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Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Punks Don't Know Jack
Punks Don’t Know Jack This split CD from Cretin Records comes out of the gates with no holds barred punk rock. Defecation Area open the CD swinging with “Generation D.U.M.B.,” which while essentially generic 77’s punk does sound big. They remind me a little of ’90s NYC punks L.E.S. Stitches, who were one damn good band. The most off-putting thing to me about this track is that I’m really sick of punk rockers singing about how everything is dumb. They’re dumb or everyone else but them is dumb. Either way, songs about being dumb are stupid. I know, The Ramones did it with “Pinhead,” but guess what….you are not The Ramones. Defecation Area definitely hit big on the scorching “Slam Dance is Savage” and channel the Beach Boys via Social Distortion on “She Just Wanna Dance.” Defecation Area may mine ground that has been well traveled from the Dead Boys and 2 billion bands since, but they do it better than most! It’s good to see some studio recording finally making their way out for Tony Jones and The Cretin 3. They kick off their half of the disc with “Lady Frankenstein,” which has a strong Cramps undertone. The Cretin 3 essentially merge rockabilly and punk together and sprinkle some horror rock sensibility lyrically. “Bathroom Floor” really isn’t my bag. It doesn’t really rock and is too repetitive and the vocals kind of give me a migraine. Better is “Leather,” which borrows the guitar riff from Cheap Trick’s “He’s a Whore” and uses it to create a catching little ditty. -
Festival Guide 01 VENUE the Plaza Theatre (1133 Kensington Rd NW)
Festival Guide 01 www.calgaryundergroundfilm.com VENUE The Plaza Theatre (1133 Kensington Rd NW) www.theplaza.ca TICKETS $10 Regular Screenings $9 CJSW Members $8 CUFF Members, Students & Seniors $40 Punch Card (5 films) Lunch time! $100 Festival Pass (All films except Burlesque Assassins Fundraiser) Tickets available at the door. Come enjoy Advance tickets online or at Frosst Books (1018 – 9 Avenue SE). All evening screenings are licensed 18+ which means you Local’s new can drink beer during the film (!) but... no minors. menu today. Matinees are all ages. ........................... PARKING SPECIAL $2 evening & weekend rate at the VINCI Park parkade (100 - 10A Street NW - East of The Plaza next to Bernard Callebaut Chocolates). PARTIES Monday, April 11, 9:00 PM HILLBILLY BASH AFTER PARTY Molly Malone’s, 1153 Kensington Crescent NW Come join us for a party following Tucker & Dale Vs. Evil with drinks, food and good times! Director Eli Craig, cast and crew in attendance at both the screening and the after party. Thursday, April 14, 6:15 PM SHOW UP & SHIP OUT WITH THE SHIP & ANCHOR Ship & Anchor, 534 17th Avenue SW $20 (tickets available only at The Ship) Bus leaves from The Ship for The Plaza Theatre to see the movie Everyday Sunshine (P. 14) at 6:15 PM sharp & returns after the movie for a FREE drink & guaranteed entrance to the FISHBONE CONCERT! The full band will be in attendance for a Q&A after the screening. Sunday, April 17, 9:00 PM 48-HOUR MOVIE MAKING CHALLENGE AFTER PARTY Molly Malone’s, 1153 Kensington Crescent NW Please join -
Black & Brown Women of the Punk Underground
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Aucone, Courtney, "Game Changers & Scene Makers: Black & Brown Women of the Punk Underground" (2018). Women's History Theses. 37. https://digitalcommons.slc.edu/womenshistory_etd/37 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Thesis Seminar Dr. Mary Dillard December 6, 2018 Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, December 2018 Table of Contents: Acknowledgements……………………………………………………………………………………….…......1 Introduction…………………………………………………………………………………………………….…..2 v A Note on Methodology…………………………………………………………………………………21 Chapter I: “A Wave of History”…………………………………………………………………………... 26 Chapter II: The Underground…………………………………………………………………………….. 51 Chapter III: “Somos Chulas, No Somos Pendejas”: Negotiating Femininity & Power in the Underground……………………………..…………………………………………………………………70 -
Norwood Fisher and Fishbone Signature Single Dreadlock, but Not His Salt-And-Pep- Would Be Superstars, a Shining Example of What Can Per Goatee and Big Grin
CRAZY GLUE! BY E.E. BRADMAN PHOTOS BY SAYRE JOAN BERMAN It shouldn’t haVE BEEN THIS WAY. shades, baggy jeans and T-shirt, and fedora—hides his In a perfect world, Norwood Fisher and Fishbone signature single dreadlock, but not his salt-and-pep- would be superstars, a shining example of what can per goatee and big grin. happen when smart lyrics, pop songwriting, stellar Fisher’s smiles—and his struggles—are a central ele- musicianship, a once-in-a-lifetime frontman, and a ment of Everyday Sunshine, the Fishbone documen- ridiculously badass rhythm section come together in tary released just as the band celebrates the 25th anni- a spicy, pan-genre gumbo. Norwood’s versary of its debut, In Your Face. The hyperactive thumb and inventive lines HOW film shows how Fishbone’s high-energy should’ve made him a multi-platinum blend of ska, funk, punk, rock, gospel, success like his peers Flea and Les NorWooD and soul brought them right to the brink Claypool. Fishbone’s bass-tastic 1991 of mainstream success, and how a nasty masterwork, The Reality of My Sur- FIsher cocktail of music-business shenanigans, roundings, should’ve been the break- nervous breakdowns, and interpersonal through that propelled them into the HolDS IT All tensions dashed that dream, dooming mainstream. In fact, it’s become all too them to a future of half-empty clubs common to think of Fishbone as the ToGETher and barely paying gigs. band that should’ve but didn’t. The truth, however, is that although On this mellow Sunday in October, depressing finales make for good film however, 46-year-old Norwood is anything but bitter (and good copy), Norwood is anything but struggling. -
THE COWL Vol
THE COWL Vol. LV No.23 Providence College • Providence, Rhode Island April 25,1991 Bryant Gumbel to Speak Captain Cuozzi Returns at Commencement to Providence College league team in a professional Providence College's 73rd by Dan Walsh game." He cites this disorgani Commencement Exercises Special to The Cowl scheduled for Sunday, May zation and a basic naivete about 19, will be highlighted by a "They couldn't believe U.S. troops engaging in armed keynote address by Bryant we fought, they couldn't be combat as negatively affecting Gumbel, host of NBC News' lieve we had the nerve or the their morale. Since Saddham Today show. Gumbel will re will to fight....that was their Hussein told his troops that the ceive an honorary degree, biggest mistake." U.S. would not fight, when they along with seven other indi Providence College's did they were completely viduals representative of a most popular soldier has re shaken and trapped in their variety of fields, during the turned home. Captain How positions. 11 a.m. ceremony at the Provi ard Cuozzi, who was stationed Despite the current dence Civic Center. in Saudi Arabia with the 18th assumptions that the war was Providence College will Airborne Corps as a signal offi a "walk-over and a piece of also confer a total of over 1,100 cer for combat communications, cake," Cuozzi told his listeners degrees to candidates from spoke to his former ROTC stu that there were very danger the undergraduate school, the dent cadets and fellow officers ous altercations and serious School of Continuing Educa in the Military Science Office exchanges of firepower. -
One Mag Two Covers WHAT’S HOT
1 One mag two Covers WHAT’S HOT View From The Coffin Ghost Linda Åkerberg Editor In Chief/Founder - Andrea Rigano Art Director - Alexandra Romano [email protected] Advertising - Silvia Rapisarda [email protected] Traduzioni - Chiara Zetti Photographers Luca Benedet, Verena Stefanie Grotto, Kreator, Alex Luise, Alan Maag, Mike Pireddu, Stefano “Tave” Righi, StreetBoxVideoLab, Federico Tognoli, Giuseppe Toninelli Contributors Milo Bandini, Marco Capelli, Mat The Cat, Stefano Campagnolo, Matteo Cavanna, Cristiano Crepaldi, Paola Dal Bosco, Fabrizio De Guidi, SECSE, Flavio MILAN Ignelzi, Andrea KNGL Longo, Cecilia Marin, Max Mbassadò, Angelo Mora(donas), Alexandra Oberhofer, Eros Pasi, Alessandro Scontrino, Trapdoor, Alex ‘Wizo’, Marco ‘X-Man’ Xodo Marianna Hardcore PHOTO: | Rigablood Stampa Tipografia Nuova Jolly - Viale Industria 28 35030 Rubano (PD) Salad Days Magazine è una rivista registrata presso il 8 Library 50 Touché Amoré Tribunale di Vicenza, N. 1221 del 04/03/2010. 10 Paper Toy 54 Fishbone 12 Noem 507 58 Grand Master Flash Get in touch www.saladdaysmag.com 18 Don’t Sweat the Technique 60 Warriors [email protected] 22 Ghost 68 Family Album facebook.com/saladdaysmag 24 View From the Coffin 76 Chris Dodge twitter.com/SaladDays_it 29 El Jefe design 80 DTS Instagram - @saladdaysmagazine 34 ROBBIE MADDISON | TUCSON, AZ NYC History - The Tattoo Ban 83 ...And You Will Know Us By The Trail of Dead L’editore è a disposizione di tutti gli interessati nel 38 John Cardiel 86 Indigesti Vs La Crisi collaborarecon testi immagini. Tutti i contenuti di que- 40 Tommy Guerrero 88 Torae CALIFORNIA SPORTS SEE ROBBIE MADDISON IN sta pubblicazione sono soggetti a copyright, é vietata 42 Italians goes Tirol - Pinocchietto Tour 90 Highlights la riproduzione anche parziale di testi, documenti e TEL: 011-927-7943 46 Grime Vs New York New York 94 Saints & Sinners WWW.CALIFORNIASPORT.INFO foto senza l’autorizzazione dell’editore. -
Celebrating 25 Groundbreaking Years, FISHBONE Has Been
Celebrating 25 groundbreaking years, FISHBONE has been trailblazing their way through the history of American Ska, Funk, Punk, Rock Fusion and (so-called) Black Rock since starting their professional career in Los Angeles' burgeoning, Alternative Rock music scene of the mid-1980s. Their sound has often been imitated, but never duplicated. They have toured worldwide with such bands as the Beastie Boys, Red Hot Chili Peppers, The Roots, Les Claypool/Primus, Fela Kuti, George Clinton, The Dead Kennedys and many more. Angelo Moore’s ability to combine thought-provoking, humorous social commentary with FISHBONE’s frenzied, up-tempo music and frantic, euphorically entertaining stage show has cultivated their undisputed reputation as one of the best live acts in music history. Now in their 25th year of composing, creating, recording, releasing and performing original music together, mass critical appeal appears to be returning to the band, fueled by their critically acclaimed full-length feature documentary; Everyday Sunshine: The Story of Fishbone. Narrated by Laurence Fishburne, the film earned LA Weekly’s Critic’s Choice Award at the Los Angeles Film Fest in 2010, has been called “effortlessly Entertaining” (Variety), “Brilliant and Groundbreaking” (Pop Matters), and hailed as “more than a documentary about rock ‘n’ roll. It’s a documentary about the American spirit and one that shows the life of one of its most influential creative forces.” (Encore Magazine) The documentary features celebrity testimonials from an A-list cast of rock icons such as Flea (Red Hot Chili Peppers), who calls the band “an important musical institution” and “the band that gave us the inspiration to be a band” by Gwen Stefani (No Doubt). -
In Kenilworth Event in December Which Involves Between 1,300 to 1,600 High School Global Cooperation and Health and Welfare
\ Near miss ;—-,., Giving movie viewers Peace Site Founder Cranford boys soccer team something different battles Westfield for UCT title In this week's Kousin sees his idea expand. See Sports, page See Community Ofe on page A-8 Vol. 98, No. 46 tfranfontThursday, November 14,1991 A Forbes Newspaper 50 cents CRANFORD• GARWOOD • KENILWORTH In brief New hours Mayor gives preview of tough Residents have been asked By CHERYL MOULTON HEHL increase for 1992, and whether township em- that are "already flat to begin with."/ combination of several factors; loss of state : by theCranford Health Depart- ployees would receive a four-percent raise According to Mr. Grady, departments and federal revenues, a 111-percent increase ment to remember that the THE CHRONICLE for 1992. These answers were needed to es- must make the following cuts by Dec. 1: in health insurance costs in 1991-92, and the Conservation Certer Is dosed A preview of the 1992 municipal budget tablish the dollar figures to be cut by depart- • Public safety (police and fire): $337,247 6.5-percent wage increase police and fire on Thursdays during the winter. last Thursday was a harbinger of tough ment heads from the 1992 budget of $4.6 million; / personnel received via arbitration last. During November, the center times to come for municipal employees and Township Committee members voted 4-1 • Engineering and department of public month. 'i wffl be open Friday through, property owners. in favpr of keeping the 1992 tax point in- works: $156,773 of a $2 million budget; Adding to debt is a Rahway Valley Sewer-. -
BLACK HISTORY MONTH February 2015 KQED Public Television Programming Highlights
BLACK HISTORY MONTH February 2015 KQED Public Television Programming Highlights In February, KQED proudly celebrates the diversity of our community with a special programming lineup on KQED 9 and KQED Plus (+). KQED 9 is available over the air on DT9.1, 54.2 and 25.1 and via most cable systems on Channel 9. It is on XFINITY cable from Comcast (Channel 9, SD, and Channel 709, HD) and on DIRECTV and DISH satellite systems (Channel 9, SD and HD). KQED Plus is available over the air on Channel 54, DT54.1, 9.2 and 25.2 and via many cable and satellite systems on either channel 10 or 54. It is on XFINITY cable from Comcast (Channel 10, SD, and Channel 710, HD) and on DIRECTV (Channel 54, SD and HD) and DISH (Channel 54, SD only) satellite systems. This schedule also lists programs airing on KQED Life (Comcast 189, Channel 54.3) and KQED World (Comcast 190, Channel 9.3). Some programs repeat additional times on these two channels. Visit kqed.org/dtv for the complete digital program schedule. PROGRAMMING SYMBOLS R This program or episode will be repeated on the date/s noted. D Descriptive video information for the sight-impaired is available on televisions with stereo capability. Programs are subject to change after press deadlines Sunday 1 6pm KQED 9 Pioneers of Television Miniseries. LeVar Burton, Ed Asner, Richard Chamberlain discuss Roots, The Thorn Birds and other miniseries. | R (9) 2/4 1:30pm 10pm Life Jimi Hendrix: American Masters The definitive story of the influential rock guitarist features interviews and performance footage. -
Variations on a Theme: Forty Years of Music, Memories, and Mistakes
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Variations on a Theme: Forty years of music, memories, and mistakes Christopher John Stephens University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Stephens, Christopher John, "Variations on a Theme: Forty years of music, memories, and mistakes" (2009). University of New Orleans Theses and Dissertations. 934. https://scholarworks.uno.edu/td/934 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Variations on a Theme: Forty years of music, memories, and mistakes A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In Creative Non-Fiction By Christopher John Stephens B.A., Salem State College, 1988 M.A., Salem State College, 1993 May 2009 DEDICATION For my parents, Jay A. Stephens (July 6, 1928-June 20, 1997) Ruth C. -
R Ilf1)L1 1 Ir,Ropmlnmill,F I LIKE CONCERT SPECIAL on THANKSGIVING EVENING, 11/23 L1 R 8 O 9 281 02 552 SIMULCAST on WESTWOOD ONE RADIO NETWORKS F 0.18Y5 Xpsy/.9 Fl0
(CAN.), £4.50 (U.K.) $5.50 (U.S.), $6.50 IN MUSIC NEWS 1B)GICCVR ******** 3 -DIGIT 908 iGEE4EM740M09907441 002 0662 000 BI MAR 2396 1 03 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH, CA 90807 -3402 George Strait Makes History With 'Strait Out Of The Box' SEE PAGE 15 NOVEMBER 18, 1995 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS Alagna Slated For rlJ íRC DISC Cape Verde In World Beat Spotlight Sv,s -cns Tiny Nation Has Rich Musical Heritage Tenor Stardom BY PAUL VERNA been in the spotlight lately, thanks to ropean territories in the late '80s. BY HEIDI WALESON the international breakthrough of na- Now, with her self -titled Nonesuch Virtually unknown to all but the tive singer Cesaria Evora. Records release, the artist has expe- In a world ever -hungry for excit- most savvy world music aficionados, rienced similar success in the U.S. ing tenors, the reports that have EM I CLASSICS ALAGNA EVORA TULIPA NEGRA been coming out of England for the the Cape Verde Islands are a bub- The album has sold 20,000 units last year on Roberto Magna have bling well of musical activity, ready to By far the biggest musical star in through SoundScan -reporting outlets (Continued on page 22) burst onto the global market with a Cape Verde, the 54- year -old Evora alone; these are only a portion of the music as rich as their Afro- European broke through in France, the Nether- sales base of world music albums. heritage. lands, Portugal, Italy, and other Eu- (Continued on page 123) Situated off the western coast of Soprano Caballé WORLD C - AS S MASTERING Africa, some 400 miles from Senegal, HOLLYWOOD the former Portuguese colony has 7 Pop 2 13 / 8 7 6.