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The Collection of Antiquities of the American Academy in Rome Larissa Bonfante and Helen Nagy, editors With the collaboration of Jacquelyn Collins-Clinton https://www.press.umich.edu/7270894/collection_of_antiquities_of_the_american_academy_in_rome University of Michigan Press, 2016 CONTENTS List of Illustrations vii Preface and Acknowledgments xix PART I: THE COLLECTION: HISTORY AND CONTEXT 1. Americans Collecting Antiquities in Italy, ca. 1865–1920 (Richard D. De Puma) 3 2. The Collection of the American Academy in Rome (Larissa Bonfante and Helen Nagy) 13 3. The History of the Collection (Katherine A. Geffcken) 21 Appendix 3.1. A Personal Recollection about the Collection (Lawrence Richardson, jr.) 79 Appendix 3.2. Introduction to Catalogue of the Museum of the � American School of Classical Studies, 1904 (A. M. Harmon) 81 Appendix 3.3. Timbers from the Nemi Ships in the American Academy, Rome (Giulia Boetto) 83 PART II: HIGHLIGHTS OF THE COLLECTION The Cortile Bays (Jacquelyn Collins-Clinton) 87 4. Inscriptions and Sculpture 4.1. The Inscriptions (Charles L. Babcock) 90 4.2. An Etruscan Funerary Relief from Chiusi (Larissa Bonfante) 105 4.3. Greek and Roman Sculpture (Jacquelyn Collins-Clinton) 113 4.4. A Tetrarchic Frieze (David H. Wright) 131 5. Architectural Decoration 5.1. Etruscan and Roman Architectural Terracottas (Anna M. Moore) 136 5.2. Campana Reliefs (Shelley Stone) 148 5.3. Molded and Painted Plaster Fragments (Anne Laidlaw) 154 5.4. Decorated Marble Pier (David H. Wright) 167 The Collection of Antiquities of the American Academy in Rome Larissa Bonfante and Helen Nagy, editors With the collaboration of Jacquelyn Collins-Clinton https://www.press.umich.edu/7270894/collection_of_antiquities_of_the_american_academy_in_rome University of Michigan Press, 2016 vi CONTENTS 6. Votive Figurines 6.1. Umbrian Geometric and Other Bronze Figurines (Emeline Hill Richardson) 176 6.2. Votive Terracottas from Greece, Magna Grecia, and Beyond (Rebecca Miller Ammerman) 185 6.3. Etrusco-Italic Votive Terracottas (Helen Nagy) 198 6.4. Etruscan Anatomical Votive Terracottas (Jean MacIntosh Turfa) 207 6.5. Italic Animal Votive Terracottas (Ingrid E. M. Edlund-Berry) 216 7. Miscellaneous Etruscan Material 7.1. Etruscan Terracotta Cinerary Urns (Helen Nagy) 220 7.2. Etruscan Bronze Mirrors (Richard D. De Puma) 228 8. Pottery and Lamps 8.1. Italic and Etruscan Pottery 236 8.1.1. Italo-Geometric Pottery (Jean M. Davison) 236 8.1.2. Etrusco-Corinthian Pottery (Shelley Stone) 238 8.1.3. Impasto and Bucchero Pottery (Ingrid E. M. Edlund-Berry and Richard D. De Puma) 245 8.1.4. Italic and Etruscan Pottery Bibliography 255 8.2. Greek and Italian Pottery (Shelley Stone) 259 8.3. Roman and Latian Pottery 283 8.3.1. Italic Votive Vessels (Ingrid E. M. Edlund-Berry) 283 8.3.2. Roman Amphorae (Archer Martin) 288 8.3.3. Terra Sigillata and Related Wares (Archer Martin) 295 8.3.4. Other Roman Ware (Eric C. De Sena) 311 8.3.5. A Note on Miscellaneous Italian Wares (Ingrid E. M. Edlund-Berry) 314 8.3.6. Roman and Latian Pottery Bibliography 315 8.4. Oil Lamps (Eric C. De Sena and Paola Chini) 319 9. Coins and Smaller Objects 9.1. Coins (Katherine A. Geffcken) 332 9.2. Etruscan and Roman Jewelry (Norma W. Goldman) 361 9.3. Notes on Other Categories and on Materials Published Elsewhere 367 List of Contributors 373 Concordance of Inventory Numbers 381 Index of Personal Names 385 Index of Places, Museums, and Collections 387 The Collection of Antiquities of the American Academy in Rome Larissa Bonfante and Helen Nagy, editors With the collaboration of Jacquelyn Collins-Clinton https://www.press.umich.edu/7270894/collection_of_antiquities_of_the_american_academy_in_rome University of Michigan Press, 2016 ILLUSTRATIONS 2.1 Richard Norton and A. W. Van Buren Study Collection, American Academy 18 2.2 “Hero with the plough,” by Martha Armstrong, front panel of terracotta urn from Chiusi (inv. no. 160a) 19 2.3 Opening of 2013 exhibition “Religious Experience in Ancient Rome” 20 3.1 Richard Norton in the Garden, by Antonio Mancini, undated 22 3.2 Memorial to Herbert De Cou, Cortile of the American Academy 22 3.3 The Utowana, photograph given to A. W. Van Buren by Allison V. Armour 30 3.4 Richard Norton beside the great stele at Xanthos, 1904 31 3.5 Charles Densmore Curtis in the whaleboat of the Utowana, 1904 38 3.6 Albert W. Van Buren as a young man, undated studio portrait made in Rome 40 3.7 Albert W. Van Buren and Elizabeth Douglas Van Buren, probably 1915 42 3.8 Professor Van Buren lecturing at the Theseum in Athens, 1931 44 3.9 The Classical School of the American Academy at Pompeii, October 1931 47 3.10 Elizabeth Douglas Van Buren as a young woman, undated studio portrait 49 3.11 At the opening of the Annual Exhibition, American Academy in Rome, 1924 60 3.12 Van Deman’s photograph of the American Classical School at Frascati, 1903 61 3.13 Ashby and Van Deman studying an aqueduct in the Campagna 61 3.14 Esther Boise Van Deman as instructor in Latin, Wellesley College, 1893–1895 63 3.15 Postcard showing back wall of the Cortile with not only ancient pieces attached to wall (as arranged by Gorham Stevens in 1914) but also plaster casts 68 3.16 Museum installed in room to the right of the entrance court, American Academy 70 3.17 Museum of the American Academy, 1937, now the Philip Guston Studio 71 3.3.1 Fragment from the “first” ship from Nemi inv.( no. 1118) 83 II.1 Plan of Cortile bays 88 4.1.1 Sepulchral tablet of C. Vetilius Euhodus (inv. no. 9325) 93 4.1.2 Three fragments of a sepulchral tablet to Eucerus (inv. no. 9371) 93 4.1.3 Boundary cippus (inv. no. 9448) 94 4.1.4 Dedicatory notice by C. Iulius Anicetus (inv. no. 9318) 94 4.1.5 Fragment of Fasti Teanenses (inv. no. 9450) 95 4.1.6 Columbarium tablet of L.Valerius Hesper, Valeria Prima (inv. no. 9361) 95 4.1.7 Victory tablet of bigarius Menander, dated. A.D. 15 (inv. no. 9451) 95 The Collection of Antiquities of the American Academy in Rome Larissa Bonfante and Helen Nagy, editors With the collaboration of Jacquelyn Collins-Clinton https://www.press.umich.edu/7270894/collection_of_antiquities_of_the_american_academy_in_rome University of Michigan Press, 2016 viii ILLUSTRATIONS 4.1.8 Columbarium tablet of Phryne (inv. no. 9347) 100 4.1.9 Setting for a columbarium urn to an unnamed woman (inv. no. 9375) 101 4.2.1 Fragmentary relief base (inv. no. H473), side A: man and woman at a banquet, attended by a pipe player 106 4.2.2 Fragmentary relief base, side B: front, prothesis, or laying out of the dead 106 4.2.3 Fragmentary relief base, side C: armed warriors’ dance 106 4.2.4 Fragmentary corner of a cippus (inv. no. 70.1650) 109 4.2.5 Possible reconstructions of original monument 110 4.3.1 Cycladic figurines inv.( nos. 1, 3, 2) 119 4.3.2 Hellenistic votive relief from Bodrum (inv. no. 6279) 119 4.3.3 Portrait of bearded man, Roman copy (inv. no. 21) 119 4.3.4 Polykleitan male torso, front (inv. no. 9405) 120 4.3.5 Polykleitan male torso, back (inv. no. 9405) 120 4.3.6 Polykleitan torso restored as Nero (inv. nos. 9405/06) 120 4.3.7 Male figure seated on rock with dog inv.( no. 8993) 121 4.3.8 Portrait of young boy (inv. no. 1174) 121 4.3.9 Togate figure inv.( no. 8996) 121 4.3.10 Helmeted head from relief (inv. no. 9428) 122 4.3.11 Helmeted head of gladiator (?) (inv. no. 9429) 122 4.3.12 Male head from funerary relief (inv. no. 22) 122 4.3.13 Inscribed funerary altar of T. Flavius Primio (inv. no. 9441) 124 4.3.14 Inscribed gravestone of Lucius Titius (inv. no. 8990) 124 4.3.15 Fragment of gravestone of an eques singularis Augusti (inv. no. 19) 125 4.3.16 Asia Minor ossuary (inv. no. 8825a–c) 125 4.3.17a–b Fragments of lid of Asia Minor sarcophagus (inv. no. 13) 126 4.3.18 Head of priest from Palmyrene funerary relief (inv. no. 24) 127 4.4.1 Sarcophagus fragment (inv. no. 9089) 132 4.4.2 Sarcophagus fragment, oblique view (inv. no. 9089) 132 4.4.3 The plomb de Lyon, detail 133 5.1.1 Palmette antefix inv.( no. 800) 137 5.1.2 Palmette/dolphin antefix inv.( no. 158) 137 5.1.3 Palmette/hippocamp antefix(inv. no. 810) 137 5.1.4 Gorgon antefix inv.( no. 154) 137 5.1.5 Gorgon/palmette antefix inv.( no. 834) 137 5.1.6 Sima with gorgon (inv. no. 6302) 138 5.1.7 Gorgon/palmette antefix inv.( no. 832) 138 5.1.8 Gorgon/palmette antefix inv.( no. 493) 138 5.1.9 Female head antefix inv.( no. 1172) 138 5.1.10 Cybele antefix inv.( no. 152) 138 5.1.11a–b Satyr antefix inv.( no. 150) 140 5.1.12 River god (?) antefix(inv. no. 145) 140 5.1.13 Pan antefix inv.( no. 151) 140 The Collection of Antiquities of the American Academy in Rome Larissa Bonfante and Helen Nagy, editors With the collaboration of Jacquelyn Collins-Clinton https://www.press.umich.edu/7270894/collection_of_antiquities_of_the_american_academy_in_rome University of Michigan Press, 2016 ILLUSTRATIONS ix 5.1.14 Tragic mask antefix inv.( no. 827) 140 5.1.15 Tragic mask antefix (?) inv.( no. 3586) 140 5.1.16 Comic mask relief (inv. no. 3497) 140 5.1.17 Sima with anthemion and lion’s head (inv.
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    ROMAN ART PDF, EPUB, EBOOK Paul Zanker | 216 pages | 10 Jan 2012 | Getty Trust Publications | 9781606061015 | English | Santa Monica CA, United States Roman Art PDF Book If you don't know about Paracas textiles Construction of the Baths of Diocletian , for instance, monopolised the entire brick industry of Rome, for several years. Roman aqueducts , also based on the arch, were commonplace in the empire and essential transporters of water to large urban areas. The Romans also made frequent use of the semicircular arch, typically without resorting to mortar: relying instead on the precision of their stonework. The heads of the Marcus Aurelius figures are larger than normal, to show off their facial expressions. However it never lost its distinctive character, especially notable in such fields as architecture, portraiture, and historical relief. This led to a popular trend among the ancient Romans of including one or more such statues in the gardens and houses of wealthier patrons. With the authenticity of the medallion more firmly established, Joseph Breck was prepared to propose a late 3rd to early 4th century date for all of the brushed technique cobalt blue-backed portrait medallions, some of which also had Greek inscriptions in the Alexandrian dialect. They also served an important unifying force. Useing vivid colours it simulates the appearance of marble. From Wikipedia, the free encyclopedia. Sculpture: Types and Characteristics. A higher relief is used, permitting greater contrast between light and shadow. Further information: Roman portraiture. As another example of the lost "Golden Age", he singled out Peiraikos , "whose artistry is surpassed by only a very few But flagship buildings with domes were far from being the only architectural masterpieces built by Ancient Rome.
  • Attic Pottery of the Later Fifth Century from the Athenian Agora

    Attic Pottery of the Later Fifth Century from the Athenian Agora

    ATTIC POTTERY OF THE LATER FIFTH CENTURY FROM THE ATHENIAN AGORA (PLATES 73-103) THE 1937 campaign of the American excavations in the Athenian Agora included work on the Kolonos Agoraios. One of the most interesting results was the discovery and clearing of a well 1 whose contents proved to be of considerable value for the study of Attic pottery. For this reason it has seemed desirable to present the material as a whole.2 The well is situated on the southern slopes of the Kolonos. The diameter of the shaft at the mouth is 1.14 metres; it was cleared to the bottom, 17.80 metres below the surface. The modern water-level is 11 metres down. I quote the description from the excavator's notebook: The well-shaft, unusually wide and rather well cut widens towards the bottom to a diameter of ca. 1.50 m. There were great quantities of pot- tery, mostly coarse; this pottery seems to be all of the same period . and joins In addition to the normal abbreviations for periodicals the following are used: A.B.C. A n tiquites du Bosphore Cimmerien. Anz. ArchaiologischerAnzeiger. Deubner Deubner, Attische Feste. FR. Furtwangler-Reichhold, Griechische Vasenmxlerei. Kekule Kekule, Die Reliefs an der Balustrade der Athena Nike. Kraiker Kraiker,Die rotfigurigenattischen Vasen (Collectionof the ArchaeologicalIn- stitute of Heidelberg). Langlotz Langlotz, Griechische Vasen in Wiirzburg. ML. Monumenti Antichi Pu'bblicatiper Cura della Reale Accadenia dei Lincei. Rendiconti Rendiconti della Reale Accademia dei Lincei. Richter and Hall Richter and Hall, Red-Figured Athenian Vases in the Metropolitan Museum of Art.