Canadianliterature / Littérature Canadienne

Total Page:16

File Type:pdf, Size:1020Kb

Canadianliterature / Littérature Canadienne Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 202, Autumn 2009, Sport and the Athletic Body Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Larissa Lai (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–2003), Laurie Ricou (2003–2007) Editorial Board Heinz Antor Universität zu Köln Allison Calder University of Manitoba Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatoon Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Editorial Laurie Ricou Thinking Tremolo and Backflip 6 Articles Michael Buma Soccer and the City: The Unwieldy National in Dionne Brand’s What We All Long For 12 Suzanne Zelazo Sport as Living Language: bpNichol and the Bodily Poetics of the Elite Triathlete 30 Articles, continued Joel Baetz Cricket Matters: The English Game and Rohinton Mistry’s Tales from Firozsha Baag 50 Katherine Sutherland Girl Power/Grand Prix: Sex, Speed, and the Motorcycle Racer 66 Sally Chivers Ordinary People: Reading the TransCanadian Terry Fox 80 Poems Susan McCaslin 11 Fred Wah 79 Dennis Cooley 28, 48 Renee Rodin 95 Priscila Uppal 65 Books in Review Forthcoming book reviews are available at http://www.canlit.ca Authors Reviewed Diane Giguère 112 Andre Alexis 96 Andrew Gow 127 Margaret Atwood 121 Théa Gray 124 Brian Bartlett 116 Les Green 132 Lise Bizzoni 97 Brigitte Haentjens 113 Marie-Claire Blais 99 Olaf Hanson 127 Yves Boisvert 101 Kenneth J. Harvey 114 Hervé Bouchard 134 Cara Hedley 118 George Bowering 101 Ron Hotchkiss 108 Ellen Chapco 120 Margot Irvine 115 Herménégilde Chiasson 102 Pierre Karch 115 Margaret Christakos 124 A.L. Karras 127 Nicole Côté 120 Patrick Lane 116 Colleen Craig 103 Arlene Lampert 124 Pierre Crépeau 104 Shari Lapeña 118 Craig Davidson 107 Monika Lee 124 Richard C. Davis 127 Melanie Little 116 d’bi.young.anitafrika 105 Jeanette Lynes 119 Claudia Dey 118 Annabel Lyon 103 Peter Dorrington 120 Jean Mitchell 130 Anne Dublin 108 Clément Moisan 120 Marina Endicott 136 Motion 105 Cary Fagan 103 Erín Mouré 125 Musharraf Ali Farooqi 109 A. Mary Murphy 121 Célyne Fortin 111 Barbara Nickel 125 Alma Fullerton 110 Réal Ouellet 123 Maude Smith Gagnon 111 Joanne Page 124 P.K. Page 124 Virginie Doucet 134 Elise Partridge 125 Paul Genuist 115, 123 Raymond Murray Patterson 127 Stéphane Girard 104 Sheila Petty 120 Paul Huebener 127 Dany Plourde 129 Anne L. Kaufman 101 Cécile Prévost-Thomas 97 Martin Kuester 107 Julie Rak 127 Maurice Lamothe 97 Diane Régimbald 111 Jodi Lundgren 118 Mary Henley Rubio 130 Julia Morris- Paul Savoie 129 von Luczenbacher 112 Kathryn E. Shoemaker 110 Barbara Pell 96 Raymond Souster 132 Summer Pervez 109 Denis Thériault 134 Laurent Poliquin 113 Louis-Jean Thibault 134 Antje M. Rauwerda 121 Alan Twigg 135 Laurie Ricou 135 Fred Wah 125 Kelly-Anne Riess 119 Samantha Warwick 136 Jason Ranon Uri Rotstein 125 Irene N. Watts 110 Ralph Sarkonak 99 Joanne Weber 121 Darlene Shatford 116 Cathleen With 103 Sean Somers 130 Reece Steinberg 114 Reviewers Émilie Théorêt 129 Ariane Audet 111 Ariane Tremblay 102 Lee Baxter 136 Hilary Turner 110 Emmanuel Bouchard 134 Daniel Vaillancourt 115 Marlene Briggs 132 Emily Wall 124 Jorge Calderón 120 Lynn (J.R.) Wytenbroek 103 T.L. Cowan 105 Kinga Zawada 101 Karen Crossley 108 Opinions and Notes Priscila Uppal Aesthetics of Sport: Or, Why I Started Diving and Figure Skating 138 Michael Peterman Hockey Dreams: The Importance of ‘The Game’ 141 John Moss The Journal of Canadian Fiction: A Particularly Lovely Project 150 Canadian Literature, a peer-reviewed journal, welcomes original, unpublished submissions of articles, interviews, and other commentaries relating to writers and writing in Canada, and of previously unpublished poems by Canadian writers. The journal does not publish fiction. Articles of approximately 6500 words (including Notes and Works Cited), double spaced, in 12-point font size, should be submitted in triplicate, with the author’s name deleted from two copies, and addressed to The Editor, Canadian Literature, The University of British Columbia, Buchanan E158, 1866 Main Mall, Vancouver, BC, Canada V6T 1Z1. Submissions should include a brief biographical note (50 words), an abstract (150 words), and a self-addressed return envelope, either with Canadian stamps or accompanied by International Postal Reply Coupons. Submissions without SASE cannot be returned. Articles should follow MLA guidelines for bibliographic format. All works accepted for publication must also be available electronically. Canadian Literature, revue universitaire avec comités d’évaluation, reçoit des soumissions originales d’articles, d’entrevues et autres commentaires inédits portant sur les écrivains du Canada et sur leurs oeuvres, de même que des poèmes inédits d’auteurs canadiens. La revue ne publie aucune fiction narrative. Les manuscrits, d’une longueur approximative de 6500 mots, doivent être soumis en trois exemplaires (dont deux anonymisés), adressés au directeur de Canadian Literature, The University of British Columbia, Buchanan E158, 1866 Main Mall, Vancouver, C.-B., Canada V6T 1Z1, et accompagnés d’une note biographique (50 mots), d’un résumé (150 mots), et d’une enveloppe de retour pré-adressée et pré-affranchie (timbrée ou munie de coupons-réponse internationaux), sans quoi ils ne pourront être retournés à leurs auteurs. Les articles soumis doivent répondre aux exigences de forme bibliogra- phique définies par la MLA. Tous les textes acceptés pour publication devront être fournis électroniquement. Visit the Canadian Literature website for news, forthcoming reviews, interviews, submission guidelines, subscription information, archives, and other features: http://www.canlit.ca Copyright © 2009 The University of British Columbia Subject to the exception noted below, reproduction of the journal, or any part thereof, in any form, or transmission in any manner is strictly prohibited. Reproduction is only permitted for the purposes of research or private study in a manner that is consistent with the principle of fair dealing as stated in the Copyright Act (Canada). GST R108161779 Publication of Canadian Literature is assisted by the University of British Columbia, the Faculty of Arts (ubc), and sshrcc. We acknowledge the financial support of the Government of Canada, through the Publications Assistance Program (pap), toward our mailing costs, and through the Canada Magazine Fund, toward web enhancement and promotional costs. Canadian Literature is indexed in Canadian Periodical Index, Canadian Magazine Index, Humanities International Complete, and the MLA International Bibliography, among numerous others. The journal is indexed and abstracted by ebsco, proquest, and abes. Full text of articles and reviews from 1997 is available from proquest, gale, and ebsco Publishing. The journal is available in microfilm from University Microfilm International. For subscriptions, back issues (as available), and indexes, visit our website. Publications Mail Agreement SUBSCRIPTIONS: $52.50 INDIVIDUAL; no. 40592543 $105 INSTITUTIONAL, GST INCLUDED. Registration no. 08647 OUTSIDE CANADA: US $80 INDIVIDUAL; US $130 INSTITUTIONAL. RETURN UNDELIVERABLE CANADIAN ADDRESSES TO ISSN 0008-4360 Canadian Literature Managing Editor: Donna Chin The University of British Columbia [email protected] Buchanan e158 - 1866 Main Mall, Production Staff: Matthew Gruman Vancouver, BC Kevin Hung Te Tjia Canada V6T 1Z1 Beth Veitch Design: George Vaitkunas TELEPHONE: (604) 822-2780 Illustrations: George Kuthan FAX: (604) 827-4040 Printing: Hignell Printing Limited E-MAIL: [email protected] Typefaces: Minion and Univers http://www.canlit.ca Paper: recycled and acid-free Editorial Thinking Tremolo and Backflip Laurie Ricou I was sitting in the campus cafeteria wondering how to introduce this issue when two Japanese students approached with a ques- tionnaire on health and fitness—part of their English-language training. Question 3 was “What is the greatest benefit of physical activity?” They are probably still puzzling over my ready answer: “It fosters an ability to appre- ciate poetry.” “Oh,” they said smiling demurely, “that’s a good answer.” Just before the shy questioners appeared, I’d been reading and re-reading Robert Kroetsch’s “Listening to the Radio: For Michael Ondaatje.” Kroetsch recreates a time when “Hockey Night in Canada” was pure sound, sound only, and the poetry of hockey was only a listening. Listening is an imagin- ing. What we hear when we
Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • 16 Mars 2005 1,25$ + T.P.S
    CANADIAN 362TIRE 5822 HEARST SUPER SPÉCIAL DÉMARREUR À DISTANCE Pièces et main d’oeuvre Vol. 29 No 52 Hearst On ~ Le mercredi 16 mars 2005 1,25$ + T.P.S. 149 $ Festival de l’orignal de Hearst Modèle pour voiture sans antivol. Surplus pour voiture avec antivol. Parmi les 50 meilleurs en Ontario HEARST(DJ) - Le Festival de Le Festival de l’orignal de Festival de l’orignal de Hearst se déroulera du 14 au 17 juillet. Il l’orignal de Hearst apprenait Hearst a été retenu parmi plus de depuis la mise sur pied du festi- a donc été déplacé de deux récemment qu’il figurait main- 3 000 festivals et événements val. semaines puisqu’au cours des tenant, après deux éditions seule- communautaires qui se tiennent En figurant sur cette liste, le dernières années, le festival se ment, sur la liste des 50 meilleurs annuellement en Ontario. Le Festival de l’orignal de Hearst tenait durant la longue fin de festivals en Ontario. Festival des bûcherons de sera mis en évidence dans les semaine de la Fête du Canada. Celui qui veut forger La liste des 50 meilleurs festi- Kapuskasing fait quant à lui de pages du guide 2005 des festivals Les forfaits pour prendre part à son caractère peut vals en province, une initiative de nouveau partie de la liste cette et événements commuanutaires toutes les activités du troisième l’association provinciale Festi- année. ontariens, guide produit par la Festival de l’orignal de Hearst, trouver une aide vals & Events Ontario a été «En faisant partie de cette liste, Ontario Tourism Marketing dont le spectacle du groupe précieuse auprès des établie et rendue publique il y a ça nous donne de la bonne visi- Partnership Corporation.
    [Show full text]
  • Lesson Plans on Non-Violence 1 Page
    SSIO Canada 2020 Lesson Plans On Non-Violence 1 Page Lesson Plan 1 2-3 o Sub-Value: Unwillingness to Hurt; Group 2 or 3 Lesson Plan 2 o Sub-Value: Fellow- Feeling; Group 1 4-5 Lesson Plan 3 o Sub-Value: Polite & Well Mannered; Group 2 6-7 Lesson Plan 4 o Sub-Value: Helpfulness; Group 2 8-12 Lesson Plan 5 o Sub-Value: Kindness; Group 1 13-14 Lesson Plan 6 15-17 o Sub-Value: Good Manners; Group 1 or 2 Lesson Plan 7 o Sub-Value: Tolerance towards other cultures; Group 2 18-20 Lesson Plan 8 21-25 o Sub-Value: Universal Love; Group 2 LESSON PLAN 1 VALUE: Non –Violence Sub-Value: Unwillingness to Hurt AIM: Each child will realize the benefit of refraining from thinking, saying or doing anything that would harm or hurt anyone thus living in harmony with their surroundings AGE LEVEL: Group 2-3 SILENT SITTING: Create an atmosphere in the classroom which helps children sit quietly as they come in. (Chalkboard has details of the lesson, date etc). Candle already lit, a simple altar is set up. Encourage children to silence their physical body by sitting in a comfortable position. Thereafter silence their minds by monitoring their breath. Say the prescribed standard commentary. QUOTATION: “Before you speak, think -Is it necessary? Is it true? Is it kind? Will it hurt anyone? Will it improve on the silence?” -Baba INTRODUCTION: After reading the quotation start a discussion by asking the following questions: What do you mean by `Think before you speak”? Have you hurt anyone? If yes, how did you feel after? How could you have avoided hurting the person, animal etc..? Why does one hurt another person or thing? Get all to participate in a discussion going with the intent to arouse the thought process.
    [Show full text]
  • Playing with Cultures
    PLAYING WITH CULTURES The Role of Coyote in Sheila Watson's The Double Hook and Thomas King's Green Grass, Running Water by DOUGLAS GEORGE ARNOLD VINCENT A thesis submitted to the Department of English in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada July, 1999 Copyright 0 Douglas George Arnold Vincent, 1999 National Library BiblioWque nationate du Canada Acquisitions and Acquisitions et Bibliographic Sennnnces services bibliographiques 395 Wellington Street 395. rue WellicQtOn OttawaON K1AON4 OttawaON KtAONQ Canada Canada The author has granted a non- L'auteur a accorde melicence non exclusive licence allowing the exclusive permettaut a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distniute or sell reproduire, preter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/fXm, de reproduction sur papier ou sur format electronique. The author retains ownership of the L'auteur conserve la propriete du copyright in this thesis. Neither the droit &auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or othewise de celleci ne doivent Stre imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation- Abstract In Canadian literature, the character of Coyote, with its origins in the oral traditions of Native cultureyhas been able to cross cultural boundaries between Native and Euro-American writers and act at a culturaI intersection where relations between the two traditions meet at the level ofmyth and story- The complex characteristics of Coyote allow authors like Sheila Watson and Thomas King to incorporate Coyote into their fictions and meet their narrative purposes without violating Coyote's Native origins.
    [Show full text]
  • Writing Alberta POD EPDF.Indd
    WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work.
    [Show full text]
  • Writing Here1
    WRITING HERE1 W.H. NEW n 2003, for the BC Federation of Writers, Susan Musgrave assembled a collection of new fiction and poetry from some fifty-two IBC writers, called The FED Anthology.2 Included in this anthology is a story by Carol Matthews called “Living in ascii,” which begins with a woman recording her husband’s annoyance at whatever he sees as stupidity (noisy traffic and inaccurate grammar, for instance, and the loss of his own words when his computer apparently swallows them). This woman then tells of going to a party, of the shifting (and sometimes divisive) relationships among all the women who were attending, and of the subjects they discussed. These included a rape trial, national survival, men, cliffs, courage, cormorant nests, and endangered species. After reflecting on the etymology of the word “egg” (and its connection with the word “edge”), she then declares her impatience with schisms and losses, and her wish to recover something whole. The story closes this way: “If I were to tell the true story, I would write it not in words but in symbols, [like an] ... ascii printout. It would be very short and very true. It would go like this: moon, woman, woman; man, bird, sun; heart, heart, heart, heart, heart; rock, scissors, paper. The title would be egg. That would be the whole story.”3 This egg is the prologue to my comments here. So is the list of disparate nouns – or only seemingly disparate, in that (by collecting them as she does) the narrator connects them into story.
    [Show full text]
  • The Globe 100: Our Favourite Books of 2020
    The Globe 100: Our favourite books of 2020 Globe and Mail editors and reviewers offer up our annual guide to the most notable fiction, non- fiction, thrillers, graphic novels, picture books, young adult books and cookbooks of the year MARGARET CANNON, JEFFREY CANTON, JUDITH PEREIRA, SEAN ROGERS, AND ALEC SCOTT SPECIAL TO THE GLOBE AND MAIL PUBLISHED DECEMBER 4, 2020UPDATED 1 MINUTE AGO ILLUSTRATION BY SALINI PERERA Ridgerunner GIL ADAMSON (HOUSE OF ANANSI PRESS) The sequel to The Outlander (2007), this gothic Western was short-listed for this year’s Giller and won the Writers’ Trust Fiction Prize. The novel begins in 1917 with the death of Mary, the first novel’s main character, and focuses on the father of her child, Moreland. He sets out to steal enough cash to give his son a comfortable life. But their boy, who has his parents’ stubbornness and itch for self- sufficiency, doesn’t stay put for long. READ OUR INTERVIEW WITH AUTHOR GIL ADAMSON Homeland Elegies AYAD AKHTAR (LITTLE, BROWN AND COMPANY) This novel by the Pulitzer-winning author of Disgraced provocatively blends fact and fiction, paradox and contradiction, appearing to be a memoir of a man with the same name and pedigree as its author – a Pulitzer-winning American playwright of Pakistani-Muslim extraction whose father, a doctor, became enamoured with Donald Trump after treating him for a heart ailment, and then disillusioned after he assumes the presidency. READ OUR INTERVIEW WITH AUTHOR AYAD AKHTAR Leave The World Behind RUMAAN ALAM (HARPERCOLLINS) The author of Rich and Pretty and That Kind of Mother is back with a look at what happens when a pair of white renters, Clay and Amanda, are startled by the unexpected arrival of the Black property owners, who claim they’re escaping a mysterious blackout in New York.
    [Show full text]
  • Cahiers-Papers 53-1
    The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf.
    [Show full text]
  • Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation
    But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr.
    [Show full text]
  • An Exploration of Terry Fox
    Portrayals of Disability in Canadian Newspapers: An Exploration of Terry Fox by Karen Ann Christiuk A thesis submitted to the Faculty of Graduate Studies of the University of Manitoba in partial fulfillment of the requirement of the degree of MASTER OF ARTS (INTERDISCPLINARY) Interdisciplinary Master's Program in Disability Studies Faculty of Graduate Studies University of Manitoba Winnipeg Copyright O 2009 by Karen Ann Christiuk THE UNIVERSITY OF MANITOBA FACULTY OF GRADUATE STI]DIES JggJJ COPYRIGHT PERMISSION Portrayals of Disability in Canadian Newspapers: An Exploration of Terry Fox BY Karen Ann Christiuk A ThesislPracticum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirement of the degree of MASTER OF ARTS (INTERDISCIPLINARÐ Karen Ann Christiuk O 2009 Permission has been granted to the University of Manitoba Libraries to lend a copy of this thesis/practicum, to Library and Archives Canada (LAC) to lend a copy of this thesis/practicum, and to LAC's agent (UMlÆroQuest) to microfilm, sell copies and to publish an abstract of this thesis/practicum. This reproduction or copy of this thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner. Acknowledgements I extend my sincere thanks to my supportive parents Roman and Ann Christiuk and to my thesis committee: Dr. Nancy Hansen (Advisor, Interdisciplinary Master's Program in Disability Studies, Faculty of Graduate Studies), Dr. Karen E.
    [Show full text]
  • A Synopsis Multiple Displacements and Fractured Identities in South
    A Synopsis Multiple Displacements and Fractured Identities in South Asian Fiction: A Study in the Selected Novels of Rohinton Mistry, Bapsi Sidhwa, Taslima Nasrin and Philip Michael Ondaatje With Special Reference to: Such a Long Journey Family Matters Crow Eaters Ice Candy Man Lajja French Lover The English Patient Anil’s Ghost A Synopsis Submitted for the award of the degree of DOCTOR OF PHILOSOPHY in English Supervisor: Submitted by: Dr. Gur Pyari Jandial Kanika Agarwal Associate Professor Dept. Of English Studies Head of the Department: Dean: Prof. S.K Chauhan Prof. Urmila Anand Dept. of English Studies Faculty of Arts Faculty of Arts Department of English Studies Faculty of Arts Dayalbagh Educational Institute (Deemed University) Dayalbagh, Agra, 282110 1 The history of the nineteenth century and the early decades of the twentieth century can be conveniently summed up by the word „colonialism‟. The decolonization which followed the Second World War is reflected in the rapid evolution of literature in the erstwhile colonies as an expression of new realities and a new national political order. Postcolonial theory came into its own as a revisionist project of the early 1990s, dominated until recently by Indian intellectuals and informed by a trinity which comprises Edward Said, Gayatri C. Spivak, and Homi K. Bhabha. Postcolonial theory, as epistemology, ethics, and politics, deals with matters of identity, gender, race, racism, ethnicity, and culture as well as facing the challenge of developing a Post- colonial national identity. Homi K. Bhabha, coined the term „Hybridity‟, which describes the emergence of new cultural forms from multiculturalism. Instead of seeing colonialism as something locked in the past, Bhabha shows how its histories and cultures constantly intrude on the present, demanding that we must transform our understanding of cross-cultural relations.
    [Show full text]
  • Libraries and Cultural Resources
    LIBRARIES AND CULTURAL RESOURCES Archives and Special Collections Suite 520, Taylor Family Digital Library 2500 University Drive NW Calgary, AB, Canada T2N 1N4 www.asc.ucalgary.ca Katherine Govier fonds. ACU SPC F0128 https://searcharchives.ucalgary.ca/katherine-govier-fonds An additional finding aid in another format may exist for this fonds or collection. Inquire in Archives and Special Collections. KATHERINE GOVIER fonds ACCESSION NO.: 700/01.6 The Katherine Govier Fonds Accession No. 700/01.6 CORRESPONDENCE ....................................................................................................................................... 2 MANUSCRIPTS ............................................................................................................................................. 28 Fiction - Drama (Film, Radio, Stage, TV) ................................................................................................. 29 Fiction - Novel ......................................................................................................................................... 37 Fiction - Short Story Collections .............................................................................................................. 39 Fiction - Uncollected Short Stories.......................................................................................................... 42 Non-Fiction - Articles, Book Reviews, Speeches, Etc. ............................................................................. 42 PUBLISHED WORKS ....................................................................................................................................
    [Show full text]