Weltkulturerbe Und Europäisches Kulturerbe-Siegel in Deutschland

Total Page:16

File Type:pdf, Size:1020Kb

Weltkulturerbe Und Europäisches Kulturerbe-Siegel in Deutschland Weltkulturerbe und Europäisches Kulturerbe-Siegel in Deutschland Potentiale und Nominierungsvorschläge Weltkulturerbe und Europäisches Kulturerbe-Siegel in Deutschland Kulturerbe-Siegel und Europäisches Weltkulturerbe I ees L T komi NAL io AT N N sche UT E D des E FT E H · ICOMOS · HEFTE des DEUTscheN NATIONALkomiTees LI ICOMOS · JOURNALS OF The GERMAN NATioNAL CommiTTee LI ICOMOS ICOMOS · CAhieRS DU ComiTÉ NATioNAL ALLemAND LI Weltkulturerbe und Europäisches Kulturerbe-Siegel in Deutschland Potentiale und Nominierungsvorschläge Weltkulturerbe und Europäisches Kulturerbe-Siegel in Deutschland Kulturerbe-Siegel und Europäisches Weltkulturerbe I ees L T komi NAL io AT N N sche UT E D des E FT E H · ICOMOS · HEFTE des DEUTscheN NATIONALkomiTees LI ICOMOS · JOURNALS OF The GERMAN NATioNAL CommiTTee LI ICOMOS ICOMOS · CAhieRS DU ComiTÉ NATioNAL ALLemAND LI Weltkulturerbe und Europäisches Kulturerbe-Siegel in Deutschland INTERNATIONAL COUNCIL ON MONUMENTS AND SITES CONSEIL INTERNATIONAL DES MONUMENTS ET DES SITES CONSEJO INTERNACIONAL DE MONUMENTOS Y SITIOS мЕждународный совЕт по вопросам памятников и достопримЕчатЕльных мЕст Sigrid Brandt · Jörg Haspel · Michael Petzet (Hrsg.) Weltkulturerbe und Europäisches Kulturerbe-Siegel in Deutschland Potentiale und Nominierungsvorschläge in Zusammenarbeit mit TICCIH Deutschland ICOMOS · HEFTE DES DEUTSCHEN NATIONALKOmitees LI ICOMOS · JOURNALS OF the GERMAN NAtiONAL COmmittee LI ICOMOS · CAHIERS DU COMITÉ NATIONAL ALLEMAND LI ICOMOS Hefte des Deutschen Nationalkomitees Herausgegeben vom Nationalkomitee der Bundesrepublik Deutschland Präsident: Prof. Dr. Michael Petzet, München Vizepräsident: Prof. Dr. Jörg Haspel, Berlin Generalsekretär: Dr. Werner von Trützschler, Erfurt Geschäftsstelle: Maximilianstraße 6, D-80539 München, Postanschrift: Postfach 100 517, 80079 München Tel.: +49 (0)89 242 237 84, Fax: +49 (0)89 242 198 53, E-mail: [email protected] Gefördert vom Beauftragten der Bundesregierung für Kultur und Medien aufgrund eines Beschlusses des Deutschen Bundestages Die Umschlagbilder sind den Beiträgen der Veröffentlichungen entnommen und dort nachgewiesen. Ganzseitige Abbildungen: S. 12: Buchenwald Grumsin; Dr. Tilo Geisel, Paulinenaue S. 26: Schloss Rheinsberg, seitlicher Blick auf einen Teil des Corps de Logis, stadtseitige Ansicht 2009; Leo Seidel, SPSG S. 44: Jüdischer Friedhof Hamburg-Altona; Denkmalschutzamt Hamburg S. 68: Abspannwerk Berlin Buchhändlerhof, 2008; Wolfgang Bittner, Landesdenkmalamt Berlin S. 84: Dom Bremen; Landesamt für Denkmalpflege Bremen S. 110: KMK /Stiftung Berliner Mauer – Gedenkstätte Berliner Mauer 1. Auflage 2011 © 2011 ICOMOS, Nationalkomitee der Bundesrepublik Deutschland Redaktion: Sigrid Brandt, Jörg Haspel, Michael Petzet und Norbert Tempel Abbildungsnachweis: Wenn nicht anders angegeben, wurden die Bilder von den Autoren bereitgestellt. Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet unter http://dnb.d-nb.de abrufbar. Alle Rechte vorbehalten. Nachdruck, auch auszugsweise, sowie Verbreitung durch Film, Funk und Fernsehen, durch fotomecha- nische Wiedergabe, Tonträger und Datenverarbeitungssysteme jeglicher Art, nur mit schriftlicher Genehmigung des Verlages. 2011 Gesamtherstellung und Vertrieb: hendrik Bäßler verlag · berlin Fon: +49 (0) 30.24085856 · Fax: +49 (0) 30.2492653 · E-Mail: [email protected] · Internet: www.baesslerverlag.de ISBN 978-3-930388-26-4 Inhalt Vorwort der Herausgeber . .7 Rolf Höhmann Die Puente Colgante in Bilbao und die Schwebe- Grußwort TICCIH . 10 fähren in Osten und Rendsburg – mögliche Beiträge aus Deutschland zur Welterbeliste . 41 EINFÜHRUNG UND ÜBERBLICK 2. INTERNATIONALE SERIELLE Birgitta Ringbeck NOMINIERUNGEN – VORSCHLÄGE Die UNESCO-Konvention zum Schutz des UND INITIATIVEN Kultur- und Naturerbes der Welt – Fortschreibung der Vorschlagsliste (Tentativliste) der Volkmar Eidloth Bundesrepublik Deutschland . 14 Europäische Kurstädte und Modebäder des 19. Jahrhunderts. Überlegungen zu einer Barbara Engels Welterbeinitiative . 46 Das Naturerbe – Welterbestätten und Welterbepotentiale in Deutschland . 16 Eckhard Schinkel und Norbert Tempel Die Schiffshebewerke Henrichenburg – Ausgangs- Rolf Höhmann punkt für eine transnationale serielle Nominierung? . 50 Das industrie- und technikgeschichtliche Erbe – Welterbestätten und Welterbepotentiale Frank Pieter Hesse in Deutschland . 18 Der Jüdische Friedhof Altona/Königstraße. Ein Kulturdenkmal von nationaler und Sigrid Brandt internationaler Bedeutung . 53 Das europäische Kulturerbe-Siegel – auf dem Weg in ein gemeinschaftliches Verfahren der EU . 22 Frank Pieter Hesse Die Hamburger Sternwarte. Ein Kulturdenkmal von nationaler und internationaler Bedeutung . .56 1. ERWEITERUNGEN UND ERGÄNZUNGEN Matthias Dunger VON WELTERBESTÄTTEN Die Betonschalenbauten auf dem ehemaligen Flughafen Berlin-Johannisthal als architektonisches und tech- Gabriele Horn nisches Erbe der Luft- und Raumfahrtforschung . 60 Residenzlandschaft „Schlösser und Parks von Potsdam und Berlin“ – Ergänzungsvorschläge . 28 Sigrid Brandt Überlegungen zum Schutz der anderen Moderne. Axel Böcker Das sowjetische Erbe als Weltkulturerbe-Potential? . 65 Erweiterungsvorschläge für das Weltkulturerbe Völklinger Hütte . 34 Winfried Brenne 3. DENKMALE, ENSEMBLES Die ADGB-Bundesschule in Bernau bei Berlin – UND KULTURLANDSCHAFTEN eine Erweiterung der Bauhaus-Welterbestätten in Weimar und Dessau? . 35 Klaus-Henning von Krosigk Der jüdische Friedhof Weißensee und Irmela Spelsberg jüdische Sepulkralkultur in Berlin . .70 Was spricht dafür, die deutsch-polnische Welterbe- stätte Fürst-Pückler-Park Muskau um Park und Axel Föhl Schloss Branitz zu erweitern? . 37 Der Ostbau der Firma Margarete Steiff GmbH . 73 6 Inhalt Jörg Haspel und Hubert Staroste Andreas Schwarting Das Erbe der Elektropolis Berlin . 74 Die Werkbundsiedlungen 1927–1932 als europäisches Kulturerbe . 100 Norbert Tempel Industrielle Kulturlandschaft Ruhrgebiet . 79 Anke Zalivako Einküchenhaus, Kommunehaus, Unité d’ Habitation – Jürgen Tietz europäische Entwicklungslinien . 103 Kultur aufs Forum. Bewegung für das Berliner Kulturforum . 82 Astrid Debold-Kritter Terezín / Theresienstadt – europäische Festungsan- lage und europäischer Gedenkort des Holocaust . 107 4. AUF DEM WEG ZUM EUROPÄISCHEN KULTURERBE-SIEGEL DOKUMENTE Leo Schmidt Eiserner Vorhang, innerdeutsche Grenze, 1. Liste der UNESCO-Welterbestätten Berliner Mauer . 86 in Deutschland . 112 2. Liste der Kultur- und Naturgüter, die von der Georg Skalecki Bundesrepublik Deutschland zur Aufnahme Der Dom zu Bremen als Zentrum der in die UNESCO-Liste des Kultur- und Missionierung des europäischen Nordens . 90 Naturerbes der Welt angemeldet werden sollen (Tentativliste) . 112 H. Walter Lack 3. Deutsche Beiträge für das Weltdokumenten- Europa in einem Garten. Der Botanische Garten erbe „Memory of the World“ . 113 in Berlin . 92 4. Deutsche Beiträge zum europäischen Kultur- erbesiegel: „Stätten der Reformation“ und Georg Wasmuth „Eiserner Vorhang“ . 113 Der Flughafen Berlin-Tempelhof – ein Denkmal 5. Beschluss des Europäischen Parlaments zum von europäischer Bedeutung? . 94 Europäischen Kulturerbe-Siegel, 2011 . 114 6. Collaboration agreement between ICOMOS Norbert Mendgen and TICCIH, London 2000 . 123 Denkmale des Bergbaus – das saarländisch- lothringische Kohlerevier . 98 Autoren . 127 7 Vorwort der Herausgeber Im Jahr 2012 feiert die 1972 verabschiedete Welterbekon- politik sogar weltweit an der Spitze. Das im April 2006 in vention der UNESCO ihr 40-jähriges Jubiläum. Das Welt- Kraft getretene UNESCO-Übereinkommen zur Bewahrung erbeprogramm der UNESCO ist mittlerweile das populärste des immateriellen Kulturerbes hat die Bundesrepublik bisher und erfolgreichste Programm im Rahmen einer Weltkultur- nicht ratifiziert. politik. Auch die Europäische Union misst dem Kulturerbe Das Europaerbe-Siegel wurde in den letzten Jahren, sozu- als Träger der kulturellen Identität und als wirtschaftlicher sagen als Pilotprojekt, schon 68 Stätten in 18 Mitgliedstaaten Standortfaktor einen hohen Wert bei. Der 1991 erstmals auf verliehen. Die Bundesrepublik Deutschland, in der ähnlich Initiative des Europarats begangene Tag des offenen Denk- wie in Österreich anfänglich Zurückhaltung überwog und mals, auch Europäischer Denkmaltag oder European Heri- auf eine nachvollziehbare Definition der Vergabekriterien tage Days genannt, hat sich in den letzten 20 Jahren als eine und plausible Unterscheidung vom UNESCO Welterbestatus Art Markenzeichen der europäischen Kulturpolitik etabliert. gedrungen worden war, ist seit Anfang 2011 mit zwei über- Nach dem bereits 1985 initiierten Programm „Kulturhaupt- regionalen Netzwerken von Stätten der Reformation und des städte Europas“ zählen die europaweiten Tage des offenen Eisernen Vorhangs in der provisorischen Liste vertreten. Denkmals wohl zu den meistbeachteten Kulturaktivitäten Voraussetzung für die Eintragung in die UNESCO-Welter- der EU. beliste ist, dass die Bewerbungen der UNESCO rechtzeitig Die 2006 aus dem Kreis einzelner EU-Mitgliedstaaten vorgelegt werden und auf der offiziellen Vorschlagsliste der gestartete und mittlerweile von EU-Ministerrat und Euro- Mitgliedstaaten verzeichnet sind. Diese sogenannten Tenta- paparlament unterstützte Initiative zur Einführung eines tivlisten der Mitgliedsstaaten sollen nicht zuletzt den inter- Europäischen Kulturerbe-Siegels (European Heritage Label) nationalen Vergleich, aber auch eine grenzüberschreitende könnte an die Erfolgsrezepte der
Recommended publications
  • Transcultural Assemblages of Prince Hermann Von Pückler-Muskau (1785–1871) and Machbuba/Ajiamé/Bilillee Freya Schwachenwald
    Art, Nature, Ghosts, and Ice Cream: Transcultural Assemblages of Prince Hermann von Pückler-Muskau (1785–1871) and Machbuba/Ajiamé/Bilillee Freya Schwachenwald Introduction Walking through Cottbus, Brandenburg, Germany, it is almost impossible to miss the visual presence one of its most famous local personas: from billboards at the train station to an eponymous bus line, Prince Hermann von Pückler-Muskau (1785–1871) seems omnipresent as a local historical figure and as a welcome vehicle for tourism marketing. When visitors direct their steps through his former park in Branitz at the outskirts of Cottbus, they will most likely come across an unexpected sight: two earthen pyramids. One of them is located in the middle of a artifical lake. Primary and historiographical sources tell us that this pyramid was built by Pückler in the 1850s and that it encases his remains, as envisioned by him while commissioning the construction.1 The pyramid was finished in 1856, fifteen years before Pückler’s death.2 No plaque commemorates him on the pyramid. Pückler and his wife Lucie von Hardenberg (1776–1854) are only commemorated by a stone with a cross, erected posthumously on another small island of the lake. Today, the pyramid, as well as the surrounding park and its castle are maintained by the Stiftung Fürst Pückler Museum Schloss und Park Branitz (Prince Pückler Castle Museum and Branitz Park Foundation). The foundation describes its namesake and the former owner of the castle and park as “one of the greatest European landscape artists, a dandy, ladies’ man, ingenious socialite, connoisseur of exquisite food and namesake to an 1 Siegfried Neumann, “Die Begräbnisstätten im Branitzer Park,” in Pückler, Pyramiden, Panorama: neue Beiträge zur Pücklerforschung, ed.
    [Show full text]
  • Trans-Boundary Cooperation in Sustainable Tourism and Destination Management
    Trans-boundary cooperation in sustainable tourism and destination management Examples of German-Polish co-operation projects Alexander Schuler, UN, New York, 30 October 2013 © Fig. top: P. Radke / Sielmann Foundation; bottom: Fürst-Pückler-Park Bad Muskau“ TOURISM & REGIONAL CONSULTING Berlin ▪ Hannover ▪ Eisenach Agenda The following issues are central to my presentation: Two Best Practices . Muskau Arch Geopark . Fürst Pückler Park Bad Muskau Sustainable tourism and quality Future considerations © Fig.: Gerd Altmann / pixelio.de 2 UN expert group meeting on sustainable tourism www.bte-tourismus.de Best Practice 1: Muskau Arch Geopark Project 1: Geopark Muskauer Faltenborgen 3 UN expert group meeting on sustainable tourism www.bte-tourismus.de© Image: P. Radke / Sielmann Foundation The evolution of the Muskau Arch Was ist zu tun ... The arch was formed some 450.000 ... Nach innen: years ago during a glacial period named after the nearby river ‚Elster‘. Strategie und Umsetzung Geologists call this formation a push moraine. Both, world heritage and geopark are Especially noticeable are the brown coalbeds that were elevated greatly and hence made easy to access. Therefore, the coal industry settled at this location. As a consequence, other industries followed, such as brick and glass manufacturers. They made use of the clay and sand layers that lay on top of the brown coal and had to be carried off anyways. © Fig.: Kozma/Kupetz 2008 4 UN expert group meeting on sustainable tourism www.bte-tourismus.de Location of the Muskau Arch Geopark The Muskau Arch has the form of a horse shoe and stretches from Döbern in the south of the state of Brandenburg to Weißwasser and Bad Muskau in the state of Saxony all the way to Trzebiel in the region of Lebuser Land (Poland).
    [Show full text]
  • Champion Brands to My Wife, Mercy the ‘Made in Germany’ Champion Brands Nation Branding, Innovation and World Export Leadership
    The ‘Made in Germany’ Champion Brands To my wife, Mercy The ‘Made in Germany’ Champion Brands Nation Branding, Innovation and World Export Leadership UGESH A. JOSEPH First published 2013 by Gower Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © Ugesh A. Joseph 2013 Ugesh A. Joseph has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Gower Applied Business Research Our programme provides leaders, practitioners, scholars and researchers with thought provoking, cutting edge books that combine conceptual insights, interdisciplinary rigour and practical relevance in key areas of business and management. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. The Library of Congress has cataloged the printed edition as follows: Joseph, Ugesh A. The ‘Made in Germany’ champion brands: nation branding, innovation and world export leadership / by Ugesh A. Joseph. pages cm Includes bibliographical references and index. ISBN 978-1-4094-6646-8 (hardback: alk.
    [Show full text]
  • Ragioni E Sentimenti
    RAGIONI E SENTIMENTI a cura di MARINA D’AMATO 2016 Università degli Studi Roma Tre Dipartimento di Scienze della Formazione RAGIONI E SENTIMENTI a cura di MARINA D’AMATO 2016 Desidero ringraziare tutti coloro che hanno contribuito con la loro disponibilità e professionalità a quest’opera, in modi diversi, ma tutti indispensabili: Katiuscia Carnà, Francesca Cubeddu, Milena Gammaitoni, Valentina Punzo e, in particolare, Edmondo Grassi che, quotidianamente, ha tenuto i contatti con gli autori e ha effettuato l’editing complessivo dell’opera. “A Gregorio” Coordinamento editoriale: Gruppo di Lavoro Edizioni: © Roma, dicembre 2016 ISBN: 978-88-97524-90-8 http://romatrepress.uniroma3.it Quest’opera è assoggettata alla disciplina Creative Commons attribution 4.0 International Licence (CC BY-NC-ND 4.0) che impone l’attribuzione della paternità dell’opera, proibisce di alterarla, trasformarla o usarla per produrre un’altra opera, e ne esclude l’uso per ricavarne un profitto commerciale. Immagine di copertina: Federico Marcoaldi, Alla ricerca dell’azzurro (2015). Indice MARINA D’AMATO, Introduzione 5 PER UNA TEORIA DEI SENTIMENTI MONIQUE HIRSCHHORN, Quelle place pour l’affectivité en sociologie? 23 MARC-HENRY SOULET, La compassion: un faux ami pour l’analyse sociologique 33 VITTORIO COTESTA, Le Muse di Max Weber 47 ANNA DE STEFANO PERROTTA, Sorokin e i sentimenti dimenticati 65 BERNARDO CATTARINUSSI, Le espressioni dell’eudemonia 75 ADELE BIANCO, Ragioni e regole – sentimenti e capacità. L’attualità di un dualismo costante e problematico nella storia
    [Show full text]
  • Bauhaus 1 Bauhaus
    Bauhaus 1 Bauhaus Staatliches Bauhaus, commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term Bauhaus, literally "house of construction" stood for "School of Building". The Bauhaus school was founded by Walter Gropius in Weimar. In spite of its name, and the fact that its founder was an architect, the Bauhaus did not have an architecture department during the first years of its existence. Nonetheless it was founded with the idea of creating a The Bauhaus Dessau 'total' work of art in which all arts, including architecture would eventually be brought together. The Bauhaus style became one of the most influential currents in Modernist architecture and modern design.[1] The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, 1921/2, Walter Gropius's Expressionist Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe Monument to the March Dead from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, and politics. For instance: the pottery shop was discontinued when the school moved from Weimar to Dessau, even though it had been an important revenue source; when Mies van der Rohe took over the school in 1930, he transformed it into a private school, and would not allow any supporters of Hannes Meyer to attend it.
    [Show full text]
  • Open Etoth Dissertation Corrected.Pdf
    The Pennsylvania State University The Graduate School The College of Arts and Architecture FROM ACTIVISM TO KIETISM: MODERIST SPACES I HUGARIA ART, 1918-1930 BUDAPEST – VIEA – BERLI A Dissertation in Art History by Edit Tóth © 2010 Edit Tóth Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Edit Tóth was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Adviser Chair of Committee Sarah K. Rich Associate Professor of Art History Craig Zabel Head of the Department of Art History Michael Bernhard Associate Professor of Political Science *Signatures are on file in the Graduate School ii ABSTRACT From Activism to Kinetism: Modernist Spaces in Hungarian Art, 1918-1930. Budapest – Vienna – Berlin investigates modernist art created in Central Europe of that period, as it responded to the shock effects of modernity. In this endeavor it takes artists directly or indirectly associated with the MA (“Today,” 1916-1925) Hungarian artistic and literary circle and periodical as paradigmatic of this response. From the loose association of artists and literary men, connected more by their ideas than by a distinct style, I single out works by Lajos Kassák – writer, poet, artist, editor, and the main mover and guiding star of MA , – the painter Sándor Bortnyik, the polymath László Moholy- Nagy, and the designer Marcel Breuer. This exclusive selection is based on a particular agenda. First, it considers how the failure of a revolutionary reorganization of society during the Hungarian Soviet Republic (April 23 – August 1, 1919) at the end of World War I prompted the Hungarian Activists to reassess their lofty political ideals in exile and make compromises if they wanted to remain in the vanguard of modernity.
    [Show full text]
  • A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
    4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries.
    [Show full text]
  • Bauhaus Centenary Year May Be Over, but the Influential Art and Design Movement Remains in the International Spotlight
    Dear Journalist/Editor The Bauhaus centenary year may be over, but the influential art and design movement remains in the international spotlight. Below is an article that in- cludes comments from eminent publications, pointing out that 2019 was a cat- alyst for a new appreciation of the Bauhaus movement. And that interest con- tinues in 2020. Inspired by exhibitions both in Germany and around the world, more and more visitors are planning vacations in BauhausLand, the German federal states of Saxony-Anhalt and Thuringia. This editorial contribution is, of course, free for use. Bauhaus: Still in the spotlight! BAUHAUSLAND: ATTRACTING NEW FANS In 2019, the worldwide celebrations for the centenary of the Bauhaus focused on the achievements of this influential art and design movement. The range of exhibitions appealed to aficionados, but they also attracted a brand-new audi- ence. Leila Stone wrote in The Architect’s Newspaper: “Bauhaus is architec- ture. Bauhaus is costume design. Bauhaus is textile design. Bauhaus is furni- ture…it has never been more clear that Bauhaus is everywhere.” With appre- ciation increasing, more and more fans are planning to visit BauhausLand www.gobauhaus.com to spend their 2020 vacations in the German federal states of Saxony-Anhalt and Thuringia. BAUHAUSLAND: THE HOT DESTINATION FOR 2020 GQ Magazine trumpeted the headline: “Why travel trendsetters are heading for the birthplace of Bauhaus.” The list of ‘must dos’ includes the striking new Bauhaus Museum in Weimar, where the ‘must sees’ range from Josef Albers’ ground-breaking Nesting Tables to Wilhelm Wagenfeld’s Glass Table Lamp, which is still manufactured today! As for Architectural Digest, it names the brand-new Bauhaus Museum Dessau as one of its “Top 20 Places to Travel in 2020,” adding that “If you decide to go on a Bauhaus-themed pilgrimage, be sure to visit the Meisterhäuser, a group of white cubist homes where Gropius, Kandinsky, and other Bauhaus luminaries lived.” TourComm Germany Olbrichtstr.
    [Show full text]
  • Margravial Opera House Bayreuth Kaldor, A., Opera Houses of Europe, Antique Collectors’ Club, (Germany) UK & USA, 1996
    Literature consulted (selection) Margravial Opera House Bayreuth Kaldor, A., Opera Houses of Europe, Antique Collectors’ Club, (Germany) UK & USA, 1996. No 1379 Ertug, A., Forsyth, M, and Sachsse, R., Palaces of Music: Opera Houses of Europe, AE Limited Edition, USA, 2010. Technical Evaluation Mission An ICOMOS technical evaluation mission visited the Official name as proposed by the State Party property from 13 to 14 September 2011. Margravial Opera House Bayreuth Additional information requested and received Location from the State Party Free State of Bavaria ICOMOS sent a letter to the State Party on 22 Administrative District of Upper Franconia September 2011 and the State Party provided Germany information on 24 October 2011 on the property´s current conservation status, works to be undertaken Brief description between 2010 and 2014, transformation or additions to The 18th century Margravial Opera House in Bayreuth is the building, impacts of adjustments to contemporary a masterwork of Baroque theatre architecture, uses, regulations of visitors, participation of local commissioned by Margravine Wilhelmine, wife of authorities and other stakeholders. The information has Frederick, Margrave of Brandenburg-Beyreuth, as a been incorporated below. A further letter was sent on 5 venue for opera seria. The bell-shaped auditorium of December 2011 asking the State Party to consider tiered loges built of wood lined with decoratively painted shortening the name of the nominated property to canvas was designed by the then leading European ‘Margravial Opera House Bayreuth’. A response was theatre architect Giuseppe Galli Bibiena. It survives as received from the State Party on 18 January 2012 the only entirely preserved example of court opera house agreeing to this proposal.
    [Show full text]
  • Experience Technology Live INTERVITIS INTERFRUCTA HORTITECHNICA Innovations for Wine, Juice and Special Crops
    MessageTRADE FAIRS | CONGRESSES | EVENTS 03 | 2016 Experience technology live INTERVITIS INTERFRUCTA HORTITECHNICA Innovations for wine, juice and special crops IT & Business Motek SEMF Showcases for For process competence – Mega techno party Industry and Office 4.0 against show event at Messe Stuttgart In the phrase „service partner“ there are two words that we are particularly fond of: „service“ and „partner“ CONTENTS NEWS – TRENDS 04 Major headway on construction Work on the Paul Horn Hall and on the West Entrance is proceeding at full steam 05 Editorial Digitisation as mega trend COVER STORY 08 Experience technology live INTERVITIS INTERFRUCTA HORTITECHNICA – Innovations for wine, juice and special crops LOCATION STUTTGART 14 Five stars for Stuttgart and its region Digitisation hotspot 18 17 Innovative region Stuttgart High Performance Computing Center Stuttgart (HLRS) TRADE FAIRS – MARKETS 18 VISION: The success story continues 20 IT & Business: Digitalised 4.0 processes live 24 Motek: For process competence – against show event 28 südback: Cross-selling – Making the cash tills ring twice Whether you want to hold a unique corporate event or you wish to have perfect lighting for your trade fair stand: we deploy our extensive know-how and high-quality MEDIA – PEOPLE equipment to develop tailor-made services perfectly shaped to your requirements. 44 Portrait: Stefanie Kromer, Communication What is more, we have been a partner of Messe Stuttgart for many years now and have an office 20 Coordinator at Messe Stuttgart right here on site. Our services cover the whole range of event needs in the fields of rigging and media technology – provided by a highly qualified team of professionals.
    [Show full text]
  • Bauhaus 1919 - 1933: Workshops for Modernity the Museum of Modern Art, New York November 08, 2009-January 25, 2010
    Bauhaus 1919 - 1933: Workshops for Modernity The Museum of Modern Art, New York November 08, 2009-January 25, 2010 ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Upholstery, drapery, and wall-covering samples 1923-29 Wool, rayon, cotton, linen, raffia, cellophane, and chenille Between 8 1/8 x 3 1/2" (20.6 x 8.9 cm) and 4 3/8 x 16" (11.1 x 40.6 cm) The Museum of Modern Art, New York. Gift of the designer or Gift of Josef Albers ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1925 Silk, cotton, and acetate 57 1/8 x 36 1/4" (145 x 92 cm) Die Neue Sammlung - The International Design Museum Munich ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1925 Wool and silk 7' 8 7.8" x 37 3.4" (236 x 96 cm) Die Neue Sammlung - The International Design Museum Munich ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1926 Silk (three-ply weave) 70 3/8 x 46 3/8" (178.8 x 117.8 cm) Harvard Art Museum, Busch-Reisinger Museum. Association Fund Bauhaus 1919 - 1933: Workshops for Modernity - Exhibition Checklist 10/27/2009 Page 1 of 80 ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Tablecloth Fabric Sample 1930 Mercerized cotton 23 3/8 x 28 1/2" (59.3 x 72.4 cm) Manufacturer: Deutsche Werkstaetten GmbH, Hellerau, Germany The Museum of Modern Art, New York. Purchase Fund JOSEF ALBERS German, 1888-1976; at Bauhaus 1920–33 Gitterbild I (Grid Picture I; also known as Scherbe ins Gitterbild [Glass fragments in grid picture]) c.
    [Show full text]
  • Press Information 100 Years of Bauhaus at ITB Anniversary Events
    Press Information 100 years of bauhaus at ITB Anniversary events in Germany NOTE that many of these projects are still in the development stage Bauhaus Association 2019 1 Press Release 100 years of Bauhaus in Berlin Berlin, 6 March 2019 The year 2019 is dedicated to Bauhaus. Throughout Germany, numerous players are inviting visitors to the big anniversary under the auspices of the Bauhaus Association. Berlin is also celebrating the Bauhaus centenary with a large number of events. visitBerlin is taking the Bauhaus anniversary as an opportunity to present the Grand Tour of Berlin Modernism at this year's ITB (international travel trade show) in a special area (hall 12, stand 101). Totalling some 50 sites dotted around the city, visitors are invited to experience the entire panorama of Berlin's architectural modernity across all 12 districts. Fascinating information about the history of Bauhaus and the most important architects of the era have been brought together here. The diversity of the buildings presented ranges from the past to the present: from the six large housing estates from the 1920s to the Jewish Museum of 2001. The Grand Tour of Berlin Modernism can be found on the official website visitBerlin.de. 12 stories about Berlin Modernism can also be experienced on site with the ABOUT BERLIN app. In cooperation with the Bauhaus Archive and the Royal Porcelain Factory, Berlin (KPM), visitBerlin will also present legendary design objects by Bauhaus designers at its exhibition stand. On display, among other things, will be bowls by Marianne Brandt, the famous lamp by Wilhelm Wagenfeld and an exclusive preview of the new b100 Service Edition by KPM.
    [Show full text]