The Bear Keeper
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Signal-1961-02-10.Pdf
Van Vess Goes via Fulbright Destination: Thailand Professor Roy W. VanNess, Associate Professor of Physical Edu cation at Trenton State College, is the recipient of a United States Educational Exchange Grant to the College of Physical Education at tate Bangkok, Th ailand for the academic year of 1961-62. The Department of State announces this award made under the orovisions of the Fulbright Act as Jne of more than five hundred ,,-ants fo r lecturing and research abroad. The purpose of awarding ignal this grant to Professor VanNess is to f acilitate lectures in physical education and athletics. Vol. LXXV, No. 13 Trenton State College Friday, February 10, 1961 In 1955, h e was awarded a sim S ilar exchange grant to Bagdad, Iraq, in the Middle East where he helped to start a physical educa HOLD OUTDOOR GRADUATION tion college. I oo E-tonj- CEREMONY PLANNED JUNE 5 The Senior Class President, Charles Good, has announced the Graduation Committee's acceptance of LAOS the June 5, 1961 commencement exercises outdoors on the lawn behind the Allen House Unit. Recommendations by the Senior Class were presented to Dr. Crowell, chairman of the faculty com mittee, and in turn discussed and approved at a meeting of the chairmen of departments held on Wed nesday afternoon, January 25, _ 1961. This committee also an President Martin has announced dition, special attention will be nounces an early Awards Assem to the faculty: "In order that given to junior class representa bly to be held on Wednesday after grades for seniors may be recorded tives so as to acquaint them with noon, May 24. -
A Foucauldian Analysis of Black Swan
Introduction In the 2010 movie Black Swan , Nina Sayers is filmed repeatedly practicing a specific ballet turn after her teacher mentioned her need for improvement earlier that day. Played by Natalie Portman, Nina is shown spinning in her room at home, sweating with desperation and determination trying to execute the turn perfectly. Despite the hours of gruesome rehearsal, Nina must nail every single aspect of this particular turn to fully embody the role she is cast in. After several attempts at the move, she falls, exhausted, clutching her newly twisted ankle in agony. Perfection, as shown in this case, runs hand in hand with pain. Crying to herself, Nina holds her freshly hurt ankle and contemplates how far she will go to mold her flesh into the perfectly obedient body. This is just one example in the movie Black Swan in which the main character Nina, chases perfection. Based on the demanding world of ballet, Darren Aronofsky creates a new-age portrayal of the life of a young ballet dancer, faced with the harsh obstacles of stardom. Labeled as a “psychological thriller” and horror film, Black Swan tries to capture Nina’s journey in becoming the lead of the ever-popular “Swan Lake.” However, being that the movie is set in modern times, the show is not about your usual ballet. Expecting the predictable “Black Swan” plot, the ballet attendees are thrown off by the twists and turns created by this mental version of the show they thought they knew. Similarly, the attendees for the movie Black Swan were surprised at the risks Aronofsky took to create this haunting masterpiece. -
334563-Sample.Pdf
Sample file CREDITS Designer: Joseph Meehan Editor: Kaley Sten Template: Simple Microsoft Word Template by Laura Hirsbrunner Cover Illustrator: Andreas Achenbach, public domain. Interior Illustrators: Seamless parchment texture by IcyCatElf, handwriting by Nile, elf sketch by Bob Graeyvenstein, others from Wizards of the Coast Eberron stock art. Special Thanks: The /r/Eberron discord for ideas and discussion. ON THE COVER https://www.metmuseum.org/art/collection/search/437975 Sunset after a Storm on the Coast of Sicily This piece represents Valenar’s coasts – warm and sunny, likely with a rocky cliff face and crashing waves. Disclaimer: Do not look a Tairnadal elf in the eyes. If you do, immediately avert your gaze. If you are challenged, concede immediately. Even if you can beat one elf in battle, displays of strength only invite further challenge. DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, Ravenloft, Eberron, the dragon ampersand, Ravnica and all other Wizards of the Coast product names,Sample and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. file This work contains material that is copyright Wizards of the Coast and/or other authors. Such material is used with permission under the Community Content Agreement for Dungeon Masters Guild. All other original material in this work is copyright 2020 by Joseph Meehan and published under the Community Content Agreement for Dungeon Masters Guild. 1 Aundair ......................................................................................... -
Our Society Lacks Consistently Defined Attitudes
‘OUR SOCIETY LACKS CONSISTENTLY DEFINED ATTITUDES TOWARDS THE BLACK BEAR’: THE HISTORY OF BLACK BEAR HUNTING AND MANAGEMENT IN ONTARIO, 1912-1987 by MICHAEL COMMITO, B.A. (HONS), M.A. McMaster University DOCTOR OF PHILOSOPHY (2015) Hamilton, Ontario (History) TITLE: ‘Our society lacks consistently defined attitudes towards the black bear’: The History of Black Bear Hunting and Management in Ontario, 1912-1987 AUTHOR: Michael Commito, B.A. (Hons) (Laurentian University), M.A. (Laurentian University) SUPERVISOR: Dr. Ken Cruikshank NUMBER OF PAGES: vii, 282 ii ABSTRACT What kind of animal was a black bear? Were black bears primarily pests, pets, furbearers or game animals? Farmers, conservationists, tourists, trappers, and hunters in early twentieth- century Ontario could not agree. Even as the century progressed, ideas about bears remained twisted and there was often very little consensus about what the animal represented. These varying perceptions complicated the efforts of the provincial Department of Game and Fisheries and its successor agencies, the Department of Lands and Forests and the Ministry of Natural Resources, to develop coherent bear management policies. Perceptions about black bears often conflicted and competed with one another and at no one time did they have a single meaning in Ontario. The image of Ontario’s black bears has been continuously negotiated as human values, attitudes, and policies have changed over time. As a result, because of various and often competing perspectives, the province’s bear management program, for most of the twentieth century, was very loose and haphazard because the animal had never been uniformly defined or valued. Examining the history of these ambiguous viewpoints towards the black bear in Ontario provides us with a snapshot of how culture intersects with our natural resources and may pose challenges for management. -
The Violaceous Amethyst
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cape Town University OpenUCT The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University The Gifts of Odin: The Violaceous Amethyst Aoife Lennon-Ritchie / LNNAOI001 A dissertation submitted in fulfillment of the requirements for the award of the degree of Masters in Creative Writing Town Faculty of the Humanities Cape Universityof of Cape Town 2011 COMPULSORY DECLARATION University This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: Descriptive Abstract: When the Millers wake up on Christmas Eve on the island of Yondersaay, Granny, Dani and Ruairi find that everyone on the island, except them, has turned into a Viking. Evil Jarl Silas Scathe is convinced Ruairi Miller is the Boy King of Denmark. Believing he now has the key to finding the treasure the Viking God Odin buried here centuries ago, Jarl Scathe has his henchmen kidnap Ruairi to be sacrificed on a funeral pyre at sundown. -
Kingdom Principles
KINGDOM PRINCIPLES PREPARING FOR KINGDOM EXPERIENCE AND EXPANSION KINGDOM PRINCIPLES PREPARING FOR KINGDOM EXPERIENCE AND EXPANSION Dr. Myles Munroe © Copyright 2006 — Myles Munroe All rights reserved. This book is protected by the copyright laws of the United States of America. This book may not be copied or reprinted for commercial gain or profit. The use of short quotations or occasional page copying for personal or group study is permitted and encouraged. Permission will be granted upon request. Unless other- wise identified, Scripture quotations are from the HOLY BIBLE, NEW INTERNA- TIONAL VERSION Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Scripture quotations marked (NKJV) are taken form the New King James Version. Copyright © 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. Please note that Destiny Image’s publishing style capitalizes certain pronouns in Scripture that refer to the Father, Son, and Holy Spirit, and may differ from some publishers’ styles. Take note that the name satan and related names are not capitalized. We choose not to acknowledge him, even to the point of violating grammatical rules. Cover photography by Andy Adderley, Creative Photography, Nassau, Bahamas Destiny Image® Publishers, Inc. P.O. Box 310 Shippensburg, PA 17257-0310 “Speaking to the Purposes of God for this Generation and for the Generations to Come.” Bahamas Faith Ministry P.O. Box N9583 Nassau, Bahamas For Worldwide Distribution, Printed in the U.S.A. ISBN 10: 0-7684-2373-2 Hardcover ISBN 13: 978-0-7684-2373-0 ISBN 10: 0-7684-2398-8 Paperback ISBN 13: 978-0-7684-2398-3 This book and all other Destiny Image, Revival Press, MercyPlace, Fresh Bread, Destiny Image Fiction, and Treasure House books are available at Christian bookstores and distributors worldwide. -
The Department of Children and Families Early Childhood Practice Guide for Children Aged Zero to Five
The Department of Children and Families Early Childhood Practice Guide for Children Aged Zero to Five The Department of Children and Families Early Childhood Practice Guide for Children Aged Zero to Five TABLE OF CONTENTS Section Title Page Introduction 3 Very Young Children in Child Welfare 4 Understanding the Importance of Attachment in Early Years 4 The Impact of Trauma on Early Childhood Development 10 Child Development 14 Social and Emotional Milestones (Charts) 17 Assessing Safety and Risk for Children 0‐5 – Intake and Ongoing Services 26 Quality Early Education and Care 38 Parents with Disabilities 39 Parents Who were in DCF Care as Children 43 Early Childhood – Adolescent Services 45 Visitation 46 The Role of Supervision in Early Childhood (Ages zero to five) 48 Consults 50 Foster Care: Focusing on Children Entering and In‐Care‐Birth to Age 5 51 DCF’s Teaming Continuum 53 Appendices 55 Appendices Index Page Introduction 56 The Impact of Trauma on Early Childhood Development 57 Child Development 61 Developmental Milestones 65 Attachment 70 Resources – Children’s Social and Emotional Competence 74 Cultural Considerations 75 Assessing Home Environment 76 Assessing Parenting and Parent/Child Relationship 78 Assessing Parental Capacity 78 Assessment of the Parent’s Perception of Child 79 Failure To Thrive 80 Abusive Head Trauma (Shaken Baby) 80 Foster Care 81 Fatherhood Initiative Programs at CJTS 82 Resources by Region (Separate Document) See “Resources” April 1, 2016 (New) 2 | Page The Department of Children and Families Early Childhood Practice Guide for Children Aged Zero to Five INTRODUCTION The Department of Children and Families supports healthy relationships, promotes safe and healthy environ‐ ments and assures that the social and emotional needs of all children are met. -
Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950
DELIVER ME: PREGNANCY, BIRTH, AND THE BODY IN THE BRITISH NOVEL, 1900-1950 BY ERIN M. KINGSLEY B.A., George Fox University, 2001 M.A., University of Colorado at Denver, 2006 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English 2014 This thesis, entitled: Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 written by Erin M. Kingsley has been approved for the Department of English _______________________________________ Jane Garrity, Committee Chair _______________________________________ Laura Winkiel, Committee Member Date:_______________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. HRC protocol #__________________ iii ABSTRACT Kingsley, Erin (Ph.D., English, English Department) Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 Thesis directed by Associate Professor Jane Garrity Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 explores three ways British novels engage with the rise of the “culture of pregnancy,” an extreme interest in reproduction occurring during the modernist movement. This culture of pregnancy was intimately facilitated by the joint explosion of dailies and periodicals and the rise of “experts,” ranging from doctors presiding over the birthing chamber to self-help books dictating how women should control their birth-giving. In response to this culture of pregnancy, some modernist writers portray the feminine reproductive body as a suffering entity that can be saved by an alignment with traditionally- coded masculine aspects of the mind. -
His Dark Materials" and Tolkien’S "The Lord of the Rings"
University of Dayton eCommons Joyce Durham Essay Contest in Women's and Gender Studies Women's and Gender Studies Program 2009 Medieval Romance and British Romanticism: Gender Constructions in Pullman’s "His Dark Materials" and Tolkien’s "The Lord of the Rings" Emily Elizabeth Howson University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/wgs_essay Part of the Women's Studies Commons eCommons Citation Howson, Emily Elizabeth, "Medieval Romance and British Romanticism: Gender Constructions in Pullman’s "His Dark Materials" and Tolkien’s "The Lord of the Rings"" (2009). Joyce Durham Essay Contest in Women's and Gender Studies. 3. https://ecommons.udayton.edu/wgs_essay/3 This Essay is brought to you for free and open access by the Women's and Gender Studies Program at eCommons. It has been accepted for inclusion in Joyce Durham Essay Contest in Women's and Gender Studies by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Medieval Romance and British Romanticism: Gender Constructions in Pullman's His Dark Materials and Tolkien's The Lord of the Rings by Emily Elizabeth Howson Winner 2009 Joyce Durham Essay Contest in Women's and Gender Studies Medieval Romance and British Romanticism: Gender Constructions in Pullman's His Dark Materials and Tolkien's The Lord of the Rings In a 1999 interview, Philip Pullman, author of His Dark Materials, replied to a question about gender, saying, "Eve is the equal of Adam and shares in whatever it is that happens" (Pullman, Parsons par. 30). J.R.R Tolkien, author of The Lord of the Rings expressed a different attitude toward male and female. -
THE NORSE Mythology
Sample file Sample file THE NORSE MYtHOLOGY The cosmology of the Norse mythology stands on nine realms: DFWXDOO\WKHÀUVWWRVHWWOHWRWKLVYHU\ODQG Asgard, Alfheim, Helheim, Jotunheim, Midgard, Muspelheim, There are many gods and goddesses in the Norse mythol- 1LÁKHLP6YDUWDOIKHLPDQG9DQDKHLP7KHVHUHDOPVUHVLGHRQ ogy. Yet, as Svilland is a place that is relatively new-settled by Yggdrasil, the tree of life. the children of Odin the Allfather, neither all the deities nor Asgard is the home of the gods. Odin and most of his pan- all the realms are known to them. There are 9 major deities theon reside here. The famous hall of Valhalla is in Asgard, in the pantheon. They have gathered up many believers and greeting warriors of worth to the endless feast. Alfheim is LQÁXHQFHWKHUHDOPGHDUO\ the realm of light elves. They are beautiful creatures ruled by Additionally, there are 4 smaller deities: Heimdall, Ran, JRGGHVV)UH\MD$OWKRXJK)UH\MDLVYHU\LQÁXHQWLDOLQ6YLOODQG Skadi, and Ullr. They have not gathered many followers yet there is no passage to Alfheim from this land. and thus have not established themselves or distinct domains Helheim is the realm of the dishonorable dead. Those who of divine power in Svilland. are not worthy of Valhalla come here when they die. Helheim Odin the Allfather is the god of gods. He rules over Asgard. is ruled by Hel. Jotunheim is the realm of giants, frost and Aegir is the giant-god of the seas. Balder is the god of poetry mountain jotnar came from here. and beauty. Fenrir is the son of Loki. He is the giant wolf god Midgard is the realm of mere mortals. -
The Lost Princess of Oz, by L
The Project Gutenberg EBook of The Lost Princess of Oz, by L. Frank Baum This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Lost Princess of Oz Author: L. Frank Baum Posting Date: March 23, 2009 [EBook #959] Release Date: June, 1997 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE LOST PRINCESS OF OZ *** Produced by Anthony Matonac THE LOST PRINCESS OF OZ by L. FRANK BAUM This Book is Dedicated To My Granddaughter OZMA BAUM To My Readers Some of my youthful readers are developing wonderful imaginations. This pleases me. Imagination has brought mankind through the Dark Ages to its present state of civilization. Imagination led Columbus to discover America. Imagination led Franklin to discover electricity. Imagination has given us the steam engine, the telephone, the talking- machine and the automobile, for these things had to be dreamed of before they became realities. So I believe that dreams—day dreams, you know, with your eyes wide open and your brain-machinery whizzing—are likely to lead to the betterment of the world. The imaginative child will become the imaginative man or woman most apt to create, to invent, and therefore to foster civilization. A prominent educator tells me that fairy tales are of untold value in developing imagination in the young. I believe it. -
Greek God Pantheon.Pdf
Zeus Cronos, father of the gods, who gave his name to time, married his sister Rhea, goddess of earth. Now, Cronos had become king of the gods by killing his father Oranos, the First One, and the dying Oranos had prophesied, saying, “You murder me now, and steal my throne — but one of your own Sons twill dethrone you, for crime begets crime.” So Cronos was very careful. One by one, he swallowed his children as they were born; First, three daughters Hestia, Demeter, and Hera; then two sons — Hades and Poseidon. One by one, he swallowed them all. Rhea was furious. She was determined that he should not eat her next child who she felt sure would he a son. When her time came, she crept down the slope of Olympus to a dark place to have her baby. It was a son, and she named him Zeus. She hung a golden cradle from the branches of an olive tree, and put him to sleep there. Then she went back to the top of the mountain. She took a rock and wrapped it in swaddling clothes and held it to her breast, humming a lullaby. Cronos came snorting and bellowing out of his great bed, snatched the bundle from her, and swallowed it, clothes and all. Rhea stole down the mountainside to the swinging golden cradle, and took her son down into the fields. She gave him to a shepherd family to raise, promising that their sheep would never be eaten by wolves. Here Zeus grew to be a beautiful young boy, and Cronos, his father, knew nothing about him.