Dead Or Alive? Five Facts That Point to the Resurrection of Jesus Christ
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Census of Quirinius. I
274 THE CENSUS OF QUIRINIUS. I. THE difficulties caused by the association established in Luke ii. 1 between the birth of Christ and a census taken in J udma at the order of the Emperor August us are well known. Dr. Schiirer devotes thirty-four pages in his Gesch. des Jiid. Volkes im Zeitalter Jesu Christi to the subject, and any discussion of the difficulties might properly be rested on the foundation of his learned and careful work; but it is better merely to acknowledge my debt to him, and to leave our difference of opinion unnoticed. In the Ex POSITOR for January, 1897, p. 72, it is mentioned that exigencies of time prevented me at the moment from stat ing an argument on this subject. The pledge implied may be now redeemed; and though it is obviously beyond the bounds of an article to discuss the subject as a whole, one point at least, which is of central importance, may be illustrated. The words of Luke should, as I believe, be understood thus : " There was issued a decree by Cmsar Augustus that census should be taken of the entire Roman world ; this [with which we are concerned] took place, the first census [of the series], while Quirinius was administering the province Syria." I believe that the synchronisms in Luke ii. 1, 2 and iii. 1, 2 are founded on a careful and extended study of history, and that the author wished to place Christian history in its proper position on the background of Roman history. Obviously it is impossible to maintain that view, if the first synchronism, which he establishes at such a critical point in his narrative, is a mere blunder, not merely erroneous in some detail, but involving false views in a number of essential points (as some scholars maintain). -
John the Baptist According to Flavius Josephus, and His Incorporation in the Christian Tradition
JOHN THE BAPTIST ACCORDING TO FLAVIUS JOSEPHUS, AND HIS INCORPORATION IN THE CHRISTIAN TRADITION Johannes Tromp In Jewish Antiquities 18.116-119, Flavius Josephus includes a section on John the Baptist. His reason for including it was that it contained a widely circulating explanation for the victory of the Nabatean king Aretas over the tetrarch Herod Antipas. 1 In my translation, it reads as follows: 116. Some Jews believed that the army of Herod was destroyed by God, who quite rightly avenged the fate of John, surnamed the Baptist. 117. For Herod had John killed, although he had been a good man. He had asked the Jews to lead a virtuous life and to come together for baptism,2 while practising righteousness towards each other, and piety towards God. In this way, it seemed to him, was baptism acceptable: they should not use it to obtain forgiveness for the sins they had committed, but as a purification of the body, inasmuch as their soul had already been cleansed beforehand by righteousness. 118. When others joined them-for they became highly agitated by his preaching-Herod feared his influence on people to be so great that it might lead to some uprising; for they seemed to be doing everything according to his advice. Therefore Herod decided that it would be much better to take the initiative to have him killed before he was able to cause some revolution, than to get involved in matters once the revolt had begun, and then be sorry. 119. Because of Herod's apprehension,John was sent in chains to the aforementioned fortress of Machaerus and killed there. -
The Bible's Historical Accuracy
“And we bring you good tidings of the promise made unto the fathers…” (Acts 13:32) Vol. XXVII November 19, 2017 No. 47 The Bible’s Historical Accuracy (Jerry Fite) hen you read the Bible, “Pontius Pilatus, Prefect of Ju- one hundred and seventeen thou- you will notice that it dea, has dedicated to the people sand citizens…”. What we can speaks of real places on of Caesarea a temple in the honor know by this archeological dis- W a map. Scripture also of Tiberius .” The word “Prefect” covery is that Quirinius, executing names the people who lived in is Latin (Praefectus) literally a leadership-roll in the time of those places during recorded time. meaning: “put in front,” which Augustus, conducted a census in When Luke records that Augustus harmonizes with Luke’s designa- Syria, north of Palestine. Luke’s Caesar gave a decree for a census tion of Pilate being “governor” or account in Scripture does not con- at the time when Jesus was born, “procurator” of Judea. Up to tradict what archaeology has un- one might not doubt the fact that now, this is the only historical ar- covered, the “Lapis Venetus” Augustus Caesar existed, while tifact we know that points to Pi- (Stone of Venice) connects not being sure that Jesus ever ex- late of the New Testament. But Quirinius, Augustus and census- isted. Many rely on recorded his- the archaeologist’s shovel reveals taking occurring in the area just tory as the determining factor, not that the “Pilate Stone” is not only north of the birth place of Jesus. -
Salome: the Image of a Woman Who Never Was
Salome: The Image of a Woman Who Never Was Salome: The Image of a Woman Who Never Was; Salome: Nymph, Seducer, Destroyer By Rosina Neginsky Salome: The Image of a Woman Who Never Was; Salome: Nymph, Seducer, Destroyer, By Rosina Neginsky This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Rosina Neginsky All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4621-X, ISBN (13): 978-1-4438-4621-9 To those who crave love but are unable to love. TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Epigraph: Poem “Salome” by Rosina Neginsky ........................................ xv Preface ...................................................................................................... xxi Introduction ................................................................................................. 1 Part I: Creation of the Salome Myth Chapter One ................................................................................................. 8 History and Myth in the Biblical Story Chapter Two ............................................................................................. -
Luke 23:4-11 Pilate to Herod and Back Crossroads: Traveling with Our Savior #6 March 12, 2008 Then Pilate Announced to the Chief
Luke 23:4-11 Pilate to Herod and Back Crossroads: Traveling with Our Savior #6 March 12, 2008 Then Pilate announced to the chief priests and the crowd, “I find no basis for a charge against this man.” But they insisted, “He stirs up the people all over Judea by his teaching. He started in Galilee and has come all the way here.” On hearing this, Pilate asked if the man was a Galilean. When he learned that Jesus was under Herod’s jurisdiction, he sent him to Herod, who was also in Jerusalem at that time. When Herod saw Jesus, he was greatly pleased, because for along time he had been wanting to see him. From what he had heard about him, he hoped to see him perform some miracle. He plied him with many questions, but Jesus gave him no answer. The chief priests and the teachers of the law were standing there, vehemently accusing him. Then Herod and his soldiers ridiculed and mocked him. Dressing him in an elegant robe, they sent him back to Pilate. (NIV) Have you ever had a once-in-a-lifetime chance and blown it? Maybe you didn’t even realize at the time what you had, and as a result you spent your opportunity on worthless things—and now it’s too late. This evening Herod has just such an opportunity—and blows it. The crossroad Jesus walks this evening is a short one—maybe a mile or so round- trip. It begins at Pontius Pilate’s palace, where Pilate has had an unpleasant start to his day. -
Asko Sahlberg's Herodes
Mika Hallila Uniwersytet Warszawski Retelling Salome: Asko Sahlberg’s Herodes Abstract: The article presents an analysis on the retelling of the story of the Princess Salome in a contemporary Finnish novel, Herodes (2013) by Asko Sahlberg. In the analysis, Salome’s story is considered as an outlandish narrative of an outlandish character that has interested people through history, and especially in the modern era. Sahlberg’s narrative of Salome is contextualized within some of the most known versions of Salome’s story such as the Gospels, and the play of Oscar Wilde. Eventually, the aim is to point out how and to what ends the rewriting of the story of Salome is done in this novel. Keywords: Salome, retelling, rewriting, outlandish, Finnish literature, contemporary novel The topic of this article is one of the most famous female characters of the biblical stories: I will analyze the story of the Princess Salome. The main focus of the analysis is on the retelling of the story of Salome in one contemporary Finnish novel, Herodes (2013) by Asko Sahlberg. I am asking how and to what ends the story is retold in this novel. When analyzing Sahlberg’s novel, I will especially focus on the narrator–protagonist Herod Antipas as his voice and his point of view make a particular change in the story of the Princess Salome. The key concepts formulated in the analysis are the ideas of retelling and rewriting, and outlandishness; as shown here, the Princess Salome is an outlandish character whose mystery has remained unsolved through history. The representation of the Princess in Sahlberg’s novel is, hence, part of a long tradition of the interpretations and reinterpretations of the well-known historical narrative which took place at the beginning of Christianity. -
Daughter of Eve, Femme Fatale, and Persecuted Artist: the Mythic Transgressive Woman in Oscar Wilde’S and Richard Strauss’ Salome
MONOGRAFÍA Amaltea. Revista de Mitocrítica ISSN-e: 1989-1709 http://dx.doi.org/10.5209/AMAL.51851 Daughter of Eve, Femme Fatale, and Persecuted Artist: The Mythic Transgressive Woman in Oscar Wilde’s and Richard Strauss’ Salome Corinne E. Blackmer1 Recibido: 1 de febrero de 2016 / Aceptado: 3 de julio de 2016 Abstract. Historically, Salome was a mundane figure who never catalyzed John the Baptist's death. However, in Christian Scripture, she becomes the seductress and fallen daughter of Eve. Her stepfather Herod promises Salome his kingdom if she dances for him, but she follows her mother’s wish to have John beheaded. In Strauss’s opera, after Wilde's Symbolist-Decadent play, Salome becomes independent of Herodias’ will, and the mythic avatar of the femme fatale and persecuted artist who Herod has killed after she kisses John's severed head. Her signature key of C# major, resolving to the C major sung by Herod and Jokanaan at her death, represents her tragic fate musically. Keywords: Salome; Herod; John the Baptist; femme fatale; Oscar Wilde; Richard Strauss; Symbolism; Decadence. Fille d’Éve, Femme Fatale, et l’Ártiste Persécutée: La Femme Transgressive Mythique dans la Salome d’Oscar Wilde et de Richard Strauss Résumé. Selon l’histoire, Salomé était une personnalité banale qui n’a jamais précipité la mort de Jean le Baptiste. En revanche, dans les textes chrétiens, elle devient la séductrice et la fille déchue d’Ève. Son beau-père Hérode promet à Salomé son royaume si elle danse pour lui, mais elle suit le souhait de sa mère qui exige la décapitation de Jean. -
1 Luke Handout – Two Herods Herod the Great and Herod Antipas, The
1 Luke Handout – Two Herods Herod the Great and Herod Antipas, the Tetrarch Herod the Great (Luke 1:5) was appointed king of the Jews by the Roman senate in 40 BC and took control of Jerusalem in 37 BC after defeating the Hasmonean king Antigonus. He reigned for the rest of his life as a client-king of Caesar Augustus. Since he was the son of an Idumean father and an Arabian mother, he was considered a half Jew at best and certainly not a king in the line of David! Famous for his building projects, he expanded the Jerusalem temple complex; constructed the city of Caesarea, where Paul was later held in custody (Acts 25:4); and built or rebuilt fortresses such as Herodium near Bethlehem, Masada on the western shore of the Dead Sea, and Machaerus on its eastern shore, where John the Baptist was later imprisoned by Herod Antipas (Luke 3:19–20). Herod was notorious for his cruelty, killing three of his sons because of fear of conspiracies and uncertainty about his heir. When he died, his kingdom was divided among his sons Archelaus (Matt 2:22; deposed in AD 6 by the Romans), Herod Antipas, and Philip (Luke 3:1). The consensus since the end of the nineteenth century for the date of Herod’s death is 4 BC. However, several recent studies of the first-century Jewish historian Josephus’s many references to Herod, as well as of ancient inscriptions and coins, propose that he died later, in 1 BC or AD 1. -
Welcome to Sabbath Time
The Nativity of Our Lord: Christmas Eve December 24, 2020 3:30 p.m. Holy Eucharist with Spiritual Communion St. Barnabas’ Episcopal Church Serving our community, the world, and each other through the love of Jesus Christ. 2 Welcome! We are a diverse community committed to carrying out Christ’s mission in the world around us, strengthened, nurtured, and guided by the presence of the Holy Spirit. Some of us were born into the Episcopal Church, some of us were received into it as adults, and some of us are discovering it for the first time. We come from various occupations, family configurations, educational backgrounds, interests, and talents. We have found hospitality here, and invite you to join us. Our religious tradition is best known for the beauty of its Anglican music and liturgy. Contemporary issues are tested by the standards of scripture, tradition, reason and experience. The conscience of the individual is highly respected, and corporate worship is the means by which Christ shapes our moral values, nurtures and guides our spiritual formation, shapes the character and community of the faithful, and equips us for mission and ministry. If you are not currently active in another congregation, please accept this invitation to worship with us, and to make our church your own. The Nativity of Our Lord: Christmas Eve December 24, 2020 3:30 p.m. Holy Eucharist with Spiritual Communion Hymn Once in royal David’s city Irby Once in royal David’s city, stood a lowly cattle-shed; Where a mother laid her baby, in a manger for His bed. -
Lessons and Carols Cape & Islands Deanery of the Episcopal Diocese of Massachusetts
The First Sunday after Christmas December 27, 2020 │ 10 o’clock Lessons and Carols Cape & Islands Deanery Of the Episcopal Diocese of Massachusetts Available via YouTube YouTube: https://www.youtube.com/c/SaintBarnabasFalmouth Saint Barnabas’ Episcopal Church SAINT BARNABAS’ – a pathway to God through prayer and service. Belonging before believing – Saint Barnabas’ is a place to belong; a place to explore and go deeper in your faith; a place to learn how to pray, grow and serve in the town and world. Welcome! TODAY’S READINGS This virtual version of a traditional service of Christmas Lessons and Carols is a collaborative effort of several churches across the Cape and Islands Deanery (Episcopal). It was coordinated, produced and edited by Brittany Lord, Music Director of the Church of the Messiah in Woods Hole. It demonstrates the range of musical expression of individual parishes as well as carols for the combined group. Images from churches and owns across the Cape accompany the musical selections. The participating parishes are listed below: Christ Church, Plymouth Church of the Holy Spirit, Orleans Church of the Messiah, Woods Hole Grace Episcopal Church, Vineyard Haven St. Barnabas’ Episcopal Church, Falmouth St. John’s Episcopal Church, Sandwich St. Mary’s Episcopal Church, Barnstable St. Mary’s of the Harbor, Provincetown Produced and edited by Brittany Lord The Bible texts of the Old Testament, Epistle and Gospel lessons are from the New Revised Standard Version Bible, copyright 1989 by the Division of Christian Education of the National Council of the Church of Christ in the USA, and used by permission. -
The House of Annas (01-May-20)
CGG Weekly: The House of Annas (01-May-20) "There is no safety for honest men but by believing all possible evil of evil men." —Edmund Burke 01-May-20 The House of Annas The evangelist Luke writes in Luke 3:1-2: "Now in the fifteenth year of the reign of Tiberius Caesar, Pontius Pilate being governor of Judea, . while Annas and Caiaphas were high priests, the word of God came to John the son of Zacharias in the wilderness." We know what happened at the end of this story: Pilate condemned Jesus Christ to crucifixion on Passover day in AD 31. But how much do we know about the people who conspired to put Him to death, Annas and Caiaphas, who were high priests at the time? These two men were Sadducees. The Sadducees did not leave any written records themselves, but The Jewish Encyclopedia summarizes their views and principles: The Sadducees represented the powerful and wealthy, and their interests focused on the here and now. They tended to be astute politicians. They conducted their lives to enrich themselves and protect their positions of power. Page 1 of 6 CGG Weekly: The House of Annas (01-May-20) The Sadducees considered only the five books of Moses to be authoritative. In rejecting the prophets, they did not believe in a resurrection (Acts 23:8). The same verse says they did not believe in angels or demons either. They judged harshly; mercy does not seem to have part of their character. Unlike the Pharisees, who maintained that the Oral Law provided for a correct interpretation of God's Word, the Sadducees believed only in the written law and a literal interpretation of it. -
Who Was Responsible for the Crucifixion Ofjesus?
C HAPTER 10 Who Was Responsible for the Crucifixion ofJesus? CAIAPHAS, PONTIUS PILATE, AND THE HERODS he question of who is responsible for putting Jesus to death has been argued and re-argued on a regular basis. Those who read the gospel T accounts literally assign the blame largely to the Jews, led by Caiaphas, and see Pilate as someone who unwillingly went along with their demands. Current scholarship points toward Pilate and the Romans who were seeking to prevent a riot, though Caiaphas and the other Jewish leaders might have encouraged such a view.1 Herod is mentioned in the gospels in relation to Jesus’ death only because Pilate sees him as a way to avoid responsibility. Historically, Herod probably had nothing to do with Jesus’ death, though he did put John the Baptist to death, whether to prevent a rebellion or because of John’s criticism of his marriage. The books of three of the five authors here—Burgess, Ricci, and Kazantzakis—divide the blame between the Romans, led by Pilate, and the Jews, led by Caiaphas. Mailer’s novel puts the burden completely on the Jews, while Ricci’s does the same for the Romans. All five writers draw on the gospels and noncanonical writings and legends in crafting their characterizations of Caiaphas, Pilate, and Herod. CAIAPHAS Burgess’ novel develops Caiaphas much more fully than do any of the other books. The novels by Kazantzakis, Ricci, and Saramago barely mention him, as does Mailer’s, though Mailer’s lack of mention means much more than those of the others.