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In Black & White
hoto feature p Clockwise from above: Rajabhai Clock Tower, Mumbai in the 19th century; Maharaja of Orcha-Sir Pratap Singh in 1890; and Raja Deen Dayal. process where the image made on a light-sensitive The wheedling of Sir Henry Daly, and silver-coated metallic plate) started flooding the European influence added to his motivation. European markets, and the influence set a pace On Sir Henry’s insistence, Deen Dayal in other colonial nations as well. India was not was given the golden opportunity to penurious of the changes, which was the result of photograph the Prince of Wales, and his rapid industrialisation in the west. The influence of entourage during his Royal Visit of India in photography was vivid, and brought about a radical 1875. change in the way events were recorded. Quickly acquiring acknowledgement, Born to this era in 1844, was an outré talented Dayal went on to tour Bundhelkhand during photographer, named Lala Deen Dayal. He spent his 1882-83, with the then Agent, Sir Lepel boyhood years in Sardhana, Meerut (now in Uttar Griffin. During this trip, he took rallying Pradesh). Brought up by a well to do family of Digamabar Jain images of many forts, palaces, temples (like the Dilwara Marwari jewellers, this academically inclined student topped temples of Mount Abu) is noteworthy. Eighty nine of these his form, earning a Diploma in Engineering, from Thomason images were reproduced and published in Sir Lepel’s, Famous College of Civil Engineering at Roorkee. Monuments of Central India, (London 1886), a book that The unflagging devotion to his métier won him the Royal reached the hands of Queen Victoria. -
Sreekala Sivasankaran
Contents Chief Editor: vè;{k dk lans'k & jkecgknqj jk; 02 Dr Sachchidanand Joshi lnL; lfpo dh dye ls 03 lkaLd``frd i=dkfjrk vkSj lkekftd mRFkku& Editor: &MkW- lfPpnkuan tks'kh Dr Mangalam Swaminathan Inspiration from the Past 06 Editorial Assistant: - Guest Article Kritika Mudgal Threads of Continuity- 10 Exhibition at IGNCA Photo Credit: All photographs are from the IGNCA Inauguration of Svasti Sankul 13 Archives/Photography Unit unless - New at IGNCA specified otherwise. The Year at IGNCA 14 - Events and Programmes Raja Deen Dayal Permanent 16 Exhibition Gallery-News In Conversation with Arun Prem 18 - Discovering Art India's Jewish Heritage: Landmarks 22 The opinions expressed in the magazine are those of the authors/interviewees and Living Tradition- Scholar at IGNCA and IGNCA does not necessarily subscribe to them. Clayanomaly- Discovering Art 26 IGNCA Publications 28 Printed at : Pohoja Print Solutions Pvt. Ltd., 420, Patpatganj Industrial Area, Delhi-110092 Ph. 9810056872 vè;{k dk lans'k iqu% fogaxe dh ;k=k &jkecgknqj jk; vè;{k fUnjk xka/kh jk"Vªh; dyk dsUnz dh }Sekfld if=dk ckSf)d uotkxj.k dh psruk dk foLrkj djsA bl n`f"V bfogaxe dk izdk'ku iqu% izkjaHk fd;k tk jgk gSA ls ^^laLd`fr laokn Ük``a[kyk** dk izkjaHk fd;k x;k gS] ftlesa Hkkjr dh lkaLd`frd /kjksgj dks latksdj j[kus vkSj geus vHkh rd MkW- ukeoj flag vkSj lar jkekuqtkpk;Z bls lewps fo'o ds le{k iwjh 'kkL=h;rk ds lkFk izLrqr ¼ftudk ;g lglzkfCn o"kZ gS½ ds vonku vkSj muds djus dk iz;kl ;g dsUnz foxr~~ iPphl o"kksZa ls dj jgk ek/;e ls lelkef;d jpuk lalkj ij ppkZ dhA blh gSA -
So I Knew Their Place Before I Crashed Among Them, Knew When Alexander Had Traversed It in an Earlier Age for This Cause Or That Greed
I am a man who can recognize an unnamed town by its skeletal shape on a map …. So I knew their place before I crashed among them, knew when Alexander had traversed it in an earlier age for this cause or that greed. I knew the customs of nomads besotted by silks or wells …. When I was lost among them, unsure of where I was, all I needed was the name of a small ridge, a local custom, a cell of this historical animal, and the map of the world would slide into place. – Michael Ondaatje, The English Patient (1992) 112 Marg Vol. 61 No. 1 112-120 Pramod final GJ.indd 112 18/09/09 11:32 AM Special Feature Pramod Kumar K.G. The Photography Archive at the City Palace Museum Udaipur A small slice of Udaipur’s history was uncovered in May 2008 when the City Palace Complex at Udaipur yielded several trunks packed with photographs. Safely maintained over the decades among the various storerooms and inner recesses of the vast City Palace Museum Udaipur (hereafter CPMU), the trunks hold several thousand loose photographs, folios, and framed images, which are currently being catalogued and archived. Numbering more than 15,000 images, these photographs are part of the Pictorial Archives of The Maharanas of Mewar, Udaipur, and are currently housed at the CPMU. A first exhibition of these photographs has already been mounted at the newly restored Bhagwat Prakash Gallery in the Zenana Mahal of the complex. Titled Long Exposure, 1857−1957: The Camera at Udaipur, the exhibition and the study of the collection is gradually revealing an unabashed “native” gaze and perception in what the camera’s lens set out to capture. -
Journal of the North-China Branch of the Royal Asiatic Society for the Year
O ~—L ^T ~~ o ?Ui JOURNAL OF THE NORTH- CHINA BRANCH OF THE BOYAL ASIATIC SOCIETY VOLUME XLIX— 1918 CONTENTS. PAGE PROCEEDINGS ix RIVER PROBLEMS IN CHINA. By Herbert Chatley, D. Sc. ... 1 SOME NOTES ON LAND-BIRDS. By H. E. Laver 13 ANIMISTIC ELEMENTS IN MOSLEM PRAYER. By Samuel M. Zwemer, F.R.G.S 38 THE EIGHT IMMORTALS OF THE TAOIST RELIGION. By Peter C. Ling 53 A CHAPTER ON FOLKLORE: I.—The Kite Festival in Foochow, China. By Lewis Hodous, D.D 76 II.— On a Method of Divination Practised at Foochow. By H. L. Harding 82 HI—Notes on the Tu T'ien Hui (fP ^ #) held at Chinkiang on the 31st May, 1917. By H. A. Ottewill 86 IV.—The Domestic Altar. By James Hutson 93 KU K'AI-CHIH'S SCROLL IN THE BRITISH MUSEUM. By J. C. Ferguson, Ph.D 101 THE THEISTIC IMPORT OF THE SUNG PHILOSOPHY. By J. P. Bruce, M.A 111 A CASE OF RITUALISM. By Evan Morgan 128 CHINESE PUZZLEDOM. By Charles Kliene, F.R.G.S. ... 144 REVIEWS OF RECENT BOOKS 160 NOTES AND QUERIES 200 ADDITIONS TO THE LIBRARY 208 LIST OF MEMBERS 211 A I: Application for Membership, stating the Name (in full) r Nationality, Profession and Address of Applicants, should be forwarded to "The SecretaE^JJorth-China Branch of the Eoyal Asiatic Society, (Shanghai^ The name should be proposed and seconded by members of the Society, but where circumstances prevent the observance of this Bule, the Council is prepared to consider applications with such references as may be given. -
The Delhi Coronation Durbars Trust Based in New Delhi
THE ALKAZI COLLECTION OF PhotographY The Alkazi Collection of Photography Codell POWER AND RESISTANCE The Alkazi Foundation for the Arts is a registered charitable The Delhi Coronation Durbars trust based in New Delhi. It is primarily dedicated to the power AND resistance exploration and study of the cultural history of India. Over the last 30 years, Ebrahim Alkazi, the Foundation’s The Delhi Coronation Durbars This volume explores how photography represented, Chairman, has amassed a private collection of photographs The Delhi Coronation Durbars Coronation The Delhi idealized and publicized the Delhi Coronation Durbars, known as The Alkazi Collection of Photography occasions marking the formal coronations of English (www.acparchives.com), an archive of nineteenth- and early- monarchs as empress and emperors of India: Victoria twentieth century photographic prints from South and power Edited by Julie F. Codell South-East Asia, amounting to over 90,000 images.The core in 1877, Edward VII in 1903 and George V in 1911. of the Collection comprises works in the form of photographic Formally schematized and instituted by the Viceroys albums, single prints, paper negatives and glass plate negatives of India—Lytton, Curzon and Hardinge—the durbars from India, Burma, Ceylon, Nepal, Afghanistan and Tibet. were the first examples of the aestheticisation of imperial Almost every region with a history touched by the British Raj politics and the inscription of the Raj in a celebratory is represented. These vintage prints document sociopolitical history that served to legitimate colonial presence. life in the subcontinent through the linked fields of history, AND architecture, anthropology, topography and archaeology, Lasting several weeks, each lavish occasion was imaged beginning from the 1840s and leading up to the rise of and described in photographs (cartes-de-visite as well as modern India and the Independence Movement of 1947. -
The Delhi Coronation Durbars
T HE AL K A Z I COLLECTION OF PHOTOGRAPHY Te Alkazi Collection of Photography Codell POWER AND RESISTANCE Te Alkazi Foundation for the Arts is a registered charitable Te Delhi Coronation Durbars trust based in New Delhi. It is primarily dedicated to the POWER AND RESISTANCE exploration and study of the cultural history of India. Over the last 30 years, Ebrahim Alkazi, the Foundation’s Te Delhi Coronation Durbars Tis volume explores how photography represented, Chairman, has amassed a private collection of photographs The Delhi Coronation Durbars Coronation The Delhi idealized and publicized the Delhi Coronation Durbars, known as Te Alkazi Collection of Photography occasions marking the formal coronations of English (www.acparchives.com), an archive of nineteenth- and early- monarchs as empress and emperors of India: Victoria twentieth century photographic prints from South and POWER Edited by Julie F. Codell South-East Asia, amounting to over 90,000 images.Te core in 1877, Edward VII in 1903 and George V in 1911. of the Collection comprises works in the form of photographic Formally schematized and instituted by the Viceroys albums, single prints, paper negatives and glass plate negatives of India—Lytton, Curzon and Hardinge—the durbars from India, Burma, Ceylon, Nepal, Afghanistan and Tibet. were the first examples of the aestheticisation of imperial Almost every region with a history touched by the British Raj politics and the inscription of the Raj in a celebratory is represented. Tese vintage prints document sociopolitical history that served to legitimate colonial presence. life in the subcontinent through the linked fields of history, AND architecture, anthropology, topography and archaeology, Lasting several weeks, each lavish occasion was imaged beginning from the 1840s and leading up to the rise of and described in photographs (cartes-de-visite as well as modern India and the Independence Movement of 1947. -
Pinus Bungeana Zuccarini-A Ghostly Pine
Pinus bungeana Zuccarini-A Ghostly Pine Robert G. Nicholson This attractive, white-barked pine from China, once a favorite of emperors, would be suitable for modern parks, cemeteries, campuses, golf courses, and lawn plantings When one sits in a garden with peach trees, courtyard plantings and has come to be flowers, and willows, without a single pine known in the West as the lacebark pine, Pinus in sight, it is like sitting among children and bungeana. It was first described by Joseph women without any venerable man in the Zuccarini (1797-1848) from specimens that vicinity to whom one may look up. Aleksandr von Bunge (1803-1890) had col- -Li Li-weng lected in the temple gardens of Beijing; he was the first Westerner to collect the species. Despite its chauvinism, Li’s assertion does The first live material brought to England was indicate the high regard the Chinese have for a plant that Robert Fortune (1812-1880) had pines in the garden. It also hints at the sym- purchased near Shanghai. An Englishman, bolic system that existed in Li’s time: plants Fortune travelled to China four times be- sited in a garden were not chosen for form, tween 1843 and 1861. His interest in China’s texture, and flower alone, but also as symbols flora enabled him to supply plants to the of abstract thought or representatives of leading horticulturists in London. An engag- human qualities. Pines portrayed hardiness, ing chronicler of the era, Fortune gives vivid strength of character, virtue, or stalwart accounts in his books of plant hunting in friendship in adverse times. -
Fur and Feather in North China
Ss-Di:t6Ei2aa!^.4-Jw^«^:/ i/fis-inj FUR 'S) FEATHER IN NORTH CHINA. TIENTSIN PRESS, LTD., — — Printers aud Publishers — — 33, Victoria Road, Tientsin, North China' « H "A U oO a a H FUR AND FEATHER IN NORTH CHINA, By Arthur de Carle Sowerby, F.R.G.S. " Author of " Sport and Science on the Sino-Mongolian Frontier and joint author with Robert Sterling Clark of "Through ShenKan/' With 30 liJie drawings by the mdhor and 43 photographs. ' There is a pleasure in the pathless woods. There is a rapture on the (onely shore. There is society, where none intrudes. By the deep Sea, and music in its roar. I fove not Man the less, but Nature more. From these our interviews, in which I steal From all I may be, or have been before. To mingle with the Universe, and feel What I can ne'er express, yet can not all conceal," —Byron 1914. THE TIENTSIN PRESS, LIMITED, Victoria Road, Tientsin, North China. To my wife. All rights reserved. PREFACE When the papers, which go to make up this book, were firsts con- templated, it was proposed that they should deal purely with sport. It was felt, however, that there was a very distinct need for some popular work not merely on game birds and animals, but on the whole, or as much as possible, of the North China fauna. Consequently, it was decided to endeavour to meet, if only in a small measure, this need. The resulting papers, penned sometimes in town, sometimes even on the road, but always with a sad lack of reference works, can not claim to do justice to the great subject. -
Falaknuma Palace Dining Table
Falaknuma Palace Dining Table Comradely Willy crenel that trammellers riffles nervelessly and decoke juvenilely. Struggling and polymerous andLeslie sylphid. perjures her electromotors ascends or vinegars inhumanely. Justis baptized her antechapels yon, Guinean If not been honored by any destination wedding india must present live a palace falaknuma palace Silicon Valley; all the big tech companies have offices there. Black Tomato experience in five days or less. SMT creator can turn, which results in nearly infinite customizability. India Abroad Publications, Inc. Chef Prabhitha was extremely friendly and breakfast served was at its best. For the height of luxury book yourself into the Royal Presidential Suite which features its own private swimming pool, a private Jacuzzi, ornate furnishings and soothing marble fountain. Sort of a month off, from blogging anyway. Standard cancellation rules apply. You can dress in royal way and they will take a picture of you! Your contribution should be yours. The Taj Falaknuma Palace is bringing together the best of wine and food in an exclusive weekend experience. The Main Lawns: a sprawling spread with an extraordinary backdrop In a city that speaks eloquently of its historical legacy stands a prestigious property that seamlessly draws from the days of yore, when royalty held sway. Located in Banjara Hills, Radisson Blu Plaza features a bar, spa, swimming pool and fitness centre. Silent in the lap of nature. Further, the Durbar hall of the Falaknuma Palace is also a beautiful location. The sixth Nizam of Hyderabad, Mir Mehboob Ali Khan appointed him State Photographer. Today, the Taj Falaknuma Palace is a luxury hotel, while the Chowmahalla is public museum. -
Sport and Science on the Sino-Mongolian Frontier
CHARLES WILLIAM WASON COLLECTION CHINA AND THE CHINESE THE eiFT OF CHARLES WILLIAM WASON CLASS OF 1876 1918 Cornell University Library DS 710.S73 Sport and scenes on the Sino-Mongolian 3 1924 023 123 502 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023123502 SPORT AND SCIENCE ON THE SINO - MONGOLIAN FRONTIER The Author. Frontispiece, SPORT AND SCIENCE ON THE SINO-MONGOLIAN FRONTIER By ARTHUR DE CARLE SOWERBY, F.Z.S., F.R.G.S. Joint Author with Robert S. Clark of "Through Shen-Kan," " and Author of " Fur and Feather in North China " and ' A Sportsman's Miscellany "Till a voice, as bad as Conscience, rang interminable changes one everlasting On Whisper day and night repeated—so : ' Something hidden. Go and find it. Go and look behind the Ranges- Something lost ' behind the Ranges. Lost and waiting for you. Go ! Kipling. LONDON : ANDREW MELROSE, LTD. 3 YORK STREET, COVENT GARDEN, W.C. 1918 To MAJOR ROBERT STERLING CLARK. In memory of many happy days' hunting on the Sino-Mongolian Frontier. Introduction EVER since the Original Hundred Families wandered eastward from Central Asia into the land now knGwn as China, and settled in^the broad and fertile valley of the Wei River in the present province of Shensi, forming the nucleus of the Flowery Kingdom, its people have been harassed continually by the ravaging hordes of Tartary. The frontiers between the two races, one peace- ful and addicted to the practice of the Arts, the other warlike, and caring only for plunder, rapine and conquest, have always been marked by scenes of bloody conflicts, ruthless raids and brutal massacres ; yet, strange though it may seem, it has been the peaceful nation which has won in the end, and continually the Sino-Mongohan boundary has been pushed further to the north. -
Open As a Single Document
Volume 48 Number 2 Spring 1988 Arnoldia (ISSN 0004-2633; USPS 866-100) is pub- Page lished in quarterly, winter, spring, summer, and fall, 2 The Vulnerable and Plants of by the Arnold Arboretum of Harvard University. Endangered Xishuangbanna Prefecture, Yunnan Subscriptions are $12.00 per calendar year domestic, Province, China $15.00 per calendar year foreign, payable in advance. Zou Shou-qing Single copies are $3.50. All remittances must be in U. S. dollars, by check drawn on a U. S. bank or by 9 Transplanting Botany to China: The Cross- international money order. Send subscription orders, remittances, change-of-address notices, and all other Cultural Experience of Chen Huanyong subscription-related communications to: Helen G. William J. Haas Shea, Circulation Manager, Arnoldia, The Arnold Arboretum, Jamaica Plain, MA 02130-2795. Telephone (617) 524-1718. Postmaster: Send address changes to: Arnoldia The Arnold Arboretum Jamaica Plain, MA 02130-2795. Copyright © 1988, The President and Fellows of Harvard College. Edmund A. Schofield, Editor Peter Del Tredici, Associate Editor Helen G. Shea, Circulation Manager Marion D. Cahan, Editorial Assistant (Volunteer) Arnoldia is printed by the Office of the University Publisher, Harvard University. 26 Forestry in Fujuan Province, People’s Front cover:-Painting of Aquilaria sinensis (Loureiro) Republic of China, during the Cultural Gilg, a rare Chinese shrub. (See pages 2 through 8.) Revolution ~.Inside front cover:-Portrait of Chen Huanyong Richard B. Primack ( 1890-1971 as a young man. From The Index, the junior annual of the Massachusetts Agricultural College, for 1913. Used through the courtesy of the Archives of the 30 INTERVIEW University of Massachusetts at Amherst. -
Asian Art Newspaper, “Under Indian Skies” February 21, 2019 Administrator
ASIAN ART NEWSPAPER, “UNDER INDIAN SKIES” FEBRUARY 21, 2019 ADMINISTRATOR Asian Art Newspaper explores the world of 19th-century Indian Photography on show at the David Collection, Copenhagen in Under Indian Skies. The invention of photography in 1840s revolutionised the way in which the world was documented and interpreted, not only in Europe, but also in Asia. As early as mid-19th century, the British authorities in India launched an impressive photographic survey of architecture. Enthusiastic amateur photographers soon followed suit with atmospheric images of life during the period, from high to low, from maharajas to snake charmers, and elephants and tigers to the beauty of the Taj Mahal. These photographs offered an eager and curious public in the West a glimpse of the exotic east, a way to experience the sites and cultures of a far-away land from the comfort of their home. This exhibition of 19th-century photographs offers a first-hand impression of Victorian India and the Raj, as seen through the eyes of primarily Western photographers. At the beginning of the 1850s, photography made its breakthrough in colonial India. With its impressive architecture, including Mughal palaces and mausolea, ruins, exotic landscapes, as well as the many different ethnic groups and cultures, the country offered fantastic opportunity for these early photographers to create striking images. Princes, maharajas, ministers and soldiers could all be recorded in detailed splendour. There was also a chance to document ordinary people and daily life: stone-cutters and woodcarvers, carpenters and dyers, mahouts with their elephants, cotton harvesters and gardeners, acrobats, snake charmers, dancers, musicians and religious processions.