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Yuval Shaked PUBLICATIONS (Selection) Authored Musical Yuval Shaked PUBLICATIONS (selection) Authored Musical Compositions (Sheet Music) Shaked, Yuval (1989). String.ent/endo for guitar with six equal (E1) strings. Celle: Moeck (Nr.7040). (German title: Einseitig ruhig; Hebrew title: Yetera Mizot) Shaked, Yuval (1995). Liebeslament aus Der Gesang der Gesänge for oboe. Hamburg: Peer Music (Nr.3320). (German title: Liebeslament; Hebrew title: Kinat Ahava) Shaked, Yuval (1996). Aver dodici for flute and guitar. Hamburg: Peer Music (Nr.3344). Shaked, Yuval (1997). Plotted Music, Octet for flute, oboe, clarinet, piano, percussion, violin, viola and cello. Hamburg: Peer Music. (German title: Zeitgesonnene Musik (temp.); Hebrew title: Musica Bat Zmamenu) Shaked, Yuval (1997). 40 Times Presence for (baritone/alt/sopran)-saxophone, percussion and piano. Hamburg: Peer Music. (German title: 40malige Gegenwart und Rückmeldung; Hebrew title: Arba'im Pa'am Hove) Shaked, Yuval (1998). 40 Times Presence and Checking It Out for (baritone/alt/sopran)- saxophone, percussion and piano. Hamburg: Peer Music. (German title: 40malige Gegenwart und Rückmeldung; Hebrew title: Arba'im Pa'am Hove Uvidu Hitvad'ut) Shaked, Yuval (1998). Following eradicable brandmarks for flute/alt flute, oboe/English horn and clarinet/bass clarinet. Hamburg: Peer Music. (German title: tilgbaren Brandmalen folgen; Hebrew title: Be'ikvot Tzrivot Mechikot) Shaked, Yuval (1998). Diaphany from My Wiepersdorf Practice, in Leichte Klaviermusik aus aller Welt – Israel. Hamburg: Peer Music (Nr.3416; ISMN M-50011-684-4). (German title: Diaphanie aus Meine Wiepersdorfer Praxis) Shaked, Yuval (1998). Two Late Resonances of Diaphany from My Wiepersdorf Practice, in Leichte Klaviermusik aus aller Welt – Israel. Hamburg: Peer Music (Nr.3416; ISMN M- 50011-684-4). (German title: Zwei nachzutragende Resonanzen zu Diaphanie aus Meine Wiepersdorfer Praxis) Shaked, Yuval (2000). Praefix, Etude cycle for two guitarists, Hamburg: Peer Music (Nr.3483; ISMN M-50011-45-2). (German title: Präfix; Hebrew title: Reisha) Shaked, Yuval, "IIIv; SoundRainbow ‒ AudibiliaVisibilia" from "Meine Edenkobener Praxis", in: Herrenhaus Edenkoben ‒ eine Dokumentation (Edenkoben, 2018), pp.284-285. Authored Musical Compositions (CDs Released) Shaked, Yuval, "String.ent/endo", in Chimère – Reinbert Evers, (Hamburg: ambitus, amb 97 940, 1996). (German title: "Einseitig ruhig") 1 Shaked, Yuval, "40 Times Presence and Checking It Out", in Wittener Tage für neue Kammermusik 1998, Trio Accanto, (Cologne: WDR, WD98, 1999). (German title: "40malige Gegenwart und Rückmeldung") Shaked, Yuval, "INMN", in In Nomine – The Witten In Nomine Broken Consort Book, Ensemble Recherche (Vienna: Kairos, 0012442KAI, 2004). Shaked, Yuval, "40 Times Presence and Checking It Out", in So Near So Far, Trio Accanto, (Berlin: Edition Zeitklang, EZ 31029, 2009). (German title: "40malige Gegenwart und Rückmeldung") Shaked, Yuval, "Eleven Breakings of Silence", in: The Music Department, at the Dr. Hecht Arts Center, University of Haifa (Haifa: University of Haifa, 2011). Books and Articles Shaked, Yuval, "Score and Introduction to the radio piece BEISPIEL", MusikTexte 4 (April 1984):34-39. (German; Original title: "Partitur und eine Einleitung zum Hörspiel BEISPIEL") Shaked, Yuval, " 'Like a Beetle Twitching on its Back' – An Analysis of Helmut Lachenmann's Composition MOUVEMENTS (– VOR DER ERSTARRUNG)", MusikTexte 8 (February 1985):9-16. (German; Original title: " 'Wie ein Käfer, auf dem Rücken zappelnd' – Eine Werkanalyse von Helmut Lachenmanns MOUVEMENTS (–VOR DER ERSTARRUNG)") Shaked, Yuval, "Helmut Lachenmann's SALUT FÜR CAUDWELL – An Analysis ", nova giulianiad / Freiburger Saitenblätter Bd.2, Nr.6 (June 1985):97-109. (German; Original title: "Helmut Lachenmanns SALUT FÜR CAUDWELL – Eine Analyse") Shaked, Yuval, "On the Power of Feebleness – On the Reviews of the Stuttgart Days for New Music", MusikTexte 10 (July 1985):57-60. (German; Original title: "Über die Macht der Ohnmacht – Zur Kritik an den Stuttgarter Tage für Neue Musik") Shaked, Yuval, "On the Tradition Conception of the Oldest Among the Young Composers of his Time – The Affinity of B.A. Zimmermann's INTERCOMUNICAZIONE and Beethoven's Op.102 No.2", Quaderni Perugini di Musica Contemporanea 7/8 (June 1987):13-17. (Italian; Original title: "Sul concetto di tradizione nel piu anziano tra i giovani del suo tempo – Le affinita fra l’ 'INTERCOMUNICAZIONE' di B.A. Zimmermann e Op.102,2 di Beethoven") Shaked, Yuval, "Multi-Facetted Lack of Interest – New Music in Israel", MusikTexte 21 (Oktober 1987):56-58. (German; Original title: "Facettenreiche Interessenlosigkeit – Neue Musik in Israel") Shaked, Yuval, "On Abel Ehrlich's Personal Way in Music", IMI-News 90/2 (April 1990):3-9. (Hebrew) (See also under Articles or Chapters in Scientific Books 3) 2 Shaked, Yuval, Music in the National-Socialist State – A Collection of Primary and Secondary Documents (Tel Aviv: Kibbutzim College, 1988). (40 pages; Hebrew) Shaked, Yuval (1989). Meter and Rhythm – A New Theortical Discussion of an Old Subject Matter. Tel Aviv: Kibbutzim College. (84 pages; Hebrew; second enlarged edition 1989 ‒ 98 pages) Shaked, Yuval, "Productivity and Sedan-Chair – On an Aesthetic Cartel", in In and Around Education – Yearbook of the Kibbutzim College, vol.12 edited by Dorit Hopp, Nili Keren and Yoel Snir (Tel Aviv: Kibbutzim College, 1990), 173-180. (Hebrew; Original title: "Piryon and Apiryon") Shaked, Yuval (1992). Developing Music – Main Occurances in the Field of Musical Composition Since 1945. Tel Aviv: Dvir. (173 pages; Hebrew) Shaked, Yuval, "John Cage – The Anachronism of Radicality", in Opus 8 (Fall 1992):57-60. (Hebrew) Shaked, Yuval, "Congregate for dialogue – Contact – No Dialogue?", in Mordecai Seter – Piano works 1982/83, edited by Yuval Shaked (Tel Aviv: Music In Israel, MII-CD-13, 1993):[4-16]. (Hebrew) Shaked, Yuval, "Joy at the Pen and a Heart in the Hand – On Un-honorable Persons to be Referred to", in Opus 11 (Spring 1994):17-21. (Hebrew; Original title: Ron Ba'et Velev Bayad) Shaked, Yuval, "Abel Ehrlich Hears", in Abel Ehrlich, edited by Amnon Wolman and Yuval Shaked (Tel Aviv: Israel Music Institute, 1995), 39-45. (Hebrew) Shaked, Yuval, "Ancient Culture, Hirer at a 50-year Old State with Values which Become Strange, is Looking for a Musical Tradition", Neue Zeitschrift für Musik Vol.159 No.3 (May- June 1998):6-9. (German; Original title: "Uralte Kultur, Untermieterin eines fünfzigjährigen Staates mit fremd werdenden Werten, sucht eine musikalische Tradition") Shaked, Yuval, "Always More Independent – Contemporary Palestinian Music", MusikTexte 93 (May 2002):5-10. (German; Original title: "Zunehmend selbständiger – Zeitgenössische palestinänsische Musik") Shaked, Yuval, "Jewish Sacred Music by Israeli Composers", European Judaism Vol.35, No.2 (Autumn 2002):36-42. (See also under Articles in Conference Proceedings 2) Shaked, Yuval, " The Pigeons Flew Away… – On Contemporary Palestinian Music", Neue Zeitschrift für Musik Vol.164 No.2 (March-April 2003):44-49. (German; Original title: "Die Tauben flogen weg... – Zur zeitgenössischen palestinänsischen Musik") Shaked, Yuval, "Curses and Deterioration – On Seriouslessness in Our Serious Music", Tav+ 1, Haifa (Winter 2003):9-13. (Hebrew) 3 Shaked, Yuval, "Inimitable Associative Acrobatics – Abel Ehrlich (1915-2003)", MusikTexte 100 (February 2004):113-114. (German; Original title: " Von assoziativer Akrobatik – Abel Ehrlich (1915-2003)" ) Clarkson, Austin & Yuval Shaked, "Stefan Wolpe in Jerusalem", in Stefan Wolpe in Jerusalem 1934-1938, edited by Yuval Shaked (New York: Mode and Tel Aviv: Beth Hatefutsoth, CD Mode 156, 2006):4-8. Shaked, Yuval, "Contemporary Music in Israel – Jewish? – Mediterranean? – New?", Spuren – Zeitung für Gegenwärtige 3 (September 2008):10-13. (German; Original title: " Zeitgenössische Musik in Israel – jüdisch? – mediterran? – neu?") (See also under Articles in Conference Proceedings 3) Shaked, Yuval, "Abstinence – Encounters with Mauricio Kagel", MusikTexte 119 (December 2008):28. (German; Original title: "Enthaltsamkeit – Begegnungen mit Mauricio Kagel") Shaked, Yuval, ["On chamber works by Theodor W. Adorno and Artur Schnabel"], in Theodor W. Adorno, Artur Schnabel – Chamber Music, edited by Yuval Shaked (Tel Aviv: כה- ו:(Beth Hatefutsoth, BTR 0702, 2008 Shaked, Yuval, ["On chamber works by Arnold Schoenberg and Anton Webern"], in Arnold Schoenberg, Anton Webern – Chamber Music (Tel Aviv: Beth Hatefutsoth, BTR 0901, 2009):4-9. (Hebrew) Shaked, Yuval, "On Contemporary Palestinian Music", in: Search – Journal for New Music and Culture 8 (Summer 2011), http://www.searchnewmusic.org/shaked.pdf, retrieved on July 12, 2011. Shaked, Yuval, “An Old Master in the New World”, in Jaromir Weinberger – Chamber and Organ Music (Remscheid: Gideon Boss Musikproduktion, gb 005, 2011):[3-33]. (German) Shaked, Yuval, “Charakterzüge des ‘Outsiders’ in der abendländischenMusik“, in Die Dynamik kulturellen Wandels, edited by Jenny Svensson (Berlin: LIT Verlag, 2013), 167- 175. (German) Shaked, Yuval, "Latent Writings which Surpasses Imgaination", in: Pe’imot – Journal for Music and Culture 2 (Summer 2013): 115-146. (Hebrew) Shaked, Yuval, „The conception of analysis in the context of hermeneutics and understanding – including an interpretative approach to Rebacca Saunders‘ violin concerto Still“, in Ans Licht gebracht ‒ Zur Interpretation Neuer Musik, edited by Jörn Peter Hiekel (Mainz: Schott, 2013), 219-241. (German; Original title: „Der Begriff der Analyse im Kontext von Auslegung und Verständnis
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