Historic District Landmarks Commission Glossary
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The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
October 1893
ENTRANCE TO THE CITY HALL, COLOGNE. TTbe VOL. III. OCTOBER-DECEMBER, 1893. NO. 2. THE PROBLEM OF NATIONAL AMERICAN ARCHITECTURE. I. THE QUESTION STATED. HAT is to be the must in due time be developed, in the character of the peculiar circumstances of American style of artistic progress, a particular variety of that architectural de- artistic treatment of building which is sign which sooner one of the instincts of mankind, is a or later is to be- proposition that is scarcely open to come established debate. The question before us there- in the United fore is simply this: Considering what States as a national style ? Of course these peculiar circumstances are, and this is a to to those natural speculative question ; but, having regard laws, American architects and connoisseurs, how far can we foresee the outcome? it is not merely an extremely interest- Is this American originality likely to be ing one, it is a highly important one, great or small; essential or not; good, and indeed a practical problem for bad, or indifferent; of speedy achieve- daily consideration. ment or slow; permanent or evanescent? Americans may ask whether it is not for themselves to solve this problem, II. A PECULIAR CONTROVERSY IN without any help from friends, however ENGLAND. friendly, in the Old World a world, moreover, which to many persons in It may be well to premise that there these days seems somewhat effete in is at the present moment a very pecul- many ways, and confessedly, amongst iar and somewhat acrimonious contro- the rest, not up to the mark in archi- versy agitating the architectural profes- tecture. -
Acanthus a Stylized Leaf Pattern Used to Decorate Corinthian Or
Historical and Architectural Elements Represented in the Weld County Court House The Weld County Court House blends a wide variety of historical and architectural elements. Words such as metope, dentil or frieze might only be familiar to those in the architectural field; however, this glossary will assist the rest of us to more fully comprehend the design components used throughout the building and where examples can be found. Without Mr. Bowman’s records, we can only guess at the interpretations of the more interesting symbols used at the entrances of the courtrooms and surrounding each of the clocks in Divisions 3 and 1. A stylized leaf pattern used to decorate Acanthus Corinthian or Composite capitals. They also are used in friezes and modillions and can be found in classical Greek and Roman architecture. Amphora A form of Greek pottery that appears on pediments above doorways. Examples of the use of amphora in the Court House are in Division 1 on the fourth floor. Atrium Inner court of a Roman-style building. A top-lit covered opening rising through all stories of a building. Arcade A series of arches on pillars. In the Middle Ages, the arches were ornamentally applied to walls. Arcades would have housed statues in Roman or Greek buildings. A row of small posts that support the upper Balustrade railing, joined by a handrail, serving as an enclosure for balconies, terraces, etc. Examples in the Court House include the area over the staircase leading to the second floor and surrounding the atria on the third and fourth floors. -
Attic Pottery of the Later Fifth Century from the Athenian Agora
ATTIC POTTERY OF THE LATER FIFTH CENTURY FROM THE ATHENIAN AGORA (PLATES 73-103) THE 1937 campaign of the American excavations in the Athenian Agora included work on the Kolonos Agoraios. One of the most interesting results was the discovery and clearing of a well 1 whose contents proved to be of considerable value for the study of Attic pottery. For this reason it has seemed desirable to present the material as a whole.2 The well is situated on the southern slopes of the Kolonos. The diameter of the shaft at the mouth is 1.14 metres; it was cleared to the bottom, 17.80 metres below the surface. The modern water-level is 11 metres down. I quote the description from the excavator's notebook: The well-shaft, unusually wide and rather well cut widens towards the bottom to a diameter of ca. 1.50 m. There were great quantities of pot- tery, mostly coarse; this pottery seems to be all of the same period . and joins In addition to the normal abbreviations for periodicals the following are used: A.B.C. A n tiquites du Bosphore Cimmerien. Anz. ArchaiologischerAnzeiger. Deubner Deubner, Attische Feste. FR. Furtwangler-Reichhold, Griechische Vasenmxlerei. Kekule Kekule, Die Reliefs an der Balustrade der Athena Nike. Kraiker Kraiker,Die rotfigurigenattischen Vasen (Collectionof the ArchaeologicalIn- stitute of Heidelberg). Langlotz Langlotz, Griechische Vasen in Wiirzburg. ML. Monumenti Antichi Pu'bblicatiper Cura della Reale Accadenia dei Lincei. Rendiconti Rendiconti della Reale Accademia dei Lincei. Richter and Hall Richter and Hall, Red-Figured Athenian Vases in the Metropolitan Museum of Art. -
Bareiss Collection Attic Black-Figured Amphorae, Neck-Amphorae, Kraters, Stamnos, Hydriai, and Fragments of Undetermined Closed Shapes
CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 23 The J. Paul Getty Museum, Malibu, Fascicule 1 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 1 • [U.S.A. FASCICULE 23] 1988 LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fase. 23- ) Vol. i by Andrew J. Clark. At head of title : Union académique internationale. Includes index. Contents: v. i. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes. i. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . II. J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fase. 23, etc. NK4640.C6.U5 fase. 23, etc. 73 8.3'82*0938074 s 88-12781 [NK4Ó24.B3 7] [73 8.3 '82J093 8074019493] ISBN 0-89236-134-4 © 1988 The J. Paul Getty Museum, Malibu, California All rights reserved Library of Congress Cataloging-in-Publication -
Ancient Lamps in the J. Paul Getty Museum
ANCIENT LAMPS THE J. PAUL GETTY MUSEUM Ancient Lamps in the J. Paul Getty Museum presents over six hundred lamps made in production centers that were active across the ancient Mediterranean world between 800 B.C. and A.D. 800. Notable for their marvelous variety—from simple clay saucers GETTYIN THE PAUL J. MUSEUM that held just oil and a wick to elaborate figural lighting fixtures in bronze and precious metals— the Getty lamps display a number of unprecedented shapes and decors. Most were made in Roman workshops, which met the ubiquitous need for portable illumination in residences, public spaces, religious sanctuaries, and graves. The omnipresent oil lamp is a font of popular imagery, illustrating myths, nature, and the activities and entertainments of daily life in antiquity. Presenting a largely unpublished collection, this extensive catalogue is ` an invaluable resource for specialists in lychnology, art history, and archaeology. Front cover: Detail of cat. 86 BUSSIÈRE AND LINDROS WOHL Back cover: Cat. 155 Jean Bussière was an associate researcher with UPR 217 CNRS, Antiquités africaines and was also from getty publications associated with UMR 140-390 CNRS Lattes, Ancient Terracottas from South Italy and Sicily University of Montpellier. His publications include in the J. Paul Getty Museum Lampes antiques d'Algérie and Lampes antiques de Maria Lucia Ferruzza Roman Mosaics in the J. Paul Getty Museum Méditerranée: La collection Rivel, in collaboration Alexis Belis with Jean-Claude Rivel. Birgitta Lindros Wohl is professor emeritus of Art History and Classics at California State University, Northridge. Her excavations include sites in her native Sweden as well as Italy and Greece, the latter at Isthmia, where she is still active. -
Junior High-High School Edition)
1 Glossary for the Virtual Tour (Junior High-High School Edition) A Acanthus – Representation of Acanthus plant leaf used in architecture and decorative arts as an ornamental motif, specifically in Classical architecture of the Greeks and Romans. Also used in the capital of the Corinthian order. Ad valorem taxes – Ad valorem is a Latin phrase meaning “according to the value,” meaning it is a tax proportional to the value of the underlying asset. Usually a type of property tax. Alabaster – A type of fine-grained gypsum that has been used for statuary, carvings, ornaments, church fittings, and monuments. Normally snow-white in color, however, it can be dyed or even be translucent depending on the treatment. Ante-chamber – A room that serves as a waiting area and entry to a larger chamber. Anthemion – A decoration in architecture consisting of radiating petals and used widely in Classical architecture. Arch – A curved structure, usually a doorway or gateway, that serves as support for a structure. Architect – A skilled person in the art of building, who designs complex structures such as government buildings, monuments, housing, etc. Architecture – The art and technique of designing and building. Architrave – In Classical architecture, the lowest section of the entablature (see entablature) directly above the capital of a column. Art Nouveau – Meaning “new art,” Art Nouveau is a style of art and architecture that was popular in the late 19th and early 20th centuries. It is known by its floral designs, flowing lines, and curved tendrils. Attic – Denotes any portion of a wall above the main cornice (see cornice). -
History of Architecture
ART 21000: HISTORY OF ARCHITECTURE Course Description: An introduction to the history of architecture of the Western World from the Stone Age to skyscrapers based on lectures, readings from the required texts, completion of the Architectural Vocabulary Project, and the study visit to Italy. Lectures and readings cover the historical development of architecture in the following topics: Stone Age, Egyptian & Mesopotamian, Greek, Roman, Early Christian, Romanesque, Gothic, Renaissance, Baroque, and the Modern Era to the present. Class Meetings: Tuesday & Thursday, 4-8pm Texts: Watkin & XanEdu Course Schedule: Mtg # Date Topics Readings 1 T 5/12 Stone Age, Egypt, Mesopotamia & Greece TBD 2 R 5/14 Rome TBD 3 T 5/19 Exam #1; Early Christian & Romanesque TBD 4 R 5/21 Romanesque & Gothic TBD 5 T 5/26 Exam #2 Renaissance TBD 6 R 5/28 Baroque TBD 7 T 6/2 Exam #3; 18th century & 19th century TBD 8 R 6/4 19th century TBD 9 T 6/9 20th century TBD 10 R 6/11 Exam #4; AVP.1 DUE; Walking Tour TBD 11 M-S 6/21- Study abroad to Italy 6/29 12 R 7/3 AVP.2 Due Homework Schedule: 10% of final grade. Homework will consist of writing 20 questions, answers, and citations on each topic based on the readings from Watkin and/or XanEdu. 5/19 HW 1 Stone Age, Egypt & Mesopotamia, Greek, and Roman 5/26 HW 2 Early Christian, Byzantine, Romanesque, and Gothic 6/2 HW 3 Renaissance & Baroque 6/11 HW 4 18th, 19th, and 20th centuries Grading: Homework (4) 10% Attendance (10) 10% Exams (4) 40% AVP. -
12. State Historic Preservation Officer Certification
NPS Form 10-900 (7-81) 024-0018 United States Department off the Interior National Park Service National Register of Historic Places Inventory—Nomination Form See instructions in How to Complete National Register Forms Type all entries—complete applicable sections _____________ 1. Name historic /J.W\)BennjBuilding (Medford Post Office) and/or common Gruener' s Bakery 2. Location street & number 202-204 So*Hb*rMain __ not for publication city, town Medford vicinity of state Wisconsin code 55 code 119 3. Classification Category Ownership Status Present Use district public X occupied agriculture museum X building(s) __X_ private unoccupied X commercial park structure both work in progress educational private residence __ site Public Acquisition Accessible entertainment religious object in process yes: restricted government scientific being considered X yes: unrestricted industrial transportation no military other! 4. Owner of Property name George Gruener street & number 207 East Clark city, town Medford vicinity of state Wisconsin 54451 5. Location of Legal Description courthouse, registry of deeds, etc. Taylor County Courthouse street & number 224 South Second Street city, town Medford state Wisconsin 54451 6. Representation in Existing Surveys__________ Wisconsin Inventory of title Historic Places has this property been determined eligible? __ yes X no date 1976 federal X state __county __local depository for survey records State Historical Society of Wisconsin Wisconsin 53706 city, town Madison state 7. Description Condition Check one Check one X excellent deteriorated unaltered X original s ite _ ruins _JL altered moved date fair unexposed Describe the present and original (iff known) physical appearance Facing south, the two-story cream-brick J.W. -
Old House Guide Glossary/Index of Terms -A- Abutment- a Solid
Old House Guide Glossary/Index of Terms -A- abutment- a solid piece of masonry used to support a projecting part of a structure acanthus- a common plant of the Mediterranean, whose leaves, stylized form the characteristic decoration of capitals of Corinthian and Composite orders. In scroll form it appears on friezes, panels, etc. adobe- mud brick dried in the sun; unburned brick of earth and straw; a structure made of such adaptive use- modifying a building for a use different from that for which it was originally designed. Old houses, for example are often adaptively used as professional offices. adobe- a sun-dried, unburned brick of earth and straw; a structure made of such bricks anthemion- a common Greek ornament based upon the honeysuckle or palmette; used singly or as a running ornament in friezes, cornices, iron work, etc; very adaptable decoration apron- “a decorative, raised panel immediately below a window sill. Particularly to be seen in Renaissance architecture” arcade- a series of arches supported by columns or piers; a building or part of a building with a series of arches often forming a covered passageway arch- “a structure of wedge-shaped blocks of material over an opening which support one another by mutual pressure basket- arch constructed with arcs from 3 centers resembling the handle of a basket compound, recessed- doorway, where a number of concentric arches are set within and behind each other; a series of arches, one on top of another, growing smaller as they move away from the surface and into the interior of the structure, a form of décor detailing used for the enhancement of the main portal or window. -
The Five Later 'Tyrrhenian' Painters
BaBesch 71 (1996) The Five Later ‘Tyrrhenian’ Painters Jeroen Kluiver 1 INTRODUCTION 2.2 Oeuvre a. Amphorae In this article I deal with the five later ‘Tyrrhenian' artisans – Kyllenios Painter, Castellani Painter, Early period Pointed-Nose Painter, Guglielmi Painter and Fallow 104. GOTHA Z.V. 2477, fragmentary. ABV 101.80; Deer Painter – in the same way that I dealt with the Para 38 [D. von Bothmer] 105. DRESDEN Z.V. 1647 (Dr. 209). ABV 105.1 [D. three earlier ‘Tyrrhenian' painters in my previous von Bothmer] article (1995). 106. ST PETERSBURG 1402. ABV 105.3; Add2 28; For each painter I list the vases (divided into three Bothmer CVA, and in Moore 1972, 39: ‘Prometheus or four periods), describe the decorative schemes, Painter', Bothmer 1977, 264 ‘Timiades Painter' note the subjects and remark on style and other [author] characteristics. The inscriptions are treated in short notes; again Professor C.J. Ruijgh kindly com- Middle period 107. BERLIN F 1704. (Fig. 38) ABV 96.14, 683; Para mented on the meaningful ones, among which the 2 Guglielmi Painter's signature on Louvre E 831 36; Add 25 [D. von Bothmer] 108. BONN 37. ABV 99.58, 684; Para 38; Add2 26; (211). Each chapter contains a section on the Kluiver 1993, 193, fig. 10 [D. von Bothmer] painter's relative chronology. 109. FRANKFORT, UNIVERSITY 136, fragmentary. Two extra sections are inserted, one explaining Para 39; Add2 27; CVA 4, pls. 11-13 [D. von why I delete the four dinoi attributed to the Bothmer] Kyllenios Painter (2.8), the other (3.8) explaining why the amphorae which I call broad-shouldered This is the fourth article in my series on the ‘Tyrrhenian' in my second article (1993) are not included in the Group. -
Catalogue 101 To
Lots 101 - 110 Lot #101: MEISSEN PORCELAIN FIGURE GROUP Molded as an 18th c. boy in yellow pantaloons holding a grape cluster and a girl in straw hat and apron, centering a grape-filled basket, crossed swords mark; 6 1/4 x 5 1/2 in. Estimate: $ 600.00 - $ 800.00 Lot #102: TWO CONTINENTAL PORCELAIN FIGURE GROUPS The one marked ENS with crossed lines and point modeled as the seated Pan holding grape cluster over a prone nymph, the other, Meissen-style, Leda with swan and arm around female companion; 11 x 12 1/2 in. and 11 3/4 x 13 in. Estimate: $ 1200.00 - $ 1800.00 Lot #103: PAIR OF KPM BERLIN IVORY-GLAZED PORCELAIN LARGE URNS Each ovoid bowl with arched handles and gadroon and entrelac bands, leaf-banded lower section on separate stand, underglaze blue scepter mark, drilled for lamps; 19 3/4 in. Estimate: $ 2000.00 - $ 3000.00 Lot #104: TWO KPM BERLIN PORCELAIN PLAQUES Impressed sword above K.P.M. G or W 237-158; the one with Apollo in his chariot with female attendants, the other with the figure of death riding alongside a prince above a prone maiden and pursuing a nymph holding a crown, in carved giltwood frames; 6 1/4 x 9 1/4 in. Estimate: $ 1500.00 - $ 3000.00 Lot #105: PAIR OF KPM BERLIN PORCELAIN ALLEGORICAL FIGURES Modeled as semi-draped classical females personifying painting or writing, each with attributes and an attendant putto, underglaze sceptre mark and iron red KPM beneath a cross and oval; 11 7/8 and 12 1/4 in.