Billy Joe Shaver

Total Page：16

File Type：pdf, Size：1020Kb

BIOGRAPHY: BILLY JOE SHAVER OUTLAW ERA’S TREND-SETTING SONGWRITER Billy Joe Shaver has recorded more than twenty albums, but his gritty songwriting has always outshined his career as a singer. That was especially true in 1973 when Waylon Jennings chose nine of Shaver’s songs for Honky Tonk Heroes, among the first and the best of the Outlaw albums. Willie Nelson has declared Shaver “definitely the best writer in Texas . Everything he writes is just poetry.” Born on August 16, 1939, in Corsicana, Texas, Billy Joe Shaver was raised by his grandmother after his father left the family and his mother took a job in Waco, sixty miles away. Shaver grew up listening to the Grand Ole Opry, as well as the rhythm and blues of Corsicana’s African American community, and he began writing songs by age eight. Once out of school, he took different jobs, including one in a lumber mill, where he accidentally cut off two fingers and part of a third on his right hand. “I wouldn’t ever have gone into music if I hadn’t lost big for me,” Shaver said. “I couldn’t possibly get them my fingers,” he said. across the way [Jennings] could.” Seeking a career in songwriting, Shaver finally was While there are no major hits on Honky Tonk Heroes, hired in 1968 at Bobby Bare’s publishing company in it is considered Jennings’s first important work of the Nashville. He got his big break in 1972 when Nelson Outlaw era. Shaver attracted other big-name artists, invited him to perform at his Fourth of July concert in including Bobby Bare, Johnny Cash, Tom T. Hall, and Kris Dripping Springs, Texas. After hearing Shaver, Waylon Kristofferson, to record his songs. Jennings promised to record a whole album of his Now a resident of Waco, Shaver continues to write, songs. The next year, Jennings went into the studio record, and perform (he uses his thumb and pinkie and made Honky Tonk Heroes. All but one of the songs finger to pluck the strings of his guitar), but he considers on the album was written or co-written by Shaver. himself a songwriter first. “I think I was born to write To the songwriter, the music and Jennings’s voice were songs,” he said. a perfect match. “The songs were so big, they were too SOURCES LISTEN Encyclopedia of Country Music, “Old Five and Dimers like Me” NPR.com, Texas Monthly, The Washington Post “You Asked Me To”.

Copy Link

Recommended publications

Waylon Jennings Ol' Waylon Mp3, Flac, Wma
Waylon Jennings Ol' Waylon mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Ol' Waylon Country: Australia & New Zealand Released: 1977 Style: Folk Rock, Country MP3 version RAR size: 1960 mb FLAC version RAR size: 1506 mb WMA version RAR size: 1215 mb Rating: 4.7 Votes: 376 Other Formats: ASF DTS ADX AC3 AU MMF VOX Tracklist Hide Credits Luckenbach, Texas (Back To The Basics Of Love) A1 3:18 Featuring – Willie Nelson If You See Me Getting Smaller A2 3:35 Backing Vocals – Larry Keith, Steve Pippin A3 Lucille 4:01 A4 Sweet Caroline 3:06 A5 I Think I'm Gonna Kill Myself 2:19 A6 Belle Of The Ball 3:25 B1 Medley Of Elvis Hits: That's All Right / My Baby Left Me 2:20 B2 Till I Gain Control Again 4:09 B3 Brand New Goodbye Song 2:52 Satin Sheets B4 2:37 Backing Vocals – Jessi Colter, Toni Wine B5 This Is Getting Funny (But There Ain't Nobody Laughing) 2:46 Credits Acoustic Guitar, Backing Vocals – Gordon Payne, Rance Wasson Arranged By [Horns] – Muscle Shoals Horns Artwork By [Album Concept & Graphics] – Herb Burnette Backing Vocals – Carter Robertson Bass – Sherman Hayes Drums – Richie Albright Engineer – Don Cobb, Neil Wilburn Keyboards – Clifford Robertson Lead Guitar – Reggie Young Producer – Chips Moman Rhythm Guitar – John Christopher* Steel Guitar – Ralph Mooney Vocals, Lead Guitar, Rhythm Guitar – Waylon Jennings Notes Made from Masters of RCA Records Other versions Category Artist Title (Format) Label Category Country Year Waylon Ol' Waylon (LP, AFL1-2317 RCA AFL1-2317 US 1977 Jennings Album, RE) Waylon
[Show full text]
Muziek Voor Volwassenen 2021 Week 09
Muziek voor volwassenen / Johan Derksen Album van de Week: One Lifetime van Tip Jar maandag 01/03/2021 18:00-19:00 ARTIEST TITEL TIJD COMPONIST PLATENLABEL CATALOGUSNUMMER CD TITEL 1Jackson Browne Take it easy 3.41 Jackson Browne/Frey Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 2Waylon Jennings I'm a ramblin' man 2.48 Ray Pennington Buddha Records 74465 99699 2 The Ramblin' Man 3Fleetwood Mac Don't stop 3.13 C. McVie Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 4Waylon Jennings The hunger 3.31 Lee Fry Buddha Records 74465 99699-2 The Ramblin' Man 5Doobie Brothers Long rain runnin' 3.27 J. Johnston Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 6Waylon Jennings Where love has died 2.15 Jim Owen Collectors' Choise Music CCM-2069 Waylon, singer of sad songs 7 Tip Jar Dreamer's dream 4.35 Bart de Win/Arianne Knegt Shine a Light Records SLR0172021 One Lifetime 8Waylon Jennings Just to satisfy you 2.17 Waylon Jennings/Don Bowman BMG 07863 66857 2 The Essential Waylon Jennings 9 Eric Burdon and The Animals San Francisco nights 3.24 Jenkins/Mcculloch/Burdon/Weider/Briggs Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 10Waylon Jennings Whatever happened to the blues 4.11 Waylon Jennings/Tony Joe White BMG 07863 66857 2 The Essential Waylon Jennings 11Linda Ronstadt It's so easy 2.28 B. Holly Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 12Waylon Jennings Luckenbach Texas 3.21 Moman/Emmons BMG/Camden 74321 628052 Waylon Jennings greatest hits 13Andrew Gold Lonely boy 4.21 A.
[Show full text]
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
[Show full text]
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary.
[Show full text]
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.
[Show full text]
Waylon Jennings
TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Outlaw Influence 11 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 4: Worksheet 17 Lesson 5: Literary Lyrics 19 “London” by William Blake 20 Complete Tennessee Standards 22 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.
[Show full text]
The Big List (My Friends Are Gonna Be) Strangers Merle Haggard 1948 Barry P
THE BIG LIST (MY FRIENDS ARE GONNA BE) STRANGERS MERLE HAGGARD 1948 BARRY P. FOLEY A LIFE THAT'S GOOD LENNIE & MAGGIE A PLACE TO FALL APART MERLE HAGGARD ABILENE GEORGE HAMILITON IV ABOVE AND BEYOND WYNN STEWART-RODNEY CROWELL ACT NATURALLY BUCK OWENS-THE BEATLES ADALIDA GEORGE STRAIT AGAINST THE WIND BOB SEGER-HIGHWAYMAN AIN’T NO GOD IN MEXICO WAYLON JENNINGS AIN'T LIVING LONG LIKE THIS WAYLON JENNINGS AIN'T NO SUNSHINE BILL WITHERS AIRPORT LOVE STORY BARRY P. FOLEY ALL ALONG THE WATCHTOWER BOB DYLAN-JIMI HENDRIX ALL I HAVE TO DO IS DREAM EVERLY BROTHERS ALL I HAVE TO OFFER IS ME CHARLIE PRIDE ALL MY EX'S LIVE IN TEXAS GEORGE STRAIT ALL MY LOVING THE BEATLES ALL OF ME WILLIE NELSON ALL SHOOK UP ELVIS PRESLEY ALL THE GOLD IN CALIFORNIA GATLIN BROTHERS ALL YOU DO IS BRING ME DOWN THE MAVERICKS ALMOST PERSUADED DAVID HOUSTON ALWAYS LATE LEFTY FRIZZELL-DWIGHT YOAKAM ALWAYS ON MY MIND ELVIS PRESLEY-WILLIE NELSON ALWAYS WANTING YOU MERLE HAGGARD AMANDA DON WILLIAMS-WAYLON JENNINGS AMARILLO BY MORNING TERRY STAFFORD-GEORGE STRAIT AMAZING GRACE TRADITIONAL AMERICAN PIE DON McLEAN AMERICAN TRILOGY MICKEY NEWBERRY-ELVIS PRESLEY AMIE PURE PRAIRIE LEAGUE ANGEL FLYING TOO CLOSE WILLIE NELSON ANGEL OF LYON TOM RUSSELL-STEVE YOUNG ANGEL OF MONTGOMERY JOHN PRINE-BONNIE RAITT-DAVE MATTHEWS ANGELS LIKE YOU DAN MCCOY ANNIE'S SONG JOHN DENVER ANOTHER SATURDAY NIGHT SAM COOKE-JIMMY BUFFET-CAT STEVENS ARE GOOD TIMES REALLY OVER MERLE HAGGARD ARE YOU SURE HANK DONE IT WAYLON JENNINGS AUSTIN BLAKE SHELTON BABY PLEASE DON'T GO MUDDY WATERS-BIG JOE WILLIAMS BABY PUT ME ON THE WAGON BARRY P.
[Show full text]
Shaver :: Shaver's Jewels (The Best of Shaver) New West/ Warner Music
Shaver :: Shaver’s Jewels (The Best Of Shaver) New West/ Warner Music Shaver, the band of legendary outlaw country songwriter Billy Joe Shaver and his guitar-slinging son, Eddy made five studio albums of sizzling country rock, gut-wrenching ballads and acoustic spiritual songs between 1993 and 2000 when Eddy tragically passed away. Shaver’s Jewels (The Best Of Shaver), out November 19 on New West Records, collects tracks from their prolific partnership and represents some of the father and son’s best work. The album features liner notes from author and musician Kinky Friedman. The 17-track collection kicks off with the rollicking boot stomper that began Shaver’s debut record, Tramp On Your Street, Billy Joe’s classic and heavily covered “Georgia On A Fast Train,” remade and amped up with Eddy’s blazing guitar playing. The album spans the Shaver’s impressive catalog and includes cuts from all five records including Tramp On Your Street and Highway Of Life released on Volcano Records and Justice Records respectively and their three New West Records releases, Victory, Electric Shaver, and The Earth Rolls On, recorded with Eddy but released after his untimely death. The album is filled with songs of love and loss, sin and salvation, hell raising and redemption, bursting with Billy Joe’s introspective, hard living and nakedly honest lyrics and Eddy’s spirited and versatile guitar playing. The somber stripped down “Highway Of Life,” a cappella “Son of Calvary,” tender “My Mother’s Name Is Victory” show off Shaver’s softer side while the bluesy rock shuffle of “You Wouldn’t Know Love (If You Fell In It),” the honky tonk of “Blood Is Thicker Than Water,” and the charged up kiss-off “Leavin’ Amarillo” show off the band’s rowdier and often times humorous side.
[Show full text]
Billy Joe Shaver Chanteur, Compositeur, Né Le 16 Août 1939, À
Billy Joe Shaver Chanteur, compositeur, né le 16 Août 1939, à Emhouse à proximité de Corsicana, Texas. Voilà un artiste dont on peut dire que sa vie a été très difficile car elle commence plutôt mal; écoutons ce que raconte Billy : ‘’Je n'étais même pas encore né quand mon père a essayé de me tuer’’. C'était en Juin et la lumière du soir commençait à s'estomper, mais il faisait encore plus chaud que d’habitude. Nous habitions à l'extérieur de Corsicana, une ville dans le nord du Texas, une région où l’on cultive le coton. J’étais encore dans le ventre de ma mère pour deux mois encore. Mon père était convaincu que ma mère, Victoire, le trompait. Mon père était à moitié français, moitié Blackfoot Sioux; Il buvait beaucoup et l'alcool ne faisait pas bon ménage avec son sang indien. Vous savez qu'il ya des gars qui sont justes nés naturellement fort, avec de larges épaules et un corps ciselé, c’était mon père. C'est une histoire que j'ai entendue, racontée par des membres de la famille. Mais je peux imaginer la scène aussi clairement que si j'étais là. Ils se tenaient debout à côté d'un réservoir de stockage. On était au milieu de nulle part, pas de routes ou de maisons en vue. Qui sait ce qui a fait sortir mon père de sa raison, ses yeux gris, froids, n’ont montré aucune émotion quand il a battu ma mère la laissant pour morte. Quand elle était au sol, il lui a écrasé la figure avec ses bottes de cow-boy jusqu'à ce qu'elle cesse de se débattre.
[Show full text]
Biography: Waylon Jennings
BIOGRAPHY: WAYLON JENNINGS COUNTRY REBEL WITH A ROCK BEAT Along with Willie Nelson, Waylon Jennings is considered the most important creative force in country’s Outlaw movement. He brought a rebel spirit and a raw rock & roll beat to country, and he set an example for other artists to strive for the same musical freedom. Born in the tiny northwest Texas town of Littlefield on June 15, 1937, Jennings grew up in a musical home; both parents were talented guitarists. By the time he turned twelve, he was playing in a country band and working as a disc jockey at a local radio station. After dropping out of tenth grade, he moved to nearby Lubbock to be a musician, and in 1955, he became close friends blues, rock & roll, and country are just a beat with Buddy Holly, who was among the most apart,” he said. important early rock artists. Jennings’s career soared, and his popular albums Jennings joined Holly’s band as the bass player. showed off his songwriting skills. In 1976, he In 1959, he gave up his seat on the tour’s private appeared on Wanted! The Outlaws, an album that plane to take the tour bus instead. Shortly after also featured Willie Nelson, Tompall Glaser, and takeoff, the plane crashed and killed all on board, Jennings’s wife, Jessi Colter. The album became including Holly. In his grief, Jennings returned to the first in country music to sell more than one Lubbock to work as a disc jockey for a time before million copies, and it also launched Jennings and moving to Phoenix to restart his music career.
[Show full text]
Remembering Waylon
FOR IMMEDIATE RELEASE Contact: Jaclyn Todisco 646-695-7053 [email protected] REMEMBERING WAYLON AN UNPRECEDENTED AUCTION FOCUSING ON THE LIFE AND TIMES OF WAYLON JENNINGS, THE LEGENDARY OUTLAW COUNTRY MUSICIAN WHO CARVED HIS WAY TO SUPER-STARDOM Memorable objects from Jennings’ career, plus remarkable items from many of his fellow musicians and friends including Hank Williams, John Lennon, Chet Atkins, Johnny Cash, Willie Nelson, and Muhammad Ali New York, NY (August 5, 2014) – On October 5 at Phoenix's stunning Musical Instrument Museum, New York City-based auction house Guernsey’s will resurrect the aura of outlaw country megastar Waylon Jennings with the sale of many of his personal belongings. For the first time, Jennings’ legions of fans will have a chance to own a piece of musical history. The featured collection is being offered by country music legend Jessi Colter, Jennings’ wife of more than thirty years with whom he often shared the stage. The event will help bring attention to the important care provided at the Phoenix Children’s Hospital. A driving force of the Outlaw Country movement that erupted in the ‘70s, Jennings rejected the conventions of country’s manufactured “Nashville Sound” and reached superstardom with his commanding baritone and stripped-down, updated honky tonk, which gave his music a gritty edge all its own. His style changed the face of country music and influenced countless musicians, as his songs consistently appeared on both Billboard’s country and pop charts throughout a career that spanned more than five decades. Jennings’ album Wanted! The Outlaws – featuring collaborations with his wife, Jessi Colter, Willie Nelson, and Tompall Glaser – peaked at No.1 on the charts and was the first country album to be certified platinum.
[Show full text]
Aug. ‘13 Texas Swing School, Learning to Play Texas Extra Swing, Known to Some As the Original Texas Music
In each room of the performing arts center in Gainesville — about 70 miles north of the Dallas-Fort Worth metroplex — you’ll find young musicians of all types stringing their fiddles, strumming their guitars and belting out tunes. They’re all participating in the Big Aug. ‘13 Texas Swing School, learning to play Texas extra Swing, known to some as the original Texas music. “It was a joining of two genres of swing music,” says executive director Dave Alexan- der, who founded the school. “Big band music news calendar releases q&a and cowboy music, which was fiddle based.” click here to read click here to read click here to read click here to read Don’t be fooled, though: these students are Students attending the Big Texas Swing School range from no amateurs. “I can play the fiddle, guitar, 11 to 17 years old. mandolin, drums and piano,” Colby Sheppard School of Swing says. “I can play a lot.” The students range in included legendary pickers Merle Travis and Up in Gainesville, Texas, apparently, Bob Wills age from 11 to 17, and, like Sheppard, most play Charlie Monroe. He also recorded at Motown is still the king. Texas Swing may be a genre several instruments. They work in different Records and played with Ray Price and Merle that’s a century old, but now it’s gaining groups throughout the day. Then, once well re- Haggard before teaming up with Nelson from popularity with a new generation through a hearsed, they come together to make one big 1973 through 2008.
[Show full text]