Biography: Waylon Jennings

Total Page：16

File Type：pdf, Size：1020Kb

BIOGRAPHY: WAYLON JENNINGS COUNTRY REBEL WITH A ROCK BEAT Along with Willie Nelson, Waylon Jennings is considered the most important creative force in country’s Outlaw movement. He brought a rebel spirit and a raw rock & roll beat to country, and he set an example for other artists to strive for the same musical freedom. Born in the tiny northwest Texas town of Littlefield on June 15, 1937, Jennings grew up in a musical home; both parents were talented guitarists. By the time he turned twelve, he was playing in a country band and working as a disc jockey at a local radio station. After dropping out of tenth grade, he moved to nearby Lubbock to be a musician, and in 1955, he became close friends blues, rock & roll, and country are just a beat with Buddy Holly, who was among the most apart,” he said. important early rock artists. Jennings’s career soared, and his popular albums Jennings joined Holly’s band as the bass player. showed off his songwriting skills. In 1976, he In 1959, he gave up his seat on the tour’s private appeared on Wanted! The Outlaws, an album that plane to take the tour bus instead. Shortly after also featured Willie Nelson, Tompall Glaser, and takeoff, the plane crashed and killed all on board, Jennings’s wife, Jessi Colter. The album became including Holly. In his grief, Jennings returned to the first in country music to sell more than one Lubbock to work as a disc jockey for a time before million copies, and it also launched Jennings and moving to Phoenix to restart his music career. Nelson as one of country’s most famous duos. Discovered there by country star Bobby Bare, In the early 1980s, financial problems and drug Jennings soon signed with RCA Records abuse slowed his career, but by 1985, he had and moved to Nashville. kicked his drug habit and found new success in the By the early 1970s, he had recorded several hits, but Highwaymen, a country “supergroup” with Nelson, he was frustrated by Nashville recording customs Kris Kristofferson, and Johnny Cash. that limited his choice of songs and studio musicians. Jennings’s influential career earned him Fighting back, he earned his artistic freedom at membership in the Country Music Hall of Fame RCA and became known as an Outlaw. in 2001. He died, at age 64, of complications His music blossomed into a blend of all the sounds related to diabetes at his home in Chandler, that had captured his heart. “I’ve always felt that Arizona, in 2002. SOURCES LISTEN American Songwriter, The Encyclopedia of Country “Amanda” Music, The New York Times, Rolling Stone, “Are You Sure Hank Done it This Way?” The Tennessean “Dreaming My Dreams” “Honky Tonk Heroes” “Mammas Don’t Let Your Babies Grow Up to be Cowboys” “This Time” “The Wurlitzer Prize (I Don’t Want to Get Over You)” 3-6 Biography: Waylon Jennings 37.

Copy Link

Recommended publications

Waylon Jennings Ol' Waylon Mp3, Flac, Wma
Waylon Jennings Ol' Waylon mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Ol' Waylon Country: Australia & New Zealand Released: 1977 Style: Folk Rock, Country MP3 version RAR size: 1960 mb FLAC version RAR size: 1506 mb WMA version RAR size: 1215 mb Rating: 4.7 Votes: 376 Other Formats: ASF DTS ADX AC3 AU MMF VOX Tracklist Hide Credits Luckenbach, Texas (Back To The Basics Of Love) A1 3:18 Featuring – Willie Nelson If You See Me Getting Smaller A2 3:35 Backing Vocals – Larry Keith, Steve Pippin A3 Lucille 4:01 A4 Sweet Caroline 3:06 A5 I Think I'm Gonna Kill Myself 2:19 A6 Belle Of The Ball 3:25 B1 Medley Of Elvis Hits: That's All Right / My Baby Left Me 2:20 B2 Till I Gain Control Again 4:09 B3 Brand New Goodbye Song 2:52 Satin Sheets B4 2:37 Backing Vocals – Jessi Colter, Toni Wine B5 This Is Getting Funny (But There Ain't Nobody Laughing) 2:46 Credits Acoustic Guitar, Backing Vocals – Gordon Payne, Rance Wasson Arranged By [Horns] – Muscle Shoals Horns Artwork By [Album Concept & Graphics] – Herb Burnette Backing Vocals – Carter Robertson Bass – Sherman Hayes Drums – Richie Albright Engineer – Don Cobb, Neil Wilburn Keyboards – Clifford Robertson Lead Guitar – Reggie Young Producer – Chips Moman Rhythm Guitar – John Christopher* Steel Guitar – Ralph Mooney Vocals, Lead Guitar, Rhythm Guitar – Waylon Jennings Notes Made from Masters of RCA Records Other versions Category Artist Title (Format) Label Category Country Year Waylon Ol' Waylon (LP, AFL1-2317 RCA AFL1-2317 US 1977 Jennings Album, RE) Waylon
[Show full text]
Muziek Voor Volwassenen 2021 Week 09
Muziek voor volwassenen / Johan Derksen Album van de Week: One Lifetime van Tip Jar maandag 01/03/2021 18:00-19:00 ARTIEST TITEL TIJD COMPONIST PLATENLABEL CATALOGUSNUMMER CD TITEL 1Jackson Browne Take it easy 3.41 Jackson Browne/Frey Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 2Waylon Jennings I'm a ramblin' man 2.48 Ray Pennington Buddha Records 74465 99699 2 The Ramblin' Man 3Fleetwood Mac Don't stop 3.13 C. McVie Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 4Waylon Jennings The hunger 3.31 Lee Fry Buddha Records 74465 99699-2 The Ramblin' Man 5Doobie Brothers Long rain runnin' 3.27 J. Johnston Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 6Waylon Jennings Where love has died 2.15 Jim Owen Collectors' Choise Music CCM-2069 Waylon, singer of sad songs 7 Tip Jar Dreamer's dream 4.35 Bart de Win/Arianne Knegt Shine a Light Records SLR0172021 One Lifetime 8Waylon Jennings Just to satisfy you 2.17 Waylon Jennings/Don Bowman BMG 07863 66857 2 The Essential Waylon Jennings 9 Eric Burdon and The Animals San Francisco nights 3.24 Jenkins/Mcculloch/Burdon/Weider/Briggs Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 10Waylon Jennings Whatever happened to the blues 4.11 Waylon Jennings/Tony Joe White BMG 07863 66857 2 The Essential Waylon Jennings 11Linda Ronstadt It's so easy 2.28 B. Holly Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 12Waylon Jennings Luckenbach Texas 3.21 Moman/Emmons BMG/Camden 74321 628052 Waylon Jennings greatest hits 13Andrew Gold Lonely boy 4.21 A.
[Show full text]
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary.
[Show full text]
Billy Joe Shaver
BIOGRAPHY: BILLY JOE SHAVER OUTLAW ERA’S TREND-SETTING SONGWRITER Billy Joe Shaver has recorded more than twenty albums, but his gritty songwriting has always outshined his career as a singer. That was especially true in 1973 when Waylon Jennings chose nine of Shaver’s songs for Honky Tonk Heroes, among the first and the best of the Outlaw albums. Willie Nelson has declared Shaver “definitely the best writer in Texas . Everything he writes is just poetry.” Born on August 16, 1939, in Corsicana, Texas, Billy Joe Shaver was raised by his grandmother after his father left the family and his mother took a job in Waco, sixty miles away. Shaver grew up listening to the Grand Ole Opry, as well as the rhythm and blues of Corsicana’s African American community, and he began writing songs by age eight. Once out of school, he took different jobs, including one in a lumber mill, where he accidentally cut off two fingers and part of a third on his right hand. “I wouldn’t ever have gone into music if I hadn’t lost big for me,” Shaver said. “I couldn’t possibly get them my fingers,” he said. across the way [Jennings] could.” Seeking a career in songwriting, Shaver finally was While there are no major hits on Honky Tonk Heroes, hired in 1968 at Bobby Bare’s publishing company in it is considered Jennings’s first important work of the Nashville. He got his big break in 1972 when Nelson Outlaw era. Shaver attracted other big-name artists, invited him to perform at his Fourth of July concert in including Bobby Bare, Johnny Cash, Tom T.
[Show full text]
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.
[Show full text]
Waylon Jennings
TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Outlaw Influence 11 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 4: Worksheet 17 Lesson 5: Literary Lyrics 19 “London” by William Blake 20 Complete Tennessee Standards 22 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.
[Show full text]
The Big List (My Friends Are Gonna Be) Strangers Merle Haggard 1948 Barry P
THE BIG LIST (MY FRIENDS ARE GONNA BE) STRANGERS MERLE HAGGARD 1948 BARRY P. FOLEY A LIFE THAT'S GOOD LENNIE & MAGGIE A PLACE TO FALL APART MERLE HAGGARD ABILENE GEORGE HAMILITON IV ABOVE AND BEYOND WYNN STEWART-RODNEY CROWELL ACT NATURALLY BUCK OWENS-THE BEATLES ADALIDA GEORGE STRAIT AGAINST THE WIND BOB SEGER-HIGHWAYMAN AIN’T NO GOD IN MEXICO WAYLON JENNINGS AIN'T LIVING LONG LIKE THIS WAYLON JENNINGS AIN'T NO SUNSHINE BILL WITHERS AIRPORT LOVE STORY BARRY P. FOLEY ALL ALONG THE WATCHTOWER BOB DYLAN-JIMI HENDRIX ALL I HAVE TO DO IS DREAM EVERLY BROTHERS ALL I HAVE TO OFFER IS ME CHARLIE PRIDE ALL MY EX'S LIVE IN TEXAS GEORGE STRAIT ALL MY LOVING THE BEATLES ALL OF ME WILLIE NELSON ALL SHOOK UP ELVIS PRESLEY ALL THE GOLD IN CALIFORNIA GATLIN BROTHERS ALL YOU DO IS BRING ME DOWN THE MAVERICKS ALMOST PERSUADED DAVID HOUSTON ALWAYS LATE LEFTY FRIZZELL-DWIGHT YOAKAM ALWAYS ON MY MIND ELVIS PRESLEY-WILLIE NELSON ALWAYS WANTING YOU MERLE HAGGARD AMANDA DON WILLIAMS-WAYLON JENNINGS AMARILLO BY MORNING TERRY STAFFORD-GEORGE STRAIT AMAZING GRACE TRADITIONAL AMERICAN PIE DON McLEAN AMERICAN TRILOGY MICKEY NEWBERRY-ELVIS PRESLEY AMIE PURE PRAIRIE LEAGUE ANGEL FLYING TOO CLOSE WILLIE NELSON ANGEL OF LYON TOM RUSSELL-STEVE YOUNG ANGEL OF MONTGOMERY JOHN PRINE-BONNIE RAITT-DAVE MATTHEWS ANGELS LIKE YOU DAN MCCOY ANNIE'S SONG JOHN DENVER ANOTHER SATURDAY NIGHT SAM COOKE-JIMMY BUFFET-CAT STEVENS ARE GOOD TIMES REALLY OVER MERLE HAGGARD ARE YOU SURE HANK DONE IT WAYLON JENNINGS AUSTIN BLAKE SHELTON BABY PLEASE DON'T GO MUDDY WATERS-BIG JOE WILLIAMS BABY PUT ME ON THE WAGON BARRY P.
[Show full text]
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,
[Show full text]
Revolutionary Film to Be Shown Medieval Tale of Japan
THURSDAY, APRIL 29,1971 PAGE 8 UCSB D A ILY NEXUS and you send us tons the first side. “ Good Friend o f o f starches; Mary’s” and “He Loves Them” M ason Prof fit play country but when we ask for work, are in an easier vein and sound you cannot hire us very nice. The last cut is one o f the protest songs. With a By RICK DERAGON with “ heavy” lyrical content. The making too positive an A worthy enough message but chant/chorus o f ‘^everybody was The trend in today’s rock majority of the record’s songs impression. completely out of place in a wrong,” and words concerned music is that no trends exist. contain socio-political messages “ Movin’ Toward Happiness” foot-tapping, country music with war and ecology, the tune is Acid-rock, folk-rock, jazz rock of some sort — very unfitting for is clearly a well thought out mood. likewise un-country, sounding have all had their times, and the good-time sounding tunes in production. It is filled with These questionable lyrics are like a medium-heavy rock song indeed, some examples o f each which they occur. From “ Voice pleasant chord progressions, less conspicuous, though, when with a heavy, heavy message. still remain. But still no single o f Change” : tasteful pedal steel and dobro compared to “ Wanted.” Michael ■ The music heard on “ Wanted” type o f music prevails today. Hey Businessman working throughout, and original Dodge” , “ Hard Luck Woman” , and “ Movin’ Toward Happiness” Some claim country-based You turn and give me a sideways arrangements.
[Show full text]
Remembering Waylon
FOR IMMEDIATE RELEASE Contact: Jaclyn Todisco 646-695-7053 [email protected] REMEMBERING WAYLON AN UNPRECEDENTED AUCTION FOCUSING ON THE LIFE AND TIMES OF WAYLON JENNINGS, THE LEGENDARY OUTLAW COUNTRY MUSICIAN WHO CARVED HIS WAY TO SUPER-STARDOM Memorable objects from Jennings’ career, plus remarkable items from many of his fellow musicians and friends including Hank Williams, John Lennon, Chet Atkins, Johnny Cash, Willie Nelson, and Muhammad Ali New York, NY (August 5, 2014) – On October 5 at Phoenix's stunning Musical Instrument Museum, New York City-based auction house Guernsey’s will resurrect the aura of outlaw country megastar Waylon Jennings with the sale of many of his personal belongings. For the first time, Jennings’ legions of fans will have a chance to own a piece of musical history. The featured collection is being offered by country music legend Jessi Colter, Jennings’ wife of more than thirty years with whom he often shared the stage. The event will help bring attention to the important care provided at the Phoenix Children’s Hospital. A driving force of the Outlaw Country movement that erupted in the ‘70s, Jennings rejected the conventions of country’s manufactured “Nashville Sound” and reached superstardom with his commanding baritone and stripped-down, updated honky tonk, which gave his music a gritty edge all its own. His style changed the face of country music and influenced countless musicians, as his songs consistently appeared on both Billboard’s country and pop charts throughout a career that spanned more than five decades. Jennings’ album Wanted! The Outlaws – featuring collaborations with his wife, Jessi Colter, Willie Nelson, and Tompall Glaser – peaked at No.1 on the charts and was the first country album to be certified platinum.
[Show full text]
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
[Show full text]
Waylon Jennings This Is Waylon Jennings Mp3, Flac, Wma
Waylon Jennings This Is Waylon Jennings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: This Is Waylon Jennings Country: Italy Released: 1977 Style: Country MP3 version RAR size: 1750 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1982 mb Rating: 4.8 Votes: 188 Other Formats: VQF VOX MP3 MIDI AIFF AU MP2 Tracklist A1 Rainy Day Woman A2 Slow Rollin' Low A3 Bob Wills Is Still The King A4 Sweet Caroline A5 This Time A6 Me And Paul A7 Are You Ready For The Country B1 Are You Sure Hank Done It This Way B2 Pick Up The Tempo B3 T For Texas B4 Medley Elvis Hits: B4a That's All Right B4b My Baby Left Me B5 Good Hearted Woman B6 I'm I Rumblin' Man B7 Honky Tonk Heroes Credits Compiled By – Carlo Basile Remastered By – P. Mannucci* Notes (P) 1977 RCA victor Other versions Category Artist Title (Format) Label Category Country Year PL 31663 Waylon Jennings This Is Waylon Jennings (LP, Comp) RCA PL 31663 Italy 1982 This Is Waylon Jennings (LP, Comp, PL 31663 Waylon Jennings RCA PL 31663 Italy 1982 Promo) This Is Waylon Jennings (Cass, PK 31663 Waylon Jennings RCA PK 31663 Italy 1982 Comp) Related Music albums to This Is Waylon Jennings by Waylon Jennings Waylon Jennings - Waylon Jennings - Waylon/Singer Of Sad Songs Willie Nelson & Waylon Jennings - Outlaw Reunion Vol. 2 Waylon Jennings - New Classic Waylon Waylon Jennings - Never Could Toe The Mark Waylon Jennings - In Concert Waylon Jennings & Jessi Colter - Suspicious Minds Waylon Jennings - This Time Waylon Jennings - I've Always Been Crazy Waylon Jennings - Waylon Forever Waylon Jennings - The Best Of Waylon Jennings & Willie Nelson - Outlaw Reunion Vol.
[Show full text]