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David Copperfield by Charles Dickens Chapter 13 (Excerpt)
David Copperfield by Charles Dickens Chapter 13 (Excerpt) My aunt’s handmaid, as I supposed she was from what she had said, put her rice in a little basket and walked out of the shop; telling me that I could follow her, if I wanted to know where Miss Trotwood lived. I needed no second permission; though I was by this time in such a state of con- sternation and agitation, that my legs shook under me. I followed the young woman, and we soon came to a very neat little cottage with cheerful bow-windows: in front of it, a small square graveled court or garden full of flowers, carefully tended, and smelling deliciously. “This is Miss Trotwood’s,” said the young woman. “Now you know; and that’s all I have got to say.” With which words she hurried into the house, as if to shake off the responsibility of my appearance; and left me standing at the garden-gate, looking disconsolately over the top of it towards the parlor window, where a muslin curtain partly undrawn in the middle, a large round green screen or fan fastened on to the windowsill, a small table, and a great chair, suggested to me that my aunt might be at that moment seated in awful state. My shoes were by this time in a woeful condition. The soles had shed themselves bit by bit, and the upper leathers had broken and burst until the very shape and form of shoes had departed from them. My hat (which had served me for a night-cap, too) was so crushed and bent, that no old battered handleless saucepan on a dunghill need have been ashamed to vie with it. -
Life of Charles Dickens
"(Sreat Writers." EDITED BY ERIC S. ROBERTSON, M.A., PROFESSOR OF ENGLISH LITERATURE AND PHILOSOPHY IN THE UNIVERSITY OF THE PUNJAB, LAHORE. LIFE OF DICKENS. LIFE OF CHARLES DICKENS BY FRANK T. ^ARZIALS LONDON WALTER SCOTT 24 WARWICK LANE, PATERNOSTER ROW 1887 NOTE. I should have to acknowledge a fairly hoavy " THATdebt to Forster's Life of Chi rles Dickens," and " The Letters of Charles Dickens," edited by his sister- in-law and his eldest daughter, is almost a matter of for which course ; these are books from every present and future biographer of Dickens must perforce borrow in a more or less degree. My work, too, has been much " lightened by Mr. Kitton's excellent Dickensiana." CONTENTS. CHAPTER I. PAGH born The of education ; Charles Dickens February 7, lottery "- his his 1812 ; pathetic feeling towards own childhood; at troubles be- happy days Chatham ; family ; similarity tween little Dickens Charles and David Copperfield ; John taken to the Marshalsea ; his character ; Charles employed in in after about blacking business ; over-sensitive years this in is back into episode his career ; isolation ; brought and in comfort at family prison circle ; family comparative the Marshalsea ; father released ; Charles leaves the his is sent to blacking business ; mother ; he Wellington House Academy in 1824; character of that place of learn- ing ; Dickens masters its humours thoroughly . .II CHAPTER II. a Dickens becomes a solicitor's clerk in 1827 ; then reporter; his first in experiences in that capacity ; story published The Old Monthly Magazine for January, 1834; writes more "Sketches"; power of minute observation thus early writer's art is for his contribu- shown ; masters the ; paid tions to the Chronicle; marries Miss Hogarth on April 2, at that of en- 1836 ; appearance date ; power physical his education durance ; admirable influence of peculiar ; and its drawbacks 27 CHAPTER III. -
List of Characters
LIST OF CHARACTERS David Copperfield Agnes Wickfield The protagonist and narrator of the novel. David is David’s true love and daughter of Mr. Wickfield. The innocent, trusting, and naïve even though he suffers calm and gentle Agnes admires her father and David. abuse as a child. He is idealistic and impulsive and Agnes always comforts David with kind words or remains honest and loving. Though David’s troubled advice when he needs support. childhood renders him sympathetic, he is not perfect. He often exhibits chauvinistic attitudes toward the Mr Wickfield lower classes. In some instances, foolhardy decisions mar David’s good intentions. Mr. Wickfield is a lawyer and business manager for both Miss Betsey and Mrs Strong, David’s new headmaster. Mr Wickfield is a kind and generous man, Clara Copperfield but suffers from an alcohol addiction. This taste for David’s mother. The kind, generous, and goodhearted alcohol later becomes increasingly difficult to control, Clara embodies maternal caring until her death, which leaving Mr Dick and his clients vulnerable to the occurs early in the novel. David remembers his mother manipulation of others. as an angel whose independent spirit was destroyed by Mr. Murdstone’s cruelty. Mrs Strong The kind and straight talking headteacher of the Peggotty school in Canterbury that David later joins, arranged David’s nanny and caretaker. Peggotty is gentle and by his aunt and Mr Wickfield. selfless, opening herself and her family to David whenever he is in need. She is faithful to David and his James Steerforth family all her life, never abandoning David, his mother, or Miss Betsey. -
David Copperfield: Victorian Hero
David Copperfield: Victorian Hero by James A. Hamby A Dissertation Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the College of Graduate Studies of Middle Tennessee State University Murfreesboro, Tennessee August 2012 UMI Number: 3528680 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. OiSi«Wior» Ftattlisttlfl UMI 3528680 Published by ProQuest LLC 2012. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Submitted by James A. Hamby in partial fulfillment of the requirements for the degree of Doctor of Philosophy, specializing in English. Accepted on behalf of the Faculty of the College of Graduate Studies by the dissertation committee: Date: Quaul 3-1.9J310. Rebecca King, Ph.D. ^ Chairperson Date:0ruu^ IX .2.612^ Elvira Casal^Ph.D. N * Second Reader f ./1 >dimmie E. Cain, Ph.D. Af / / / y # Third Reader / diPUt Date:J Tom Strawman, Ph.D. Chair, Department of English (lULa.lh Qtt^bate: 7 SI '! X Michael D.)'. Xllen, Ph.D. Dean of the College of Graduate Studies © 2012 James A. Hamby ALL RIGHTS RESERVED ii For my family. -
By Her Own Hand: Female Agency Through Self-Castration in Nineteenth-Century British Fiction
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 11-20-2008 By her Own Hand: Female Agency through Self-Castration in Nineteenth-Century British Fiction Angela Marie Hall-Godsey Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Hall-Godsey, Angela Marie, "By her Own Hand: Female Agency through Self-Castration in Nineteenth- Century British Fiction." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/english_diss/38 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. BY HER OWN HAND: FEMALE AGENCY THROUGH SELF-CASTRATION IN NINETEENTH-CENTURY BRITISH FICTION by ANGELA MARIE HALL-GODSEY Under the Direction of Dr. Michael Galchinsky ABSTRACT By Her Own Hand: Female Agency Through Self-Castration in Nineteenth-Century British Fiction explores the intentional methods of self-castration that lead to authorial empowerment. The project relies on the following self-castration formula: the author’s recognition of herself as a being defined by lack. This lack refers to the inability to signify within the phallocentric system of language. In addition to this initial recognition, the female author realizes writing for public consumption emulates the process of castration but, nevertheless, initiates the writing process as a way to resituate the origin of castration—placing it in her own hand. The female writer also recognizes her production as feminine and, therefore works to castrate her own femininity in her pursuit to create texts that are liberated from the critical assignation of “feminine productions.” Female self-castration is a violent act of displacement. -
'Seeming Would Be Quite Enough'
‘Seeming Would Be Quite Enough’ Melodrama and Authenticity in Little Dorrit Helle Kathrine Løchen Knutsen A Thesis Presented to The Department of Literature, Area Studies and European Languages University of Oslo In Partial Fulfillment of the Requirements for the MA Degree Spring Term 2013 Supervisor: Tore Rem Acknowledgements I grasp the opportunity to heartily thank my supervisor Professor Tore Rem, whose critical comments and encouragement have been greatly helpful. Further, I want to express my gratitude to my family. Their interest and support have been precious. Finally, I wish to thank my pupils, whose theatricals are a continuous source of inspiration. II III © Helle Kathrine Løchen Knutsen År: 2013 Title: ’Seeming Would Be Quite Enough’. Melodrama and Authenticity in Little Dorrit. Author: Helle Kathrine Løchen Knutsen Supervisor: Professor Tore Rem http://www.duo.uio.no Trykk: Reprosentralen, Universitetet i Oslo IV Sammendrag: ‘Seeming Would Be Quite Enough’ explores theatrical expressions in Little Dorrit (1855- 1857) by Charles Dickens. The many borrowings from entertainment culture, ranging from Punch and Judy to circus, add greatly to the impression of a remarkably many-faceted text. Fictive entertainers of four other novels, Nicholas Nickleby, The Old Curiosity Shop, Hard Times and Great Expectations are studied as representatives of various theatre forms of Dickens’s time, but they also display the author’s complex relationship to entertainers and acting. Little Dorrit clearly employs plot-structure similar to that of melodrama and the characteristic hyperbole, the ‘mode of excess’. Through the novel’s partly idealized and partly contorted depiction of human life there runs a strong yearning for authentic and genuine representation of language and communication. -
A Biographical Note on Charles Dickens *** Uma Nota Biográfica Sobre Charles Dickens
REVISTA ATHENA ISSN: 2237-9304 Vol. 14, nº 1 (2018) A BIOGRAPHICAL NOTE ON CHARLES DICKENS *** UMA NOTA BIOGRÁFICA SOBRE CHARLES DICKENS Sophia Celina Diesel1 Recebimento do texto: 25 de abril de 2018 Data de aceite: 27 de maio de 2018 RESUMO: As biografias de autores famosos costumam trazer supostas explicações para a sua obra literária. Foi o caso com Charles Dickens e a revelação do episódio da fábrica de graxa quando ele era menino, inspiração para David Copperfield. Exposta na biografia póstuma escrita pelo amigo próximo de Dickens John Forster, o episódio rapidamente tornou-se parte do imaginário Dickensiano. Porém é interessante observar mais de perto tais explicações e considerar outros pontos de vista, incluindo o do próprio autor. PALAVRAS-CHAVE: Charles Dickens; David Copperfield; Fábrica de Graxa; Literatura Vitoriana; Biografia literária. ABSTRACT: The biographies of famous authors often bring supposed explanations for their literary work, especially for complicated or obscure passages. Such was the case with Charles Dickens and the revelation of the blacking factory episode when he was a boy, which served later as inspiration for his novel David Copperfield. Exposed in the posthumous biography written by Dickens’s close friend John Forster it quickly called fan’s attention and became part of the Dickensian imaginary. Yet, it is interesting to look closer at such easy explanations and consider different views, including the author’s himself. KEYWORDS: Charles Dickens; David Copperfield; Blacking factory; Victorian literature; Literary biography. 1 Mestre pela Loughborough University, no Reino Unido, em Literatura Inglesa. Doutoranda em Estudos em Literatura na UFRGS - Universidade Federal do Rio Grande do Sul. -
Montclair State University Digital Commons Field
Montclair State University Montclair State University Digital Commons 2018-2019 Borders and Boundaries PEAK Performances Programming History 10-18-2018 Field Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2018-2019 Part of the Theatre and Performance Studies Commons World Premiere! Liz Gerring Dance Company Field Photo by Rodrigo Vazquez Photo by Rodrigo October 18-21, 2018 Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts + Cultural Programming World Premiere! Liz Gerring Dance Company Field Choreographed by Liz Gerring Original Music Composed by Michael J. Schumacher Production Design by Robert Wierzel Associate Lighting Designer/Company Production Manager Amith A. Chandrashakar Assistant Lighting Designer Abigail Hoke-Brady Stage Manager Stephanie Byrnes-Harrell Rehearsal Assistants Brandon Collwes, Claire Westby Company Manager Elizabeth DeMent Dancers Brandon Collwes, Joseph Giordano, Forrest Hersey, Julia Jurgilewicz, Jamie Scott, Thomas Welsh-Huggins, Claire Westby Liz Gerring Dance Company is a program of TonalMotion Inc., a 501(c)3 nonprofit corporation. lizgerringdance.org Co-produced by Peak Performances @ Montclair State (NJ). Field was developed in residence at the Alexander Kasser Theater, Montclair State University, Montclair, NJ. Additional funding provided by Kirk Radke. Duration: 1 hour, no intermission. In consideration of both audiences and performers, please turn off all electronic devices. The taking of photographs or videos and the use of recording equipment are not permitted. No food or drink is permitted in the theater. Program Notes Field is the third work by Liz Gerring in the trilogy of large-scale proscenium works commissioned by Peak Performances at Montclair State University. -
Charles' Childhood
Charles’ Childhood His Childhood Charles Dickens was born on February 7, 1812 in Portsmouth. His parents were John and Elizabeth Dickens. Charles was the second of their eight children . John was a clerk in a payroll office of the navy. He and Elizabeth were an outgoing, social couple. They loved parties, dinners and family functions. In fact, Elizabeth attended a ball on the night that she gave birth to Charles. Mary Weller was an early influence on Charles. She was hired to care for the Dickens children. Her bedtime stories, stories she swore were quite true, featured people like Captain Murder who would make pies of out his wives. Young Charles Dickens Finances were a constant concern for the family. The costs of entertaining along with the expenses of having a large family were too much for John's salary. In fact, when Charles was just four months old the family moved to a smaller home to cut expenses. At a very young age, despite his family's financial situation, Charles dreamed of becoming a gentleman. However when he was 12 it looked like his dreams would never come true. John Dickens was arrested and sent to jail for failure to pay a debt. Also, Charles was sent to work in a shoe-polish factory. (While employed there he met Bob Fagin. Charles later used the name in Oliver Twist.) Charles was deeply marked by these experiences. He rarely spoke of this time of his life. Luckily the situation improved within a year. Charles was released from his duties at the factory and his father was released from jail. -
David Copperfield: Personal History of David Copperfield: the Personal History of David Copperfield Pdf, Epub, Ebook
DAVID COPPERFIELD: PERSONAL HISTORY OF DAVID COPPERFIELD: THE PERSONAL HISTORY OF DAVID COPPERFIELD PDF, EPUB, EBOOK Charles Dickens,H. K. Browne,Chris Barlow,Professor Jeremy Tambling | 1024 pages | 28 Jan 2005 | Penguin Books Ltd | 9780140439441 | English | London, United Kingdom David Copperfield: Personal History of David Copperfield: The Personal History of David Copperfield PDF Book And, if he were politely underwhelmed by the wiry and breathless Micawber of Peter Capaldi who should have been one of the villains , he would without question rejoice in other performers—instinctive Dickensians like Tilda Swinton, Gwendoline Christie, and, most endearing of all, Hugh Laurie. With a wild corona of hair, flaring and blazing like the sun, Laurie takes the part of Mr. Anthony Lane has been a film critic for The New Yorker since Mr Spenlow Faisal Dacosta The life of David Copperfield is chronicled from his birth to now. Runtime: min. The Guardian. Trivia Filmed during the hot dry summer of , the film was finally premiered in Canada in September and theatrically released in the UK in January British theatrical release poster. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David's journey is by turns hilarious and tragic, but always full of life, color and humanity. Wickfield Nikki Amuka-Bird as Mrs. Sign In. Glenn Kenny was the chief film critic of Premiere magazine for almost half of its existence. Hull Live. Download as PDF Printable version. Best Casting. British Independent Film Awards. She had nothing worse than a lone wolf. Will be used in accordance with our Privacy Policy. -
David Copperfield by Charles Dickens
Ch apter 1 In reading my story, you’ll decide whether I’m the hero of my own life or someone else is. I was born at Blunderstone in Suffolk. My father, David, had died six months before, at the age of thirty-nine. His aunt, Betsey Trotwood, was the head of the family. Aunt Betsey had been married to a younger man who had been very handsome and was said to have abused her. They had separated. Aunt Betsey had taken back her birth name, bought a seaside house in Dover, established herself there as a single woman with one servant, and lived in near-seclusion. It was believed that her husband had gone to India and died there ten years later. My father had been a favorite of Aunt Betsey until his marriage, which had deeply offended her. She never had met my mother, Clara. However, because my mother had been only nineteen when she married my father, then thirty- eight, Aunt Betsey had taken offense and referred to my mother as a “wax doll.” My father and Aunt Betsey had never seen each other again. The day before I was born was a bright, windy March day. My mother was in poor health and in low spirits. Dressed in mourning because of my father’s 1 2 CHARLES DICKENS recent death, she sat in the parlor by the fi re shortly before sunset. When she lifted her sad eyes to the window opposite her, she saw an unfamiliar lady coming up the walk. The lady was Aunt Betsey. -
2017 Educational Performances
2017 EDUCATIONAL PERFORMANCES A Production of the Pennsylvania Renaissance Faire Holidays at Mount Hope is a different kind of interactive experience. Through the doors of Mount Hope Mansion, you’ll enter a Christmas party, time to meet and mingle with a host of characters and a variety of Holiday decorations. Sing along, share games and traditions, and rejoice in the spirit of the season with holiday characters. 2017 Stories & Cast— Christmas, 1899: Fredrick Schwartz Jr., Son of the founder of the FAO Schwartz Toy Bazaar is throwing a Christmas party fit for the end of a century. Filling the Grubb Estate in Mount Hope, Pennsylvania to the brim with the best examples of the toys and games that make children look forward to Christmas morning, Schwartz has transformed the mansion into a Santa’s Workshop that can warm even the coldest heart. He’s invited some of his closest friends over, including the game-loving Parker Brothers (and their sister, Dot), and they have put together a Christmas pageant for all of the guests. Fun, games, and heart-warming performances will fill this Christmas with the love, joy, and generosity of the season. A Christmas Carol, by Charles Dickens The story of a bitter old miser named Ebenezer Scrooge, his transformation into a gentler, kindlier man brought on by visitations by the Ghosts of Christmases Past, Present and Yet to Come. Presented with warmth, humor, tradition and a bit of audience support, the enduring tale of A Christmas Carol springs from storybook to the stage. A Visit from St. Nicholas, by Clemet Clarke Moore Written as a Christmas gift for his six children, “A Visit from St.