS' NOVELS 10 III. THE FUNCTION OF CHILDREN IN DICKENS' NOVELS 20 IV. DICKENS' ART IN HIS TREATMENT OF CHILDREN 33 SUMMARY 46 BIBLIOGRAPHY 48 PREFACE The status of children in society has not always been high. With the exception of a few English novels, notably those of Fielding, child¬ ren did not play a major role in fiction until Dickens' time. Until the emergence of the Industrial Revolution an unusual emphasis had not been placed on the status of children, and the emphasis that followed was largely a result of the insecure and often lamentable position of child¬ ren in the new machine age. Since Dickens wrote his novels during this period of the nineteenth century and was a pioneer in the employment of children in fiction, these facts alone make a study of his treatment of children an important one. While a great deal has been written on the life and works of Charles Dickens, as far as the writer knows, no intensive study has been made of the treatment of children in his novels. All attempts have been limited to chapters, or more accurately, to generalized statements in relation to his life and works. -
A Christmas Carol Adapted for the Stage by Geoff Elliott Directed by Julia Rodriguez-Elliott and Geoff Elliott December 2–23, 2021 Edu
A NOISE WITHIN HOLIDAY 2021 AUDIENCE GUIDE Charles Dickens’ A Christmas Carol Adapted for the stage by Geoff Elliott Directed by Julia Rodriguez-Elliott and Geoff Elliott December 2–23, 2021 Edu Pictured: Geoff Elliott and Deborah Strang. Photo by Craig Schwartz. TABLE OF CONTENTS Character Map ......................................3 Synopsis ...........................................4 Quotes from A Christmas Carol .........................5 About the Author Charles Dickens ......................6 Dickensian Timeline: Important Events in Dickens’ Life and Around the World ....8 Dickens’ Times: Victorian London .......................9 Poverty: Life & Death ................................12 Currency & Wealth. .16 About: Scenic Design. .18 About: Costume Design. .19 A Christmas Carol: Overall Design Concept ..............20 Additional Resources . .21 About A Noise Within. 22 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Green Foundation Capital Group Companies Kenneth T. and Michael J. Connell Foundation Eileen L. Norris Foundation The Dick and Sally Roberts Ralph M. Parsons Foundation Coyote Foundation Steinmetz Foundation The Jewish Community Dwight Stuart Youth Fund Foundation 3 A NOISE WITHIN 2021/22 SEASON | Holiday 2021 Audience Guide A Christmas Carol CHARACTER MAP CHRISTMAS PAST CHRISTMAS PRESENT CHRISTMAS YET TO COME EBENEZER SCROOGE The protagonist: a bitter old creditor who does not believe in the spirit of Christmas, nor does he possess any sympathy for the poor. JACOB MARLEY GHOST OF CHRISTMAS GHOST OF CHRISTMAS “Dead to begin with.” PRESENT YET TO COME Ebenezer Scrooge’s former A lively spirit who spreads Scrooge fears this ghost’s business partner, who died seven Christmas cheer. premonitions. years prior. His ghost appears before Scrooge on Christmas Eve to warn of him of the Three Spirits, and urges him to choose a FRED OLD JOE, MRS. -
Uni International 300 N
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Letters of Charles Dickens: 1833–1870 Edited by Georgina Hogarth and Mary Dickens Frontmatter More Information
Cambridge University Press 978-1-108-04004-4 - Letters of Charles Dickens: 1833–1870 Edited by Georgina Hogarth and Mary Dickens Frontmatter More information CAMBRIDGE LIBRARY COLLECTION Books of enduring scholarly value Literary Studies This series provides a high-quality selection of early printings of literary works, textual editions, anthologies and literary criticism which are of lasting scholarly interest. Ranging from Old English to Shakespeare to early twentieth-century work from around the world, these books offer a valuable resource for scholars in reception history, textual editing, and literary studies. Letters of Charles Dickens This selection from the letters of Charles Dickens (1812–70) was edited (as it says on the title page) ‘by his sister-in-law and his eldest daughter’. The former was Georgina Hogarth (1827–1917), who stayed in Dickens’ household and cared for the family when the author separated from his wife, her sister, in 1858; the latter was Mary (1838–96), known in the family as Mamie, his favourite child. They had published a three-volume edition in 1880, and a ‘New Edition’ in 1882; this reissue is of the single-volume third edition of 1893. The collection was seen as a ‘supplement’ to Forster’s life of Dickens (also reissued in this series). Inevitably, it focuses on the positive and dynamic sides of Dickens’ complex character, and gives a vivid portrait of a man juggling family life, writing, editing, travelling, amateur theatricals and public readings from his works with tremendous energy and verve. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-04004-4 - Letters of Charles Dickens: 1833–1870 Edited by Georgina Hogarth and Mary Dickens Frontmatter More information Cambridge University Press has long been a pioneer in the reissuing of out-of-print titles from its own backlist, producing digital reprints of books that are still sought after by scholars and students but could not be reprinted economically using traditional technology. -
Lecture 5 to UNESCO.Pdf (459.39
Lecture № 5 The theme: ENGLISH AND AMERICAN FAMOUS WRITERS, POETS AND PLAYWRIGHTS Plan: 1. Introduction. 2. The life and creative activity of William Shakespeare. 3. The life and creative activity of Charles John Huffam Dickens. 4. The life and creative activity of Samuel Langhorne Clemens (Mark Twain). 5. The life and creative activity of Theodore Herman Albert Dreiser (Theodore Dreiser). 6. The life and creative activity of James Augustine Aloysius Joyce (James Joyce). 7. The life and creative activity of Ernest Miller Hemingway (Ernest Miller Hemingway). 8. Exercises for the consolidation of the lecture. 9. Assessment. 1. Introduction. At the end of the 20 th century new writers, poets and playwright appeared. During the 1970s and early 1980s, such writers as Greene, Lessing and Le Carre continued to produce important novels. Modern writers are creating their works in different genres and various themes. John Fowler combined adventure and mystery in such novels as “The French Lieutenant's Woman” (1969), Margaret Drabble described the complex lives of educated middle-class people in London in “The Garrick Years”(1964), “The Middle Ground”(1980) and other novels. Iris Murdoch's novels are psychological studies of upper middle-class intellectuals. The three leading English poets today are Ted Hughes, Philip Larkin, and Donald Davie. Ted Hughs produced a major work in his cycle of “Crow” poems (1970-1971). Philip Larkin's verse has been published in his collection “High 1 Windows” (1974). Many of Davie's poems were collected in “In the Stopping Train” (1977). Drama is also flourishing in today's English literature. -
Edinburgh Research Explorer
Edinburgh Research Explorer Trollope, Orley Farm, and Dickens' marriage break-down Citation for published version: O'Gorman, F 2018, 'Trollope, Orley Farm, and Dickens' marriage break-down', English Studies, pp. 1-19. https://doi.org/10.1080/0013838X.2018.1492228 Digital Object Identifier (DOI): 10.1080/0013838X.2018.1492228 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: English Studies Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in English Studies on 21/9/2018, available online: https://www.tandfonline.com/doi/full/10.1080/0013838X.2018.1492228. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 1 Trollope, Orley Farm, and Dickens’ Marriage Break-down Francis O’Gorman ABSTRACT Anthony Trollope’s Orley Farm (1861-2), the plot of which the novelist thought the best he had ever conceived, is peculiarly aware of Charles Dickens, the seemingly unsurpassable celebrity of English letters in the 1850s. This essay firstly examines narrative features of Orley Farm that indicate Dickens was on Trollope’s mind—and then asks why.