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BROADCAST FAIRY TALE Analisi Delle Reti Sociali Nell'ecosistema

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BROADCAST FAIRY TALE Analisi Delle Reti Sociali Nell'ecosistema ALMA MATER STUDIORUM – UNIVERSITÀ DI BOLOGNA FACOLTÀ DI LETTERE E FILOSOFIA Corso di laurea in Cinema, Televisione e Produzione Multimediale BROADCAST FAIRY TALE Analisi delle reti sociali nell’ecosistema narrativo Once Upon a Time Tesi di laurea in Culture dell’Intrattenimento Relatore: prof. Guglielmo Pescatore Presentata da: Nicola Marinelli Correlatore: dr.ssa Ilaria Antonella De Pascalis Terza Sessione Anno Accademico 2014/2015 Indice generale Introduzione................................................................................................................................6 PARTE PRIMA – I concetti e gli strumenti.........................................................................10 Capitolo 1 – Gli ecosistemi narrativi........................................................................................12 1.1 Nuovi modelli di serialità...............................................................................................12 1.2 Le caratteristiche di un ecosistema................................................................................14 1.3 Lo spin-off.....................................................................................................................16 1.4 I modelli di selezione.....................................................................................................18 1.4.1 Selezione stabilizzante............................................................................................19 1.4.2 Selezione direzionale..............................................................................................19 1.4.3 Selezione diversificante..........................................................................................20 Capitolo 2 – L’analisi delle reti sociali.....................................................................................24 2.1 La storia della SNA.......................................................................................................24 2.1.1 Il gruppo di Harvard..............................................................................................25 2.1.2 La Scuola di Manchester........................................................................................26 2.1.3 Le innovazioni di Harvard.....................................................................................27 2.2 Terminologia..................................................................................................................29 2.3 Un’analisi per la narrativa.............................................................................................30 PARTE SECONDA – L’oggetto di analisi e il metodo.......................................................36 Capitolo 3 – La fiaba nei secoli................................................................................................38 3.1 La fiaba classica.............................................................................................................38 3.2 La fiaba contemporanea.................................................................................................41 Capitolo 4 – Once Upon A Time..............................................................................................45 4.1 Concezione e caratteristiche generali.............................................................................45 1 4.2 Il capovolgimento delle regole......................................................................................49 4.2.1 I personaggi femminili...........................................................................................50 4.3 Problemi di definizione di un genere............................................................................52 4.4 Famiglia e relazioni: affetto e conflitto nel nome dei network....................................54 4.5 Once Upon a Time come ecosistema e oggetto della SNA..........................................58 Capitolo 5 – Metodologia dello studio....................................................................................63 5.1 Gli strumenti: UCINET e NetDraw.............................................................................63 5.2 Raccolta dei dati e attori sociali presi in analisi............................................................64 5.3 I parametri: distanza, bilateralità e betweenness...........................................................68 5.4 Il Gruppo dei Cinque, la famiglia e le relazioni amorose.............................................71 PARTE TERZA – Il Gruppo dei Cinque...........................................................................75 Capitolo 6 – Regina ed Emma, protagoniste a confronto.......................................................77 6.1 Il bilanciamento dei ruoli..............................................................................................77 6.2 Le due eroine in lotta....................................................................................................80 6.2.1 Il bene di Henry.....................................................................................................86 6.2.2 Le ambiguità di Mary Margaret............................................................................89 6.3 Regina la Salvatrice.......................................................................................................94 6.3.1 La promozione di Robin Hood ..............................................................................95 6.3.2 “La perfidia vince sempre”: Zelena .....................................................................96 6.3.3 Cora e la persistenza ............................................................................................98 6.4 Il valore aggiunto dell’introduzione............................................................................101 Capitolo 7 – Mary Margaret, David e il Vero Amore............................................................104 7.1 Biancaneve e cacciatrice..............................................................................................104 7.2 Una gerarchia apparente .............................................................................................105 7.3 Un legame indissolubile...............................................................................................107 Capitolo 8 – Eroe e malvagio: il burattinaio Gold.................................................................112 2 8.1 Il Signore Oscuro degli eventi.....................................................................................112 8.2 La famiglia perduta......................................................................................................113 8.3 Zelena e Neal: inversione di tendenza?.......................................................................116 8.3 Belle e la Bestia............................................................................................................119 8.4 Colui che inganna i finali.............................................................................................122 PARTE QUARTA – I legami anomali................................................................................125 Capitolo 9 – Henry, il bambino prodigio................................................................................127 9.1 Una performance singolare..........................................................................................127 9.2 David: la giusta scelta..................................................................................................129 9.3 Il ritorno di Mary Margaret e Gold..............................................................................131 9.4 Pan, il villain d’eccezione............................................................................................134 9.5 Senso unico..................................................................................................................141 Capitolo 10 – Emma e la contesa...........................................................................................144 10.1 Antefatti.....................................................................................................................144 10.2 Uncino contro Neal....................................................................................................145 10.3 Genitori e figli............................................................................................................150 10.4 Evoluzione della ricezione esterna.............................................................................153 10.5 “Io ti troverò sempre”.................................................................................................155 Capitolo 11 – I personaggi secondari......................................................................................158 11.1 Due gruppi, due regolamenti......................................................................................158 11.2 Il Gruppo di Storybrooke...........................................................................................160 11.3 Il Gruppo della Foresta Incantata...............................................................................166 11.4 Ruby, l’evanescente....................................................................................................170 PARTE QUINTA – Pratiche delle opere derivate.............................................................178 Capitolo 12 – La creazione di uno spin-off............................................................................180 3 12.1 Ideazione....................................................................................................................180
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