Chan Dissertation 201121.Pdf
Copyright by Shu-Ching Chan 2011 The Dissertation Committee for Shu-Ching Chan Certifies that this is the approved version of the following dissertation: The Bamboo Cinema: A Formal, Cultural and Industrial Analysis of Hong Kong Cinema in the 1990s Committee: Thomas G. Schatz, Supervisor Horace Newcomb Joseph Straubhaar Karin G. Wilkins Sung-Sheng Yvonne Chang The Bamboo Cinema: A Formal, Cultural and Industrial Analysis of Hong Kong Cinema in the 1990s by Shu-Ching Chan, Dip.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication To my mother, may she rest in peace. Acknowledgements This project would not have started without the inspiration, support and tremendous patience of my supervisor Thomas Schatz. His sense of humor has helped me get through the tough times. Professor Yvonne Chang nurtures me with food for thought, providing a veritable delicatessen across the Pacific. My committee members, Horace Newcomb, Joe Straubhaar and Karin Wilkin, who at various points visited or taught in Hong Kong, share with me their passion for travel, jokes and new ideas, making my stay at UT a pleasant one. My best friends in film sequence, of the then Hong Kong Baptist College, Rita Fung, Maria Tong and Hester Yip gave me contacts and have coordinated my interviews with the filmmakers for me. I appreciate their long time friendship, and their passion and respect for their profession. I greatly appreciate those Hong Kong filmmakers granting me formal interviews and informal chats, which were accompanied with nice food, jokes and their personal stories.
[Show full text]