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Towards Automatic Audio Segmentation of Indian Carnatic Music
Friedrich-Alexander-Universit¨at Erlangen-Nurnberg¨ Master Thesis Towards Automatic Audio Segmentation of Indian Carnatic Music submitted by Venkatesh Kulkarni submitted July 29, 2014 Supervisor / Advisor Dr. Balaji Thoshkahna Prof. Dr. Meinard Muller¨ Reviewers Prof. Dr. Meinard Muller¨ International Audio Laboratories Erlangen A Joint Institution of the Friedrich-Alexander-Universit¨at Erlangen-N¨urnberg (FAU) and Fraunhofer Institute for Integrated Circuits IIS ERKLARUNG¨ Erkl¨arung Hiermit versichere ich an Eides statt, dass ich die vorliegende Arbeit selbstst¨andig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus anderen Quellen oder indirekt ubernommenen¨ Daten und Konzepte sind unter Angabe der Quelle gekennzeichnet. Die Arbeit wurde bisher weder im In- noch im Ausland in gleicher oder ¨ahnlicher Form in einem Verfahren zur Erlangung eines akademischen Grades vorgelegt. Erlangen, July 29, 2014 Venkatesh Kulkarni i Master Thesis, Venkatesh Kulkarni ACKNOWLEDGEMENTS Acknowledgements I would like to express my gratitude to my supervisor, Dr. Balaji Thoshkahna, whose expertise, understanding and patience added considerably to my learning experience. I appreciate his vast knowledge and skill in many areas (e.g., signal processing, Carnatic music, ethics and interaction with participants).He provided me with direction, technical support and became more of a friend, than a supervisor. A very special thanks goes out to my Prof. Dr. Meinard M¨uller,without whose motivation and encouragement, I would not have considered a graduate career in music signal analysis research. Prof. Dr. Meinard M¨ulleris the one professor/teacher who truly made a difference in my life. He was always there to give his valuable and inspiring ideas during my thesis which motivated me to think like a researcher. -
Few Translation of Works of Tamil Sidhas, Saints and Poets Contents
Few translation of works of Tamil Sidhas, Saints and Poets I belong to Kerala but I did study Tamil Language with great interest.Here is translation of random religious works That I have done Contents Few translation of works of Tamil Sidhas, Saints and Poets ................. 1 1.Thiruvalluvar’s Thirukkual ...................................................................... 7 2.Vaan chirappu .................................................................................... 9 3.Neethar Perumai .............................................................................. 11 4.Aran Valiyuruthal ............................................................................. 13 5.Yil Vazhkai ........................................................................................ 15 6. Vaazhkkai thunai nalam .................................................................. 18 7.Makkat peru ..................................................................................... 20 8.Anbudamai ....................................................................................... 21 9.Virunthombal ................................................................................... 23 10.Iniyavai kooral ............................................................................... 25 11.Chei nandri arithal ......................................................................... 28 12.Naduvu nilamai- ............................................................................. 29 13.Adakkamudamai ........................................................................... -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Kartikeya - Wikipedia, the Free Encyclopedia
קרטיקייה का셍तिकेय http://www.wisdomlib.org/definition/k%C4%81rtikeya/index.html का셍तिकेय كارتِيكيا کارتيکيا تک ہ का셍तिकेय کا ر یی http://uh.learnpunjabi.org/default.aspx Kartikeya - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Kartikeya Kartikeya From Wikipedia, the free encyclopedia Kartikeya (/ˌkɑrtɪˈkeɪjə/), also known as Skanda , Kumaran ,Subramanya , Murugan and Subramaniyan is Kartikeya the Hindu god of war. He is the commander-in-chief of the Murugan army of the devas (gods) and the son of Shiva and Parvati. Subramaniyan God of war and victory, Murugan is often referred to as "Tamil Kadavul" (meaning "God of Tamils") and is worshiped primarily in areas with Commander of the Gods Tamil influences, especially South India, Sri Lanka, Mauritius, Indonesia, Malaysia, Singapore and Reunion Island. His six most important shrines in India are the Arupadaiveedu temples, located in Tamil Nadu. In Sri Lanka, Hindus as well as Buddhists revere the sacred historical Nallur Kandaswamy temple in Jaffna and Katirk āmam Temple situated deep south. [1] Hindus in Malaysia also pray to Lord Murugan at the Batu Caves and various temples where Thaipusam is celebrated with grandeur. In Karnataka and Andhra Pradesh, Kartikeya is known as Subrahmanya with a temple at Kukke Subramanya known for Sarpa shanti rites dedicated to Him and another famous temple at Ghati Subramanya also in Karnataka. In Bengal and Odisha, he is popularly known as Kartikeya (meaning 'son of Krittika'). [2] Kartikeya with his wives by Raja Ravi Varma Tamil காத -
Drum Kit List
DRUM KIT LIST LISTE DES KITS DE BATTERIE LISTA DE CONJUNTOS DE BATERÍA DRUM KIT-LISTE Drum Kit List / Liste des kits de batterie/ Lista de conjuntos de batería / Drum Kit-Liste • Same as Standard Kit 1 • Comme pour Standard Kit 1 • No Sound • Absence de son • Each percussion voice uses one note. • Chaque sonorité de percussion utilise une note unique. Voice No. 117 118 119 120 121 122 Keyboard Standard Kit 1 Standard Kit 1 Indian Kit Arabic Kit SE Kit 1 SE Kit 2 Note# Note + Chinese Percussion C1 36 C 1 Seq Click H Baya ge Khaligi Clap 1 Cutting Noise 1 Phone Call C#1 37 C# 1Brush Tap Baya ke Arabic Zalgouta Open Cutting Noise 2 Door Squeak D1 38 D 1 Brush Swirl Baya ghe Khaligi Clap 2 Door Slam D#1 39 D# 1Brush Slap Baya ka Arabic Zalgouta Close String Slap Scratch Cut E1 40 E 1 Brush Tap Swirl Tabla na Arabic Hand Clap Scratch F1 41 F 1 Snare Roll Tabla tin Tabel Tak 1 Wind Chime F#1 42 F# 1Castanet Tablabaya dha Sagat 1 Telephone Ring G1 43 G 1 Snare Soft Dhol 1 Open Tabel Dom G#1 44 G# 1Sticks Dhol 1 Slap Sagat 2 A1 45 A 1 Bass Drum Soft Dhol 1 Mute Tabel Tak 2 A#1 46 A# 1 Open Rim Shot Dhol 1 Open Slap Sagat 3 B1 47 B 1 Bass Drum Hard Dhol 1 Roll Riq Tik 3 C2 48 C 2 Bass Drum Dandia Short Riq Tik 2 C#2 49 C# 2 Side Stick Dandia Long Riq Tik Hard 1 D2 50 D 2 Snare Chutki Riq Tik 1 D#2 51 D# 2 Hand Clap Chipri Riq Tik Hard 2 E2 52 E 2 Snare Tight Khanjira Open Riq Tik Hard 3 Flute Key Click Car Engine Ignition F2 53 F 2 Floor Tom L Khanjira Slap Riq Tish Car Tires Squeal F#2 54 F# 2 Hi-Hat Closed Khanjira Mute Riq Snouj 2 Car Passing -
Tamil Development, Religious Endowments and Information Department
Tamil Development, Religious Endowments and Information Department Hindu Religious and Charitable Endowments Department Demand No.47 Policy Note 2012-2013 Index Page S. No. Subject No. 1 Introduction 1 2 Administration 3 3 Hindu Religious Institutions 4 4 Classification Of The Hindu Religious 4 Institutions 5 Administrative Structure 5 6 Regional And District Administration 8 7 Inspectors 12 ii Page S. No. Subject No. 8 Personal Assistants 12 9 Verification Officers 13 10 Audit Officers 13 11 Senior Accounts Officers 13 12 Engineers 14 13 Executive Officers 16 14 The Administration Of Mutts 17 15 High Level Advisory Committee 17 16 Appointment Of Trustees 18 17 Jurisdiction 19 18 Appointment Of Fit Person 21 19 Land Administration 21 20 Fixation Of Fair Rent 22 21 Revenue Courts 23 22 Retrieval Of Lands 24 23 Removal Of Encroachments 25 iii Page S. No. Subject No. 24 Regularizing The Group 25 Encroachments 25 Annadhana Scheme 26 26 Spiritual And Moral Classes 28 27 Special Poojas And Common Feasts 28 28 Elephant Rejuvenation Camps 29 29 Marriage Scheme For Poor And 30 Downtrodden 30 Cable Cars 31 31 Battery Cars 32 32 Thiruppani 33 33 Donation 34 34 Temple Funds 35 35 Diversion Of Funds 35 36 Government Grant 35 37 Common Good Fund 36 38 Temple Development Fund 36 iv Page S. No. Subject No. 39 Village Temples Renovation Fund 37 40 Temple Renovation And Charitable 37 Fund 41 Donor Works 38 42 Renovation For The Temples In The 38 Habitations Of Adi Dravida And Tribal Community 43 Finance Commission Fund 39 44 Tourism Fund 39 45 Uzhavarapani 40 46 Consecration Of Temples 41 47 Renovation Of Temple Tanks And 42 Rain Water Harvesting 48 Revival Of Kaala Poojas In Ancient 43 Temples 49 Oru Kaala Pooja Scheme 43 50 Maintanence Of Temple Cars 45 v Page S. -
Ramanuja Darshanam
Table of Contents Ramanuja Darshanam Editor: Editorial 1 Sri Sridhar Srinivasan Who is the quintessential SriVaishnava Sri Kuresha - The embodiment of all 3 Associate Editor: RAMANUJA DARSHANAM Sri Vaishnava virtues Smt Harini Raghavan Kulashekhara Azhvar & 8 (Philosophy of Ramanuja) Perumal Thirumozhi Anubhavam Advisory Board: Great Saints and Teachers 18 Sri Mukundan Pattangi Sri Stavam of KooratazhvAn 24 Sri TA Varadhan Divine Places – Thirumal irum Solai 26 Sri TCA Venkatesan Gadya Trayam of Swami Ramanuja 30 Subscription: Moral story 34 Each Issue: $5 Website in focus 36 Annual: $20 Answers to Last Quiz 36 Calendar (Jan – Mar 04) 37 Email [email protected] About the Cover image The cover of this issue presents the image of Swami Ramanuja, as seen in the temple of Lord Srinivasa at Thirumala (Thirupathi). This image is very unique. Here, one can see Ramanuja with the gnyAna mudra (the sign of a teacher; see his right/left hands); usually, Swami Ramanuja’s images always present him in the anjali mudra (offering worship, both hands together in obeisance). Our elders say that Swami Ramanuja’s image at Thirumala shows the gnyAna mudra, because it is here that Swami Ramanuja gave his lectures on Vedarta Sangraha, his insightful, profound treatise on the meaning of the Upanishads. It is also said that Swami Ramanuja here is considered an Acharya to Lord Srinivasa Himself, and that is why the hundi is located right in front of swami Ramanuja at the temple (as a mark of respect to an Acharya). In Thirumala, other than Lord Srinivasa, Varaha, Narasimha and A VEDICS JOURNAL Varadaraja, the only other accepted shrine is that of Swami Ramanuja. -
S.No. Acc. No. Title of the Books Authors Name Language 180 A
S.No. Acc. No. Title of the Books Authors name Language 1 180 A Handbook of Home Remedies in Homoeopathy. Pub: C.C.R.I.M.H. English 2 556 Liberation from Karma and Rebirth Sathguru Saint Keshavadas English 3 731 Light Pranayama-Pranayama Dipika B. K. S. Iyengar English 4 730 Massage Therapy Richard Jackson English 5 1323 Stress Management Through Yoga and Meditation Pandit Shambu Nath English 6 557 Yoga Course for all Yogacharya Hans Raj English 7 554 Yoga for Students Yogacharya Hans Raj English 8 555 Yogic Powers and God Realisation V. M. Bhat English 9 1835 Babaji and the 18 Siddha Kriya Yoga Tradition M. Govindan English 2157 Guide to Natural Healing - Alternative Therapies Such as Geddess & Grosset 10 Acupuncture, Massage, Reflexelogy, etc. English 11 2191 A Practical Introduction to Homeopathy Liz Charles English 12 2424 Yogaasana Vazhikaatti Rajeshwar English 13 2425 Udal Nalam Kaakkum Eliya Yogasanangal Poopathi, R. English 14 2426 Noigal Neekkum Yogasanangal Mayilai Thondan English 15 2702 Gaayatree The Highest Meditation Keshavadas, S.S. English 2866 Clinical Research Protocols for Traditional Health Science CCRAS (Ayurveda, Siddha, Unani, Sowa Rigpa and Others) 16 English 2867 Clinical Research Protocols for Traditional Health Science CCRAS (Ayurveda, Siddha, Unani, Sowa Rigpa and Others) 17 English 18 2886 Yoga for Health Hema, S. English 19 2887 Kuzhanthai Perinmaiyai Pokkum Yogasanangal Hema, S. English 20 2888 Yogavum Idhaya Nalamum Subramanian, N.; Hema, S. English 21 2889 Jangma Thiyanam Hema, S. English 2898 Quality Assurance of Ayurveda, Siddha, Unani, and Home Ayush 22 Pathic Drugs English 2915 Training Manual in "Child and Safe Motherhood" for UNICEF Practitioners of Siddha, Ayurveda, Unani, and Homeopathy 23 System of Health Care English 24 1751 Unani Thathu Viruthi Bodhini P.M. -
The Sacred Presence of the Guru: the Velala Lineages of Tiruvavatuturai, Dharmapuram, and Tiruppanantal
THE SACRED PRESENCE OF THE GURU THE SACRED PRESENCE OF THE GURU: THE VELALA LINEAGES OF TIRUVAVATUTURAI, DHARMAPURAM, AND TIRUPPANANTAL By KATHLEEN IVA KOPPEDRAYER, B.A., M.A. A thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University (c) Copyright by Kathleen Iva Koppedrayer, May 1990 DOCTOR OF PHILOSOPHY (1990) McMASTER UNIVERSITY (Religious Studies) Hamilton, Ontario TITLE: The Sacred Presence of the Guru: The Velala Lineages of Tiruvavatuturai, Dharmapuram, and Tiruppanantal AUTHOR: K. I. Koppedrayer, B.A. (McGill University) M.A. (McMaster University) SUPERVISOR: Professor Paul Younger NUMBER OF PAGES: xi, 363 ii ABSTRACT This thesis examines a set of Saiva religious institutions, the Tiruvavatuturai Adhinam, the Dharmapuram Adhinam, and the Kasi Matha of Tiruppanantal, all located in Tamilnadu, India. Preliminary research indicated that models of monastic retreat and seminary yield incomplete and sometimes distorted pictures of the institutions in their social setting. Mindful of the dynamic character of these institutions, this thesis endeavours to construct a better model of understanding the institutions' basic structure. This work used a variety of sources to gauge the institutions' scope of activity. These sources ranged from classical material, inscriptions, hagiographies, doctrinal and ritual writings, to contemporary records, first-person observation and interviews. In addressing the question of basic structure, the thesis argues that though these three institutions are conveniently called Saiva matas, the matam and the religious institution represent two different abstract entities. The work suggests that the religious institution is structured around the concept of lineage. The institution is above all an aggregate of religious individuals tied together by "fictive kin" ties. -
TESIS551-140717.Pdf
“Heavy drumming sound tends the entire creation to a charged atmosphere where one enters the world of imagination”1 (Bhattacharya 1999: 93) 1 “Fuertes sonidos de tambor conducen a toda la creación a una cargada atmósfera en la que uno entra en un mundo de fantasía”. Todas las traducciones del inglés al castellano que se encuentran a lo largo del presente trabajo son de mi autoría. INDICE GENERAL Agradecimientos 9 Listado de imágenes, cuadros y esquemas 13 Nota explicativa acerca de la lógica adoptada en la transcripción de términos autóctonos 19 Abstract (Resumen) 23 INTRODUCCIÓN 25 I. Justificación del tema elegido y motivación personal 27 II. Hipótesis, objetivos y marco teórico 31 III. Estado de la cuestión 36 IV. Metodología de la investigación 42 V. Estructura formal 53 PRIMERA PARTE: ESTUDIO DEL CONTEXTO SOCIO- RELIGIOSO DE PANCHAVADYAM 59 1. EL ESTADO DE KERALA DESDE UNA PERSPECTIVA HISTÓRICO- CULTURAL 63 1.1 Fisonomía de Kerala 63 1.2 Historia de la formación de Kerala como estado 65 1.3 Sociedad 72 1.3.1 Organización social: sistema de castas 74 1.3.1.1 Brahmanes 78 1.3.1.2 Kshatriyas y vaisyas 81 1.3.1.3 Sudras 81 1.3.1.3.1 Ambalavasis 82 1.3.1.3.2 Nayars 87 1.3.1.4 Avarnas 88 1.3.2 Marumakathayam: sistema matrilineal de herencia 91 2. EL HINDUISMO EN KERALA Y SU PRÁCTICA 94 2.1 Cultura dravídica y cultura aria 98 2.2 Principales deidades que conforman el panteón hindú en Kerala 101 3. EL TEMPLO HINDÚ EN KERALA (KSHETRAM) COMO ESPACIO RELIGIOSO, ARTÍSTICO Y SOCIAL 104 3.1 Modelo arquitectónico 106 3.2 Organización interna y administración 111 3.2.1 Sacerdotes 111 3.2.2 Devaswom Boards 112 3.3 Reformas socio/económicas en Kerala, y su repercusión en los templos 115 4. -
MAITHREE Nirmala Rajasekar
1. Mary O’Neil 5:23 6. Maithree - The Music of Friendship 2:29 Turlough O’ Carolan Lyrics by H.H. Chandrasekharendra Saraswati NIRMALA RAJASEKAR MAITHREE Music by Vasant Desai 2. Mallari: Temple Processional 4:31 Thanjavur K. Murugaboopathi & 7. Nihavent Oyun Havası 8:03 Nirmala Rajasekar Haydar Tatlıyay 8. Sublime Journey 5:21 3. Pentatonic - New Beginnings 10:02 Nirmala Rajasekar & Nirmala Rajasekar Thanjavur K. Murugaboopathi 4. Prism 6:03 9. Nanati Baduku 6:05 Pat O’ Keefe Sri Annamacharya 5. Vaasanthi - The Quest 4:27 10. Ted’s Dream 5:02 Nirmala Rajasekar Michelle Kinney & Peter Linman –57:28– MAITHREE Nirmala Rajasekar, veena, voice Thanjavur K. Murugaboopathi, mridangam, ghatam, khanjira Michelle Kinney, cello Pat O’Keefe, clarinet, alto saxophone, cowbell Tim O’Keefe, bongos, frame drums, bendr, daff, riqq innova 987 © Nirmala Rajasekar. All Rights Reserved, 2018. innova® Recordings is the label of the American Composers Forum. www.innova.mu www.nirmalarajasekar.com Nirmala Rajasekar is one of the best known Saraswathi veena players and vocalists in the world today. A dynamic and vibrant artist, she has been perform- ing for nearly four decades all over the world. nirmalarajasekar.com Murugaboopathi aka Boopathi is one of the world’s most celebrated mridangam THESE ARE MORE THAN JUST players. He had the unique honor of living SONGS with his Guru Tanjore Upendren and learn- ing in the age old tradition of ‘Gurukula’. THEY ARE A RHYTHMIC, MELODIC sangeetmela.org/artists/murugaboopathi- & HARMONIC CONVERGENCE OF mridangam/ MANY DIVERSE SOULS & SPIRITS INTO ONE Michelle Kinney, cellist and composer, is EXPRESSIVE CREATION. -
Click Here for More Details
Click Here for more details https://kalakendra.com/yours-truly-margazhi/ 15-12-2020 Sozhavaram Venkatesan & R.Govindarajan - Nadhaswaram, Thavil - Adyar Tuesday D.senthil Kumar & R.jeevanandam Inaugural Function Vocal - Sandeep Narayan, Violin - Mysore Srikanth, Mridangam - Umayalpuram K Sivaraman 16-12-2020 Thiruppavai Wednesday Namasangeerthanam Vocal - ABHIRAM BHODE, Violin - Shyam Raghav, Mridangam - Indhalur Adharsh Devarajan Vocal - CHINMAYA SISTERS-UMA & RADHIKA, Violin - B.V Raghavendra Rao, Mridangam - Tanjavur K Murugabhoopathi, Ghatam - N Guruprasad Violin Duet -GANESH & KUMARESH, Mridangam - Anantha R Krishnan, Ghatam - Trichy Krishnaswamy 17-12-2020 Thiruppavai Thursday Namasangeerthanam Vocal - Chithra Moorthy, Violin - Haritha Narayanan, Mridangam - Rohith A THE CARNATIC QUARTET, Violin - Shreya Devnath, Mridangam - Praveen Sparsh, Nadhaswaram - Mylai Karthikeyan Thavil - R.Jeevanandam Vocal - TRICHUR BROTHERS - SRIKRISHNA MOHAN & RAMKUMAR MOHAN, Violin - Sayee Rakshith, Mridangam - Trichur Mohan, Kanjira - B.S Purushotham Click Here for more details https://kalakendra.com/yours-truly-margazhi/ 18-12-2020 Thiruppavai Friday Namasangeerthanam Vocal - CALCUTTA SHANKAR, Violin - V.L.V.Sudharsan, Mridangam - Manikkudi.S.Chandrasekaran Vocal - K.GAYATHRI, Violin - R. Hemalatha, Mridangam - Poongulam Subramaniam Violin Duet - A KANYAKUMARI & EMBAR S KANNAN, Mridangam - Mannargudi A Easwaran, Kanjira - B.S Purushotham 19-12-20 Thiruppavai Saturday Namasangeerthanam Vocal - SVARATHMIKA, Violin- C.S Chinmayi, Mridangam - Pazhani