Sreekala Sivasankaran
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In Black & White
hoto feature p Clockwise from above: Rajabhai Clock Tower, Mumbai in the 19th century; Maharaja of Orcha-Sir Pratap Singh in 1890; and Raja Deen Dayal. process where the image made on a light-sensitive The wheedling of Sir Henry Daly, and silver-coated metallic plate) started flooding the European influence added to his motivation. European markets, and the influence set a pace On Sir Henry’s insistence, Deen Dayal in other colonial nations as well. India was not was given the golden opportunity to penurious of the changes, which was the result of photograph the Prince of Wales, and his rapid industrialisation in the west. The influence of entourage during his Royal Visit of India in photography was vivid, and brought about a radical 1875. change in the way events were recorded. Quickly acquiring acknowledgement, Born to this era in 1844, was an outré talented Dayal went on to tour Bundhelkhand during photographer, named Lala Deen Dayal. He spent his 1882-83, with the then Agent, Sir Lepel boyhood years in Sardhana, Meerut (now in Uttar Griffin. During this trip, he took rallying Pradesh). Brought up by a well to do family of Digamabar Jain images of many forts, palaces, temples (like the Dilwara Marwari jewellers, this academically inclined student topped temples of Mount Abu) is noteworthy. Eighty nine of these his form, earning a Diploma in Engineering, from Thomason images were reproduced and published in Sir Lepel’s, Famous College of Civil Engineering at Roorkee. Monuments of Central India, (London 1886), a book that The unflagging devotion to his métier won him the Royal reached the hands of Queen Victoria. -
MARCH 2019 .Com/Civilsocietyonline `80
VOL. 16 NO. 5 MARCH 2019 www.civilsocietyonline.com .com/civilsocietyonline `80 GIRL POWER IN BIHAR How Project Lehar is bringing serious change A FARM COLLEGE IN Goa INTERVIEW LOW-COST COLD STorage Pages 8-9 ‘A BASIC INCOME WILL Pages 22-24 ‘collecTIVISE WOMEN’ GIVE Young choices’ DO MINISTERS MATTER? Pages 10-11 Page 26 P.D. RAI SAYS SIKKIM IS WORRIED A PEOPLE’s suRGEON ABOUT JOBLESSNESS AfgHAN CHARLIE CHAPLIN Page 14 Pages 6-7 Pages 29-30 Conservation of Biodiversity by Himalaya We, at Himalaya, have planted more than 700,000 trees over the last 5 years as part of our Biodiversity Conservation initiative in the Western Ghats, Maharashtra. In association with SEBC (Society for Environment and Biodiversity Conservation), Pune, we also conduct Annual Awareness programs around International Biodiversity Day in Pune and Goa. Himalaya has also partnered with WeForest in order to stop the loss of natural forestry and accelerate forest landscape restoration. Through this initiative, we are planting trees in the Khasi Hills region of Meghalaya this year. Setting the pace for a sustainable ecosystem, our Tree Planting initiative has made a positive impact on the environment, where forests are managed sustainably for climate and humanity. VOICES CONTENTS There were no inputs in the school IN THE LIGHT SAMITA RATHOR curriculum about social values. When I returned to India with my children nine months later, we had all gone to a friend’s house for dinner. My children, who were eating some R E A D U S. W E R E A D Y O U. -
China and India Timbuktu Books & Walkabout Books
CHINA AND INDIA An e-list jointly issued by TIMBUKTU BOOKS & WALKABOUT BOOKS Seattle, WA Laguna Hills, CA JUNE 2019 Terms: All items are subject to prior sale and are returnable within two weeks of receipt for any reason as long as they are returned in the same condition as sent. Shipping will be charged at cost and sales tax will be added if applicable. Payment may be made by check, credit card, or paypal. Institutions will be billed according to their needs. Standard courtesies to the trade. Susan Eggleton Elizabeth Svendsen [email protected] [email protected] 206-257-8751 949-588-6055 www.timbuktubooks.net www.walkaboutbooks.net PART I: CHINA AND WESTERN PERCEPTIONS OF THE CHINESE An Early Chinese Effort to Develop Segregated Schools for Students with Special Needs 1. [BLIND SCHOOL] Niles, Mary; Durham, Lucy. Ming Sam School for the Blind, Canton, China, 1919. 12 pp, 5.5 x 8.5 inches, in original stapled wrappers. Light stain to upper left corner of cover and Chinese characters written on the front; very good. The first-known formal school for blind or deaf students in China was set up in 1887 in Shandong Province. The Ming Nam School followed just a few years later in 1891 in Canton. As recounted in this booklet, Dr. Mary Niles, who had come to China as the first woman missionary doctor at a Canton hospital, became aware of one of the city’s blind “singing girls." The girl, with others like her, had been sold by her parents and forced to sing on the streets at night. -
5 July-2020.Qxd
C M C M Y B Y B RNI No: JKENG/2012/47637 Email: [email protected] POSTAL REGD NO- JK/485/2016-18 Internet Edition www.truthprevail.com Truth Prevail Epaper: epaper.truthprevail.com Government to launch TOPS Scheme for junior athletes : Rijiju 3 5 12 Advisor Baseer Khan finalizes yatra BJP looting common masses amid Chief Justice visits Doda; reviews functioning of arrangements Corona pandemic : Harsh Courts, interacts with Lawyers, Judicial Officers VOL: 9 Issue: 163 JAMMU AND KASHMIR, SUNDAY , JULY 05, 2020 DAILY PAGES 12 Rs. 2/- Inside ‘Covid-19 vaccine not this year’; CCMB Inside Amarnath Yatra: SOPs for testing of persons Director contradicts ICMR DM orders 10 pm to 5 am Hyderabad, July 4 : A The Indian Council of wait for the data and results, restrictions on non-essential vaccine for COVID-19 can - Medical Research on Friday which normally takes months. entering J&K to be applicable to pilgrims not be expected before early wrote to select medical insti - To a query, he said CCMB activities in Jammu district Jammu, July 4 : The J-K ed to be negative. Besides, regard to the status of works, yatra is likely to be held from next year as the process tutions and hospitals to fast- is currently doing 400-500 JAMMU, JULY 04 : administration on Saturday said social-distancing norms will including up-gradation and July 21 to August 3. involves a lot of clinical trials track clinical trial approvals COVID-19 tests every day District Magistrate, all pilgrims entering Jammu and further strain these holding improvement along the track The Financial Commissioner and data testing, a top official for the coronavirus vaccine and had sent proposals to the Jammu, Sushma Kashmir for undertaking this capacities," Subrahmanyam from Baltal to the holy cave at (Health) gave a brief in regard to of CSIR- CCMB said on Chauhan, vide powers year's Amarnath Yatra in South said. -
A Tribute to Chetan Datar,Bharangam 13 – All the Plays of B
Snake, Love and Sexuality Ravindra Tripathi’s There are a lot of stories in Indian mythology and folklores where you find the snake or the serpent as sexual motif. Some modern plays are also based upon it. For example Girish Karnad’s play Nagmandala. The snake as sexual motif is not limited only to India. In 13th bharat rang mahotsav, the Japanese play Ugetsu Monogatari (directed by Madoka okada) also presents the snake as a charmer and lover of human being. It is story of 10th century Japan. There is a young man, named Toyoo, son of a fisherman. He lives near seashore. A beautiful woman named Manago comes to his home in a rainy night. Toyoo is attracted towards her. He also lends his umbrella and promises to meet her again in near future. After some days he goes to her house on the pretext of going back his umbrella. During that he gets intimate with her. Manago gives him a beautiful sword as a token of their relationship. But after sometime it comes out that the sword was stolen from a shrine. Toyoo is caught by the officials on the charge of theft. He is taken to the house of Manago and there it is discovered that actually Manago is not a woman but a serpent. She transforms herself as a woman to get Toyoo love. Now the question is what will happen of their relationship. Will Toyoo accept Manago, the serpent as his beloved or leave her? Ugetsu monogatari is a play about coexistence of natural and supernatural in human life. -
So I Knew Their Place Before I Crashed Among Them, Knew When Alexander Had Traversed It in an Earlier Age for This Cause Or That Greed
I am a man who can recognize an unnamed town by its skeletal shape on a map …. So I knew their place before I crashed among them, knew when Alexander had traversed it in an earlier age for this cause or that greed. I knew the customs of nomads besotted by silks or wells …. When I was lost among them, unsure of where I was, all I needed was the name of a small ridge, a local custom, a cell of this historical animal, and the map of the world would slide into place. – Michael Ondaatje, The English Patient (1992) 112 Marg Vol. 61 No. 1 112-120 Pramod final GJ.indd 112 18/09/09 11:32 AM Special Feature Pramod Kumar K.G. The Photography Archive at the City Palace Museum Udaipur A small slice of Udaipur’s history was uncovered in May 2008 when the City Palace Complex at Udaipur yielded several trunks packed with photographs. Safely maintained over the decades among the various storerooms and inner recesses of the vast City Palace Museum Udaipur (hereafter CPMU), the trunks hold several thousand loose photographs, folios, and framed images, which are currently being catalogued and archived. Numbering more than 15,000 images, these photographs are part of the Pictorial Archives of The Maharanas of Mewar, Udaipur, and are currently housed at the CPMU. A first exhibition of these photographs has already been mounted at the newly restored Bhagwat Prakash Gallery in the Zenana Mahal of the complex. Titled Long Exposure, 1857−1957: The Camera at Udaipur, the exhibition and the study of the collection is gradually revealing an unabashed “native” gaze and perception in what the camera’s lens set out to capture. -
The Delhi Coronation Durbars Trust Based in New Delhi
THE ALKAZI COLLECTION OF PhotographY The Alkazi Collection of Photography Codell POWER AND RESISTANCE The Alkazi Foundation for the Arts is a registered charitable The Delhi Coronation Durbars trust based in New Delhi. It is primarily dedicated to the power AND resistance exploration and study of the cultural history of India. Over the last 30 years, Ebrahim Alkazi, the Foundation’s The Delhi Coronation Durbars This volume explores how photography represented, Chairman, has amassed a private collection of photographs The Delhi Coronation Durbars Coronation The Delhi idealized and publicized the Delhi Coronation Durbars, known as The Alkazi Collection of Photography occasions marking the formal coronations of English (www.acparchives.com), an archive of nineteenth- and early- monarchs as empress and emperors of India: Victoria twentieth century photographic prints from South and power Edited by Julie F. Codell South-East Asia, amounting to over 90,000 images.The core in 1877, Edward VII in 1903 and George V in 1911. of the Collection comprises works in the form of photographic Formally schematized and instituted by the Viceroys albums, single prints, paper negatives and glass plate negatives of India—Lytton, Curzon and Hardinge—the durbars from India, Burma, Ceylon, Nepal, Afghanistan and Tibet. were the first examples of the aestheticisation of imperial Almost every region with a history touched by the British Raj politics and the inscription of the Raj in a celebratory is represented. These vintage prints document sociopolitical history that served to legitimate colonial presence. life in the subcontinent through the linked fields of history, AND architecture, anthropology, topography and archaeology, Lasting several weeks, each lavish occasion was imaged beginning from the 1840s and leading up to the rise of and described in photographs (cartes-de-visite as well as modern India and the Independence Movement of 1947. -
The Delhi Coronation Durbars
T HE AL K A Z I COLLECTION OF PHOTOGRAPHY Te Alkazi Collection of Photography Codell POWER AND RESISTANCE Te Alkazi Foundation for the Arts is a registered charitable Te Delhi Coronation Durbars trust based in New Delhi. It is primarily dedicated to the POWER AND RESISTANCE exploration and study of the cultural history of India. Over the last 30 years, Ebrahim Alkazi, the Foundation’s Te Delhi Coronation Durbars Tis volume explores how photography represented, Chairman, has amassed a private collection of photographs The Delhi Coronation Durbars Coronation The Delhi idealized and publicized the Delhi Coronation Durbars, known as Te Alkazi Collection of Photography occasions marking the formal coronations of English (www.acparchives.com), an archive of nineteenth- and early- monarchs as empress and emperors of India: Victoria twentieth century photographic prints from South and POWER Edited by Julie F. Codell South-East Asia, amounting to over 90,000 images.Te core in 1877, Edward VII in 1903 and George V in 1911. of the Collection comprises works in the form of photographic Formally schematized and instituted by the Viceroys albums, single prints, paper negatives and glass plate negatives of India—Lytton, Curzon and Hardinge—the durbars from India, Burma, Ceylon, Nepal, Afghanistan and Tibet. were the first examples of the aestheticisation of imperial Almost every region with a history touched by the British Raj politics and the inscription of the Raj in a celebratory is represented. Tese vintage prints document sociopolitical history that served to legitimate colonial presence. life in the subcontinent through the linked fields of history, AND architecture, anthropology, topography and archaeology, Lasting several weeks, each lavish occasion was imaged beginning from the 1840s and leading up to the rise of and described in photographs (cartes-de-visite as well as modern India and the Independence Movement of 1947. -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B. -
Annual Report 1990 .. 91
SANGEET NAT~AKADEMI . ANNUAL REPORT 1990 ..91 Emblem; Akademi A wards 1990. Contents Appendices INTRODUCTION 0 2 Appendix I : MEMORANDUM OF ASSOCIATION (EXCERPTS) 0 53 ORGANIZATIONAL SET-UP 05 AKADEMI FELLOWSHIPS/ AWARDS Appendix II : CALENDAR OF 19900 6 EVENTS 0 54 Appendix III : GENERAL COUNCIL, FESTIVALS 0 10 EXECUTIVE BOARD, AND THE ASSISTANCE TO YOUNG THEATRE COMMITTEES OF THE WORKERS 0 28 AKADEMID 55 PROMOTION AND PRESERVATION Appendix IV: NEW AUDIO/ VIDEO OF RARE FORMS OF TRADITIONAL RECORDINGS 0 57 PERFORMING ARTS 0 32 Appendix V : BOOKS IN PRINT 0 63 CULTURAL EXCHANGE Appendix VI : GRANTS TO PROGRAMMES 0 33 INSTITUTIONS 1990-91 064 PUBLICATIONS 0 37 Appendix VII: DISCRETIONARY DOCUMENTATION / GRANTS 1990-91 071 DISSEMINATION 0 38 Appendix VIll : CONSOLIDATED MUSEUM OF MUSICAL BALANCE SHEET 1990-91 0 72 INSTRUMENTS 0 39 Appendix IX : CONSOLIDATED FINANCIAL ASSISTANCE TO SCHEDULE OF FIXED CULTURAL INSTITUTIONS 0 41 ASSETS 1990-91 0 74 LIBRARY AND LISTENING Appendix X : PROVIDENT FUND ROOMD41 BALANCE SHEET 1990-91 078 BUDGET AND ACCOUNTS 0 41 Appendix Xl : CONSOLIDATED INCOME & EXPENDITURE IN MEMORIAM 0 42 ACCOUNT 1990-91 KA THAK KENDRA: DELHI 0 44 (NON-PLAN & PLAN) 0 80 JA WAHARLAL NEHRU MANIPUR Appendix XII : CONSOLIDATED DANCE ACADEMY: IMPHAL 0 50 INCOME & EXPENDITURE ACCOUNT 1990-91 (NON-PLAN) 0 86 Appendix Xlll : CONSOLIDATED INCOME & EXPENDITURE ACCOUNT 1990-91 (PLAN) 0 88 Appendix XIV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN & PLAN) 0 94 Appendix XV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN) 0 104 Appendix XVI : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (PLAN) 0 110 Introduction Apart from the ongoing schemes and programmes, the Sangeet Natak Akademi-the period was marked by two major National Academy of Music, international festivals presented Dance, and Drama-was founded by the Akademi in association in 1953 for the furtherance of with the Indian Council for the performing arts of India, a Cultural Relations. -
Annual Report 2011-2012
Annual Report IND I A INTERNAT I ONAL CENTRE 2011-2012 IND I A INTERNAT I ONAL CENTRE New Delhi Board of Trustees Mr. Soli J. Sorabjee, President Justice (Retd.) Shri B.N. Srikrishna (w. e. f. 1st January, 2012) Mr. Suresh Kumar Neotia Professor M.G.K. Menon Mr. Rajiv Mehrishi Dr. (Mrs.) Kapila Vatsyayan Dr. Kavita A. Sharma, Director Mr. N. N. Vohra Executive Members Dr. Kavita A. Sharma, Director Mr. Kisan Mehta Mr. Najeeb Jung Dr. (Ms.) Sukrita Paul Kumar Dr. U.D. Choubey Cmde. (Retd.) Ravinder Datta, Secretary Lt. Gen. V.R. Raghavan Mr. P.R. Sivasubramanian, Hony. Treasurer Mrs. Meera Bhatia Finance Committee Justice (Retd.) Mr. B.N. Srikrishna, Dr. Kavita A. Sharma, Director Chairman Mr. P.R. Sivasubramanian, Hony. Treasurer Mr. M. Damodaran Cmde. (Retd.) Ravinder Datta, Secretary Lt. Gen. (Retd.) V.R. Raghavan Mr. Jnan Prakash, Chief Finance Officer Medical Consultants Dr. K.P. Mathur Dr. Rita Mohan Dr. K.A. Ramachandran Dr. B. Chakravorty Dr. Mohammad Qasim IIC Senior Staff Ms. Premola Ghose, Chief Programme Division Mr. Vijay Kumar Thukral, Executive Chef Mr. Arun Potdar, Chief Maintenance Division Mr. A.L. Rawal, Dy. General Manager (Catering) Ms. Omita Goyal, Chief Editor Mr. Inder Butalia, Sr. Finance and Accounts Officer Dr. S. Majumdar, Chief Librarian Ms. Madhu Gupta, Dy. General Manager (Hostel/House Keeping) Mr. Amod K. Dalela, Administration Officer Ms. Seema Kohli, Membership Officer (w. e. f. August 2011) Annual Report 2011-2012 As always, it is a privilege to present the 51th Annual Report of the India International Centre for the year commencing 1 February 2011 and ending 31 January 2012.