Odysseus the Hero of Ithaca Adapted from the Third Book of the Primary Schools of Athens, Greece by Mary E
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Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
Persephone in Hades
EDITORS John Blair, Un ivers ity of Geneva Karin Blair, United Nations, Geneva • Harry M. Bu ck, Wilso n College Rebecca Nisley, Silver Spring, Md. EDITORIAL Joyce L. Morrison ASSOCIATE ASSOCIATE Beatrice Bruteau, Ph ilosophers' Exchange EDITORS Paul Cadrin, Un iversite Laval Carol Christ, San Diego State Un ivers ity Cornel ia Dimm itt, Georgetown University Linda Fish er, Harvard Un ivers ity Dan iel Goleman, Psychology Today • Rita Gross, Un ivers ity of Wisconsin-Eau Claire John Lindberg, Sh ippensburg State Co llege Linda Patricia, Kean College June Singer, Jungian Analyst, Ch icago CONSULTING Cynthia Allen, Florida State Un ivers ity EDITORS Martha Ashton, Udipi, India JoAnne Bauer, Hartford Seminary Foundation Su kumari Bhattacharji, Jadavpur Un iversity, Calcutta Barbara Blair, Fordham University Caro lyn Demaree, American Un iversity Richard and Florence Fa lk , Princeton University Naomi Goldenberg, Un iversity of Ot tawa • Josephine Harris, Wilson College Jean Houston, Foundation for Mind Research Thomas A Kapacinskas, Not re Da me Un iversity Susan Nichols, Dickinson Co llege Richard Rubenstein, Florida Stat e University PHOTOGRAPHY Veron ica Pera lta CONSULTANT CONSULTANT Raymond A. Ball inger DESIGNER • ANI MA, An Experiential Journal, is published by Conococheague Associates, Inc., adjacent to the Campus of Wilson College, 1053 Wilson Avenue, Chambersburg, Pennsylvania 17201 . Entire contents copyright © by Conococheague Associates, Inc., 1977. All rights reserved. Published semi-annually in celebration of the Spring and Fall Equinoxes. Address all correspond ence, including changes of address, to Harry M. Buck, 1053 Wilson Avenue, Chambersburg PA 17201 . Subscription price $7.50 annually, single copies $4.00. Unsolicited materials welcomed, but publisher assumes no responsibility for them. -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター NO 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 (1924) バクダッドの盗賊 1・2 (1924) 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock! マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード(2種有り) 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
Chinese at Home : Or, the Man of Tong and His Land
THE CHINESE AT HOME J. DYER BALL M.R.A.S. ^0f Vvc.' APR 9 1912 A. Jt'f, & £#f?r;CAL D'visioo DS72.I Section .e> \% Digitized by the Internet Archive in 2016 https://archive.org/details/chineseathomeorm00ball_0 THE CHINESE AT HOME >Di TSZ YANC. THE IN ROCK ORPHAN LITTLE THE ) THE CHINESE AT HOME OR THE MAN OF TONG AND HIS LAND l By BALL, i.s.o., m.r.a.s. J. DYER M. CHINA BK.K.A.S., ETC. Hong- Kong Civil Service ( retired AUTHOR OF “THINGS CHINESE,” “THE CELESTIAL AND HIS RELIGION FLEMING H. REYELL COMPANY NEW YORK. CHICAGO. TORONTO 1912 CONTENTS PAGE PREFACE . Xi CHAPTER I. THE MIDDLE KINGDOM . .1 II. THE BLACK-HAIRED RACE . .12 III. THE LIFE OF A DEAD CHINAMAN . 21 “ ” IV. T 2 WIND AND WATER, OR FUNG-SHUI > V. THE MUCH-MARRIED CHINAMAN . -45 VI. JOHN CHINAMAN ABROAD . 6 1 . vii. john chinaman’s little ones . 72 VIII. THE PAST OF JOHN CHINAMAN . .86 IX. THE MANDARIN . -99 X. LAW AND ORDER . Il6 XI. THE DIVERSE TONGUES OF JOHN CHINAMAN . 129 XII. THE DRUG : FOREIGN DIRT . 144 XIII. WHAT JOHN CHINAMAN EATS AND DRINKS . 158 XIV. JOHN CHINAMAN’S DOCTORS . 172 XV. WHAT JOHN CHINAMAN READS . 185 vii Contents CHAPTER PAGE XVI. JOHN CHINAMAN AFLOAT • 199 XVII. HOW JOHN CHINAMAN TRAVELS ON LAND 2X2 XVIII. HOW JOHN CHINAMAN DRESSES 225 XIX. THE CARE OF THE MINUTE 239 XX. THE YELLOW PERIL 252 XXI. JOHN CHINAMAN AT SCHOOL 262 XXII. JOHN CHINAMAN OUT OF DOORS 279 XXIII. JOHN CHINAMAN INDOORS 297 XXIV. -
20210207 2 Before Lent
St John’s, Pevensey Road , Pews News & Service Sheet for Sunday 7th February 2021 The Second Sunday before Lent St John’s, Pevensey Road Sunday 7th Feb: 2nd Sunday before Lent Welcome to our Parish Mass service today - viewable via the Broadcast Page of our church website. www.stjohnspevenseyroad.org.uk/broadcast Unfortunately, due to the current Covid-19 situation, St John’s Church is closed for public worship services & private prayer until further notice. Sunday Parish Mass will be online only - recorded in the closed church and broadcast via our church website at 10:30 a.m, all being well. Online “Zoom” service: 10 a.m. on Wednesday. Send Rev Jill or Deacon Michael an email and they will send you the necessary “link”. People for whom our prayers are asked: Jean & Geoff, Geraldine, Ian M, Brenda R, Jane G, Cynthia H, Jo, Amber, Shirley, Andrew N, Libby V, Kath Q, and Linda. Please pray also for... ...the repose of the souls of the departed, ... especially those whose Years Minds fall around this time: Ruby Crighton, Charity Oware, Norman Gray, and Paula Pennington Hall, ...and all who mourn. HYMN OF THE WEEK: Thou Whose Almighty Word… chosen by Gwen B. As a child, Gwen won a scholarship to Horsham High School, but tragically her brother died in an accident, and the family relocated to Surrey for a fresh start. So Gwen went to Reigate County School, and was selected, as a first year student, to sing in the school choir. Gwen has fond memories of singing the school hymn - Thou Whose Almighty Word – and in particular how the very good but somewhat highbrow choir mistress insisted on the correct intonation of the final line “Let there be light!” Those words have stuck in Gwen’s mind ever since, and hence it is her choice for our Gradual Hymn today. -
Chaucer's Handling of the Proserpina Myth in The
CHAUCER’S HANDLING OF THE PROSERPINA MYTH IN THE CANTERBURY TALES by Ria Stubbs-Trevino A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature May 2017 Committee Members: Leah Schwebel, Chair Susan Morrison Victoria Smith COPYRIGHT by Ria Stubbs-Trevino 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Ria Stubbs-Trevino, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION This thesis is dedicated to my indomitable mother, Amber Stubbs-Aydell, who has always fought for me. If I am ever lost, I know that, inevitably, I can always find my way home to you. ACKNOWLEDGEMENTS There are three groups of people I would like to thank: my thesis committee, my friends, and my family. I would first like to thank my thesis committee: Dr. Schwebel, Dr. Morrison, and Dr. Smith. The lessons these individuals provided me in their classrooms helped shape the philosophical foundation of this study, and their wisdom and guidance throughout this process have proven essential to the completion of this thesis. -
Summer Brings Classic Walt Disney and Warner Bros. Films, a Calder-Inspired Performance, and More Family-Friendly Offerings to the National Gallery of Art
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: May 31, 2012 Summer Brings Classic Walt Disney and Warner Bros. Films, a Calder-Inspired Performance, and More Family-Friendly Offerings to the National Gallery of Art Film still f rom The Tortoise and the Hare (1935, Walt Disney ), to be shown as part of the program Selections from the Silly Symphonies at National Gallery of Art on Saturday , July 7, Sunday , July 8, and Wednesday , July 11. Washington, DC—The National Gallery of Art welcomes summer with several free family-friendly activities, including an art-inspired performance in June and the popular Film Program for Children and Teens in July and August. On June 29, actor and visual artist Kevin Reese presents a one-man play inspired by the colorful, playful mobiles of Alexander Calder. In July, the Gallery presents Selections from the Silly Symphonies, a program of animated shorts produced by Walt Disney from 1929 to 1939. In August, Classic Looney Tunes features favorite cartoons from the Looney Tunes and Merrie Melodies series. The film program presents a broad range of recently produced films selected for their appeal to youth and adult audiences, and helps foster an understanding of film as an art form. Age recommendations are intended to guide parents in selecting emotionally and intellectually stimulating films for their children. For a closer look at the Gallery's own works of art, families may explore the collection using the children's audio and video tour. -
Press Release
Press Release CaixaForum Madrid From July 19 to November 4, 2018 Until next November 4, ”la Caixa” Foundation presents a thrilling journey through the fantastic world of the company Walt Disney Animation Studios “The age-old kind of entertainment based on the classic fairy tale recognises no old, no young”. Through film, Walt Disney (Chicago, 1901 – Burbank, California, 1966) and his successive creative teams have brought popular and literary traditions to millions of spectators of all ages and all around the world. Since the 1930s, the American entertainment company has updated many classic stories, making them more accessible to audiences in every generation, always in the most delightful and entertaining fashion, continually interpreting the needs of a public seeking emotions and fantasy. Now, ”la Caixa” Foundation and the Walt Disney Animation Research Library join forces to present Disney. Art of Storytelling , an exhibition that explores the origins of some of the studio’s best-known films, all universal works in the art of animation. Spanning the period from Three Little Pigs (1933) to Frozen (2013), the show features 215 objects, including drawings, paintings, digital prints, screenplays and storyboards, as well as a number of film projections. Disney. Art of Storytelling . Organised and produced by : ”la Caixa” Foundation and the Walt Disney Animation Research Library. Curated by : The Walt Disney Animation Research Library curatorial team: Fox Carney, Tamara Khalaf, Kristen McCormick and Mary Walsh. Dates : From July 19 to November 4, 2018. Place : CaixaForum Madrid (Paseo del Prado, 36). @FundlaCaixa @CaixaForum #DisneyCaixaForum 2 Madrid, 18 July 2018. At CaixaForum Madrid today, Elisa Durán, Deputy General Manager of ”la Caixa” Banking Foundation; Isabel Fuentes, Director of CaixaForum Madrid; and the director of the Walt Disney Animation Research Library and co-curator of the exhibition, Mary Walsh; presents Disney. -
The Silly Symphonies Disney's First Fantasyland
X XIII THE SILLY SYMPHONIES DISNEY’S FIRST FANTASYLAND 3 PART I THE TIFFANY LINE 5 The Skeleton of an Idea 7 The Earliest Symphony Formula 9 Starting to Tell Tales Il Remaking Fairy Tales 18 Silly Toddlers and Their Families 19 Caste and Class in the Symphonies 21 An Exception to the Silly Rules: Three Little Pigs 22 Another Exception: Who Killed Cock Robin? 25 New Direction for the Symphonies at RKO 27 Ending in a Symphony Dream World 29 On a Final Note 31 PART Il PRODUCING THE SILLY SYMPHONIES 31 The ColurnbiaYears (1929-1932) 35 The United Artists Years (I932- 1937) 45 Disney’s RKO Radio Pictures (I937- 1939) 53 THE SKELETON DANCE (I929) I14 KING NEPTUNE (I932) a5 EL TERRIBLE TOREADOR (I 929) 115 BABES IN THE WOODS (I932) 58 SPRINGTIME (1929) I18 SANTA’S WORKSHOP (I 932) 50 HELL’S BELLS (I 929) 120 BIRDS IN THE SPRING (I933) 62 THE MERRY DWARFS (I929) I22 FATHER NOAH’S ARK (1933) 64 SUMMER (1930) i 24 THREE LITTLE PIGS (1933) 66 AUTUMN (I 930) I28 OLD KING COLE (1933) 58 CANNIBAL CAPERS (I 930) I30 LULLABY LAND (I 933) 7 NIGHT (I 930) I32 THE PIED PIPER (I933) 72 FROLICKING FISH (I 930) I34 THE CHINA SHOP (I933) É4 ARCTIC ANTICS (1930) I36 THE NIGHT BEFORE CHRISTMAS (I933) 76 MIDNIGHT IN ATOY SHOP (1930) I38 GRASSHOPPER AND THE ANTS (I 934) 78 MONKEY MELODIES (I 930) I49 THE BIG BAD WOLF (1934) no WINTER (I 930) i 42 FUNNY LITTLE BUNNIES (1934) 82 PLAYFUL PAN (I 930) I44 THE FLYING MOUSE (I 934) 84 BIRDS OF A FEATHER (I93 I) I46 THE WISE LITTLE HEN (I934) 86 MOTHER GOOSE MELODIES (I 93 I) 148 PECULIAR PENGUINS (1934) 88 THE CHINA PLATE -
The Church's Prayer for the Dead
The Church’s Prayer for the Dead The Holy Orthodox Church, like a concerned mother, daily, at every divine service, offers up prayers for all her children who have departed for the land of eternity. Thus, at the midnight service troparia and prayers for the departed are read, and they are commemorated at its concluding ektenia. This is so also at compline. At matins and vespers the departed are remembered by name at the Augmented Ektenia, "Have mercy on us, O God..." They are commemorated three times during the Liturgy: at the Proskomedia, at the ektenia following the Gospel, and after the consecration of the Precious Gifts when "Meet it is in truth . ." is sung. Furthermore, one day of the week is set aside for prayers for the dead -Saturday, on which it is customary to have a service for the dead, unless it coincides with a feast, if such is to be served on that day. The Third Day We commemorate the dead on the third day firstly, because those who have departed had been baptized in the Name of the Father, Son and Holy Spirit, the One God in three Persons, and had kept the Orthodox faith they received at holy baptism; secondly, because they preserved the three virtues which form the foundation of our salvation, namely: faith, hope and love; thirdly, because man's being possesses three internal powers—reason, emotion and desire—by which we all have transgressed. And since man's actions manifest themselves in three ways—by deed, word, and thought—by our commemoration on the third day we entreat the Holy Trinity to forgive the departed all transgressions committed by the three above-mentioned powers and actions. -
Christian Burial Preparation
CHRISTIAN BURIAL PREPARATION CONTENTS Concerning Christian Burial 4 When Death is Imminent 5 Call the Priest Last Rites Preparation Before Death 6 Legal/Financial Selecting a Mortuary or Cremation Society Choosing a Place for Burial Planning a Funeral 7 Definitions Vigil at the Mortuary Burial from the Church The Presence of the Body The Holy Eucharist for the Departed The Community of Faith If a Eulogy is Desired Flowers Memorial Gift Music Clergy Receptions 12 Scripture Lessons 13 3 Concerning Christian Burial Physical death will come to all of us, perhaps suddenly, perhaps following a long illness, perhaps at the end of the natural course of life; but it will come. As Christians, we need not be afraid of death, of talking about it or preparing for it. Throughout the Christian Year, we are reminded time and time again of the uncertainty of life and, at the same time the certainty of Christ’s power over the final enemy, death. During Advent, we recall the story of the Bridegroom who “Comes like a thief in the night,” having encour- aged us to be ready with lamps lit. On Ash Wednesday, we are signed with ashes on our foreheads with the words, “Remember that you are dust and to dust you shall return.” As we celebrate the Resurrection of Christ, we re- peat the words from St. Paul, “Christ being raised from the dead will never die again. Death no longer has dominion over Him… So also consider your- selves dead to sin and alive to God in Jesus Christ our Lord,” Jesus tells His disciples, “I go to prepare a place for you… that where I am you might be also.” To be a responsible, faithful Christian is to be ready, always prepared to live in Christ now and be ready for the life to come. -
Chapter on History of the Otherworld
PERCEPTIONS OF ANNWN: THE OTHERWORLD IN THE FOUR BRANCHES OF THE MABINOGI Rhian Rees MA Celtic Studies Dissertation Department of Welsh and Bilingual Studies Supervisor: Dr Jane Cartwright University of Wales Trinity Saint David, Lampeter 2012 2 ABSTRACT There is little description or positive information about the realm of Annwn in the Four Branches, and relatively few publications have explored the Otherworld in the Mabinogi in any depth. The redactor presumably did not deem such detail necessary since in his time the Otherworld was a place familiar to his audience from many other stories and folk-tales which have not survived to inform our own times. The objective of this thesis, therefore, is to establish the perceived location of the Celtic Otherworld, its nature and topography, and to obtain descriptions of its people, buildings and animals and any distinctive objects or characteristics pertaining to it. The ways in which Annwn influences each of the Four Branches are also considered. Some sketchy evidence is available in Welsh poetry, mostly various descriptive names reflecting different aspects of Annwn, but for more detailed information it is necessary to trawl the waters of early Irish literature. The Irish poems and stories give much fuller particulars of all characteristics of the Celtic Otherworld, though they do suggest that there was more than one such other world. Some parallels from Norse literature and the Lais of Marie de France also reinforce certain themes of this thesis, such as magical tumuli and magical bags and