2017 Educational Performances
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The CHIMES Newsletter
Page 1 DECEMBER 2018 / JANUARY 2019 December 2018 THE January 2019 CHIMES GLORIUS IMPOSSIBLE See the Virgin is delivered, In a cold and crowded stall Mirror of the Father's glory, Lies beside her in the straw He is Mercy's incarnation, WHERE PATHS ARE Marvel at this miracle! BLAZED, EXAMPLES ARE SET AND ANSWERS ARE For the Virgin gently holds, FOUND The Glorious Impossible Vision Statement: "We are called This is one of my favorite songs that the Gaither Band sings. In looking at just TO BE and TO MAKE disciples of the first two verses of this song, the Christmas story is summed up. This little Jesus Christ." baby in the manger was the Glory of God (the glorious part) born to a Virgin to Mission Statement: "God calls this save us from our lives of sin and it was done through immaculate conception church to minister in the power of (the impossible part of the song). As we reflect on all that Thanksgiving and the Holy Spirit to all His people Christmas are about, may we truly, in the depths of our hearts, give God all the through the Gospel, various praise and glory for all he has done. worship experiences, prayer, and growth in relationship and service My family and I wish you a very Merry Christmas and wonderful New Year. to Him and to one another." Pastor Linda Values We Hold and Aspire To: **************************************************************************************** Passion for Jesus Christ, Prayer, You will be reading/receiving this after Thanksgiving but I have to share with you Biblical Teaching/Preaching, something I am thankful for, and that is I got the chance to go to the Fall for All Cler- Meaningful Worship, Spiritual gy Retreat Nov 12-14. -
Nutcracker in Wonderland Curriculum Guide for Schools
i Student Performance: The Mabel Tainter Center for the Arts, Menomonie, WI Friday December 21, 2018 at 1pm Act I On Christmas Eve, the Stahlbaum family throws awakens, surrounded by rats who have crept in their annual holiday party. A studious Clara is while she was sleeping. As they spin her around home from college for the holidays, and the room, Uncle Drosselmeyer enters…but reluctant to engage in her brother Fritz’s merry- something is different about him. All at once, making. Fritz attempts to steal one of her the room begins to shrink and the Rat Queen favorite childhood books: Wonderland. As their and King emerge from the shadows. Clara party guests begin to arrive, excited about the begins to panic, but Patty arrives on the scene. holiday celebration, Clara is absorbed in A battle ensues as Patty tries to protect Clara rediscovering the story of Wonderland and and guide her to the door. This upsets the Rat takes little interest in the festivities. Queen and she commands the rats to close in on the pair. Clara chooses to face the Rat Queen Clara emerges from her book when a latecomer to save Patty, and the pair are able to escape arrives. It’s Patty, a grade school friend of through the door. Clara’s. They haven’t seen each other in ages and Patty has brought Clara a gift—a beautiful, Act II classic Nutcracker from Germany. Patty’s joy is Clara and Patty find themselves in a strange contagious, and she manages to persuade Clara new place. -
Nutcracker 120318
Ball State University, College of Fine Arts, School of Music, and the Department of Theatre and Dance present The Nutcracker Composed by Pyotr Ilyich Tchaikovsky Directed by Audra Sokol and Christie Zimmerman Conducted by Douglas Droste Choir Direction by Kerry Glann Choreography by Lisa Carter, Susan Koper, Audra Sokol, Michael Worcel, Christie Zimmerman Youth Choreography by Betsy Curry and Tracy Navas Costume Design: Patty Daehn and Melanie Mortimore Lighting Design: Mickie Marie Master Sound Engineer: Joe Court* Hair and Makeup Design: Robert Dirden and Kayla Bickham Stage Manager: Colleen Tovar^ Ball State University is accredited by the National Association of Schools of Dance (NASD), the National Association of Schools of Theatre (NAST), and the National Association of Schools of Music (NASM). *United Scenic Artists, Local 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection designers in Live Performance. ^Appears by permission of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Video, Photo, or Audio recording of this production is strictly prohibited. Act One Stahlbaums’ Christmas Party Claire: Sammi Shoufler* Drosslemeyer: Jonathan Becker Mother: Helen Sorensen* Father: Micheal Hassel Grandmother: Hannah St. Aubin* Fritz: Dru Hines Fritz’s Friend: Kailyn Kelley* Claire’s Friend: Raegan Huth* Party Guests: Hannah Bertrand*, Ciara Borg*, Levi Coy, Bekka Ferguson*, Dashawn Perry*, John Viso* Maid: Carly Jerstad* Butler: Robbie Weatherington* -
By Her Own Hand: Female Agency Through Self-Castration in Nineteenth-Century British Fiction
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 11-20-2008 By her Own Hand: Female Agency through Self-Castration in Nineteenth-Century British Fiction Angela Marie Hall-Godsey Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Hall-Godsey, Angela Marie, "By her Own Hand: Female Agency through Self-Castration in Nineteenth- Century British Fiction." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/english_diss/38 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. BY HER OWN HAND: FEMALE AGENCY THROUGH SELF-CASTRATION IN NINETEENTH-CENTURY BRITISH FICTION by ANGELA MARIE HALL-GODSEY Under the Direction of Dr. Michael Galchinsky ABSTRACT By Her Own Hand: Female Agency Through Self-Castration in Nineteenth-Century British Fiction explores the intentional methods of self-castration that lead to authorial empowerment. The project relies on the following self-castration formula: the author’s recognition of herself as a being defined by lack. This lack refers to the inability to signify within the phallocentric system of language. In addition to this initial recognition, the female author realizes writing for public consumption emulates the process of castration but, nevertheless, initiates the writing process as a way to resituate the origin of castration—placing it in her own hand. The female writer also recognizes her production as feminine and, therefore works to castrate her own femininity in her pursuit to create texts that are liberated from the critical assignation of “feminine productions.” Female self-castration is a violent act of displacement. -
Santa Claus Is Comin' to Town
Singing with Santa Caroling Songs We will sing Santa Claus is Comin’ to Town prior to Santa’s arrival. Santa Claus Is Comin' To Town You better watch out You better not cry You better not pout I'm telling you why Santa Claus is coming to town He's making a list, Checking it twice; Gonna find out who's naughty or nice. Santa Claus is coming to town He sees you when you're sleeping He knows when you're awake He knows if you've been bad or good So be good for goodness sake You better watch out You better not cry You better not pout I'm telling you why Santa Claus is coming to town Singing with Santa Caroling Songs 1. Frosty the Snowman Frosty the Snowman, was a jolly happy soul With a corn cob pipe and a button nose, and two eyes made of coal Frosty the Snowman, is a fairytale, they say He was made of snow, but the children know how he came to life one day There must have been some magic in that old silk hat they found For when they placed it on his head, he began to dance around Oh, Frosty, the Snowman, was alive as he could be and the children say he could laugh and play just the same as you and me Thumpity thump thump. Thumpity thump thump look at that Frosty go. Thumpity thump thump. Thumpity thump thump over the hills of snow. Frosty the Snowman, was a jolly happy soul With a corn cob pipe and a button nose, and two eyes made of coal. -
A Biographical Note on Charles Dickens *** Uma Nota Biográfica Sobre Charles Dickens
REVISTA ATHENA ISSN: 2237-9304 Vol. 14, nº 1 (2018) A BIOGRAPHICAL NOTE ON CHARLES DICKENS *** UMA NOTA BIOGRÁFICA SOBRE CHARLES DICKENS Sophia Celina Diesel1 Recebimento do texto: 25 de abril de 2018 Data de aceite: 27 de maio de 2018 RESUMO: As biografias de autores famosos costumam trazer supostas explicações para a sua obra literária. Foi o caso com Charles Dickens e a revelação do episódio da fábrica de graxa quando ele era menino, inspiração para David Copperfield. Exposta na biografia póstuma escrita pelo amigo próximo de Dickens John Forster, o episódio rapidamente tornou-se parte do imaginário Dickensiano. Porém é interessante observar mais de perto tais explicações e considerar outros pontos de vista, incluindo o do próprio autor. PALAVRAS-CHAVE: Charles Dickens; David Copperfield; Fábrica de Graxa; Literatura Vitoriana; Biografia literária. ABSTRACT: The biographies of famous authors often bring supposed explanations for their literary work, especially for complicated or obscure passages. Such was the case with Charles Dickens and the revelation of the blacking factory episode when he was a boy, which served later as inspiration for his novel David Copperfield. Exposed in the posthumous biography written by Dickens’s close friend John Forster it quickly called fan’s attention and became part of the Dickensian imaginary. Yet, it is interesting to look closer at such easy explanations and consider different views, including the author’s himself. KEYWORDS: Charles Dickens; David Copperfield; Blacking factory; Victorian literature; Literary biography. 1 Mestre pela Loughborough University, no Reino Unido, em Literatura Inglesa. Doutoranda em Estudos em Literatura na UFRGS - Universidade Federal do Rio Grande do Sul. -
Dickens' Christmas Story As an Intertexteme in Leskov's Yule Short
Review of European Studies; Vol. 7, No. 8; 2015 ISSN 1918-7173 E-ISSN 1918-7181 Published by Canadian Center of Science and Education Dickens’ Christmas Story as an Intertexteme in Leskov’s Yule Short Story Natalya N. Starygina1, Marina A. Pershina2, Inna N. Mikheeva2, Olga S. Berezina2 & Irina K. Klyukha2 1 Volga State University of Technology, Yoshkar-Ola, Russia 2 Mari State University, Yoshkar-Ola, Russia Correspondence: Marina А. Pershina, Mari State University, Yoshkar-Ola, Lenin Square 1, Russia. Tel: 8-960-099-3354. E-mail: [email protected] Received: February 21, 2015 Accepted: March 15, 2015 Online Published: April 28, 2015 doi:10.5539/res.v7n8p193 URL: http://dx.doi.org/10.5539/res.v7n8p193 Abstract The aim of the article is the investigation of inter textual relations in the process of genre transformation of the Christmas story into the Yule short story from Charles Dickens to Nikolay Leskov. For this purpose the typical elements of both genres are examined, the conclusion that the Christmas story by Ch. Dickens is a special intertexteme in the Yule short story by N. Leskov. Thorough the comparative analysis of three key ideological, meaningful, and poetic points and spheres (realization of concepts, categories of values and socio-cultural environment) has been made. The categories of values are depicted through the vertical relationship “a man—God”, as well as the opposition of humanity and self-absorption, moral and legal laws. Socio-cultural environment is considered as the image of household items of different classes (the merchants, the peasants, the nobles, the clergy, and the officials in the works by N. -
THE LINNEAN SOCIETY of LONDON Burlington House, Piccadilly, London W 1V OLQ
THE LINNEAN SOCIETY OF LONDON Burlington House, Piccadilly, London W 1V OLQ President Secretaries council Prof. M. F. Claridge BOTANICAL ‘The Officers and Dr C. J. Humphrirs Miss C. E. Appleby President-Elect Dr J. A. Beardmore Pro[ J. G. Hawkes ZOOLOGICAL Dr P. E. Brandham Prof. J. Green Mr F. H. Brightman Vice-Presidents Dr D. F. Cutler Dr D. Edwards EDITORIAL Dr D. Edwards Prof. J. Green Prof. J. D. Pye Dr Y. X. Erzinclioglu Prof. J. G. Hawkes Mrs P. D. Fry Dr K. A. Joysey Executive Secretary Dr D. J. Calloway Dr J. C. Marsden Dr P. A. Henderson Treasurer Dr G. McC. Reid Dr R. W. J. Keay Librarian Dr P. R. Richards Miss G. Douglas Dr V. R. Southgate Membership Maria J. Polius Meetings Marquita Baird THE LINNEAN Newsletter and Proceedings of the Linnean Society of London Edited by B. G. Gardiner .. Editorial ..............11 Society News .............1 Correspondence .............6 Clift, Darwin, Owen and the Dinosauria.. (2) .....8 Proceedings of the Society ..........15 Library ...............37 Editorial This issue of The Linnean includes a second article tracing the impact that Sir Richard Owen had on vertebrate palaeontology and comparative anatomy. It was written to celebrate the 150th anniversary of the naming of the Dinosauria which falls this Summer. Later in the year (August 30) the Royal Mail will be issuing a commemorative set of dinosaur stamps. The concern expressed in our last issue at the low level of funding for taxonomic research at the Natural History Museum has been answered by a standard letter from the Minister for Arts (see Correspondence). -
Charles Dickens and His a Christmas Carol: the Society of Sentiment and Christmas
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Viktória Ľuptáková Charles Dickens and his A Christmas Carol: the society of sentiment and Christmas Bachelor’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph.D. 2017 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgments: I would especially like to thank my supervisor, Stephen Paul Hardy, Ph.D., for helping me with this thesis and giving me valuable advice. I appreciate everything you have done to help me. Furthermore, I would like to thank the entire staff of our department for giving me much more than knowledge. Table of Contents 1 Introduction ................................................................. 1 2 Chapter One: Charles Dickens ..................................... 5 3 Chapter Two: The development of Christmas in Victorian England ........................................................... 15 4 Chapter Three: Analysis of A Christmas Carol ......... 24 5 Chapter Four: Christmas Books ................................. 43 6 Conclusion ................................................................. 52 7 Works Cited ............................................................... 55 8 Resumé (English) ....................................................... 62 9 Resumé (Czech) ......................................................... 63 1 Introduction This bachelor thesis deals with the story A Christmas Carol written by an English writer and social critic of Victorian era, Charles Dickens. A Christmas Carol is a well- known story about a cold-hearted miser, Scrooge, who is visited by spirits which want to show him the true importance of one´s life and the meaning of Christmas. The aim of this thesis is to show that A Christmas Carol can be considered a story that depicts the defects of humanity and emphasizes the importance of charity. -
Grotesque Characters
Grotesque Characters in Charles Dickens’s A Tale of Two Cities, Great Expectations, and Our Mutual Friend by Bård Ålovsrud A Dissertation Presented to the Department of Literature, Area Studies and European Languages The University of Oslo Spring Term 2007 1 Foreword I will take the opportunity to express my gratitude to Professor Tore Rem for his guidance and great patience during the writing process. I am also much obliged to Magnus Nygaard for his assistance in late night computer-related problems, and my brother Ole Mikkel for always seeing the easy solution to difficult problems. Oslo, April 2007 Bård Ålovsrud 2 Table of Contents Page Chapter One Presenting the Dissertation……………………………………………….. 3 Introduction to Dickens’s Authorship…………………………….…..….. 6 The Grotesque…………………………………………………….…..….. 9 Dickens’s Relation to the Grotesque………………………………...…… 14 Humour and Laughter………………………………………………..…… 18 Chapter Two: A Tale of Two Cities Introduction…………………………………………………………...…. 24 Lucie Manette and Miss Pross ………………………………………….. 27 Madame Defarge……………………………………………………..….. 29 Monsieur de Marquis………………………………………………..…… 32 Sydney Carton……………………………………………………..…….. 36 The Wood-Sawyer, Jacques Three and Jerry Cruncher……………..…… 40 Concluding Remarks…………………………………………………….. 44 Chapter Three: Great Expectations Introduction…………………………………………………...………….. 45 Miss Havisham……………………………………………………….….. 47 Mrs. Joe Gargery …….…………………………………….……….…… 52 Estella……………………………………………..………….….….…… 54 Pip…………………………………………………………………….…. 57 Concluding Remarks…………………………………………………….. 63 -
A Description of Plot in Charles Dicken's Novel
A DESCRIPTION OF PLOT IN CHARLES DICKEN’S NOVEL OLIVER TWIST A PAPER WRITTEN BY JULIANATIKA REG.NO : 152202038 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am Julianatika, declare that I am sole of the author of this paper. Except where references is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for a awarded degree. No other person‘s work has been used without due acknowledgement in this main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed: ................... Date : November 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : Julianatika Title of Paper : A DESCRIPTION OF PLOT IN CHARLES DICKEN‘S NOVEL OLIVER TWIST Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Study Program Faculty of Cultural Studies, University of North Sumatera the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed: ......................... Date: November 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT The title of this paper is A Description of Plot In Charles Dicken’s Novel “Oliver Twist”. Plot is the literary element that contains the event has cause in a story where the event has cause and effect relation. -
The Treatment of Children in the Novels of Charles
THE TREATMENT OF CHILDREN IN THE NOVELS OF CHARLES DICKENS A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY CLEOPATRA JONES DEPARTMENT OF ENGLISH ATLANTA, GEORGIA AUGUST 1948 ? C? TABLE OF CONTENTS % Pag® PREFACE ii CHAPTER I. REASONS FOR DICKENS' INTEREST IN CHILDREN ....... 1 II. TYPES OF CHILDREN IN DICKENS' NOVELS 10 III. THE FUNCTION OF CHILDREN IN DICKENS' NOVELS 20 IV. DICKENS' ART IN HIS TREATMENT OF CHILDREN 33 SUMMARY 46 BIBLIOGRAPHY 48 PREFACE The status of children in society has not always been high. With the exception of a few English novels, notably those of Fielding, child¬ ren did not play a major role in fiction until Dickens' time. Until the emergence of the Industrial Revolution an unusual emphasis had not been placed on the status of children, and the emphasis that followed was largely a result of the insecure and often lamentable position of child¬ ren in the new machine age. Since Dickens wrote his novels during this period of the nineteenth century and was a pioneer in the employment of children in fiction, these facts alone make a study of his treatment of children an important one. While a great deal has been written on the life and works of Charles Dickens, as far as the writer knows, no intensive study has been made of the treatment of children in his novels. All attempts have been limited to chapters, or more accurately, to generalized statements in relation to his life and works.