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Contents SEAGULL Theatre QUARTERLY
S T Q Contents SEAGULL THeatRE QUARTERLY Issue 17 March 1998 2 EDITORIAL Editor 3 Anjum Katyal ‘UNPEELING THE LAYERS WITHIN YOURSELF ’ Editorial Consultant Neelam Man Singh Chowdhry Samik Bandyopadhyay 22 Project Co-ordinator A GATKA WORKSHOP : A PARTICIPANT ’S REPORT Paramita Banerjee Ramanjit Kaur Design 32 Naveen Kishore THE MYTH BEYOND REALITY : THE THEATRE OF NEELAM MAN SINGH CHOWDHRY Smita Nirula 34 THE NAQQALS : A NOTE 36 ‘THE PERFORMING ARTIST BELONGED TO THE COMMUNITY RATHER THAN THE RELIGION ’ Neelam Man Singh Chowdhry on the Naqqals 45 ‘YOU HAVE TO CHANGE WITH THE CHANGING WORLD ’ The Naqqals of Punjab 58 REVIVING BHADRAK ’S MOGAL TAMSA Sachidananda and Sanatan Mohanty 63 AALKAAP : A POPULAR RURAL PERFORMANCE FORM Arup Biswas Acknowledgements We thank all contributors and interviewees for their photographs. 71 Where not otherwise credited, A DIALOGUE WITH ENGLAND photographs of Neelam Man Singh An interview with Jatinder Verma Chowdhry, The Company and the Naqqals are by Naveen Kishore. 81 THE CHALLENGE OF BINGLISH : ANALYSING Published by Naveen Kishore for MULTICULTURAL PRODUCTIONS The Seagull Foundation for the Arts, Jatinder Verma 26 Circus Avenue, Calcutta 700017 86 MEETING GHOSTS IN ORISSA DOWN GOAN ROADS Printed at Vinayaka Naik Laurens & Co 9 Crooked Lane, Calcutta 700 069 S T Q SEAGULL THeatRE QUARTERLY Dear friend, Four years ago, we started a theatre journal. It was an experiment. Lots of questions. Would a journal in English work? Who would our readers be? What kind of material would they want?Was there enough interesting and diverse work being done in theatre to sustain a journal, to feed it on an ongoing basis with enough material? Who would write for the journal? How would we collect material that suited the indepth attention we wanted to give the subjects we covered? Alongside the questions were some convictions. -
Copyright by Kristen Dawn Rudisill 2007
Copyright by Kristen Dawn Rudisill 2007 The Dissertation Committee for Kristen Dawn Rudisill certifies that this is the approved version of the following dissertation: BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT Committee: ______________________________ Kathryn Hansen, Co-Supervisor ______________________________ Martha Selby, Co-Supervisor ______________________________ Ward Keeler ______________________________ Kamran Ali ______________________________ Charlotte Canning BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT by Kristen Dawn Rudisill, B.A.; A.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 For Justin and Elijah who taught me the meaning of apu, pācam, kātal, and tuai ACKNOWLEDGMENTS I came to this project through one of the intellectual and personal journeys that we all take, and the number of people who have encouraged and influenced me make it too difficult to name them all. Here I will acknowledge just a few of those who helped make this dissertation what it is, though of course I take full credit for all of its failings. I first got interested in India as a religion major at Bryn Mawr College (and Haverford) and classes I took with two wonderful men who ended up advising my undergraduate thesis on the epic Ramayana: Michael Sells and Steven Hopkins. Dr. Sells introduced me to Wendy Doniger’s work, and like so many others, I went to the University of Chicago Divinity School to study with her, and her warmth compensated for the Chicago cold. -
Categorization of Stringed Instruments with Multifractal Detrended Fluctuation Analysis
CATEGORIZATION OF STRINGED INSTRUMENTS WITH MULTIFRACTAL DETRENDED FLUCTUATION ANALYSIS Archi Banerjee*, Shankha Sanyal, Tarit Guhathakurata, Ranjan Sengupta and Dipak Ghosh Sir C.V. Raman Centre for Physics and Music Jadavpur University, Kolkata: 700032 *[email protected] * Corresponding Author ABSTRACT Categorization is crucial for content description in archiving of music signals. On many occasions, human brain fails to classify the instruments properly just by listening to their sounds which is evident from the human response data collected during our experiment. Some previous attempts to categorize several musical instruments using various linear analysis methods required a number of parameters to be determined. In this work, we attempted to categorize a number of string instruments according to their mode of playing using latest-state-of-the-art robust non-linear methods. For this, 30 second sound signals of 26 different string instruments from all over the world were analyzed with the help of non linear multifractal analysis (MFDFA) technique. The spectral width obtained from the MFDFA method gives an estimate of the complexity of the signal. From the variation of spectral width, we observed distinct clustering among the string instruments according to their mode of playing. Also there is an indication that similarity in the structural configuration of the instruments is playing a major role in the clustering of their spectral width. The observations and implications are discussed in detail. Keywords: String Instruments, Categorization, Fractal Analysis, MFDFA, Spectral Width INTRODUCTION Classification is one of the processes involved in audio content description. Audio signals can be classified according to miscellaneous criteria viz. speech, music, sound effects (or noises). -
In Young India Young in Gold’ Is ‘Old
downloaded from : www.visionias.net downloaded from : https://t.me/Material_For_Exam follow us: friday, february 2, 2018 Delhi City Edition thehindu.com 36 pages ț 10.00 facebook.com/thehindu twitter.com/the_hindu Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow In a preelection Budget, Finance Minister Arun Jaitley serves up a mix of populism and prudence FARMER SUTRA Special Correspondent <> The focus of the litre has been levied to fund NEW DELHI Budget is farmers, projects. Unlike excise du With a clear eye on the Lok rural India, ties, the Centre is not re Sabha election, Union Fi healthcare and quired to share cess receipts nance Minister Arun Jaitley with the States. education pulled out all the stops in The government’s inabili Arun Jaitley the Narendra Modi govern Finance Minister ty to give away too many ment’s last full Budget to goodies were largely due to promise a better deal for show that individual busi its scal constraints, with farmers, boost the rural nesspersons paid less aver this year’s scal decit over economy and make the age tax than the salaried shooting the 3.2% of GDP poor less vulnerable to class, he reintroduced a at target and likely to touch health exigencies. 40,000 deduction from 3.5% on account of the GST Responding to the dis taxable income for the latter related issues. Instead of a tress in the agriculture in lieu of the existing tax ex 3% decit in the coming sector that has reared its emptions for transport and year, the Centre settled to head in various States medical allowance and ex target the 3.3% mark, defer over the past year, the tended this relief to pen ring the glide path to 3% to government has decid sioners. -
Adv-Aug-For-Web-3598
Aug 2018 | Vol 4 | Issue 5 www.advantagekarnataka.in Frames Bangalore Fostering of its Startup Potential Glory NGMA Exhibits Jitendra Arya’s Ouevre August 2018 ADVANTAGE KARNATAKA 2 August 2018 August 2018 3 ADVANTAGE KARNATAKA EDITORIAL angalore, the Startup Capital of India, is scaling new heights among world Content cities by providing the ideal ecosystem for startups to nourish. According to a report published recently by US venture capital and startup database, B 6 Bangalore Fostering its Startup Potential Bangalore ranked first among Indian cities to have highest number of startup investment rounds greater than $100 million since 2014. The report also states that 8 Major Event for Aerospace Manufacture Bangalore runs ahead of foreign cities like London (19), Boston (13), and Tel Aviv (2), which are often regarded as strong startups hubs around the world. 10 Creating Priorities for Digitisation Moreover, Bangalore has been selected for the launch of Defence India Start Up Govt. Aims to Make State Future-Ready: K J George Challenge, an initiative of Defence Innovation Organisation (DIO) under the aegis 12 of Department of Defence Production, Ministry of Defence. The Defence India Start 14 Focus on Making Transport Corporations Profitable up Challenge, aimed at supporting innovators to create prototypes, commercialise Editorial Advisory Board products or solutions based on advanced technologies in the area of national 16 Toyota Aims High in Diesel Engine Manufacture security, will further the startup potential of the city which is already home to several Dr. C.G. Krishnadas Nair startups in aerospace and defence sector. 20 Boeing’s HorizonX India Innovation Challenge Dr. -
5Th Floor, Bombay Mutual Annex, Gunbow Street, Opp
20170167437 MAHARASHTRA NURSING COUNCIL 5TH FLOOR, BOMBAY MUTUAL ANNEX, GUNBOW STREET, OPP. RESIDENCY HOTEL, OFF D. N. ROAD, FORT, MUMBAI-400001. WebSite:- maharashtranurcingcouncil.org EmailId:- [email protected] Tel No.(022) 22677993 / (022) 22677995 20/06/2017 R/MNC/REG/OPR/1718/45591 The Application For Registration/Diploma as GEN. NURSING & MIDWIFERY( 3 YRS & 6 MTHS-I ) is Received From: MISS. DIVE SANGITA BALASAHEB Number(s) of Registration/ Diploma assigned to him / her is / are Follows:- Regn No. & Date XXVIII - 54005 Date: 17/06/2017 Dip. No. & Date 183368 Date : Above Certificate(s) will be ready after 2 months and will despatch on the present address given in Registration Application. If any corrections in the Name etc. It should be brought to the notice of the council immediately Our Working hours are : 10.00 A.M. to 4.00 P.M. (EXCEPT) HOLIDAYS & SUNDAY To MISS. DIVE SANGITA BALASAHEB SHRI SHIVAJI NAGAR RAHURI FACTORY TAL-RAHURI DIST A'NAGAR 413706 9960630727 [email protected] REGISTRAR 1 201631155 MAHARASHTRA NURSING COUNCIL 5TH FLOOR, BOMBAY MUTUAL ANNEX, GUNBOW STREET, OPP. RESIDENCY HOTEL, OFF D. N. ROAD, FORT, MUMBAI-400001. WebSite:- maharashtranurcingcouncil.org EmailId:- [email protected] Tel No.(022) 22677993 / (022) 22677995 20/06/2017 R/MNC/REG/OPR/1718/45610 The Application For Registration/Diploma as REVISED AUX. NURSE MIDWIFERY (F.H.W.) is Received From: MISS. BARAF LALITA BHARAT Number(s) of Registration/ Diploma assigned to him / her is / are Follows:- Regn No. & Date XVIII - 66955 Date: 17/06/2017 Dip. No. & Date 183372 Date : Above Certificate(s) will be ready after 2 months and will despatch on the present address given in Registration Application. -
The West Bengal College Service Commission State
THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
SACHI,Society for Art & Cultural Heritage of India
SACHI, Society for Art & Cultural Heritage of India in collaboration with The Department of Religious Studies and Center for South Asia at Stanford University Invites You to Join an Illustrated Talk cum Dance on Thyagaraja Ramayanam presented by Ananda Shankar Jayant India's eminent Bharatanatyam dance artist and leading choreographer Thursday, Nov. 13, 2014, 7 p.m. Cummings Art Bldg., Classroom ART 2 435 Lausen Mall, Stanford University (corner of History Bldg., and Lausen Mall) Free Admission and Open to the Public; Recommended parking, around the Oval ‘As long as the mountains stand and rivers flow on earth, so long shall remain the legend of Ramayana.’ Sri Rama and the Ramayana have inspired seers and scholars across eons and centuries. It is a story that transcends space and time - a tale of love, devotion, and sacrifice. Rama's story has been written, interpreted and commented upon by mystic sages, poets and musicians, and by the Bhakta (devotee) with utmost reverence and ecstatic devotion. Telling and re-telling the Ramayana has not tired the storyteller, the listener or the viewer! While the essential story of the Ramayana remains the same, its various interpretations through the ages, represent a great diversity in the way the story and its characters are presented. In 1986 the artist Ananda Shankar choreographed and performed the Thyagaraja Ramayanam which explored the character of Rama through the vision of the poet saint Thyagaraja In an all time favorite work for the artist, Ananda will introduce and discuss select episodes/songs from the Ramayana as visualized by Thyagaraja and portray some in visual dance format set to Thyagaraja's music with select Valmiki Ramayana shlokas in enacting roles from the epic story. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Times-NIE-Web-Ed-AUGUST 14-2021-Page3.Qxd
CELLULAR JAIL, ANDAMAN & BIRLA HOUSE: Birla House is a muse- NICOBAR ISLANDS: Also known as um dedicated to Mahatma Gandhi. It ‘Kala Pani’, the British used the is the location where Gandhi spent CELEBRATING FREEDOM jail to exile political prisoners at the last 144 days of his life and was SATURDAY, AUGUST 14, 2021 03 this colonial prison assassinated on January 30, 1948 CLICK HERE: PAGE 3 AND 4 Pre-Independence slogans and its relevance in India today Slogans raised by leaders during the freedom movement set the mood of the nation’s revolution for its independence. They epitomised the struggle and hopes of millions of Indians. Author and former ad guru ANUJA CHAUHAN revisits these powerful slogans and explains their history and relevance in a contemporary India SATYAMEV JAYATE QUIT INDIA LIKE SWARAJ, KHADI IS (Truth alone triumphs) HISTORY: This slogan is widely associ- OUR BIRTH-RIGHT ated with Mahatma Gandhi (what he HISTORY: Inscribed at the base of started was the Quit India Movement India’s national emblem, this phrase is from August 8, 1942, in Bombay (then), a mantra from the ancient Indian scr- but the term ‘Quit India’ was actually ipture, ‘Mundaka Upanishad’, which coined by a lesser-known hero of was popularised by freedom fighter India’s freedom struggle – Yusuf Pandit Madan Mohan Malaviya during Meherally. He had published a booklet India’s freedom movement. titled ‘Quit India’ (sold in weeks) and got over a thousand ‘Quit India’ badges to give life to the slogan that Gandhi also started using and popularised. ‘YOUNGSTERS, DON’T QUIT INDIA’: Quit India was a powerful slogan and HISTORY: Mahatma Gandhi’s call to as a slogan) was written by Urdu the jingle of an epic movement meant use khadi became a movement for poet Muhammad Iqbal in 1904 for to drive the British away from our the indigenous swadeshi (Indian) children. -
Governing Bodies of 28 Delhi Government Sponsored Colleges Appendix-III Resolution No
Appendix-III Resolution No. 42 E.C. dated 07/08.03.2018 Annexure- Ill I Governing Bodies of 28 Delhi Government Sponsored Colleges Appendix-III Resolution No. 42 E.C. dated 07/08.03.2018 Acharya Narendra Dev• College Delhi Government Nominee S.No. Name Profession Affiliation Residence Phone Email 1 Prof. Anwar Alam Ed ucationist JNU School of Language, · Literature and 9868319298 - Culture Studies, Jawahar Lal University, New Delhi - 67 2 Surender Jaglan Social Worker Former Teacher in Kendriya 0/59, 3rd Floor, Pandav Nagar, Delhi 8588833513 Vidhyalaya Delhi University Panel S.No. Name Profession Affiliation Residence Phone Email I Ms. Meena Mani Architect Mani Chowfla. Architects Consultants, 011-41327564 contact@manichowfla. com 5613 Friends Colony East, Delhi - 110065 2 Justice Usha Mehra Judge Delhi High Court B-57, Defence Colony 9818421144 j [email protected]. in New Delhi - II 0024 3 Dr. Madhavi Diwan Advocate 9, Nizamuddin East, New Delhi - 9873819504 110013 4 Prof. Atiqur Rahman Dept. of Geography, Plot No. 35, Flat No. 302, Zakir Nagar 9873115404 [email protected]. in Jamia Millia Tslamia !(West) New Delhi - II 0025 5 Tapas Sen Media specialist Executive Vice President 3rd Florr, Times Center, Plot No. 6, 9810301383 [email protected] Journalist Times of India Group & Sector 16A, Film City, Noida Chief Programming Officer, Radio Mirchi Appendix-III Resolution No. 42 E.C. dated 07/08.03.2018 Aditi Mahavidyalaya Delhi Government Nominee S.No. Name P'rofession Affiliation Residence . Phone Email I Prabhanjan Jha Educationist Delhi Atithi Shikshak Sangh 4498 A, B-1 10/10, Sant Nagar (Burari), 8447747601 Delhi -84 2 Dharam Veer Sharma Advocate Udbhos (NGO) B-4/205, Sector-7, Rohini, Delhi - 9810883384 110085.