Paying Attention? Student Council Conducts Distracted Driving Initiative
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Bergen,S *One Card+ in the Works
“Truth, No Matter The Cost” The Torch OCTOBER 2015 # ,$* #+ %!#$ The Bergen OneCard will become a staple In the coming years. JENISE BURWELL Jessica Rodriguez//The Torch CONTRIBUTING WRITER One of the greatest conveniences for young students is the ease of carrying debit and credit cards for purchases opposed to using cash. As hectic as student life can get, eliminating the trip to an ATM to withdraw cash would be ideal. Current students may feel that their current IDs are useless, however Bergen’s new One Card which began last month offers a new innovative way for students and faculty that makes campus life much easier and secure. Bergen will introduce the One Card this semester. The card will be equipped with the new smart chip that is found in all debit and credit cards today. This chipprovides a more secure card for cardholders and helps prevent security fraud. One of the features on the new card will be its prepaid capability. Students will be allowed to have funds placed on the card which they can use at the vending machines, the cafeteria, the bookstore and Dunkin Donuts. Financial aid funds can also be placed on your card. If you happen to misplace or if your card is stolen, Bergen will be able to deactivate your card immediately. For Bergen faculty members, they will be allowed to swipe their cards for entrance into their offices and other rooms in the building. This is one of the main focus points for security. This feature will keep a record of who was entering offices and at what time. -
Transcript 0:00 Ronak Patel (RP): Before Coming in Here I've Never
Interview with Ronak Patel: Transcript 0:00 Ronak Patel (RP): Before coming in here I've never tattooed before, getting used to the tattoo machine and that, that was a struggle of it's own. starting out wasn't very confident in my skills and my abilities, and you know just came with time and practice and tips from other artists around me, watching how other people did things and now I feel more confident. Am I the best tattoo artist already? No. I have a long road to go but have I improved since I began? Absolutely! 0:30 Guy Prandstatter (GP): Hello everybody and welcome to the tattoo trainer podcast my name is Guy Prandstatter and I am the tattoo trainer. My guess on the show today is Ronak Patel from our Philadelphia location and Ronak is a really talented graphic artist who found himself working and managing a liquor store and he's gonna share with you how he went from working at that liquor store and managing that liquor store to be one of our premier tattoo artist in our PA location. So let's get right in to the interview and could tell you his story. 1:01 Alright, Ronak, welcome to ART tattoo trainer podcast, man, thanks for being here I'm really really glad you're here. I was really looking forward to this today co'z you're just somebody who I've really admired, y'know watching your development watching you grow and become someone that we can all count on here. -
Esports Yearbook 2017/18
Julia Hiltscher and Tobias M. Scholz eSports Yearbook 2017/18 ESPORTS YEARBOOK Editors: Julia Hiltscher and Tobias M. Scholz Layout: Tobias M. Scholz Cover Photo: Adela Sznajder, ESL Copyright © 2019 by the Authors of the Articles or Pictures. ISBN: to be announced Production and Publishing House: Books on Demand GmbH, Norderstedt. Printed in Germany 2019 www.esportsyearbook.com eSports Yearbook 2017/18 Editors: Julia Hiltscher and Tobias M. Scholz Contributors: Sean Carton, Ruth S. Contreras-Espinosa, Pedro Álvaro Pereira Correia, Joseph Franco, Bruno Duarte Abreu Freitas, Simon Gries, Simone Ho, Matthew Jungsuk Howard, Joost Koot, Samuel Korpimies, Rick M. Menasce, Jana Möglich, René Treur, Geert Verhoeff Content The Road Ahead: 7 Understanding eSports for Planning the Future By Julia Hiltscher and Tobias M. Scholz eSports and the Olympic Movement: 9 A Short Analysis of the IOC Esports Forum By Simon Gries eSports Governance and Its Failures 20 By Joost Koot In Hushed Voices: Censorship and Corporate Power 28 in Professional League of Legends 2010-2017 By Matthew Jungsuk Howard eSports is a Sport, but One-Sided Training 44 Overshadows its Benefits for Body, Mind and Society By Julia Hiltscher The Benefits and Risks of Sponsoring eSports: 49 A Brief Literature Review By Bruno Duarte Abreu Freitas, Ruth S. Contreras-Espinosa and Pedro Álvaro Pereira Correia - 5 - Sponsorships in eSports 58 By Samuel Korpimies Nationalism in a Virtual World: 74 A League of Legends Case Study By Simone Ho Professionalization of eSports Broadcasts 97 The Mediatization of DreamHack Counter-Strike Tournaments By Geert Verhoeff From Zero to Hero, René Treurs eSports Journey. -
Songs for Waiters: a Lyrical Play in Two Acts
SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment for the Requirements for The Degree of Master of Arts in English By Andrew Eberly Dayton, Ohio May, 2012 SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. APPROVED BY: ___________________ Albino Carillo, M.F.A. Faculty Advisor ____________________ John P. McCombe, Ph.D. Faculty Reader ____________________ Andrew Slade, Ph.D. Faculty Reader ii ABSTRACT SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. University of Dayton Advisor: Albino Carillo, M.F.A. Through the creative mediums of lyrical poetry, monologues, and traditional dramatic scenes, Songs for Waiters concerns an owner and two employees at an urban bar/restaurant. Through their work, their interactions with the public and each other, and reflecting on their own lives, the three men unpack contemporary debates on work, violence, and sexuality. The use of lyrical poetry introduces the possibility of these portions of the play being put to music in a performance setting, as the play is written to be workshopped and performed live in the future. iii TABLE OF CONTENTS ABSTRACT……………………………………………………………….…………..…iii ACT I…………………………………………………………………………...…………1 ACT II……………………………………………………………………………………35 iv ACT I The play begins with no actors onstage. The set consists of café tables upstage right and left and a bar upstage center. The décor is that of a classic bar with some history. The bar is George’s—known for good food. It’s independent, casual, eclectic, open late, and located on High Street in Columbus, Ohio. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Professional Counter-Strike: an Analysis of Media Objects, Esports Culture, and Gamer Representation
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 2021 Professional Counter-Strike: An Analysis of Media Objects, Esports Culture, and Gamer Representation Steven Young Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Other Film and Media Studies Commons Recommended Citation Young, Steven, "Professional Counter-Strike: An Analysis of Media Objects, Esports Culture, and Gamer Representation" (2021). Dissertations. 1886. https://aquila.usm.edu/dissertations/1886 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. PROFESSIONAL COUNTER-STRIKE: AN ANALYSIS OF MEDIA OBJECTS, ESPORTS CULTURE, AND GAMER REPRESENTATION by Steven Maxwell Young A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Communication at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. John Meyer, Committee Chair Dr. Christopher Campbell Dr. Eura Jung Dr. Paul Strait Dr. Steven Venette May 2021 COPYRIGHT BY Steven Maxwell Young 2021 Published by the Graduate School ABSTRACT Esports are growing in popularity at a rapid pace worldwide. In contemporary society, individuals watch esports broadcasts as part of their normal media consuming practices. This dissertation focuses on Counter-Strike: Global Offensive (CS:GO), which is currently the most recognized first-person shooter esport worldwide and the third most popular game across all esports genres (Irwin & Naweed, 2020). -
Opening Song: “We're Going to Japan” Music and Lyrics by Tim
Opening Song: “We’re going to Japan” Music and lyrics by Tim Hansen CAN YOU HEAR THE SHAKUHACHI PLAYING ‘CROSS THE SEAS OR SMELL THE CHERRY BLOSSOMS ON THE BREEZE THE RISING SUN IS CALLING I KNOW YOU HEAR IT TOO SO GRAB YOUR FRIENDS AND PACK YOUR BAGS ‘CAUSE I KNOW WHAT TO DO… JAPAN JAPAN WE’RE GOING TO JAPAN! IF YOU ALL KNEW WHAT WE ALL DO THEN YOU’D UNDERSTAND BECAUSE WE CAN WE’VE MADE AN AWESOME PLAN TO SAY KONNICHUHA TO JAPAN! FROM THE VERY TOP OF FUJI TO THE STREETS OF KYOTO ADVENTURE’S WAITING EVERYWHERE WE GO IF YOU WANT TO SEE VOLCANOS OR SIP ON SENCHA TEA THEN GRAB YOUR FRIENDS AND PACK YOUR BAGS AND COME EXPLORE WITH ME… JAPAN JAPAN WE’RE GOING TO JAPAN! IF YOU ALL KNEW WHAT WE ALL DO THEN YOU’D UNDERSTAND BECAUSE WE CAN WE’VE MADE AN AWESOME PLAN TO SAY KONNICHUHA TO JAPAN! CAN YOU HEAR THE SHAKUHACHI PLAYING ‘CROSS THE SEAS OR SMELL THE CHERRY BLOSSOMS ON THE BREEZE THE RISING SUN IS CALLING I KNOW YOU HEAR IT TOO SO GRAB YOUR FRIENDS AND PACK YOUR BAGS MAKE YOUR WAY TO JFK TAKE YOUR SEAT, ENJOY THE FLIGHT ‘CAUSE WHEN WE LAND WE MIGHT BE IN… JAPAN (JAPAN) JAPAN (JAPAN) WE’RE GOING TO JAPAN! IF YOU ALL KNEW WHAT WE ALL DO THEN YOU’D UNDERSTAND BECAUSE (BECAUSE) WE CAN (WE CAN) WE’VE MADE AN AWESOME PLAN TO STAY (KONNICHUHA) FOR A DAY (KONNICHUHA) AND SAY KONNICHUHA TO JAPAN! Group One, “Courage Is Our Song” Music by David Gordon; Lyrics by David Gordon and Sean Hartley “I Feel Free” WHEN I’M DRUMMING I FEEL FREE I AM DRUMMING WHAT I HEAR INSIDE OF ME. -
Renegades Song List to Save This PDF, Choose “File/Save As” and Your Preferred UPDATED Location
Page 1! Renegades Song List To save this PDF, choose “File/Save as” and your preferred UPDATED location. (516) 721-5344 3/17/17 [email protected] 1950’S Song Artist Year C’EST LA VE-YOU NEVER CAN TELL CHUCK BERRY 1950'S CAN’T HELP FALLING IN LOVE ELVIS PRESLEY 1950'S LA BAMBA RICHIE VALENS 1950'S LOVE ME TENDER ELVIS PRESLEY 1950'S ONLY YOU THE PLATTERS 1950'S ROCK AROUND THE CLOCK BILL HALEY AND THE COMETS 1950'S ROCKIN’ AT MIDNIGHT THE HONEYDRIPPERS 1950'S ROLL OVER BEETHOVEN CHUCK BERRY 1950'S RUNAROUND SUE DION 1950'S SEA OF LOVE HONEY DRIPPERS 1950'S SHOUT ISLEY BROS 1950'S TEDDY BEAR ELVIS PRESLEY 1950'S TWIST CHUBBY CHECKER 1950'S TWIST & SHOUT ISLEY BROS. 1950'S YOU ARE MY SPECIAL ANGEL BOBBY HELM 1950'S YOU BELONG TO ME THE DUPREES 1950’S YOU SEND ME SAM COOKE 1950'S 1960’S Song Artist Year (YOU MAKE ME FEEL LIKE A) NATURAL WOMAN ARETHA FRANKLIN 1960’S/R&B AIN’T NO MOUNTAIN HIGH ENOUGH MARVIN GAYE/TAMMI TERRELL 1960’S/R&B AIN’T TOO PROUD TO BEG TEMPTATIONS 1960’S/R&B ALL MY LOVING BEATLES 1960’S/ROCK BACK IN THE USSR THE BEATLES 1960’S/ROCK BAND OF GOLD FREDA PAYNE 1960’S/R&B BLACKBIRD BEATLES 1960’S/ROCK BORN TO BE WILD STEPPENWOLF 1960’S/ROCK BROWN EYED GIRL VAN MORRISON 1960’S/ROCK BROWN SUGAR ROLLING STONES 1960’S/ROCK BUILD ME UP BUTTERCUP THE FOUNDATIONS 1960’S/R&B CAN’T BUY ME LOVE THE BEATLES 1960’S/ROCK CAN’T TAKE MY EYES OFF OF YOU FRANKIE VALLI 1960’S CHAIN OF FOOLS ARETHA FRANKLIN 1960’S/R&B COME SEE ABOUT ME SUPREMES 1960’S/R&B CROSSROADS CREAM 1960’S/ROCK DANCE TO THE MUSIC SLY & THE FAMILY STONE 1960’S/R&B DANCING IN THE STREETS MARTHA & THE VANDELLAS 1960’S/R&B DEVIL WITH THE BLUE DRESS MITCH RYDER 1960’S/ROCK Page 2! Renegades Song List To save this PDF, choose “File/Save as” and your preferred UPDATED location. -
Who Doesn't Know What Willies
Who Doesn’t Know What Willies Are? Scene Outside Graveyard with tombstones and trees the moon is full NARRATOR: There once was a boy who never was frightened, he didn’t have enough sense to be scared, and as bad that was he would never be enlightened, so he never thought enough to be prepared. Oh wow I am a poet, but do I know it…(pretend to think). Oh well (pause) One day, Henry and his big sister Katie were walking home after dark. The wind was howling, the trees creaking and groaning Lightening was flashing off in the distance, owls were hooting in the trees near by, and the wolves howling earyly, making this a very scarey night. The road they were on led past a graveyard, where the moon lit up rows of tombstones, and the trees cast erie shadows across the road. No one seemed to know that Henry had gone through his life unafraid and was totally clueless on what the willies are. KATIE: (begins to quiver, quake and shake) Ooh! This place really gives me the willies! The sounds of the wolves, owls and the shadows all of this just scares me. HENRY: (looking dumb) The willies? What are the willies? I have never heard of such a thing. KATIE: (scornfully) Do I have to tell you everything? The willies are when you get so scared, you shiver and shake, sometimes the hair stands up on the back of your neck and you get butterflies in your stomach and your skin starts to crawl with goose bumps. -
Taxonomia De Spionidae (Annelida) Da Bacia Do Espírito Santo E Porção Norte Da Bacia De Campos
Universidade Federal do Rio de Janeiro Instituto de Biologia Centro de Ciências da Saúde Programa de Pós-graduação em Biodiversidade e Biologia Evolutiva Antônio João Malafaia Peixoto Taxonomia de Spionidae (Annelida) da Bacia do Espírito Santo e Porção Norte da Bacia de Campos Rio de Janeiro 2020 I Ficha catalográfica Peixoto, Antônio João Malafaia. Taxionomia de Spionidae (Annelida) da Bacia do Espírito Santo e porção norte da Bacia de Campos / Antônio João Malafaia Peixoto. -- Rio de Janeiro: UFRJ / Instituto de Biologia, 2020. 524 f.: il.; 30 cm. Orientador: Paulo Cesar de Paiva. Tese (doutorado) – UFRJ, Instituto de Biologia, Programa de Pós- Graduação em Biodiversidade e Biologia Evolutiva, 2020. Referências: 515-524. 1. Classificação. 2. Anelídeos. 3. Poliquetos. 4. Biodiversidade. 5. Biologia do Desenvolvimento. Biodiversidade - Tese. I. Paiva, Paulo Cesar de. II. Universidade Federal do Rio de Janeiro, Instituto de Biologia, Programa de Pós-Graduação em Biodiversidade e Biologia Evolutiva. III. Título. Ficha catalográfica elaborada pela equipe do Setor de Referência da Biblioteca Central do Centro de Ciências da Saúde (CCS) da Universidade Federal do Rio de Janeiro (UFRJ). II Antônio João Malafaia Peixoto Taxonomia de Spionidae (Annelida) da Bacia do Espírito Santo e Porção Norte da Bacia de Campos Tese de doutorado apresentada ao Programa de Pós-Graduação em Biodiversidade e Biologia Evolutiva, Instituto de Biologia, Universidade Federal do Rio de Janeiro, como requisito parcial à obtenção do título de Doutor em Ciências Biológicas (Biodiversidade e Biologia Evolutiva). Orientador: Prof. Dr. Paulo Cesar de Paiva Rio de Janeiro 2020 III IV “The journey of a thousand miles must begin with a single step.” – Lao Tzu “All progress takes place outside the comfort zone.” – Michael John Bobak “Success is not the key to happiness. -
LAWTON M. CHILES CENTER for FLORIDA HISTORY ORAL HISTORY PROJECT Interview With: Jon Corneal Interviewer: James M
1 LAWTON M. CHILES CENTER FOR FLORIDA HISTORY ORAL HISTORY PROJECT Interview with: Jon Corneal Interviewer: James M. Denham Location: Florida Southern College Date: May 15, 2020 JD=James M. Denham JC=Jon Corneal JD: Interview with Jon Corneal, this is May 15, 2020. Basically what we are going to do today is start right from the beginning and take a look at your music career. JC: My name is Jon Corneal and I was born August 30, 1946 at the old Lakeland hospital on Lakeland Hills Blvd. JD: What was the name of your parents? JC: D. H. “Bud” Corneal, everybody always called my Daddy “Buddy. But Donald Harvey that probably why they called him, Buddy. My mother was Marguerite Jane Corneal; she had been Marguerite Jane Wasmund from Winter Haven. JD: They were living at the time in Auburndale Florida, is that correct? 2 JC: No my mom’s family were in Winter Haven, my Daddy’s an Auburndale guy. JD: So when they took the baby home, you went to Auburndale; correct? JC: Nope. JD: Where did you go? JC: Wasmund’s home was available for my parents to live in so it actually close to Polk State College. Right around the corner from there and that’s where we lived. JD: How long did your father and your mothers parents live in Polk County? JC: My Daddy came, I think about 1920, after his father, his father came down, he was Harry Corneal my Grandpa. He came down from Philadelphia in 1920 and he got off the train in Auburndale, Atlantic coastline station went cross the street and checked into a hotel. -
Freedom Is Coming: Songs of Freedom, Resistance, and the Underground Railroad
FREEDOM IS COMING: SONGS OF FREEDOM, RESISTANCE, AND THE UNDERGROUND RAILROAD This document contains lesson plans designed to accompany the two disc cd set FREEDOM IS COMING: SONGS OF FREEDOM, RESISTANCE, AND THE UNDERGROUND RAILROAD. The set may be obtained from the New Orleans Jazz National Historical Park, 916 N. Peters Street, New Orleans, Louisiana, 70116, www.nps.gov/jazz. Currently there are three multi-lesson units available. They may be found below. Check the site further to see if the units have also been posted as separate documents. The units may be used in their entirety, or teachers can pull separate lessons for use at their discretion. All utilized documents are in the public domain or are otherwise legally available for use by educational institutions. When using the documents please give credit to the source. Teachers of elementary students and of higher level high school students would find it useful to alter the plans to match the abilities of their students. Please direct comments and suggestions to the Park, or to [email protected]. These lessons remain a work in progress, and all comments are welcome. I wish to thank the National Park Service, and especially all of my friends at the New Orleans Jazz National Historical Park for the opportunity to participate in the Teacher-Ranger-Teacher Program. I will always cherish my time at your park, and I look forward to a continuing association. Richard M. Johnson TRT 1 TABLE OF CONTENTS FIRST UNIT: JOURNALING WITH SONGS OF FREEDOM Page 6- BASIC OUTLINE Page 8-SONGS BY LESSON Page 9- LESSON 1: The Experience of Bondage Page 9- Materials needed, etc.