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Carolingian, Romanesque, Gothic
3 periods: - Early Medieval (5th cent. - 1000) - Romanesque (11th-12th cent.) - Gothic (mid-12th-15th cent.) - Charlemagne’s model: Constantine's Christian empire (Renovatio Imperii) - Commission: Odo of Metz to construct a palace and chapel in Aachen, Germany - octagonal with a dome -arches and barrel vaults - influences? Odo of Metz, Palace Chapel of Charlemagne, circa 792-805, Aachen http://www.youtube.com/ watch?v=pwIKmKxu614 -Invention of the uniform Carolingian minuscule: revived the form of book production -- Return of the human figure to a central position: portraits of the evangelists as men rather than symbols –Classicism: represented as roman authors Gospel of Matthew, early 9th cent. 36.3 x 25 cm, Kunsthistorische Museum, Vienna Connoisseurship Saint Matthew, Ebbo Gospels, circa 816-835 illuminated manuscript 26 x 22.2 cm Epernay, France, Bibliotheque Municipale expressionism Romanesque art Architecture: elements of Romanesque arch.: the round arch; barrel vault; groin vault Pilgrimage and relics: new architecture for a different function of the church (Toulouse) Cloister Sculpture: revival of stone sculpture sculpted portals Santa Sabina, Compare and contrast: Early Saint-Sernin, Toulouse, Rome, 422-432 Christian vs. Romanesque France, ca. 1070-1120 Stone barrel-vault vs. timber-roofed ceiling massive piers vs. classical columns scarce light vs. abundance of windows volume vs. space size Saint-Sernin, Toulouse, Roman and Romanesque Architecture France, ca. 1070-1120 The word “Romanesque” (Roman-like) was applied in the 19th century to describe western European architecture between the 10th and the mid- 12th centuries Saint-Sernin, Toulouse, France, ca. 1070-1120 4 Features of Roman- like Architecture: 1. round arches 2. -
Rouen Revisited
105 Chapter 8 Rouen Revisited 8.1 Overview This chapter describes Rouen Revisited, an interactive art installation that uses the tech- niques presented in this thesis to interpret the series of Claude Monet's paintings of the Rouen Cathe- dral in the context of the actual architecture. The chapter ®rst presents the artistic description of the work from the SIGGRAPH '96 visual proceedings, and then gives a technical description of how the artwork was created. 8.2 Artistic description This section presents the description of the Rouen Revisited art installation originally writ- ten by Golan Levin and Paul Debevec for the SIGGRAPH'96 visual proceedings and expanded for the Rouen Revisited web site. 106 Rouen Revisited Between 1892 and 1894, the French Impressionist Claude Monet produced nearly 30 oil paintings of the main facËade of the Rouen Cathedral in Normandy (see Fig. 8.1). Fascinated by the play of light and atmosphere over the Gothic church, Monet systemat- ically painted the cathedral at different times of day, from slightly different angles, and in varied weather conditions. Each painting, quickly executed, offers a glimpse into a narrow slice of time and mood. The Rouen Revisited interactive art installation aims to widen these slices, extending and connecting the dots occupied by Monet's paintings in the multidimensional space of turn-of-the-century Rouen. In Rouen Revisited, we present an interactive kiosk in which users are invited to explore the facËade of the Rouen Cathedral, as Monet might have painted it, from any angle, time of day, and degree of atmospheric haze. -
Résumé EI Canal Des Ardennes Dossier a Envi V3
CONSEIL DEPARTEMENTAL DES ARDENNES Direction Générale des Services Départementaux Direction de l’Aménagement du Territoire Service Développement Rural, Agriculture, Tourisme AMENAGEMENT DE LA VOIE VERTE SUD ARDENNES LE LONG DES CANAUX DES ARDENNES, DE L'AISNE ET DE VOUZIERS RÉSUMÉ NON TECHNIQUE DE L’ÉTUDE D’IMPACT Octobre 2020 1.1. Présentation du projet 1.2. Synthèse de l'état initial de l'environnement Le projet consiste à l'aménagement sur le chemin de halage du canal, d'un itinéraire continu de randonnée à usage non motorisé. L'analyse de l'état initial de l'environnement a fait ressortir les points majeurs suivants qui seront à prendre en compte dans l'élaboration du projet : L'objectif de celui-ci est de compléter la voie verte aménagée par le Conseil Départemental des Ardennes - Les abords du canal latéral à l'Aisne sont soumis au Plan de Prévention du Risque inondations le long de la Meuse entre Givet et Mouzon (140 km). Ce projet est inscrit au Schéma Régional des de la vallée de l'Aisne ; Véloroutes et Voies Vertes et assure la connexion avec le réseau RAVEL en Belgique. - Les berges des canaux nécessitent une réfection sur des linéaires importants ; La maîtrise d'ouvrage de la voie verte est assurée par le Conseil Départemental des Ardennes, qui en - Aucune zone humide n’a été identifiée au droit du tracé de la voie verte qui s’attache à plus du tracé aménagera le croisement avec les différentes routes, et le passage sous le tunnel de Saint- emprunter des chemins préexistant ; Aignan. - Sept périmètres de protection de captage d'eau potable s'étendent jusqu'au tracé de la voie Le projet s'étend sur un linéaire de près de 110 km de Voie Verte, reliant la vallée de la Meuse à Dom-le- verte ; Mesnil, à la vallée de l'Aisne entre Vouziers en amont, et Brienne-sur-Aisne en aval. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
The Digital Nature of Gothic
The Digital Nature of Gothic Lars Spuybroek Ruskin’s The Nature of Gothic is inarguably the best-known book on Gothic architecture ever published; argumentative, persuasive, passionate, it’s a text influential enough to have empowered a whole movement, which Ruskin distanced himself from on more than one occasion. Strangely enough, given that the chapter we are speaking of is the most important in the second volume of The Stones of Venice, it has nothing to do with the Venetian Gothic at all. Rather, it discusses a northern Gothic with which Ruskin himself had an ambiguous relationship all his life, sometimes calling it the noblest form of Gothic, sometimes the lowest, depending on which detail, transept or portal he was looking at. These are some of the reasons why this chapter has so often been published separately in book form, becoming a mini-bible for all true believers, among them William Morris, who wrote the introduction for the book when he published it First Page of John Ruskin’s “The with his own Kelmscott Press. It is a precious little book, made with so much love and Nature of Gothic: a chapter of The Stones of Venice” (Kelmscott care that one hardly dares read it. Press, 1892). Like its theoretical number-one enemy, classicism, the Gothic has protagonists who write like partisans in an especially ferocious army. They are not your usual historians – the Gothic hasn’t been able to attract a significant number of the best historians; it has no Gombrich, Wölfflin or Wittkower, nobody of such caliber – but a series of hybrid and atypical historians such as Pugin and Worringer who have tried again and again, like Ruskin, to create a Gothic for the present, in whatever form: revivalist, expressionist, or, as in my case, digitalist, if that is a word. -
Laon Cathedral • Early Gothic Example with a Plan That Resembles Romanesque
Gothic Art • The Gothic period dates from the 12th and 13th century. • The term Gothic was a negative term first used by historians because it was believed that the barbaric Goths were responsible for the style of this period. Gothic Architecture The Gothic period began with the construction of the choir at St. Denis by the Abbot Suger. • Pointed arch allowed for added height. • Ribbed vaulting added skeletal structure and allowed for the use of larger stained glass windows. • The exterior walls are no longer so thick and massive. Terms: • Pointed Arches • Ribbed Vaulting • Flying Buttresses • Rose Windows Video - Birth of the Gothic: Abbot Suger and St. Denis Laon Cathedral • Early Gothic example with a plan that resembles Romanesque. • The interior goes from three to four levels. • The stone portals seem to jut forward from the façade. • Added stone pierced by arcades and arched and rose windows. • Filigree-like bell towers. Interior of Laon Cathedral, view facing east (begun c. 1190 CE). Exterior of Laon Cathedral, west facade (begun c. 1190 CE). Chartres Cathedral • Generally considered to be the first High Gothic church. • The three-part wall structure allowed for large clerestory and stained-glass windows. • New developments in the flying buttresses. • In the High Gothic period, there is a change from square to the new rectangular bay system. Khan Academy Video: Chartres West Facade of Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). Royal Portals of Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). Nave, Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). -
American Armies and Battlefields in Europe 533
Chapter xv MISCELLANEOUS HE American Battle Monuments The size or type of the map illustrating Commission was created by Con- any particular operation in no way indi- Tgress in 1923. In carrying out its cates the importance of the operation; task of commeroorating the services of the clearness was the only governing factor. American forces in Europe during the The 1, 200,000 maps at the ends of W or ld W ar the Commission erected a ppro- Chapters II, III, IV and V have been priate memorials abroad, improved the placed there with the idea that while the eight military cemeteries there and in this tourist is reading the text or following the volume records the vital part American tour of a chapter he will keep the map at soldiers and sailors played in bringing the the end unfolded, available for reference. war to an early and successful conclusion. As a general rule, only the locations of Ail dates which appear in this book are headquarters of corps and divisions from inclusive. For instance, when a period which active operations were directed is stated as November 7-9 it includes more than three days are mentioned in ail three days, i. e., November 7, 8 and 9. the text. Those who desire more com- The date giYen for the relief in the plete information on the subject can find front Jine of one division by another is it in the two volumes published officially that when the command of the sector by the Historical Section, Army W ar passed to the division entering the line. -
Archéologie En Picardie Les Monuments Funéraires Du Néolithique Moyen De Beaurieux, La Plaine
L’ÉTAT ET LE PATRIMOINE ARCHÉOLOGIQUE Le ministère de la Culture, en application du Livre V du Code du Patrimoine, a pour mission d'inventorier, proté - ger, étudier et conserver le patrimoine archéologique, de programmer et contrôler la recherche scientifique, de s'assurer de la diffu - sion des résultats. La mise en œuvre de ces missions est assurée par les Directions régio - nales des affaires culturelles (Services régionaux de l'archéologie). L’INSTITUT NATIONAL DE SUIVI DES RECHERCHES ARCHEOLO - OPÉRATIONS GIQUES PREVENTIVES Caroline Colas (Inrap, Protohistoire européenne- UMR 7041), Jean-Paul Avec 2 000 collaborateurs et chercheurs, l’Inrap Farruggia (CNRS) est la plus importante structure de recherche archéologique française et l’une des toutes pre - FINANCEMENT : mières en Europe. Institut national de LES MONUMENTS Lafarge Granulats Seine- recherche, il réalise l’essentiel des diagnostics FUNÉRAIRES DU Nord NÉOLITHIQUE MOYEN archéologiques et des fouilles en partenariat DE BEAURIEUX, LA ARCHÉOLOGIE EN avec les aménageurs privés et publics : soit plus PLAINE (AISNE) PICARDIE de 2 000 chantiers par an, en France métropoli - Fouilles archéologiques liées Publication de la DRAC taine et dans les Dom. Ses missions s’étendent à à un projet d'exploitation Picardie de granulats. Fouilles réali - Service régional de l’exploitation scientifique des résultats et à la sées de 2005 à 2007 l’archéologie diffusion de la connaissance archéologique 5 rue Henri Daussy auprès du public. BIBLIOGRAPHIE 80000 AMIENS Les opérations ont fait l’ob - Tél. : 03 22 97 33 45 jet de rapports scientifiques déposés au Service Textes : L'équipe de Protohistoire Régional de l’Archéologie Caroline Colas (Inrap, Européenne est un laboratoire (DRAC Picardie). -
Enemy Cross Aisne River; Local Red Cross Fund Reaches $103,376
-i'V ■ ••:i4 "a - u 0-V-E-R T-H-E T-O-P” OUR TOWNES HABIT CANNOT BE BROK ===============^ CIRCULATION STATEMENT THE WEATHER. Average daily circulation of THB Partly cloudy tonight and Wed EVENING HERAIJ) for nesday ; cooler interior; moderate montb of April was 2,995 west to northwest winds. Established as a Weekly 1881. Try THE HERALD’S WANT COL- Established as a Semi-Weekly 1888. MANCHESTER, CONN., TUESDAY, MAY 28. 1918. U M S.C ost one cent per word for PRICE TWO CENTS VOL. m V I L NO 204 Established as a Daily 1914. first insertion, half cent thereafter. ENEMY CROSS AISNE RIVER; LOCAL RED CROSS FUND REACHES $103,376 FOUR OF STATE AMERICANS TOO MUCH ITALIANS BEGIN UKKrDEHClENCV GERMANS PUSH WAY ACROSS AISNE* HELP AMONG CASUALTIES FOR STORMING FOE; OFFENSIVE ALONG BILL PASSES SENATE A REPORTED TODAY LOWER PIAVE MANCHESTERS MANY PRISONERS TAKEN AHACKS BECOME MORE VIOLENT ON RED CROSS Appropriation of $90,000,000 Ezra Woods of New Milford Killed Advanced 750 Yards in Action Sun DRIVE FOR in Action— A. M. Hubbard, Severely day Night in Caposlle Sector, Cap For War Expenses is W 1 FRONT NORTHWESf OF RHEIMS Wounded, R. C. Kirby, Missing, Gas and High Explosive Shells turing Seven Officers and 433 Pris Both of New Haven— F. J. Allano oners— Attack Thought Designed 865000 of Bristol Missing in Action. to Aid Allies on French-FIanders Provided For British and French Retire Withont Disorder— New Battles Precede Attack by Teuton Front. Developing on 33-Mile Front in Sector of Pinon-4lew A Infantry Washington, May 28.— Thirty- HOUSE AND REVENUE eight casualties in the American Rome, May 28.— ^The Italians have Attacks Made in Flanders as WeD as Northern France— . -
Contents Inhalt
34 Rome, Pantheon, c. 120 A.D. Contents 34 Rome, Temple of Minerva Medica, c. 300 A.D. 35 Rome, Calidarium, Thermae of Caracalla, 211-217 A.D. Inhalt 35 Trier (Germany), Porta Nigra, c. 300 A.D. 36 NTmes (France), Pont du Gard, c. 15 B.C. 37 Rome, Arch of Constantine, 315 A.D. (Plan and elevation 1:800, Elevation 1:200) 38-47 Early Christian Basilicas and Baptisteries Frühchristliche Basiliken und Baptisterien 8- 9 Introduction by Ogden Hannaford 40 Rome, Basilica of Constantine, 310-13 41 Rome, San Pietro (Old Cathedral), 324 42 Ravenna, Sant' Apollinare Nuovo, c. 430-526 10-19 Great Buildings of Egypt, Mesopotamia and Persia 42 Ravenna, Sant'Apollinare in Classe, 534-549 Grosse Bauten Ägyptens, Mesopotamiens und Persiens 43 Rome, Sant' Agnese Fuori Le Mura, 7th cent. 43 Rome, San Clemente, 1084-1108 12 Giza (Egypt), Site Plan (Scale 1:5000) 44 Rome, Santa Costanza, c. 350 13 Giza, Pyramid of Cheops, c. 2550 B.C. (1:800) 44 Rome, Baptistery of Constantine (Lateran), 430-440 14 Karnak (Egypt), Site Plan, 1550-942 B.C. (1:5000) 44 Nocera (Italy), Baptistery, 450 15 Abu-Simbel (Egypt), Great Temple of Ramesses II, c. 1250 B.C. 45 Ravenna, Orthodox Baptistery, c. 450 (1:800, 1:200) 15 Mycenae (Greece), Treasury of Atreus, c. 1350 B.C. 16 Medinet Habu (Egypt), Funerary Temple of Ramesses II, c. 1175 B.C. 17 Edfu (Egypt), Great Temple of Horus, 237-57 B.C. 46-53 Byzantine Central and Cross-domed Churches 18 Khorsabad (Iraq), Palace of Sargon, 721 B.C. -
14 Pierrepont at a Crossroads of Literatures
14 Pierrepont at a crossroads of literatures An instructive parallel between the first branch of the Karlamagnús Saga, the Dutch Renout and the Dutch Flovent Abstract: In the French original of the first branch of the Karlamagnús Saga [= fKMSI], in the Dutch Renout and in the Dutch Flovent – three early 13th century texts from present-day Bel- gium – a toponym Pierrepont plays a conspicous part (absent, however, from the French models of Renout and Flovent); fKMSI and Renout even have in common a triangle ‘Aimon, vassal of Charlemagne – Aie, his wife – Pierrepont, their residence’. The toponym is shown to mean Pierrepont (Aisne) near Laon in all three texts. In fKMSI, it is due almost certainly to the intervention of one of two Bishops of Liège (1200−1238) from the Pierrepont family, and in the other two texts to a similar cause. Consequently, for fKMSI a date ‘before 1240’ is proposed. According to van den Berg,1 the Middle Dutch Flovent, of which only two frag- ments are preserved,2 was probably written by a Fleming (through copied by a Brabantian) and can very roughly be dated ‘around 1200’ on the basis of its verse technique and syntax. In this text, Pierrepont plays a conspicuous part without appearing in the French original.3 In the first fragment, we learn that King Clovis is being besieged in Laon by a huge pagan army (vv. 190 ss.). To protect their rear, the pagans build a castle at a distance of four [presumably French] miles [~18 km] from Laon. Its name will be Pierlepont (vv. -
FRANCE June 2019 As of 21Dec2018
FRANCE Reims, Le Puy, Paris Notre-Dame de Reims June 18 - 27, 2019 Join Cretin-Derham Hall Alumni on this once-in-a-lifetime Lasallian / Sisters of St. Joseph Pilgrimage Tour to France. We will “Walk in the Footsteps of our Founders - The Christian Brothers and The Sisters of St. Joseph of Carondelet”. Our trip will include overnight stays in Reims, Le Puy, and Paris along with visits to Liesse and Rouen. This fully escorted, all-inclusive, private tour will include the important historic sites associated with the life of St. Jean-Baptiste de La Salle and The Sisters of St. Joseph. *Sample Itinerary / Overnight City / Activities Tuesday, June 18: Depart Minneapolis for Paris (flight below) Wednesday, June 19: Reims - Arrive Paris! Transfer to Reims + Lunch + Visit to the Motherhouse of the Sisters of the Child Jesus + Visit Lasallian School Thursday, June 20: Reims - Guided tours to include: Founder’s House/The Hotel de La Cloche Museum + Reims Cathedral + College des Bons Enfants + St. Maurice + Basilica of St. Remi + Lunch + Time to Explore on your own Friday, June 21: Reims - Day Trip to Liesse / Option to walk 3 miles in to Liesse + Lunch + Visit burial site of Blessed Brother Arnold Reche returning to Reims Saturday, June 22: Le Puy - Depart Reims + Stop en route Dijon + Lunch at La Dame d’Aquitaine + Continue transfer to Le Puy + Hotel Check-in Sunday, June 23 Le Puy - Sisters of the Child Jesus Tour Monday, June 24: Paris - Depart Le Puy + stop en route Tuesday, June 25: Paris - Walking tour of Lasallian Paris - Visit St.