LAWTON M. CHILES CENTER for FLORIDA HISTORY ORAL HISTORY PROJECT Interview With: Jon Corneal Interviewer: James M
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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
Greenup County, You Have a of June in Pike County
J.D. Crowe Table of Contents US23CountryMusicHighway......................4 The Future Stars of Country Music.................5 “More Than Music” US 23 Driving Tour.............8 Billy Ray Cyrus........................................9 Greenbo Lake State Resort Park...................10 Jesse Stuart..........................................11 The Judds.............................................12 Boyd County Tourism.................................13 Ricky Skaggs.........................................15 Lawrence County Tourism............................16 Larry Cordle..........................................18 Loretta Lynn & Crystal Gayle.......................19 US 23: John Boy’s Country .....................20 Hylo Brown...........................................21 Johnson County Tourism..............................22 Dwight Yoakam.......................................23 Map....................................................24 The Jenny Wiley Story.............................27 Presonsburg Tourism..................................28 Elk in Eastern Kentucky..............................30 Patty Loveless.......................................33 Pikeville/Pike County Tourism........................37 The banjo on the cover of this year’s magazine is a Hatfields and McCoys...............................38 Gibson owned by JD Crowe.JDwasbornandraisedin Gary Stewart........................................39 Lexington, Kentucky, and was one of the most influential Marion Sumner.......................................39 bluegrass musicians. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
The Good Guy Guaranty: a Unique New York Institution the Benefits and Pitfalls
The Good Guy Guaranty: A Unique New York Institution The Benefits and Pitfalls May 14, 2020 The COVID-19 virus has caused many landlords The New York City Council’s summary of the and tenants to take a close look at their leases to legislation can be found here. determine how those leases hold up in a COVID- This legislation was enacted by the City Council 19 economy. What can be done to secure relief and remains subject to approval by Mayor De from rent numbers that reflect a pre-COVID-19 Blasio. Regardless of the fate of this legislation, market? What can be done to retain a tenant or good guy guaranties are likely to be with us for secure a tenant in an unsettled market? Whether many years. you are trying to get out of a lease, enter into a lease or retain a tenant, this process may start What are the benefits and pitfalls of a good guy with understanding a unique New York guaranty? A good guy guaranty may: agreement: the “good guy guaranty.” Reduce the amount of security that a tenant While good guy guaranties will be more and more might otherwise have to provide to secure a popular in a post-COVID-19 real estate market, as lease; capital is scarce and tenants are scarce, the New Offer an alternative to the tenant principal to York City Council may have had good guy guarantying performance of a lease for its guaranties in mind when, just this week, the entire term; and Council enacted legislation that prohibits the Provide the landlord with security and enforcement of a personal guaranty, if (i) the comfort that the rent will be paid to the date liability arose between March 3, 2020 and the landlord recovers possession of the September, 30, 2020 and (ii) tenant was premises. -
This Is a Complete Transcript of the Oral History Interview with Mary Goforth Moynan (CN 189, T3) for the Billy Graham Center Archives
This is a complete transcript of the oral history interview with Mary Goforth Moynan (CN 189, T3) for the Billy Graham Center Archives. No spoken words which were recorded are omitted. In a very few cases, the transcribers could not understand what was said, in which case [unclear] was inserted. Also, grunts and verbal hesitations such as “ah” or “um” are usually omitted. Readers of this transcript should remember that this is a transcript of spoken English, which follows a different rhythm and even rule than written English. Three dots indicate an interruption or break in the train of thought within the sentence of the speaker. Four dots indicate what the transcriber believes to be the end of an incomplete sentence. ( ) Word in parentheses are asides made by the speaker. [ ] Words in brackets are comments made by the transcriber. This transcript was created by Kate Baisley, Janyce H. Nasgowitz, and Paul Ericksen and was completed in April 2000. Please note: This oral history interview expresses the personal memories and opinions of the interviewee and does not necessarily represent the views or policies of the Billy Graham Center Archives or Wheaton College. © 2017. The Billy Graham Center Archives. All rights reserved. This transcript may be reused with the following publication credit: Used by permission of the Billy Graham Center Archives, Wheaton College, Wheaton, IL. BGC Archives CN 189, T3 Transcript - Page 2 Collection 189, T3. Oral history interview with Mary Goforth Moynan by Robert Van Gorder (and for a later portion of the recording by an unidentified woman, perhaps Van Gorder=s wife), recorded between March and June 1980. -
Billy Bob Thornton Interview
A Conversation with Billy Bob Thornton by Frank Goodman Puremusic 1/2002 I had known that Billy Bob was slated to star in the new Travis Tritt video, “Modern Day Bonnie and Clyde.” Brother JB is our publisher, and he and my brother-in-law Gary Falcon manage Travis, so I’d been privy to the video developments. Everybody was up about it, it was obviously not going to be your average Country video. It doesn’t take much to get me to pack a suitcase and go almost anywhere, my gypsy ways never changed. So when it occurred to JB that flying me out to L.A. might land us a Puremusic interview with Billy Bob Thornton about his new record, I was basically in the air. I didn’t mind waiting for JB to turn up at LAX a couple of hours after me, I was engrossed in Ann Patchett’s The Magician’s Assistant, and having a big time. We got out to the high desert location, outside Palmdale. There’s an old abandoned little motel out there called The Four Aces, it’s used exclusively for videos and movies today. The desert’s funny like that. Something goes out of business, they just leave it there and walk away, let the elements have at it. I took some pictures of this old Spanish-style mortuary, I liked the sign that said “Open.” I really enjoyed the record, Private Radio. I know, we don’t usually cotton to records by actors. Visions of William Shatner singing “Lucy in the Sky with Diamonds” or the shocking crooning of Jim Nabors comes to mind. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
ECV-Book Final Web.Pdf
Wow. That was something else. Last night we met for one last time over at 180 Colony Road. We heard people share what they heard God saying in their affinity groups this summer. We heard challenges to free ourselves from enslavement to schedules and things, challenges to be long-haul people for the sake of the City, and a reminder that all our best plans and intentions are but sails waiting to be filled with the wind of God’s Spirit. We prayed for our city and for one another, for the things God has put on our hearts. And at the end, we sang “Work a Miracle in My Heart,” a song that I think has really become something of a theme song for whatever it is God is doing here. We are called to be prophets to this nation, Work a miracle in my heart, To be the word of God in every situation; work a miracle in my heart, Change my heart, change my heart today. work a miracle in my heart, O Lord, today. Who’ll be the salt If the salt should lose its flavour? Lord, take all my lies, and take all of my greed; Who’ll be the salt Let me be a sacrifice If the salt should lose its flavour? For those who are in need. Change my heart, change my heart today. Change my heart, change my heart today. Lord, without Your power Lord, Loose the chains of oppression; It’s all just good intentions; Lord, set the captives free. Lord, without Your grace Lord, fill my heart with Your compassion: Who could find redemption? shine Your light, shine Your light, Change my heart, change my heart today. -
Hank Williams with His Drifting Cowboys I'm Satisfied with You / I Ain't Got Nothin' but Time Mp3, Flac, Wma
Hank Williams With His Drifting Cowboys I'm Satisfied With You / I Ain't Got Nothin' But Time mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: I'm Satisfied With You / I Ain't Got Nothin' But Time Country: US Released: 1954 Style: Country MP3 version RAR size: 1138 mb FLAC version RAR size: 1373 mb WMA version RAR size: 1327 mb Rating: 4.2 Votes: 278 Other Formats: AU MOD FLAC ASF MIDI AA DTS Tracklist Hide Credits I'm Satisfied With You A Written-By – Rose* I Ain't Got Nothin' But Time B Written-By – Hank Williams Notes ®Metrolite Non-Breakable under normal use. Barcode and Other Identifiers Matrix / Runout (Side A label): 47-S-6006 Matrix / Runout (Side B label): 53-S-6115 Matrix / Runout (Side A runout): D 47S6006 B Matrix / Runout (Side B runout): A 53S6115 B Other versions Category Artist Title (Format) Label Category Country Year Hank Williams I Ain't Got Nothin' With His But Time / I'm MGM K 11768 K 11768 US 1954 Drifting Satisfied With You Records Cowboys (7", Single) Hank Williams I'm Satisfied With With His You / I Ain't Got MGM MGM-SP-1102 MGM-SP-1102 Netherlands 1959 Drifting Nothin' But Time Records Cowboys (7", Single) Hank Williams I'm Satisfied With With His You / I Ain't Got MGM MGM-SP-1102 MGM-SP-1102 UK Unknown Drifting Nothin' But Time Records Cowboys (7", Single) Related Music albums to I'm Satisfied With You / I Ain't Got Nothin' But Time by Hank Williams With His Drifting Cowboys Hank Williams With His Drifting Cowboys - Hey, Good Lookin' / My Heart Would Know Hank Williams And His Drifting -
Transcript 0:00 Ronak Patel (RP): Before Coming in Here I've Never
Interview with Ronak Patel: Transcript 0:00 Ronak Patel (RP): Before coming in here I've never tattooed before, getting used to the tattoo machine and that, that was a struggle of it's own. starting out wasn't very confident in my skills and my abilities, and you know just came with time and practice and tips from other artists around me, watching how other people did things and now I feel more confident. Am I the best tattoo artist already? No. I have a long road to go but have I improved since I began? Absolutely! 0:30 Guy Prandstatter (GP): Hello everybody and welcome to the tattoo trainer podcast my name is Guy Prandstatter and I am the tattoo trainer. My guess on the show today is Ronak Patel from our Philadelphia location and Ronak is a really talented graphic artist who found himself working and managing a liquor store and he's gonna share with you how he went from working at that liquor store and managing that liquor store to be one of our premier tattoo artist in our PA location. So let's get right in to the interview and could tell you his story. 1:01 Alright, Ronak, welcome to ART tattoo trainer podcast, man, thanks for being here I'm really really glad you're here. I was really looking forward to this today co'z you're just somebody who I've really admired, y'know watching your development watching you grow and become someone that we can all count on here.