Princess Representation in Disney's Movie Brave
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Signal-1961-02-10.Pdf
Van Vess Goes via Fulbright Destination: Thailand Professor Roy W. VanNess, Associate Professor of Physical Edu cation at Trenton State College, is the recipient of a United States Educational Exchange Grant to the College of Physical Education at tate Bangkok, Th ailand for the academic year of 1961-62. The Department of State announces this award made under the orovisions of the Fulbright Act as Jne of more than five hundred ,,-ants fo r lecturing and research abroad. The purpose of awarding ignal this grant to Professor VanNess is to f acilitate lectures in physical education and athletics. Vol. LXXV, No. 13 Trenton State College Friday, February 10, 1961 In 1955, h e was awarded a sim S ilar exchange grant to Bagdad, Iraq, in the Middle East where he helped to start a physical educa HOLD OUTDOOR GRADUATION tion college. I oo E-tonj- CEREMONY PLANNED JUNE 5 The Senior Class President, Charles Good, has announced the Graduation Committee's acceptance of LAOS the June 5, 1961 commencement exercises outdoors on the lawn behind the Allen House Unit. Recommendations by the Senior Class were presented to Dr. Crowell, chairman of the faculty com mittee, and in turn discussed and approved at a meeting of the chairmen of departments held on Wed nesday afternoon, January 25, _ 1961. This committee also an President Martin has announced dition, special attention will be nounces an early Awards Assem to the faculty: "In order that given to junior class representa bly to be held on Wednesday after grades for seniors may be recorded tives so as to acquaint them with noon, May 24. -
Disney Princesses Trivia Quiz
DISNEY PRINCESSES TRIVIA QUIZ ( www.TriviaChamp.com ) 1> Which princess has the ability to heal? a. Pocahontas b. Jasmine c. Rapunzel d. Megara 2> Which Disney princess is Scottish? a. Jasmine b. Merida c. Megara d. Mulan 3> Which princess sings the song entitled Part of this World? a. Belle b. Ariel c. Tiana d. Pocahontas 4> Which princess wears a green dress? a. Tiana b. Cinderella c. Aurora d. Belle 5> Who is the daughter of King Stefan and Queen Leah? a. Adrina b. Aurora c. Dot d. Eden 6> Which Princess falls in love with Eric? a. Eric b. Ariel c. Belle d. Tiana 7> Which princess is an excellent cook? a. Pocahontas b. Tiana c. Ariel d. Megera 8> What color does Rapunzel wear? a. Yellow b. Purple c. Blue d. Green 9> Which Disney princess dances with an owl? a. Aurora b. Jasmine c. Megara d. Dot 10> Which princess is asked to pour tea for the matchmaker? a. Mulan b. Pocahontas c. Ariel d. Belle 11> Which princess lives in Agrahba? a. Anna b. Jasmine c. Belle d. Rapunzel 12> Which princess falls in love with a thief? a. Cinderella b. Rapunzel c. Merida d. Snow White 13> Which Princess wears pants as part of her "official" costume? a. Belle b. Snow White c. Jasmine d. Cinderella 14> Which princess sings A Dream is a Wish Your Heart Makes? a. Snow White b. Aurora c. Cinderella d. Belle 15> Which princess is invited to be the dinner guest in a magical castle? a. Megara b. -
Tell Your Summer Disney Story!
Tell Your Summer Disney Story! Disney PhotoPass® Guide Walt Disney World® Resort Summer 2019 Magic Kingdom® Park DISNEY ICONS Main Street, U.S.A.® Fantasyland® nnPark Entrance nnPrince Eric’s Castle nnCinderella Castle Frontierland® nnBig Thunder Mountain CHARACTER EXPERIENCES Main Street, U.S.A.® Fantasyland® nnMickey Mouse and Minnie Mouse nnAlice nnTinker Bell nnAriel Cinderella Adventureland® nn Daisy Duck nnAladdin and Princess Jasmine nn nnDonald Duck ® Tomorrowland nnElena of Avalor nnBuzz Lightyear nnGaston nnStitch nnGoofy nnMerida nnPluto nnRapunzel nnTiana nnWinnie the Pooh ATTRACTIONS Adventureland® Liberty Square nnPirates of the Caribbean®* nnHaunted Mansion* Frontierland® Fantasyland® nnSplash Mountain® nnSeven Dwarfs Mine Train* Includes attraction photo & video. Tomorrowland® nnSpace Mountain® nnBuzz Lightyear’s Space Ranger Spin® MAGIC SHOTS Main Entrance Main Street, U.S.A.® nnPeter Pan nnMickey Ice Cream Bar Fantasyland® nnAlice Frontierland® Liberty Square nnAriel nnMr. Bluebird nnHitchhiking Ghosts Cinderella nn Fantasyland® nnDaisy Duck nnNEW! Animated Magic Shot at Ariel’s Grotto nnDonald Duck nnElena of Avalor OTHER PHOTO EXPERIENCES nnGaston nnGoofy Fantasyland® nnMerida nnEnchanted Tales with Belle nnPluto nnDisney PhotoPass Studio Rapunzel nn Main Street, U.S.A.® nnTiana nnNEW! Cinderella Castle PhotoPass Experience at Plaza nnWinnie the Pooh Garden East *MagicBand required at time of capture to link and preview this attraction photo Epcot® DISNEY ICONS Future World nnSpaceship Earth® (Front) nnSpaceship Earth® -
334563-Sample.Pdf
Sample file CREDITS Designer: Joseph Meehan Editor: Kaley Sten Template: Simple Microsoft Word Template by Laura Hirsbrunner Cover Illustrator: Andreas Achenbach, public domain. Interior Illustrators: Seamless parchment texture by IcyCatElf, handwriting by Nile, elf sketch by Bob Graeyvenstein, others from Wizards of the Coast Eberron stock art. Special Thanks: The /r/Eberron discord for ideas and discussion. ON THE COVER https://www.metmuseum.org/art/collection/search/437975 Sunset after a Storm on the Coast of Sicily This piece represents Valenar’s coasts – warm and sunny, likely with a rocky cliff face and crashing waves. Disclaimer: Do not look a Tairnadal elf in the eyes. If you do, immediately avert your gaze. If you are challenged, concede immediately. Even if you can beat one elf in battle, displays of strength only invite further challenge. DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, Ravenloft, Eberron, the dragon ampersand, Ravnica and all other Wizards of the Coast product names,Sample and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. file This work contains material that is copyright Wizards of the Coast and/or other authors. Such material is used with permission under the Community Content Agreement for Dungeon Masters Guild. All other original material in this work is copyright 2020 by Joseph Meehan and published under the Community Content Agreement for Dungeon Masters Guild. 1 Aundair ......................................................................................... -
Brave: the New Face of Princesses? by Aisling Breen May 2015
Brave: The New Face of Princesses? By Aisling Breen May 2015 Page | 1 This dissertation has been submitted in partial fulfilment of the BA (Hons) Film degree at Dublin Business School. I confirm that all work included in this thesis is my own unless indicated otherwise. Aisling Breen May 2015 Supervisor: Barnaby Taylor Page | 2 Acknowledgements I would like to acknowledge the help, contribution and support from the following people. I would not have been able to complete this without them: Barnaby Taylor Martin Breen Siobhan Breen Jason Muddiman Shane Hegarty The Disney Store Cast Members DBS Library Brenda Chapman Mark Andrews Thank you so much for your help and support. I appreciate every bit of it. Page | 3 Table of Contents Chapter 1 Page Introduction 5 The History of Animation 6 Chapter 2 Animation 11 Background of the Company 15 Chapter 3 Origins of Brave 19 Chapter 4 The Film 23 About Brave 27 Chapter 5 Responses to the Film 30 To Change or Not to Change 33 Chapter 6 Conclusion 36 References 43 Bibliography 45 Filmography 48 Page | 4 Chapter 1 Introduction The Pixar Animation Studios have been around for many years and in those years it has made some outstanding feature and short films. It has exchanged hands three times but has kept its flare and individuality. It is the company that has created some ground breaking technology that has changed how animation looks and is received today. It is the company that is making history for all the right reasons and makes childhood memorable and creating memories for the adults. -
Our Society Lacks Consistently Defined Attitudes
‘OUR SOCIETY LACKS CONSISTENTLY DEFINED ATTITUDES TOWARDS THE BLACK BEAR’: THE HISTORY OF BLACK BEAR HUNTING AND MANAGEMENT IN ONTARIO, 1912-1987 by MICHAEL COMMITO, B.A. (HONS), M.A. McMaster University DOCTOR OF PHILOSOPHY (2015) Hamilton, Ontario (History) TITLE: ‘Our society lacks consistently defined attitudes towards the black bear’: The History of Black Bear Hunting and Management in Ontario, 1912-1987 AUTHOR: Michael Commito, B.A. (Hons) (Laurentian University), M.A. (Laurentian University) SUPERVISOR: Dr. Ken Cruikshank NUMBER OF PAGES: vii, 282 ii ABSTRACT What kind of animal was a black bear? Were black bears primarily pests, pets, furbearers or game animals? Farmers, conservationists, tourists, trappers, and hunters in early twentieth- century Ontario could not agree. Even as the century progressed, ideas about bears remained twisted and there was often very little consensus about what the animal represented. These varying perceptions complicated the efforts of the provincial Department of Game and Fisheries and its successor agencies, the Department of Lands and Forests and the Ministry of Natural Resources, to develop coherent bear management policies. Perceptions about black bears often conflicted and competed with one another and at no one time did they have a single meaning in Ontario. The image of Ontario’s black bears has been continuously negotiated as human values, attitudes, and policies have changed over time. As a result, because of various and often competing perspectives, the province’s bear management program, for most of the twentieth century, was very loose and haphazard because the animal had never been uniformly defined or valued. Examining the history of these ambiguous viewpoints towards the black bear in Ontario provides us with a snapshot of how culture intersects with our natural resources and may pose challenges for management. -
The Violaceous Amethyst
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cape Town University OpenUCT The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University The Gifts of Odin: The Violaceous Amethyst Aoife Lennon-Ritchie / LNNAOI001 A dissertation submitted in fulfillment of the requirements for the award of the degree of Masters in Creative Writing Town Faculty of the Humanities Cape Universityof of Cape Town 2011 COMPULSORY DECLARATION University This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: Descriptive Abstract: When the Millers wake up on Christmas Eve on the island of Yondersaay, Granny, Dani and Ruairi find that everyone on the island, except them, has turned into a Viking. Evil Jarl Silas Scathe is convinced Ruairi Miller is the Boy King of Denmark. Believing he now has the key to finding the treasure the Viking God Odin buried here centuries ago, Jarl Scathe has his henchmen kidnap Ruairi to be sacrificed on a funeral pyre at sundown. -
Animating Gender Roles: How Disney Is Redefining the Modern Princess Juliana Garabedian James Madison University
James Madison Undergraduate Research Journal Volume 2 | Issue 1 2014-2015 Animating Gender Roles: How Disney is Redefining the Modern Princess Juliana Garabedian James Madison University Follow this and other works at: http://commons.lib.jmu.edu/jmurj Recommended MLA Citation Garabedian, Juliana. “Animating Gender Roles: How Disney is Redefining the Modern Princess.” James Madison Undergraduate Research Journal. 2.1 (2014): 22-25. Web. Available at: http://commons.lib.jmu.edu/jmurj/vol2/iss1/4/ This full issue is brought to you for free and open access by JMU Scholarly Commons. It has been accepted for inclusion in James Madison Undergraduate Research Journal by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. JAMES MADISON UNDERGRADUATE RESEARCH JOURNAL Animating Gender Roles: How Disney is Redefining the Modern Princess Juliana Garabedian A prominent voice in the entertainment industry, Disney impacts many facets of society, including how we define gender roles. For the past 80 years, America’s younger generations have taken social cues from their favorite animated movies, learning to act like their favorite princes and princesses. Over the past few decades, Disney has broken through the concept of the damsel in distress and transitioned to represent and even advance modern feminist ideals. From likable protagonists to prominent images and popular products, the movies reinforce the gender roles they present because children learn to imitate the characters during playtime. 22 JAMES MADISON UNDERGRADUATE RESEARCH JOURNAL he idea of being a princess is not a novel fantasy; it In Snow White and the Seven Dwarfs, Snow White is portrayed has been around for centuries. -
His Dark Materials" and Tolkien’S "The Lord of the Rings"
University of Dayton eCommons Joyce Durham Essay Contest in Women's and Gender Studies Women's and Gender Studies Program 2009 Medieval Romance and British Romanticism: Gender Constructions in Pullman’s "His Dark Materials" and Tolkien’s "The Lord of the Rings" Emily Elizabeth Howson University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/wgs_essay Part of the Women's Studies Commons eCommons Citation Howson, Emily Elizabeth, "Medieval Romance and British Romanticism: Gender Constructions in Pullman’s "His Dark Materials" and Tolkien’s "The Lord of the Rings"" (2009). Joyce Durham Essay Contest in Women's and Gender Studies. 3. https://ecommons.udayton.edu/wgs_essay/3 This Essay is brought to you for free and open access by the Women's and Gender Studies Program at eCommons. It has been accepted for inclusion in Joyce Durham Essay Contest in Women's and Gender Studies by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Medieval Romance and British Romanticism: Gender Constructions in Pullman's His Dark Materials and Tolkien's The Lord of the Rings by Emily Elizabeth Howson Winner 2009 Joyce Durham Essay Contest in Women's and Gender Studies Medieval Romance and British Romanticism: Gender Constructions in Pullman's His Dark Materials and Tolkien's The Lord of the Rings In a 1999 interview, Philip Pullman, author of His Dark Materials, replied to a question about gender, saying, "Eve is the equal of Adam and shares in whatever it is that happens" (Pullman, Parsons par. 30). J.R.R Tolkien, author of The Lord of the Rings expressed a different attitude toward male and female. -
THE NORSE Mythology
Sample file Sample file THE NORSE MYtHOLOGY The cosmology of the Norse mythology stands on nine realms: DFWXDOO\WKHÀUVWWRVHWWOHWRWKLVYHU\ODQG Asgard, Alfheim, Helheim, Jotunheim, Midgard, Muspelheim, There are many gods and goddesses in the Norse mythol- 1LÁKHLP6YDUWDOIKHLPDQG9DQDKHLP7KHVHUHDOPVUHVLGHRQ ogy. Yet, as Svilland is a place that is relatively new-settled by Yggdrasil, the tree of life. the children of Odin the Allfather, neither all the deities nor Asgard is the home of the gods. Odin and most of his pan- all the realms are known to them. There are 9 major deities theon reside here. The famous hall of Valhalla is in Asgard, in the pantheon. They have gathered up many believers and greeting warriors of worth to the endless feast. Alfheim is LQÁXHQFHWKHUHDOPGHDUO\ the realm of light elves. They are beautiful creatures ruled by Additionally, there are 4 smaller deities: Heimdall, Ran, JRGGHVV)UH\MD$OWKRXJK)UH\MDLVYHU\LQÁXHQWLDOLQ6YLOODQG Skadi, and Ullr. They have not gathered many followers yet there is no passage to Alfheim from this land. and thus have not established themselves or distinct domains Helheim is the realm of the dishonorable dead. Those who of divine power in Svilland. are not worthy of Valhalla come here when they die. Helheim Odin the Allfather is the god of gods. He rules over Asgard. is ruled by Hel. Jotunheim is the realm of giants, frost and Aegir is the giant-god of the seas. Balder is the god of poetry mountain jotnar came from here. and beauty. Fenrir is the son of Loki. He is the giant wolf god Midgard is the realm of mere mortals. -
The Lost Princess of Oz, by L
The Project Gutenberg EBook of The Lost Princess of Oz, by L. Frank Baum This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Lost Princess of Oz Author: L. Frank Baum Posting Date: March 23, 2009 [EBook #959] Release Date: June, 1997 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE LOST PRINCESS OF OZ *** Produced by Anthony Matonac THE LOST PRINCESS OF OZ by L. FRANK BAUM This Book is Dedicated To My Granddaughter OZMA BAUM To My Readers Some of my youthful readers are developing wonderful imaginations. This pleases me. Imagination has brought mankind through the Dark Ages to its present state of civilization. Imagination led Columbus to discover America. Imagination led Franklin to discover electricity. Imagination has given us the steam engine, the telephone, the talking- machine and the automobile, for these things had to be dreamed of before they became realities. So I believe that dreams—day dreams, you know, with your eyes wide open and your brain-machinery whizzing—are likely to lead to the betterment of the world. The imaginative child will become the imaginative man or woman most apt to create, to invent, and therefore to foster civilization. A prominent educator tells me that fairy tales are of untold value in developing imagination in the young. I believe it. -
Page Who Is the Author of Aru Shah and the End of Time? Roshani
question answer page Who is the author of Aru Shah and the End of Time? Roshani Chokshi cover What is the problem with growing up around dangerous things? InYou the get Museum used to ofthem. Ancient Indian Art and 1 Where did Aru Shah live? Culture 1 What was the lamp at the end of the Hall of the Gods called? The lamp of destruction 1 What kind of buttons did Aru have on her scarlet vest? Ahoney giant bees stone elephant at the entrance to 1 What did Aru grow up reading and doing her the Museum of Ancient Indian Art and homework under? Culture 1 What happened in India in 1947? It became independent of the Brish 1 What did Aru hide inside the mouth of a 400 year old sea dragon statue she named Steve? candy 1-2 What did Aru’s mom, Dr. K.P. Shah, do for a She was the museum curator and a famous living? archaeologist 2 What did Aru’s mom say the lamp was called? A diya 2 What did Aru think the cursed lamp looked like? A lump of clay like a pinched hockey puck 2 What was Aru Shah’s religion? Hindu 2 What did Aru Shah trade Burton Prater for a green colored penny? 2 dollars and half a Twix bar 2 Which statue was the king of the heavens and held a thunderbolt? Lord Indra 2 Which statue played flutes? Lord Krishna 2 Which state sat in a meditation position? Buddha 2 In what grade was Aru? Seventh grade 2 In what city and state did Aru Shah live? Atlanta, Georgia 2 What did Aru want to name a Great Pyrenees dog? Beowoof 4 Who was the head of museum security and Aru’s babysitter on weekends? Sherrilyn 4 What did some people complain that the Museum of Ancient Indian Art and Culture honored? The devil 4 What school did Aru attend? Augustus day School 5 What was Aru wearing when she answered the door at the museum on Sunday? PoppySpiderman Lopez, pajamas Burton Prater, and Arielle 5 Who showed up at the museum on Sunday? Reddy 5 Why did Poppy Lopez, Burton Prater, and To confront Aru after she told everyone in Arielle Reddy come to the museum? math class she was going to France.