Spring 2021 Cataogue
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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
The Underpainter
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 212, Spring 212 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University -
Jane Urquhart's the Underpainter and the Stone Carvers
Document generated on 09/29/2021 3:26 a.m. Studies in Canadian Literature / Études en littérature canadienne The Artist and the Witness: Jane Urquhart’s The Underpainter and The Stone Carvers Neta Gordon Volume 28, Number 2, Fall 2003 Article abstract Jane Urquhart's The Underpainter takes a different approach than most Great URI: https://id.erudit.org/iderudit/scl28_2art03 War novels: it does not presume the implied authority of combatant's accounts, like Generals Die in Bed, but nor does it interrogate the war novel as a See table of contents postmodern pastiche, as in Timothy Findley's The Wars. She presents a realistically conceived persona, while nevertheless questioning the authority of the unengaged artist to represent an historical event. Her extensive use of Publisher(s) historical data is not applied in a postmodern method, but is rather inspiration for a fiction that refuses to grant itself full authority. Urquhart's The Stone The University of New Brunswick Carversis similarly concerned with the paradoxical combination of control and detachment in the relationship between the artist and her work. ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Gordon, N. (2003). The Artist and the Witness:: Jane Urquhart’s The Underpainter and The Stone Carvers. Studies in Canadian Literature / Études en littérature canadienne, 28(2), 59–73. All rights reserved © Management Futures, 2003 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation
But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr. -
Th€ Living Mosaic
$1.2$ pw C0Py Autumn, ig6g TH€ LIVING MOSAIC Articles BY PHYLLIS GROSSKURTH, JOHN OWER, MAX DORSINVILLE, SUSAN JACKELj MARGARET MORRISS Special Feature COMPILED BY JOHN REEVES, WITH POEMS BY YAR SLAVUTYCH, HENRIKAS NAGYS, WALTER BAUER, Y. Y. SEGAL, ZOFJA BOHDANOWICZ, ROBERT ZEND, ARVED VDRLAID, INGRIDE VIKSNA, LUIGI ROMEO, PADRAIG BROIN Reviews BY RALPH G USTAFSON , WARREN TALLMAN, JACK WARWICK, GEORGE BOWERING, DOUGLAS BARBOUR, VI C T O R HOAR, K E AT H F R ASE R , CLARA THOMAS, G AR Y GEDDES, ANN SADDLEMYER, G E O R G E WO O D C O C K , YAR SLAVUTYCH, W. F. HALL A QUARTERLY OF CRITICISM AND R6VI6W AN ABSENCE OF UTOPIAS LIITERATURES are defined as much by their lacks as by their abundances, and it is obviously significant that in the whole of Canadian writing there has appeared only one Utopian novel of any real interest; it is significant in terms of our society as much as of our literature. The book in question is A Strange Manuscript Found in a Copper Cylinder. It was written in the 1870's and published in 1888, eight years after the death of its author, James de Mille, a professor of English at Dalhousie, who combined teach- ing with the compulsive production of popular novels ; by the time of his death at the age of 46 he had already thirty volumes to his credit, but only A Strange Manuscript has any lasting interest. It has been revived as one of the reprints in the New Canadian Library (McClelland & Stewart, $2.75), with an introduction by R. -
Cynthia Flood Fonds (Msc 106)
Simon Fraser University Special Collections and Rare Books Finding Aid - Cynthia Flood fonds (MsC 106) Generated by Access to Memory (AtoM) 2.3.0 Printed: August 03, 2016 Language of description: English Rules for Archival Description Simon Fraser University Special Collections and Rare Books W.A.C. Bennett Library - Room 7100 Simon Fraser University 8888 University Drive Burnaby BC Canada V5A 1S6 Telephone: 778.782.8842 Email: [email protected] http://atom.archives.sfu.ca/index.php/fonds-msc-106-cynthia-flood-fonds Cynthia Flood fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Arrangement .................................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 5 Series descriptions .......................................................................................................................................... -
St. Martins Book Club
St. Martins Book Club The following books have been read and discussed by the group. You are welcome to borrow the books and return them to the library when you are done reading the book. The study questions used for the group discussion are included in the Book Club binder following the overview of the book. The binder is kept by the library. Feel free to take a copy of the questions for any of the books you chose to read. Please ensure that there is one copy of the questions left in the binder for others to reproduce. Thank you 1. Oct/Nov. 2002 This Much I Know is True Wally Lamb 2. Dec/Jan. 2003 Life of Pi Yann Martel 3. Jan/Feb. 2003 The Red Tent Anita Diamant 4. Mar/May 2003 The Poisonwood Bible Barbara Kingsolver 5. Summer 2003 A Fine Balance Rohinton Mistry 6. Oct/Nov. 2003 Unless Carol Shields 7. Dec/Jan. 2004 Tuesdays with Morrie Mitch Albom 8. Feb/April 2004 mercy among the children David Adams Richards 9. April/June 2004 Last Call Laura Peterson 10. Summer/2004 Mary Called Magdaline Margaret George 11. Oct/Dec. 2004 The Greatest Spiritual Gift Thom Hartmann of the Century 12. Jan/March 2005 The DaVinci Code Dan Brown 13. April/May 2005 The Five People You Meet in Heaven Mitch Albom 14. Summer 2005 Rockbound Frank Parker Day 15. Sept/Oct 2005 The Kite Runner Khaled Hosseini 16. Nov/Jan 2006 a complicated kindness Miriam Toews 17. Jan/Feb 2006 The Divine Ryans Wayne Johnston 18. -
"An Arrow Aimed at the Heart" : the Vancouver Women's Caucus And
"AN ARROW AIMED AT THE HEART" THE VANCOUVER WOMEN'S CAUCUS AND THE ABORTION CAMPAIGN 1969-1971 by FRANCES JANE WASSERLEIN B.A. (Hons.), University of British Columbia, 1980 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of History O Frances Jane Wasserlein SIMON FRASER UNIVERSITY July 1990 All rights reserved. This thesis may not be reproduced in whole or part, by photocopy or other means, without permission of the author. APPROVAL NAME: WASSERLEIN, Frances Jane DEGREE: Master of Arts (History) TITLE OF THESIS: "An Arrow Aimed at the Heart" The Vancouver Women's Caucus and the Abortion Campaign 1969-1971 EXAMINING COMMITTEE Chairperson: Professor David Ross. Professor Veronica strhg-~oag Senior Supervisor Professor of Historv - ,-- Professor?obin Fisher Professor of History . _ * -7 - Professor Arlene 'l&ar McLaren External Examiner Associate Professor, Sociology DATE APPROVED: June 8, 1990 PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. -
CL181-Full-Issue.Pdf
A Quarterly of C.i-iticism and Review Summer 2004 $19 Listening/over and over Laurie Ricou Ivly childhood and public school education had little Canadian literature in it. The absence of Mrs. Bentley. The absence of Wild Geese. The absence of both Gabrielle Roy and Archibald Lampman. The absence of green gables, not to mention a good seed catalogue. But in Grade Six, every day, just after lunch, our teacher and school principal Bill Peden would read aloud from Ernest Thompson Seton. I don't remember much else of what we studied in Grade Six, but I do treasure the memory of the unusual hush, the attentiveness, the tears (sometimes) as we listened, maybe twenty minutes each day, all year long, to what surely must have been our teacher's favourite writer. I remember the sense that we were on the lam each day from real school work. I think that's when we learned. Seton's stories carried that group of twelve-year-olds into some rapt empathy with what I've since been taught to call the other. We entered into unlikely pre-pubescent reflections on ethics and morality; we held tight to Seton's narratives of chase and suspense. The stories were written in books, but we learned them that year only by ear (although sometimes we would huddle around the book to look at Seton's quickening illustrations). And Mr. Peden had a great sense of timing, often leaving us caught in mid-leap, wondering, waiting for the next day's telling. He tried gleefully to mimic Seton's transcriptions (sometimes with musical notation) of the sounds of the wild. -
Kingston Writersfest Program
Kingston WritersFest Program September 22-25, 2011 Our Mission To promote awareness and appreciation of the literary arts in all their forms and to nurture literary expression within the Kingston community. 2011 Board of Directors Ashley-Elizabeth Best Helen Morgan Blogger Archivist Eric Friesen Chair Lyndsey Darling Deborah Windsor Database Manager, Researcher Merilyn Simonds Facebook/Twitter Vice-Chair Dave & Judi Wyatt Susan Olding Ticketmasters Jan Walter Website Content Editor Secretary Kirsteen MacLeod 2011 Festival Affiliates Mike Onesi Sarah Tsiang Treasurer Vincent Perez Sarah Withrow Art Director Karen Simpson Web Copy Writers Ian Walsh CarricDesign, Carol Tomalty Taryn Beukema Website Design & Maintenance Steven Heighton Writers Services Directors Don Curtis Margaret Dickson Marketing Advisor Distribution Manager 2011 Festival Committee Bernard Clark Jessica Itiaba Festival Photographer Merilyn Simonds Stage Management Supervisor Artistic Director Don Edwards Mirielle Keeling Jan Walter Festival Audio Programming Coordinator Shelley Tanaka Podcast Producer Members-at-Large Barbara Bell Leigh Ann Bellamy Festival Producer Barbara Linds Festival Videographer Author Hospitality Janice Rowe Mary Ann Higgs Assistant Event Producer Michele Casey Legal Counsel Volunteer Hospitality Glynis Bloy Karen Simpson Bookkeeper Kelly Loeper Janet Hazlewood Holly Tousignant Accountants Christina Decarie Queen’s Liaisons Marketing Coordinator, A Novel Idea Program Guide Editor Barb Love Oscar & Joanna Malan Library Liaison Festival Bookseller Greg Curtis Lindy Mechefske Angela Saxe Allan Graphics Ltd. Publicity Anne Powers Festival Printers Youth Coordinators Danika Lochhead Media Relations Trish Stokes Volunteers Coordinator Katherine Anne Stanford Olga Dolia Rita Jackson Promotions Assistant Volunteers Coordinator WELCOME Kingston— Canada’s City of Books riters and books have a long history in Kingston. St.