Catalogue for Teachers 2021 Heritage Institutions'
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Journey with Newspapers in Education and Wing Luke Museum
Celebrate the Year of the Journey with Newspapers in Education and Wing Rooster with The Wing! Luke Museum to learn how different Asian and Pacific Islander Americans celebrate the New Year. One of the most important holidays for Asian Americans and Pacific Islander Americans is the New Year. The Chinese New Year is based on the lunar calendar, which follows the phases of the moon. Chinese New Year falls on the second new moon after the winter solstice and typically occurs between mid-January to mid-February. This year the New Year is on Saturday, January 28, and will celebrate the Year of the Rooster according to the Chinese zodiac. For many people that come down to the Chinatown- International District for Chinese New Year, Lion Dancers in their colorful lion costumes are a festive and fun highlight of the celebration. Learn about the Chinese New Year and the Lion Dance through the eyes of Royal Tan, a Chinese American Lion Dancers who trains under Master Mak Fai in Seattle’s ANIMALS OF THE CHINESE ZODIAC Chinatown-International District. A row of lion costumes and two dragons circle around the Mak Fai Kung Fu Club in the Chinatown-International District. Photograph courtesy of Royal Tan The Chinese lunar calendar is divided into 12-year cycles, LION DANCE TRADITIONS with an animal representing each year in a cycle. Find the You might wonder how lions made their way into Chinese New Year traditions. year you were born and the animal that matches that year. Royal Tan explains, “For Chinese New year, the Lion Dance is to bring good luck and to ward off evil spirits. -
Major Retailers Celebrate Lunar New Year • the Lunar New Year, the Year of the Monkey, Starts Today, February 8, 2016
FEB. 08, 2016 Major Retailers Celebrate Lunar New Year • The Lunar New Year, the Year of the Monkey, starts today, February 8, 2016. • Major retailers and international brands are courting Asian consumers, launching special Chinese New Year promotions, window displays, limited- edition products, and themed entertainment and other unique activities. • In 2015, Chinese consumers’ overseas luxury purchases grew by 10% year over year and shopping tourism from China increased by 32%, according to Bain & Company. • Last year, Chinese shoppers bought 78% of their high-end purchases outside Mainland China, according to the China-based Fortune Character Institute. The 2016 Lunar New Year, wHicH starts on February 8, will be celebrated across tHe globe by more tHan a billion people, making it one of tHe world’s biggest Holidays. According to the Chinese zodiac, 2016 is tHe Year of tHe Monkey. China has declared a national holiday this year that runs February 7–13, wHicH paves tHe way for tHe massive travel tHat accompanies the 40-day Chunyun period. During tHis Spring Festival travel period eacH year, the largest Human migration in the world takes place; in 2015, travelers made more tHan 3.7 billion trips during the 40 days. HigHligHts of tHe Holiday include traveling Home to be with family, family reunion dinners, parades, fireworks, dancing and tHe gifting of hongbao—red envelopes filled with cash and given by married people to cHildren, unmarried relatives, friends and employees. MAJOR RETAILERS AND INTERNATIONAL BRANDS COURT ASIAN CONSUMERS In recent years, major retailers and international brands have been courting Asian consumers, Hoping to become tHe shopping destination of choice for New Year’s gifts. -
Pakej Sajian 2017(1)
Pakej A Pakej D Makan Tengahari Makan Tengahari Nasi Putih, Ayam masak merah, Kobis masak lemak, Nasi Tomato, Ayam masak Bali, Dalca, Jelatah, Papedem Telur dadar, Air kordial Air kordial Minum Petang Minum Petang Pisang Goreng, Cucur badak, Teh o Kuih Donat, Cucur udang, Teh o BBQ Makan Malam Nasi Goreng Cina, Ayam bakar, Ikan Bakar, Sosej Bakar, Nasi Putih, Sup ayam, Sambal ikan Bilis tempe, Air asam dan sos, Buah tempatan, Air sirap limau. Sayur tempatan, Buah tempatan, Air sirap limau Sarapan Pagi Sarapan Pagi Nasi lemak, Sambal, Ikan bilis, Timun,Telur Goreng, Mee Goreng, Sambal, Timun, Telur Goreng, 1 x Kuih, Teh tarik 1 x kuih, Teh tarik Pakej B Pakej E Makan Tengahari Makan Tengahari Nasi Beriani, Ayam Masak Merah, Dalca, Jelatah, Nasi Ayam, Buah Tempatan, Air kordial Papedem, Air kordial Minum Petang Minum Petang Cucur Udang, Kuih keria, Teh o Cucur Udang, Buah Melaka, Teh o Makan Malam BBQ Nasi Putih, Kari Ikan, Ayam Goreng berempah Nasi Goreng Cina, Ayam bakar, Ikan Bakar, Kentang Goreng, Sayur tempatan, Buah tempatan, Air sirap limau Air asam dan sos, Buah tempatan, Air sirap limau. Sarapan Pagi Sarapan Pagi Nasi Goreng Kampung, Sambal, Timun, Telur Goreng, Meehon Goreng, Sambal, Timun 1 x Kuih, Teh tarik KM CHALET Telur Goreng, 1 x Kuih, Teh tarik .Pakej sajian Hari Keluarga Pakej C Pakej F 2 hari 1 malam/ 3 hari 2 malam Makan Tengahari Makan Tengahari Nasi Putih, Ikan asam Pedas, Sayur tempatan, Nasi Putih, Ikan bakar, Masak Lemak nangka, .4 x sajian- RM 39.00 seorang Telur Dadar, Air kordial Ulam Tempatan, Sambal belacan, -
Malaysian-Omani Historical and Cultural Relationship: in Context of Halwa Maskat and Baju Maskat
Volume 4 Issue 12 (Mac 2021) PP. 17-27 DOI 10.35631/IJHAM.412002 INTERNATIONAL JOURNAL OF HERITAGE, ART AND MULTIMEDIA (IJHAM) www.ijham.com MALAYSIAN-OMANI HISTORICAL AND CULTURAL RELATIONSHIP: IN CONTEXT OF HALWA MASKAT AND BAJU MASKAT Rahmah Ahmad H. Osman1*, Md. Salleh Yaapar2, Elmira Akhmatove3, Fauziah Fathil4, Mohamad Firdaus Mansor Majdin5, Nabil Nadri6, Saleh Alzeheimi7 1 Dept. of Arabic Language and Literature, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia Email: [email protected] 2 Ombudsman, University Sains Malaysia Email: [email protected] 3 Dept. of History and Civilization, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia Email: [email protected] 4 Dept. of History and Civilization, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia Email: [email protected] 5 Dept. of History and Civilization, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia Email: [email protected] 6 University Sains Malaysia Email: [email protected] 7 Zakirat Oman & Chairman of Board of Directors, Trans Gulf Information Technology, Muscat, Oman Email: [email protected] * Corresponding Author Article Info: Abstract: Article history: The current re-emergence of global maritime activity has sparked initiative Received date:20.01.2021 from various nations in re-examining their socio-political and cultural position Revised date: 10.02. 2021 of the region. Often this self-reflection would involve the digging of the deeper Accepted date: 15.02.2021 origin and preceding past of a nation from historical references and various Published date: 03.03.2021 cultural heritage materials. -
The Educator's Guide
Resources A Guide for Secondary School Educators The Educator’s Guide Created in conjunction with the exhibition, SINGAPO人: Discovering Chinese Singaporean Culture Discovering Chinese Singaporean Culture This exhibition examines how the Chinese community in Singapore developed its own distinctive culture. Here, visitors discover and rediscover what it means to be a Chinese Singaporean. The aim is to develop a stronger sense of the Chinese Singaporean identity amongst youths. This will help foster a greater sense of belonging while giving them an understanding of how we are similar to or different from other Chinese communities. This exhibition presents Chinese Singaporean culture through daily life in Singapore – through the things we see, hear, do and eat every day. Therefore, the experience is highly interactive where visitors can touch various stations, play games, listen to stories and have a dialogue with the gallery. Through this exhibition, we will explore ideas of: Chinese heritage Cultural interactions Public policies The exhibition content extends classroom learning and teaching, by complementing History, Social Studies and Character & Citizenship Education subjects taught in secondary schools. It is also self-guided, where students can learn and explore independently. One of the main interactive features of the exhibition is the use of wristband tags. Students can tap their wristband tags to answer questions scattered throughout the space, trigger videos and play games. At the end of the visit, students can print out their own personalised report card which summarises their exhibition journey along with prompts for further cultural exploration beyond the exhibition. This report card serves as a starting point for them to reflect about their identity in relation to everyday life. -
Art, Politics, and Commerce in Chinese Cinema
Art, Politics, and Commerce in Chinese Cinema edited by Ying Zhu and Stanley Rosen Hong Kong University Press 14/F Hing Wai Centre, 7 Tin Wan Praya Road, Aberdeen, Hong Kong www.hkupress.org © Hong Kong University Press 2010 Hardcover ISBN 978-962-209-175-7 Paperback ISBN 978-962-209-176-4 All rights reserved. Copyright of extracts and photographs belongs to the original sources. No part of this publication may be reproduced or transmitted, in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the copyright owners. Printed and bound by XXXXX, Hong Kong, China Contents List of Tables vii Acknowledgements ix List of Contributors xiii Introduction 1 Ying Zhu and Stanley Rosen Part 1 Film Industry: Local and Global Markets 15 1. The Evolution of Chinese Film as an Industry 17 Ying Zhu and Seio Nakajima 2. Chinese Cinema’s International Market 35 Stanley Rosen 3. American Films in China Prior to 1950 55 Zhiwei Xiao 4. Piracy and the DVD/VCD Market: Contradictions and Paradoxes 71 Shujen Wang Part 2 Film Politics: Genre and Reception 85 5. The Triumph of Cinema: Chinese Film Culture 87 from the 1960s to the 1980s Paul Clark vi Contents 6. The Martial Arts Film in Chinese Cinema: Historicism and the National 99 Stephen Teo 7. Chinese Animation Film: From Experimentation to Digitalization 111 John A. Lent and Ying Xu 8. Of Institutional Supervision and Individual Subjectivity: 127 The History and Current State of Chinese Documentary Yingjin Zhang Part 3 Film Art: Style and Authorship 143 9. -
Chinese Folk Art, Festivals, and Symbolism in Everyday Life
Chinese Folk Art, Festivals, and Symbolism in Everyday Life PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen with contributions by Ching-chih Lin, PhD candidate, History Department, UC Berkeley. Additional contributors: Elisa Ho, Leslie Kwang, Jill Girard. Funded by the Berkeley East Asia National Resource Center through its Title VI grant from the U.S. Department of Education. Special thanks to Ching-chih Lin, for his extraordinary contributions to this teaching guide and the Taipei Economic and Cultural Office in San Francisco for its generous print and electronic media contributions. Editor: Ira Jacknis Copyright © 2005. Phoebe A. Hearst Museum of Anthropology and the Regents of the University of California. All rights reserved. 103 Kroeber Hall. #3712, Berkeley CA 94720 Cover image: papercut, lion dance performance, 9–15927c All images with captions followed by catalog numbers in this guide are from the collections of the Phoebe A. Hearst Museum of Anthropology. All PAHMA objects from Beijing and Nanking are from the museum's Ilse Martin Fang Chinese Folklore Collection. The collection was assembled primarily in Beijing between 1941 and 1946, while Ms. Fang was a postdoctoral fellow at the Deutschland Institute working in folklore and women's studies. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY CHINA The People’s Republic of China is the third largest country in the world, after Russia and Canada. It is slightly larger than the United States and includes Hong Kong and Macau. China is located in East Asia. The capital city is Beijing, which is in the northeast part of the country. -
Mat Lion Dance” in Meizhou
Creative Arts Educ Ther (2019) 5(2):85–95 DOI: 10.15212/CAET/2019/5/25 A Brief Analysis of the Buddhist Implication and Connotation of the “Mat Lion Dance” in Meizhou 浅谈梅州“席狮舞”中的审美意蕴及内涵 Shijie Liu1 and Yuelong Zhang2 1Shenzhen Huafeng Culture Media Co., China 2Department of Dance, Faculty of Dance, Shenzhen University, China Abstract The “Mat Lion Dance” is one of the unique events of the “XiangHua” (which means fragrant flowers in Chinese) Buddhism ritual in Meizhou Hakka, Guangdong, China. From the perspec- tive of aesthetics, the current study will analyze and discuss its cultural background and history as well as its artistic expression and intrinsic value. The article will emphasize three aspects: the relationship between the Hakka and Buddhist cultures; the implications of the performance and process of the Mat Lion Dance; and the function of praying, uniting the clan, and blessing of the Mat Lion Dance. The aim of the article is to deepen public understanding of the Mat Lion Dance, a precious intangible cultural heritage, and enable it to be better protected and inherited. Keywords: Kejia people, Meizhou, Buddhist ceremony, Mat Lion Dance 摘要 “席狮舞”为广东梅州客家“香花”佛事中独有的项目之一,根据现有资料,“席狮 舞”在50年代初之前一直在民间发展传承,作为一项客家佛教仪式流传于民间,并于 2008年被列入第二批国家级非物质文化遗产保护名录。由于梅州特殊的地理人文环 境,以及当地客家人民文化与佛教文化的互相交融,形成了独特的“香花”佛仪,而“ 席狮舞”作为“香花”佛事中的一部分,同样具有它独特且不可替代的作用。本文正是 通过了解分析“席狮舞”的舞蹈形态与过程,进而探究“香花”佛事中“席狮舞”的动 作与过程所代表的意境与内在涵义,以使得“席狮舞”这一宝贵文化获得认知,让这一 非物质文化遗产得到有效的保护与传承 关键词:梅州客家,佛仪,席狮舞 1. Introduction Rituals originate from people’s spiritual beliefs, formed through the impact of their surroundings, mental demands, the development of culture as well as the structure of knowledge, and are developed and changed along with people’s social and working lives. -
“Almost the Same, but Not Quite”: Postcolonial Malaysian Identity Formation in Lat' S Kampung Boy and Town
“Almost the Same, but Not Quite ”: Postcolonial Malaysian Identity Formation in Lat’ s Kampung Boy and Town Boy English 399b: Senior Thesis Sarah-SoonLing Blackburn Advisor: Professor Theresa Tensuan Spring 2009 Blackburn 1 The Malaysian comic-book autobiographies Kampung Boy and Town Boy chronicle the early life of their author Lat (born Mohammad Nor Khalid) from his birth in a Perak kampung 1 through his family’s new life in the larger town of Ipoh. The Malay boy whose life is followed within the books is known as “Mat,” the diminutive form of Mohammad. Mat acts as a kind of avatar for or slightly fictionalized version of the author himself, for Mat’s experiences are based loosely on Lat’s memories of childhood and adolescence. Because Mat’s story is anchored in Lat’s real life, the narrative of memories inscribed within the books is temporally located with great specificity: their storyline spans the years leading up to and directly following Malaysian independence from British colonial rule. However, just as Mat, the character, is a re-figuration of Lat, the author, the narrative of his memories comprises a re-figuration of the exact, authoritative historical narrative. This conflict between reality and mimesis leads to the problematic formulations of identity played out within Lat’s works as he and his characters—Mat and his family and friends—struggle to reconcile their individual, self- designated identities with externally ascribed identity markers, particularly those imposed by the legacy of British colonialism. In a further complication of Malaysian identity, many of Mat’s acquaintances, including his friends Frankie and Lingham Singh from Town Boy, are non-Malay Malaysians whose family or ancestors were brought to the country through direct and indirect colonial structures. -
Dances of China Read and Learn!
Dances of China Read and Learn! Overview: Dances in China are numerous and varied, including folk dance, modern dance, and ballet. Most of the folk dances of present day China were developed during the Han Dynasty. Dances reflected sacrifices to gods and superstitions of the Chinese culture. Today these dances are still practiced and enjoyed by the people of China to preserve their traditions and culture. The Flower Drum Lantern Dance is one of China’s most represented folk dances of the Han Chinese. This dance is often accompanied by percussion instruments such as cymbals, gongs, and flower drums. The Flower Hua-gu- Drum Lantern Dance contains a combination of fast and slow, and small and large body deng movements. Dancers must jump, spin, and tumble in The Flower partnership with the lively rhythms. Props including fans, handkerchiefs, and umbrellas are often used Drum Lantern during this dance. The Flower Drum Lantern Dance Dance reflects the joy of the new planting season as well as the abundant harvest. The Dragon Dance is a Chinese folk dance that is hugely popular in China. The Chinese dragon represents wisdom, dignity, and power in Chinese The Dragon society. Dancers perform swooping motions, leaping, and acrobatics. They must support the long Dance dragon figure on poles that are lowered and raised during the dance. The dragons may vary in length with up to 50 dancers used in The Dragon Dance. This dance is a colorful and exciting dance to watch! The Lion Dance is the most popular of all the folk dances in China. -
A Review of the Malaysia's Heritage Delicacy Alongside with The
Ismail et al. Journal of Ethnic Foods (2021) 8:19 Journal of Ethnic Foods https://doi.org/10.1186/s42779-021-00095-3 REVIEW ARTICLE Open Access The Malay’s traditional sweet, dodol:a review of the Malaysia’s heritage delicacy alongside with the rendition of neighbouring countries Norsyahidah Ismail1, Muhammad Shahrim Ab. Karim1* , Farah Adibah Che Ishak1, Mohd Mursyid Arsyad2, Supatra Karnjamapratum3 and Jiraporn Sirison3 Abstract The Malaysia’s cultural heritage is authentic, unique and colourful with various local cuisines of different races and cultures. It is mainly originated from the Malay culture being the largest ethnic group in the country. The Malays themselves have contributed to many local cuisines ranging from appetiser, soup, main course and dessert. However, some Malay heritage foods have almost been forgotten and jeopardized in quality. This is especially happening to the Malay sweets or desserts which have gradually become less appealing to the younger generations. They are not even familiar with Malay foods, let alone consuming them. Among the popular Malay heritage foods in Malaysia are lemang, ketupat, rendang, wajik and dodol. Dodol specifically has been listed as one of the endangered heritage foods in Malaysia. Preserving the Malay cuisines is part of sustaining the Malay culture and this should begin with a great amount of knowledge and understanding about any elements within the culture itself. This article highlights a nostalgic and evergreen Malay’s traditional sweet, known by the locals as dodol by discussing its history, different types and names of dodol, as well as the recipes, preparation, cooking methods and packaging. -
Intention to Eat Traditional Food Among University Students
International Journal of Academic Research in Business and Social Sciences Vol. 1 1 , No. 13, Beyond 2021 and COVID-19 - New Perspective in the Hospitality & Tourism Industry. 2021, E-ISSN: 2222-6990 © 2021 HRMARS Intention to Eat Traditional Food among University Students Norazlina Rahmat, Mohammad Nuruddin Ramlan, Puteri Nur Athirah Ghazali, Norzaidah Ngali To Link this Article: http://dx.doi.org/10.6007/IJARBSS/v11-i13/8510 DOI:10.6007/IJARBSS/v11-i13/8510 Received: 12 November 2020, Revised: 15 December 2020, Accepted: 31 December 2020 Published Online: 22 January 2021 In-Text Citation: (Rahmat et al., 2021) To Cite this Article: Rahmat, N., Ramlan, M. N., Ghazali, P. N. A., & Ngali, N. (2021). Intention to Eat Traditional Food among University Students. International Journal of Academic Research in Business and Social Sciences, 11(13), 127–138. Copyright: © 2021 The Author(s) Published by Human Resource Management Academic Research Society (www.hrmars.com) This article is published under the Creative Commons Attribution (CC BY 4.0) license. Anyone may reproduce, distribute, translate and create derivative works of this article (for both commercial and non-commercial purposes), subject to full attribution to the original publication and authors. The full terms of this license may be seen at: http://creativecommons.org/licences/by/4.0/legalcode Special Issue: Beyond 2021 and COVID-19 - New Perspective in the Hospitality & Tourism Industry, 2021, Pg. 127 – 138 http://hrmars.com/index.php/pages/detail/IJARBSS JOURNAL HOMEPAGE Full Terms & Conditions of access and use can be found at http://hrmars.com/index.php/pages/detail/publication-ethics 127 International Journal of Academic Research in Business and Social Sciences Vol.