Herod Antipas
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John the Baptist According to Flavius Josephus, and His Incorporation in the Christian Tradition
JOHN THE BAPTIST ACCORDING TO FLAVIUS JOSEPHUS, AND HIS INCORPORATION IN THE CHRISTIAN TRADITION Johannes Tromp In Jewish Antiquities 18.116-119, Flavius Josephus includes a section on John the Baptist. His reason for including it was that it contained a widely circulating explanation for the victory of the Nabatean king Aretas over the tetrarch Herod Antipas. 1 In my translation, it reads as follows: 116. Some Jews believed that the army of Herod was destroyed by God, who quite rightly avenged the fate of John, surnamed the Baptist. 117. For Herod had John killed, although he had been a good man. He had asked the Jews to lead a virtuous life and to come together for baptism,2 while practising righteousness towards each other, and piety towards God. In this way, it seemed to him, was baptism acceptable: they should not use it to obtain forgiveness for the sins they had committed, but as a purification of the body, inasmuch as their soul had already been cleansed beforehand by righteousness. 118. When others joined them-for they became highly agitated by his preaching-Herod feared his influence on people to be so great that it might lead to some uprising; for they seemed to be doing everything according to his advice. Therefore Herod decided that it would be much better to take the initiative to have him killed before he was able to cause some revolution, than to get involved in matters once the revolt had begun, and then be sorry. 119. Because of Herod's apprehension,John was sent in chains to the aforementioned fortress of Machaerus and killed there. -
Berean Digest Walking Thru the Bible Tavares D. Mathews
Berean Digest Walking Thru the Bible Tavares D. Mathews Length of Time # Book Chapters Listening / Reading 1 Matthew 28 2 hours 20 minutes 2 Mark 16 1 hour 25 minutes 3 Luke 24 2 hours 25 minutes 4 John 21 1 hour 55 minutes 5 Acts 28 2 hours 15 minutes 6 Romans 16 1 hour 5 minutes 7 1 Corinthians 16 1 hour 8 2 Corinthians 13 40 minutes 9 Galatians 6 21 minutes 10 Ephesians 6 19 minutes 11 Philippians 4 14 minutes 12 Colossians 4 13 minutes 13 1 Thessalonians 5 12 minutes 14 2 Thessalonians 3 7 minutes 15 1 Timothy 6 16 minutes 16 2 Timothy 4 12 minutes 17 Titus 3 7 minutes 18 Philemon 1 3 minutes 19 Hebrews 13 45 minutes 20 James 5 16 minutes 21 1 Peter 5 16 minutes 22 2 Peter 3 11 minutes 23 1 John 5 16 minutes 24 2 John 1 2 minutes 25 3 John 1 2 minutes 26 Jude 1 4 minutes 27 Revelation 22 1 hour 15 minutes Berean Digest Walking Thru the Bible Tavares D. Mathews Matthew Author: Matthew Date: AD 50-60 Audience: Jewish Christians in Palestine Chapters: 28 Theme: Jesus is the Christ (Messiah), King of the Jews People: Joseph, Mary (mother of Jesus), Wise men (magi), Herod the Great, John the Baptizer, Simon Peter, Andrew, James, John, Matthew, Herod Antipas, Herodias, Caiaphas, Mary of Bethany, Pilate, Barabbas, Simon of Cyrene, Judas Iscariot, Mary Magdalene, Joseph of Arimathea Places: Bethlehem, Jerusalem, Egypt, Nazareth, Judean wilderness, Jordan River, Capernaum, Sea of Galilee, Decapolis, Gadarenes, Chorazin, Bethsaida, Tyre, Sidon, Caesarea Philippi, Jericho, Bethany, Bethphage, Gethsemane, Cyrene, Golgotha, Arimathea. -
Salome: the Image of a Woman Who Never Was
Salome: The Image of a Woman Who Never Was Salome: The Image of a Woman Who Never Was; Salome: Nymph, Seducer, Destroyer By Rosina Neginsky Salome: The Image of a Woman Who Never Was; Salome: Nymph, Seducer, Destroyer, By Rosina Neginsky This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Rosina Neginsky All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4621-X, ISBN (13): 978-1-4438-4621-9 To those who crave love but are unable to love. TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Epigraph: Poem “Salome” by Rosina Neginsky ........................................ xv Preface ...................................................................................................... xxi Introduction ................................................................................................. 1 Part I: Creation of the Salome Myth Chapter One ................................................................................................. 8 History and Myth in the Biblical Story Chapter Two ............................................................................................. -
Matthew Series Lesson #181 December 17, 2017
Matthew Series Lesson #181 December 17, 2017 Dean Bible Ministries www.deanbibleministries.org Dr. Robert L. Dean, Jr. The Roman Trials: #4, 5 Matthew 27:11–14; Mark 15:1–5; Luke 23:1–12; John 18:28–38 Introduction: Jesus’ fourth and fifth trials Jesus’ Six Trials Religious Trials Before Annas — John 18:12–14 Before Caiaphas — Matthew 26:57–68 Before the Sanhedrin — Matthew 27:1–2 Criminal Trials Before Pilate — John 18:28–38 Before Herod — Luke 23:6–12 Before Pilate — John 18:39–19:6 The Plot Matthew 27:1, 2 [Mark 15:1; Matt. 27:2; Luke 23:1; John 18:28] Immediately, early in the morning, the chief priests held a consultation with the elders and scribes and the whole council; and they bound Jesus, and the whole multitude of them led Jesus from Caiaphas to the Praetorium, and delivered Him to Pilate. But they themselves did not go into the Praetorium, lest they should be defiled, but that they might eat the Passover. Matt. 27:1, “When morning came, all the chief priests and elders of the people plotted against Jesus to put Him to death. Matt. 27:2, “And when they had bound Him, they led Him away and delivered Him to Pontius Pilate the governor.” Matt. 27:1, “When morning came, all the chief priests and elders of the people plotted against Jesus to put Him to death. Matt. 27:2, “And when they had bound Him, they led Him away and delivered Him to Pontius Pilate the governor.” Mark 15:1, “Immediately, in the morning, the chief priests held a consultation with the elders and scribes and the whole council; and they bound Jesus, led Him away, and delivered Him to Pilate.” Luke 23:1, “Then the whole multitude of them arose and led Him to Pilate.” Matt. -
Luke 23:4-11 Pilate to Herod and Back Crossroads: Traveling with Our Savior #6 March 12, 2008 Then Pilate Announced to the Chief
Luke 23:4-11 Pilate to Herod and Back Crossroads: Traveling with Our Savior #6 March 12, 2008 Then Pilate announced to the chief priests and the crowd, “I find no basis for a charge against this man.” But they insisted, “He stirs up the people all over Judea by his teaching. He started in Galilee and has come all the way here.” On hearing this, Pilate asked if the man was a Galilean. When he learned that Jesus was under Herod’s jurisdiction, he sent him to Herod, who was also in Jerusalem at that time. When Herod saw Jesus, he was greatly pleased, because for along time he had been wanting to see him. From what he had heard about him, he hoped to see him perform some miracle. He plied him with many questions, but Jesus gave him no answer. The chief priests and the teachers of the law were standing there, vehemently accusing him. Then Herod and his soldiers ridiculed and mocked him. Dressing him in an elegant robe, they sent him back to Pilate. (NIV) Have you ever had a once-in-a-lifetime chance and blown it? Maybe you didn’t even realize at the time what you had, and as a result you spent your opportunity on worthless things—and now it’s too late. This evening Herod has just such an opportunity—and blows it. The crossroad Jesus walks this evening is a short one—maybe a mile or so round- trip. It begins at Pontius Pilate’s palace, where Pilate has had an unpleasant start to his day. -
Asko Sahlberg's Herodes
Mika Hallila Uniwersytet Warszawski Retelling Salome: Asko Sahlberg’s Herodes Abstract: The article presents an analysis on the retelling of the story of the Princess Salome in a contemporary Finnish novel, Herodes (2013) by Asko Sahlberg. In the analysis, Salome’s story is considered as an outlandish narrative of an outlandish character that has interested people through history, and especially in the modern era. Sahlberg’s narrative of Salome is contextualized within some of the most known versions of Salome’s story such as the Gospels, and the play of Oscar Wilde. Eventually, the aim is to point out how and to what ends the rewriting of the story of Salome is done in this novel. Keywords: Salome, retelling, rewriting, outlandish, Finnish literature, contemporary novel The topic of this article is one of the most famous female characters of the biblical stories: I will analyze the story of the Princess Salome. The main focus of the analysis is on the retelling of the story of Salome in one contemporary Finnish novel, Herodes (2013) by Asko Sahlberg. I am asking how and to what ends the story is retold in this novel. When analyzing Sahlberg’s novel, I will especially focus on the narrator–protagonist Herod Antipas as his voice and his point of view make a particular change in the story of the Princess Salome. The key concepts formulated in the analysis are the ideas of retelling and rewriting, and outlandishness; as shown here, the Princess Salome is an outlandish character whose mystery has remained unsolved through history. The representation of the Princess in Sahlberg’s novel is, hence, part of a long tradition of the interpretations and reinterpretations of the well-known historical narrative which took place at the beginning of Christianity. -
Daughter of Eve, Femme Fatale, and Persecuted Artist: the Mythic Transgressive Woman in Oscar Wilde’S and Richard Strauss’ Salome
MONOGRAFÍA Amaltea. Revista de Mitocrítica ISSN-e: 1989-1709 http://dx.doi.org/10.5209/AMAL.51851 Daughter of Eve, Femme Fatale, and Persecuted Artist: The Mythic Transgressive Woman in Oscar Wilde’s and Richard Strauss’ Salome Corinne E. Blackmer1 Recibido: 1 de febrero de 2016 / Aceptado: 3 de julio de 2016 Abstract. Historically, Salome was a mundane figure who never catalyzed John the Baptist's death. However, in Christian Scripture, she becomes the seductress and fallen daughter of Eve. Her stepfather Herod promises Salome his kingdom if she dances for him, but she follows her mother’s wish to have John beheaded. In Strauss’s opera, after Wilde's Symbolist-Decadent play, Salome becomes independent of Herodias’ will, and the mythic avatar of the femme fatale and persecuted artist who Herod has killed after she kisses John's severed head. Her signature key of C# major, resolving to the C major sung by Herod and Jokanaan at her death, represents her tragic fate musically. Keywords: Salome; Herod; John the Baptist; femme fatale; Oscar Wilde; Richard Strauss; Symbolism; Decadence. Fille d’Éve, Femme Fatale, et l’Ártiste Persécutée: La Femme Transgressive Mythique dans la Salome d’Oscar Wilde et de Richard Strauss Résumé. Selon l’histoire, Salomé était une personnalité banale qui n’a jamais précipité la mort de Jean le Baptiste. En revanche, dans les textes chrétiens, elle devient la séductrice et la fille déchue d’Ève. Son beau-père Hérode promet à Salomé son royaume si elle danse pour lui, mais elle suit le souhait de sa mère qui exige la décapitation de Jean. -
1 Luke Handout – Two Herods Herod the Great and Herod Antipas, The
1 Luke Handout – Two Herods Herod the Great and Herod Antipas, the Tetrarch Herod the Great (Luke 1:5) was appointed king of the Jews by the Roman senate in 40 BC and took control of Jerusalem in 37 BC after defeating the Hasmonean king Antigonus. He reigned for the rest of his life as a client-king of Caesar Augustus. Since he was the son of an Idumean father and an Arabian mother, he was considered a half Jew at best and certainly not a king in the line of David! Famous for his building projects, he expanded the Jerusalem temple complex; constructed the city of Caesarea, where Paul was later held in custody (Acts 25:4); and built or rebuilt fortresses such as Herodium near Bethlehem, Masada on the western shore of the Dead Sea, and Machaerus on its eastern shore, where John the Baptist was later imprisoned by Herod Antipas (Luke 3:19–20). Herod was notorious for his cruelty, killing three of his sons because of fear of conspiracies and uncertainty about his heir. When he died, his kingdom was divided among his sons Archelaus (Matt 2:22; deposed in AD 6 by the Romans), Herod Antipas, and Philip (Luke 3:1). The consensus since the end of the nineteenth century for the date of Herod’s death is 4 BC. However, several recent studies of the first-century Jewish historian Josephus’s many references to Herod, as well as of ancient inscriptions and coins, propose that he died later, in 1 BC or AD 1. -
Portraits of Pilate According to Christian Canonical Writings and Jewish Historical Works Part Two: Pilate in the Narrative of Luke’S Gospel
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Journal of the Nanzan Academic Society Humanities and Natural Sciences (15), 63―77, 2018, January 63 Portraits of Pilate According to Christian Canonical Writings and Jewish Historical Works Part two: Pilate in the narrative of Luke’s Gospel Janusz KUCICKI Abstract This study concerns Luke’s perspective on Pilate, the fifth prefect of Judea, as it is presented in Luke’s Gospel. Recording eight events involving the prefect, Luke shows his socio and theological understanding and the inter-operation of the event regarding Jesus’ death, which are directly related to Pilate. Luke’s account concerning Pilate does not lead to making a judgment about Pilate, but shows him rather as a mid-level official trapped between two worlds, a one world where hostility and conflicts of interests could have fatal consequences, and other world where common sense and the demands of justice and truth take second place. A place where the struggle to maintain one’s integrity makes demands almost too weighty for human fragility to bear. Introduction Pilate, prefect of Judea, is mentioned not only in Jewish writings but also in Christian canonical writings. All four Gospels are significant, since they portray the prefect from four different perspectives, for four different purposes, in accord with the author’s theological and literary strategy. One cannot but be intrigued by the way the same person and his deeds are presented and interpreted in different ways. Naturally this observation leads to questions concerning the reason for these differences, which most probably cannot be explained by a simple statement regarding the subjective element in each evangelists’ perception. -
Reading the Emotions of Salome: Sympathy for the Devil Or Fear and Loathing Diane Hoeveler Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 1-1-2001 Reading the Emotions of Salome: Sympathy for the Devil or Fear and Loathing Diane Hoeveler Marquette University, [email protected] Published Version. Prism(s): Essays in Romanticism, Vol. 9 (2001): 87-108. © 2001 International Conference on Romanticism. Used With Permission. A Reading of the Emotions of Salome: Sympathy for the Devil, or Fear and Loathing Diane Long Hoeveler n October 1876 Gustave Flaubert was engaged in writing what I would become perhaps his most well-known and successful piece of short fiction, "A Simple Heart." This narrative dissects the life of an innocent servant woman, ironically named Felicity, who rransfers her love and spiritual devotion from object to object until she finally settles, afrer life's many disappointments, on a stuffed and tattered parrot as the incarnation of her god of love. The horror of Flaubert's story can be located in his dark and cynical portrayal of love and spiritual devotion as a form of fetishism, a mad scramble for apparently random substitute objects to compensate for the original wound in the psyche, the primor dial fall we all supposedly make from a sense of original wholeness and self-sufficiency within the individual ego into psychic fragmentation. Felicity's pathetic stuffed parrot functions as a fetish, while fetishism-or the displacement of the sexual object by a metonymic substitute-stands in Flaubert as the originating source of both love and religious worship. 1 88 Diane Long Hoeveh Although often considered the exact opposite of a "romantic" work, Flaubert's tale is important as an example of what I would call the "post romantic residue," the reaction against romanticism that lingered in nineteenth-century literary culture, on the continent as well as in Britain. -
1. Herod the Great, Founder of the Dynasty, Tried to Kill the Infant Jesus by the “Slaughter of the Innocents” at Bethlehem
1. Herod the Great, founder of the dynasty, tried to kill the infant Jesus by the “slaughter of the innocents” at Bethlehem. (Matthew 2:13-16) 2. Herod Philip, uncle and first husband of Herodias, was not a ruler. (Matt. 14:3) 3. Herodias (Matt. 14:3) left Herod Philip to marry his half-brother Herod Antipas, Tetrarch of Galilee & Perea (Matt. 14:1). 4. John the Baptist rebuked Antipas for marrying Herodias, his brother’s wife, while his brother was still alive—against the law of Moses (Matt. 14:4). 5. Salome (Matt. 14:6) danced for Herod Antipas and, at Herodias’s direction, requested the beheading of John the Baptist. Later she married her great-uncle Philip the Tetrarch (Luke 3:1). 6. Herod Antipas, Tetrarch of Galilee &: Perea (Matt. 14:1) (r. 4 B.C.E.–39 C.E.), was Herodias’s uncle and second husband. After Salome’s dance and his rash promise, he executed John the Baptist. Much later he held part of Jesus’ trial (Luke 9:7; 13:31; 23:7). 7. Herod Archelaus, Ethnarch of Judea, Samaria and Idumea (Mat. 2:22) (r. 4 B.C.E.–6 C.E.), was replaced by a series of Roman governors, including Pontius Pilate (r. 26–36 C.E.). 8. Philip the Tetrarch of northern territories (Luke 3:1) (r. 4 B.C.E.–34 C.E.) later married Herodias’s daughter Salome, his grandniece. 9. King Herod Agrippa I (r. 37–44 C.E.) executed James the son of Zebedee and imprisoned Peter before his miraculous escape (Acts 12). -
Who Was Responsible for the Crucifixion Ofjesus?
C HAPTER 10 Who Was Responsible for the Crucifixion ofJesus? CAIAPHAS, PONTIUS PILATE, AND THE HERODS he question of who is responsible for putting Jesus to death has been argued and re-argued on a regular basis. Those who read the gospel T accounts literally assign the blame largely to the Jews, led by Caiaphas, and see Pilate as someone who unwillingly went along with their demands. Current scholarship points toward Pilate and the Romans who were seeking to prevent a riot, though Caiaphas and the other Jewish leaders might have encouraged such a view.1 Herod is mentioned in the gospels in relation to Jesus’ death only because Pilate sees him as a way to avoid responsibility. Historically, Herod probably had nothing to do with Jesus’ death, though he did put John the Baptist to death, whether to prevent a rebellion or because of John’s criticism of his marriage. The books of three of the five authors here—Burgess, Ricci, and Kazantzakis—divide the blame between the Romans, led by Pilate, and the Jews, led by Caiaphas. Mailer’s novel puts the burden completely on the Jews, while Ricci’s does the same for the Romans. All five writers draw on the gospels and noncanonical writings and legends in crafting their characterizations of Caiaphas, Pilate, and Herod. CAIAPHAS Burgess’ novel develops Caiaphas much more fully than do any of the other books. The novels by Kazantzakis, Ricci, and Saramago barely mention him, as does Mailer’s, though Mailer’s lack of mention means much more than those of the others.