University College Drama Program – Behind the Scenes
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The Cord Weekly (November 19, 1992)
THE CORD A WILFRID LAURIER UNIVERSITY STUDENT PUBLICATION VOLUME XXXIII ISSUE 14 NOVEMBER 19 1992 Second Cup gets Champions. the support of over 3000 staff and students few weeks. The current total of Lianne Jewitt by has signatures on both petitions The Second Cup, favoured reached over 3000. and among students, faculty, When asked to comment on staff alike is scheduled to be re- the petitions, Rayner said that he as of December 11, 1992; placed "hasn't seen the petitions." Rayner a petition is being circulated in also said that "we'll consider the or them response to this aspects action. (the petitions)". Director of Exactly what Personnel and The current number will be consider- Administrative ed is uncertain, as Services, Earl Rayner clearly of on signatures states Rayner, said the that the Second reason for re- Cup was of the given a "one placement both petitions has year Second Cup is trial basis", and that it is "costing the decision for their dismissal us too much reached over 3000. "made money to havfc it was this there." Rayner past September." The Lady Soccer Hanks wwn—i the iliwnto, McMaater, St. Mary's, and McQIII, added, "the return It was the Second title. and return to Laurlor aHh the National Cluaipto—tUp - ■ I D<lfc gTOarGO If®** VVGRMfI to the university is hardly cover- Cup's one year anniversary on ing our costs." campus. Rayner has not mentioned WLU student confesses Quite clearly, coffee and hot what will be the replacing popu- chocolate drinkers, and cookie lar coffee cart, but concerned coffee drinkers fear it to in bomb threat campus and muffin eaters' main concern calling will be a university-run establish- with the pending absence of the ment Second Cup is the lack of quality "I think it's terrorism, and certainly deserving of Dean of Student's Pat Brethour secretary, that awaits if a university run ser- by charges," said Fred Nichols, Dean of Students. -
RICHARD FEREN 146B Rhodes Avenue – Toronto, on – M4L 3A1 416-787-0657 [email protected]
RICHARD FEREN 146B Rhodes Avenue – Toronto, ON – M4L 3A1 416-787-0657 [email protected] http://www.haemorrhage-music.com/richard-feren/ Represented by: Ian Arnold Catalyst Talent Creative Management Suite 310 - 100 Broadview Ave Toronto, Ontario Canada M4M 3H3 [email protected] http://www.catalysttcm.com SOUND DESIGN AND MUSIC COMPOSITION – THEATRE AND DANCE - selected credits PRODUCTION DIRECTOR THEATRE YEAR The Flick Mitchell Cushman Outside The March/Crow’s Theatre 2019 Much Ado About Nothing Liza Balkan Canadian Stage (Shakespeare In High Park) 2019 Measure For Measure Severn Thompson Canadian Stage (Shakespeare In High Park) 2019 Betrayal Andrea Donaldson Soulpepper Theatre Company 2019 Copenhagen Katrina Darychuk Soulpepper Theatre Company 2019 Beautiful Man Andrea Donaldson Factory Theatre 2019 Every Brilliant Thing Brendan Healy Canadian Stage 2018 The Wars Dennis Garnhum The Grand Theatre (London Ontario) 2018 The Nether Peter Pasyk Coal Mine/Studio 180 Theatre 2018 Dr. Silver Mitchell Cushman Outside The March/Musical Stage Co. 2018 An Ideal Husband Lezlie Wade Stratford Festival 2018 Animal Farm Ravi Jain Soulpepper Theatre Company 2018 Jerusalem Mitchel Cushman Outside The March/Company Theatre/Crow’s 2018 Silence Peter Hinton The Grand Theatre 2018 Daughter Ann-Marie Kerr Pandemic/QuipTake/Theatre Centre 2017 Confederation & Riel/Scandal & Rebellion Michael Hollingsworth VideoCabaret 2017 Little Pretty and The Exceptional Brendan Healy Factory Theatre 2017 CAGE none Soulpepper Theatre Company 2017 Unholy Kelly Thornton -
Internalizing Borderlands: the Performance of Borderlands Identity
Internalizing Borderlands: the Performance of Borderlands Identity by Megan De Roover A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in English Guelph, Ontario, Canada © Megan De Roover, December, 2012 ABSTRACT Internalizing Borderlands: the Performance of Borderlands Identity Megan De Roover Advisor: University of Guelph, 2012 Professor Martha Nandorfy In order to establish a working understanding of borders, the critical conversation must be conscious of how the border is being used politically, theoretically, and socially. This thesis focuses on the border as forcibly ensuring the performance of identity as individuals, within the context of borderlands, become embodiments of the border, and their performance of identity is created by the influence of external borders that become internalized. The internalized border can be read both as infection, a problematic divide needing to be removed, as well as an opportunity for bridging, crossing that divide. I bring together Charles Bowden (Blue Desert), Monique Mojica (Princess Pocahontas and the Blue Spots), Leslie Marmon Silko (Ceremony, Almanac of the Dead), and Guillermo Verdecchia (Fronteras Americanas) in order to develop a comprehensive analysis of the border and border identity development. In these texts, individuals are forced to negotiate their sense of self according to pre-existing cultural and social expectations on either side of the border, performing identity according to how they want to be socially perceived. The result can often be read as a fragmentation of identity, a discrepancy between how the individual feels and how they are read. I examine how identity performance occurs within the context of the border, brought on by violence and exemplified through the division between the spirit world and the material world, the manipulation of costuming and uniforms, and the body. -
Easton Mccarney Memorial Lectures Fonds (RG-18.2)
Finding Aid - Wilfrid Laurier University Faculty of Social Work - Easton McCarney Memorial Lectures fonds (RG-18.2) Generated by Access to Memory (AtoM) 2.3.0 Printed: May 16, 2018 Language of description: English Wilfrid Laurier University Faculty of Social Work - Easton McCarney Memorial Lectures fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Access points ................................................................................................................................................... 3 Series descriptions ........................................................................................................................................... 4 1, 1974 - Reuben C. Baetz, November 4, 1974 ........................................................................................... 4 2, 1975 - Jorge Rosner, November 6, 1975 ................................................................................................. 4 3, 1976 - Alan C. Beckman, November 4, 1976 ......................................................................................... 4 4, 1977 - Arnold Edinborough and -
Guillermo Verdecchia Theatre Artist / Teacher 46 Carus Ave
Guillermo Verdecchia Theatre Artist / Teacher 46 Carus Ave. Toronto, ON M6G 2A4 (416) 516 9574 [email protected] [email protected] Education M.A University of Guelph, School of English and Theatre Studies, August 2005 Thesis: Staging Memory, Constructing Canadian Latinidad (Supervisor: Ric Knowles) Recipient Governor-General's Gold Medal for Academic Achievement Ryerson Theatre School Acting Program 1980-82 Languages English, Spanish, French Theatre (selected) DIRECTING Two Birds, One Stone 2017 by Rimah Jabr and Natasha Greenblatt. Theatre Centre, Riser Project, Toronto The Thirst of Hearts 2015 by Thomas McKechnie Soulpepper, Theatre, Toronto The Art of Building a Bunker 2013 -15 by Adam Lazarus and Guillermo Verdecchia Summerworks Theatre Festival, Factory Theatre, Revolver Fest (Vancouver) Once Five Years Pass by Federico Garcia Lorca. National Theatre School. Montreal 2012 Ali and Ali: The Deportation Hearings 2010 by Marcus Youssef, Guillermo Verdecchia, and Camyar Chai Vancouver East Cultural Centre, Factory Theatre Toronto Guillermo Verdecchia 2 A Taste of Empire 2010 by Jovanni Sy, Cahoots Theatre Rice Boy 2009 by Sunil Kuruvilla, Stratford Festival, Stratford. The Five Vengeances 2006 by Jovanni Sy, Humber College, Toronto. The Caucasian Chalk Circle 2006 by Bertolt Brecht, Ryerson Theatre School, Toronto. Romeo and Juliet 2004 by William Shakespeare, Lorraine Kimsa Theatre for Young People, Toronto. The Adventures of Ali & Ali and the aXes of Evil 2003-07 by Youssef, Verdecchia, and Chai. Vancouver, Toronto, Montreal, Edmonton, Victoria, Seattle. Cahoots Theatre Projects 1999 – 2004 ARTISTIC DIRECTOR. Responsible for artistic planning and activities for company dedicated to development and production of new plays representative of Canada's cultural diversity. -
Senate Tuesday, June 21,2005 18:30 Room 1714 Lifetime Learning Centre OVC
University of Guelph Senate Tuesday, June 21,2005 18:30 Room 1714 Lifetime Learning Centre OVC AGENDA APPROVAL OF AGENDA REMARKS FROM THE CHAIR READING AND DISPOSING OF MINUTES OF THE SENATE MEETING OF May 17,2005. IV BUSINESS ARISING FROM THE MINUTES v READING OF ENQUIRIES AND COMMUNICATIONS VI QUESTION PERIOD VII CAUCUS REPORT VIII REPORTS OF STANDING BOARDS AND COMMITTEES 1. EXECUTIVE COMMITTEE page 11 For Information: Graduation Statistics BYLAWS & MEMBERSHIP COMMITTEE page 15 For Action: Awards Committee Bylaw Amendment BOARD OF UNDERGRADUATE STUDIES page 21 For Action: (a) Bachelor of Bio-Resource Management - Proposal for a Major in Environmental Management (b) Bachelor of Arts - Economics - Deletion of Applied Economics Major (c) Bachelor of Science in Engineering - Changes to Admission Requirements (d) Bachelor of Applied Science, University of Guelph-Humber - Changes to Admission Requirements (e) Academic Schedule of Dates, 2006-2007 For Information: (0 Course, Additions, Deletions and Changes (g) Editorial Calendar Amendments (i) Grade Reassessment (ii) Readmission - Credit for Courses Taken During Rustication 4. BOARD OF GRADUATE STUDIES page 9 1 For Action: (a) Proposal for a Master of Fine Art in Creative Writing (b) Proposal for a Master of Arts in French Studies For Information: (c) Graduate Faculty Appointments (d) Course Additions, Deletions and Changes 5. COMMITTEE ON AWARDS page 177 For Information: (a) Awards Approved June 2004 - May 2005 (b) Winegard, Forster and Governor General Medal Winners 6. COMMITTEE ON UNIVERSITY PLANNING page 181 For Action: Change of Name for Department of Human Biology and Nutritional Science IX COU RE,PORT X OTHER BUSINESS XI ADJOURNMENT Please note: The Senate Executive will meet at 18:15 in Room 1713 Lifetime Learning Centre OVC just prior to Senate 1r;ne Birrell, Secretary of Senate University of Guelph Senate Tuesday, June 21": 2005 REPORT FROM THE SENATE EXECUTIVE COMMITTEE Chair: Al Sullivan <[email protected]~ For Information: Graduation Statistics - June 2005 Membership: A. -
The Black Drum Deaf Culture Centre Adam Pottle
THE BLACK DRUM DEAF CULTURE CENTRE ADAM POTTLE ApproximatE Running time: 1 HouR 30 minutEs INcLudes interviews before the performancE and During intermissIoN. A NOTE FROM JOANNE CRIPPS A NOTE FROM MIRA ZUCKERMANN With our focus on oppression, we forget First of all, I would like to thank the DEAF to celebrate Deaf Life. We celebrate Deaf CULTURE CENTRE for bringing me on as Life through sign language, culture and Director of The Black Drum, thereby giving arts. The Black Drum is a full exploration me the opportunity to work with a new and and celebration of our Deaf Canadian exciting international project. The project experience through our unique artistic is a completely new way of approaching practices finally brought together into one musical theatre, and it made me wonder exceptional large scale signed musical. - what do Deaf people define as music? All Almost never do we see Deaf productions Deaf people have music within them, but it that are Deaf led for a fully Deaf authentic is not based on sound. It is based on sight, innovative artistic experience in Canada. and more importantly, sign language. As We can celebrate sign language and Deaf we say - “my hands are my language, my generated arts by Deaf performers for all eyes are my ears”. I gladly accepted the audiences to enjoy together. We hope you invitation to come to Toronto, embarking have a fascinating adventure that you will on an exciting and challenging project that not easily forget and that sets the stage for I hope you all enjoy! more Deaf-led productions. -
FRIENDS and the MUNICIPAL ELECTION - YOUR Involvement Counts
September/October 2014 Volume 6, Issue 2 Mr. Dewey and Friends Newsletter of the Friends of the Guelph Public Library FRIENDS and the MUNICIPAL ELECTION - YOUR Involvement Counts The municipal election will take place on Monday, October 27, 2014. The deadline for declaring intent to stand for election has now passed, and the names of all candidates for Mayor and Council are a matter of public record. As a registered charity, the Friends of the Guelph Public Library cannot support any particular candidate for any office. The role of the group and its members and supporters is always to support and advocate for the Library in every possible way, not only concerning library buildings, but also concerning financial support to maintain our excellent information collection, excellent staff and excellent services. In the context of an election the role of the Friends is to work tirelessly to ensure that voters have full and accurate information about the Library when they examine candidates’ platforms and make their voting choices. It is important that voters select candidates with vision and a broad understanding of the ram- ifications of their platforms. Your role as a supporter of the Library is to inform yourself and be prepared to question candidates and supply accurate information when you encounter misin- formation or uninformed voters between now and election day. Go to all-candidates meetings and ask questions about the Library’s future. For more about library-related issues, there is a wealth of information at Kitty Pope’s blog on the Library website: http://kittysonapositivenote.wordpress.com/. -
Theatre and Transformation in Contemporary Canada
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace Theatre and Transformation in Contemporary Canada Robert Wallace The John P. Robarts Professor of Canadian Studies THIRTEENTH ANNUAL ROBARTS LECTURE 15 MARCH 1999 York University, Toronto, Ontario Robert Wallace is Professor of English and Coordinator of Drama Studies at Glendon College, York University in Toronto, where he has taught for over 30 years. During the 1970s, Prof. Wallace wrote five stage plays, one of which, No Deposit, No Return, was produced off- Broadway in 1975. During this time, he began writing theatre criticism and commentary for a range of newspapers, magazines and academic journals, which he continues to do today. During the 1980s, Prof. Wallace simultaneously edited Canadian Theatre Review and developed an ambitious programme of play publishing for Coach House Press. During the 1980s, Prof. Wallace also contributed commentary and reviews to CBC radio programs including Stereo Morning, State of the Arts, The Arts Tonight and Two New Hours; for CBC-Ideas, he wrote and produced 10 feature documentaries about 20th century performance. Robert Wallace is a recipient of numerous grants and awards including a Canada Council Aid to Artists Grant and a MacLean-Hunter Fellowship in arts journalism. His books include The Work: Conversations with English-Canadian Playwrights (1982, co-written with Cynthia Zimmerman), Quebec Voices (1986), Producing Marginality: Theatre 7 and Criticism in Canada (1990) and Making, Out: Plays by Gay Men (1992). As the Robarts Chair in Canadian Studies at York (1998-99), Prof. Wallace organized and hosted a series of public events titled “Theatre and Trans/formation in Canadian Culture(s)” that united theatre artists, academics and students in lively discussions that informed his ongoing research in the cultural formations of theatre in Canada. -
Downloads/Strategic
From “friendly relations” to differential fees: A history of international student policy in Canada since World War II by Dale M. McCartney B.A., Simon Fraser University, 2004 M.A., Simon Fraser University, 2010 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Educational Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2020 © Dale M. McCartney, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: From “friendly relations” to differential fees: A history of international student policy in Canada since World War II submitted by Dale M. McCartney in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Studies Examining Committee: Amy Scott Metcalfe, Educational Studies Co-supervisor Jason Ellis, Educational Studies Co-supervisor Donald Fisher, Educational Studies Supervisory Committee Member Lesley Andres, Educational Studies University Examiner Steven Hugh Lee, History University Examiner ii Abstract This dissertation examines the development of policy related to international undergraduate students in Canada since the end of the Second World War. It draws on archival materials from the federal, British Columbia, and Ontario governments, and seven institutions: the University of Toronto, Carleton University, Wilfrid Laurier University, Seneca College, the University of British Columbia, Simon Fraser University, and Kwantlen Polytechnic University. The dissertation unearths the initial proto-policies developed by non-governmental agencies that provided services for international students, and examines how the priorities of these service groups were inherited by institutions as the organizations were formally incorporated into universities and colleges. -
Faculty of Graduate Studies (FGS)
Faculty of GRADUATE This file dervices from an archival copy of the Faculty of Graduate Studies’ 2004-2006 Calendar. STUDIES The current FGS Calendar may be found at http://www.yorku.ca/grads/calendar . 2004-2006 CALENDAR inside pages printed on recycled and recyclable paper http://www.yorku.ca/grads IMPORTANT NOTICE York University reserves the right to make changes in the information contained in this publication without prior notice. It is the responsibility of all students to familiarize themselves each year with the general information sections of the Calendar and with the section covering the Faculty Regulations, as well as with any additional regulations of the specific programme in which they are enrolled. It is the responsibility of all students to be familiar with the specific requirements associated with the degree, diploma, or certificate sought. While advice and counselling are available, it is the responsibility of each student to ensure that the courses in which registration is effected are appropriate to the programme requirements. The University reserves the right to limit enrolment in any programme. Students should be aware that enrolment in many programmes and courses is limited. While the University will make every reasonable effort to offer courses and classes as required within programmes, prospective students should note that admission to a degree or other programme does not guarantee admission to any given course or class. EVERY STUDENT AGREES BY THE ACT OF REGISTRATION TO BE BOUND BY THE REGULATIONS AND POLICIES OF YORK UNIVERSITY AND OF THE FACULTY IN WHICH THAT STUDENT IS REGISTERED. In the event of an inconsistency between the general academic regulations and policies published in calendars, and such regulations and policies as established by the Faculty and the Senate, the version of such material as established by the Faculty and Senate shall prevail. -
Harold Award Houses
Harold Award Houses Barbara Fingerote Founders Paul Bettis Luter Hansraj Kirsten Johnson Sherrie Johnson Jacoba Knaapen Daniel MacIvor Don McKellar Darren O’Donnell Alex Poch-Golden Nadia Ross Lisa Ryder Sarah Stanley Deanne Taylor Ken McDougall Award Award 1995 Richard Feren Bianca Jacobs Peter Lynch Bob Wallace Leslie Lester David Duclos Sky Gilbert Asher Turin Robin Fulford Veronika Hurnik Josie Le Grice Eileen O’Toole Jim Jones 1996 Daniel Brooks Kim Roberts Richard Vaughan Gwen Bartleman Alisa Palmer Bryan James Hillar Liitoja The Founders Andrew Scorer Joey Meyer Ron Kennell Jim Warren Rose Jacobson Franco Boni 1997 Tracy Wright Ahdri Zhina Mandiela Jonathan DaSilva Fiona Jones Alex Bulmer Maxine Bailey Sigrid Johnson --- David Anderson Ruthe Whiston Maria Costa Leah Cherniak Lynda Hill Cathy Gordon in memory of Mark 1998 Clare Coulter M. Nourbese Philips Ed Roy Rex Buckle Eryn Dace Trudell Jean Yoon Rebecca Picherak Ida Carnevale Andrea Lundy David Baile Jennifer Brewin Viv Moore Michael Waller Shields 1999 Winston Morgan Diane Roberts Elley-Ray Hennessy Will Sutton Sharon Di Genova Marion de Vries Peter Freund Toronto Arts Council Arturo Fresolone Derek Bruce Sally Szuster --- Keith Cole Chris Abraham Marcus Magdalena & Christine Moynihan / Mira 2000 Sandra Hodnett Sally Han Roger West Jennifer Watkins Rose Stella Kimberly Purtell Michael Hollingsworth Peter Nikolic Natasha Parsons Wendy Krekeler Gregory Nixon Simon Heath Chris Prideaux Friedlander 2001 Nancy Webster Naomi Campbell Adrien Whan David Hoekstra Jane Marsland Daniel