Chung Ku 0099M 13843 DAT
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi”
Journal of Literature and Art Studies, June 2016, Vol. 6, No. 6, 603-618 doi: 10.17265/2159-5836/2016.06.003 D DAVID PUBLISHING Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi” TANG Qi-cui, WU Yu-wei Shanghai Jiao Tong University, Shanghai, China This paper focus on the myth of “Huang of Xiahoushi” (夏后氏之璜), focusing on the distribution of Jade Huang (玉璜) since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context. Keywords: Jade Huang, Huang of Xiahoushi, unified diversity, Chinese identity, etiquette civilization, multi-evidence method Introduction Modern archeological relics including potteries, jades and bronzes bring back the lost history; the process of how Chinese unified diversity took shape in general and the great tradition of jade culture in eight thousand in particular. The handed-down documents echo each other at a distance provide solid evidences for the origin of civilization of rite and music and the core values based on jade belief. Jade Huang is an important one of it. It is illuminated by numerous records about Jade Huang in ancient literature, as well as a large number of archaeology findings past 7,000 years. The paper seeks to focus on the following questions: what is the function of Jade Huang in historic and prehistoric period? Moreover, what is the function of “Huang of Xiahoushi”, which belonged to emperor and symbolized special power in historic documents and myths and legends in ancient china? Jade Huang: Etiquette and Literature Jade Huang (Yu Huang, Semi-circular/annular Jade Pendant) is a type of jade artifact which is seemed to be remotely related to etiquette and literature. -
Dialogue Between Confucius and Socrates: Norms of Rhetorical Constructs in Their Dialogical Form and Dialogic Imagination
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 Dialogue Between Confucius and Socrates: Norms of Rhetorical Constructs in Their Dialogical Form and Dialogic Imagination. Bin Xie Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Xie, Bin, "Dialogue Between Confucius and Socrates: Norms of Rhetorical Constructs in Their Dialogical Form and Dialogic Imagination." (1998). LSU Historical Dissertations and Theses. 6717. https://digitalcommons.lsu.edu/gradschool_disstheses/6717 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Final Program of CCC2020
第三十九届中国控制会议 The 39th Chinese Control Conference 程序册 Final Program 主办单位 中国自动化学会控制理论专业委员会 中国自动化学会 中国系统工程学会 承办单位 东北大学 CCC2020 Sponsoring Organizations Technical Committee on Control Theory, Chinese Association of Automation Chinese Association of Automation Systems Engineering Society of China Northeastern University, China 2020 年 7 月 27-29 日,中国·沈阳 July 27-29, 2020, Shenyang, China Proceedings of CCC2020 IEEE Catalog Number: CFP2040A -USB ISBN: 978-988-15639-9-6 CCC2020 Copyright and Reprint Permission: This material is permitted for personal use. For any other copying, reprint, republication or redistribution permission, please contact TCCT Secretariat, No. 55 Zhongguancun East Road, Beijing 100190, P. R. China. All rights reserved. Copyright@2020 by TCCT. 目录 (Contents) 目录 (Contents) ................................................................................................................................................... i 欢迎辞 (Welcome Address) ................................................................................................................................1 组织机构 (Conference Committees) ...................................................................................................................4 重要信息 (Important Information) ....................................................................................................................11 口头报告与张贴报告要求 (Instruction for Oral and Poster Presentations) .....................................................12 大会报告 (Plenary Lectures).............................................................................................................................14 -
Do Not Kill the Goose That Lays Golden Eggs: the Reasons of the Deficiencies in China’S Intellectual Property Rights Protection
DO NOT KILL THE GOOSE THAT LAYS GOLDEN EGGS: THE REASONS OF THE DEFICIENCIES IN CHINA’S INTELLECTUAL PROPERTY RIGHTS PROTECTION XIUYI ZHENG MPhil University of York Law March 2015 Abstract China’s intellectual property protection, which has been considered weak and discussed for decades, is playing an increasingly significant role in global trading. In the past decades, China has made great strikes in its intellectual property rights (IPR) protection, while its performance is still not satisfactory, especially in the eyes of developed countries. Before taking any further coercive strategies, both developed countries and China should look into the reasons of the deficiencies in China’s IPR protection so that measures could be taken more efficiently. This thesis will focus on the detailed history of the development of China’s IPR protection with a historical method, thus justifying the theory that late start and slow development are the main two reasons of the deficiencies in China’s IPR system. The concept of IPR did not exist in China until the end of 19th century due to the influence of Confucianism. The weak awareness of IPR lasted till now. From the day that western forces brought the idea of IPR into China to the establishment of a genuine protection system, China experienced a violent social turbulence with many changes in regimes and guiding ideologies. Meanwhile, Chinese government was continuously in the dilemma: whether they should pursuit a better IPR protection system or learn advanced knowledge and technologies from developed countries. All these factors slowed down the development of IPR in China. -
Introduce to the Non-Symmetry of Word Derivation Between 'Wenhua' and 'Culture'
International Journal of Linguistics and Communication June 2015, Vol. 3, No. 1, pp. 145-150 ISSN: 2372-479X (Print) 2372-4803 (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijlc.v3n1a15 URL: http://dx.doi.org/10.15640/ijlc.v3n1a15 Introduce to the Non-symmetry of Word Derivation between ‘Wenhua’ and ‘Culture’ Fei Deng1 & Jianli Tang2 Abstract The western civilizations have brought many new thoughts to Chinese language in the 19th century, and further influenced and changed the words’ meanings of Chinese words. To studying the Chinese-English translated terms and knowing their different derivation can bridge the gap between different cultures. The scholar translated the English word ‘Culture’ into Chinese word ‘Wenhua’. ‘Wenhua’ is derived from two words which are ‘Wen’ and ‘Hua’ in ancient Chinese language. ‘Wen’ means ‘to feel and experience the nature by heart, and then painting and describing things, at last, one can achieve correlating knowledge through this process in ancient Chinese language’. ‘Hua’ means ‘to change’ which stresses persons can improve them based on ‘Wen’. The start-point of meanings emphasizes the harmonious relationship between human beings and outer nature, and stresses the inner harmony of human beings by themselves. Namely, ‘Wenhua’ focuses on the all sorts of social and ethical relationship which comes from the inner human beings society. The start- point of meanings derivation of English word ‘Culture’ emphasizes the interrelation between human being society and the outer nature, and focuses the contrary relationship which embody as the remolding one and the reformed one. -
The Advent of Islam in China: Guangzhou Fanfang During the Tang-Song Era Meng Wei
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2010 The Advent of Islam in China: Guangzhou Fanfang during the Tang-Song Era Meng Wei Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Wei, Meng, "The Advent of Islam in China: Guangzhou Fanfang during the Tang-Song Era" (2010). All Theses and Dissertations (ETDs). 814. https://openscholarship.wustl.edu/etd/814 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of East Asian Studies THE ADVENT OF ISLAM IN CHINA GUANGZHOU FANFANG DURING THE TANG-SONG ERA by Meng Wei A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts August 2010 Saint Louis, Missouri TABLE OF CONTENTS List of Illustrations………………………………………………………iii Introduction………………………………………………………………1 Significance of Study……………………………………………………2 Sources…………………………………………………………………4 1 Sino-Islamic Contacts before the Mongol Rule………………………6 2 The Maritime Silk Road Linking China and the Islamic World……15 3 The Making of the Guangzhou fanfang……………………………18 4 State-Sanctioned Non-Han Communities: A Comparison between jimizhou and fanfang………………………………………………22 Conclusion………………………………………………………………37 Bibliography………………………………………………………………41 ii LIST OF ILLUSTRATIONS Figure 1 The Location of the Belitung Wreck on Google Map…………7 iii Introduction Islam is a religion noted by its powerful concern for Muslim community which is known as the umma1. -
A Study of the Standardization of Chinese Writing/ Ying Wang University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2008 A study of the standardization of Chinese writing/ Ying Wang University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Wang, Ying, "A study of the standardization of Chinese writing/" (2008). Masters Theses 1911 - February 2014. 2060. Retrieved from https://scholarworks.umass.edu/theses/2060 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A STUDY OF THE STANDARDIZATION OF CHINESE WRITING A Thesis Presented by YING WANG Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Asian Languages and Literatures © Copyright by Ying Wang All Rights Reserved STUDIES OF THE STANDARDIZATION OF CHINESE WRITING A Thesis Presented by YING WANG Approved as to style and content by: hongwei Shen, Chair Donald E. GjertsoH, Member Enhua Zhang, Member hongwei Shen, Director Asian Languages and Literatures Program Department of Languages, Literatures and Cultures Julie Caii s, Chair Departira hguages, Literatures and Cultures ACKNOWLEDGEMENTS I would like to earnestly thank my advisor, Professor Zhongwei Shen, for his helpful, patient guidance and support in all the stages of my thesis writing. Thanks are also due to my committee members Professor Donald Gjertson and Professor Enhua Zhang, for their generous help. My friends, Mathew Flannery and Charlotte Mason, have also edited thesis my in various stages, and to them I am truly grateful. -
"Confucian" Classics, by Michael Nylan Endnotes
Copyright 2001 Yale University The Five "Confucian" Classics, by Michael Nylan Endnotes Page ¶ Chapter 1— Introduction to the Five Classics 1 1 "…the Chinese system"—In Korea, a national university dedicated to classical education in Chinese was established in AD 372 in Koguryô, one of the Three Kingdoms absorbed into Unified Silla, but it was not until the fourteenth century that the Yi dynasty designated Zhu Xi's teachings as Korea's official state ideology (for 500 years). In Japan, elements of Chinese-style classicism were first promoted by the fourth and fifth shoguns of Tokugawa (from 1651), and fully systematized only in Meiji. See Kurozumi Makoto (1994). In Vietnam, Van Mieu, a university on the Chinese model, with classes conducted in Mandarin Chinese, was in operation after AD 1070. For more information on Vietnam, see Alexander Woodside (1971). For Zhu Xi (1130-1200), see below in the introduction and Key Terms. 2 1 "…well worth revisiting"—Thomas Wilson (Hamilton College, private communication) reminds us that the modernists disputed the view that the world is iinherently moral; the postmodernists, that the world is intelligible. For the phrase "real science of men," see Charles Calia (1998), p. 139. 2 1 "…squander their riches"—Of course, Zhu Xi once scoffed at this ardent desire, which he ascribed to the Han classical masters, to fully comprehend thhe Supreme Sage: "Short of recalling Confucius's soul (hun) so that he can explain in person, I do not know what is to be done" about interpreting the past. See ZZYL 83, no. 44 (VI, p. -
Analysis of the Typical Small Watershed of Warping Dams in the Sand Properties
E3S Web of Conferences 38, 03052 (2018) https://doi.org/10.1051/e3sconf/20183803052 ICEMEE 2018 Analysis of the typical small watershed of warping dams in the sand properties LiLi 1,2, *, Ji Shan Yang 2, Wei Ying Sun 2, and Sha Sha Shen 2 1Xi’an University of technology, Xi’an, Shanxi 710048, China 2Key Laboratory of Soil and Water Loss Process and Control on the Loess Plateau of Ministry of Water Resources, Yellow River Institute of Hydraulic Research, Zhengzhou 450003, China Abstract. Coarse sediment with a particle size greater than 0.05mm is the main deposit of riverbed in the lower Yellow River, the Loess Plateau is one of the concentrated source of coarse sediment, warping dam is one of the important engineering measures for gully control. Jiuyuangou basin is a typical small basin in the first sub region of hilly-gullied loess region, twenty warping dams in Jiuyuangou basin was selected as research object, samples of sediment along the main line of dam from upper, middle to lower reaches of dam fields and samples of undisturbed soil in slope of dam control basin were taken to carry out particle gradation analysis, in the hope of clearing reducing capacity on coarse sediment of different types of warping dam through the experimental data. The results show that the undisturbed soil in slope of dam control basin has characteristics of standard loess, the particle size are mainly distributed in 0.025~0.05mm, and the 0.05mm particle size of Jiuyuangou basinof loess is an obvious boundary; Particle size of sediment in 15 warping dam of Jiuyuangou basin are mainly distributed in 0.031~0.05mm with the dam tail is greater than dam front in general. -
Southern Identity and Southern Estrangement in Medieval Chinese Poetry
Southern Identity and Southern Estrangement in Medieval Chinese Poetry Edited by Ping Wang and Nicholas Morrow Williams Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2015 Hong Kong University Press ISBN 978-988-8139-26-2 All rights reserved. No portion of this publication may be reproduced or transmitt ed in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Liang Yu Printing Factory Ltd. in Hong Kong, China Contents Acknowledgments vii List of Contributors ix 1. Southland as Symbol 1 Ping Wang and Nicholas Morrow Williams 2. Southern Metal and Feather Fan: Th e “Southern Consciousness” of Lu Ji 19 David R. Knechtges 3. Fan Writing: Lu Ji, Lu Yun and the Cultural Transactions between North and South 43 Xiaofei Tian 4. Plaint, Lyricism, and the South 79 Ping Wang 5. Farther South: Jiang Yan in Darkest Fujian 109 Paul W. Kroll 6. Th e Pity of Spring: A Southern Topos Reimagined by Wang Bo and Li Bai 137 Nicholas Morrow Williams 7. Th e Stele and the Drunkard: Two Poetic Allusions from Xiangyang 165 Jie Wu 8. Jiangnan from the Ninth Century On: Th e Routinization of Desire 189 Stephen Owen Works Cited 207 Index 219 Contributors David R. -
A Study of the Guodian Confucian Texts
Early Confucianism: A Study of the Guodian Confucian Texts Item Type text; Electronic Dissertation Authors Wong, Kwan Leung Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 06:38:27 Link to Item http://hdl.handle.net/10150/195186 EARLY CONFUCIANISM: A STUDY OF THE GUODIAN CONFUCIAN TEXTS by Kwan Leung Wong _______________________________ Copyright © Kwan Leung Wong 2006 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2006 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Kwan Leung Wong entitled EARLY CONFUCIANISM: A STUDY OF THE GUODIAN CONFUCIAN TEXTS and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ______________________________________________________________________ Date: March 24, 2006 Jiang Wu Dissertation Chair _______________________________________________ Date: March 24, 2006 Donald Harper Dissetation Co-chair ________________________________________________ Date: March 24, 2006 Anna M. Shields Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
8 · Chinese Cosmographical Thought: the High Intellectual Tradition
8 · Chinese Cosmographical Thought: The High Intellectual Tradition JOHN B. HENDERSON Chinese cosmographical thought of premodern times was to establish just what these relationships were. Hence this not as concerned as its counterparts in Western civili chapter must rely largely on verbal descriptions for its zations with the overall shape of the world or structure account of Chinese cosmographical thought in its form of the cosmos. There is no pre-seventeenth-century ative phase in the Han era (206 B.C.-A.D. 220), though Chinese equivalent of the medieval European mappae graphic reconstructions dating from the Song and later mundi or of Western representations of the earth show will be included where they are helpful and relevant. ing its various cosmographical divisions or climatic zones. A glance at these reconstructions reveals that most of The widely held conception that China comprised "all them were patterned on the same model, a square divided under heaven" (tianxia), as well as the geographical iso into nine equal squares resembling the form of a simple lation of Chinese civilization, may have contributed to magic square or three-by-three grid. Cosmographers in Chinese cosmographers' lack of interest in outlining, traditional China applied this plan to the conceptuali either realistically or schematically, the form of the world zation and arrangement of such diverse kinds of space as as a whole. Whatever the explanation, traditional Chinese astronomical, political, agrarian, urban, and architectural. cosmographical charts generally represent structures in Just as Sir Thomas Browne, according to Coleridge, saw such microcosmic dimensions as the architectural, the "Quincunxes [or lozenges] in Heaven above, Quincunxes urban, and the agrarian rather than depicting the shape in Earth below, & Quincunxes in the water beneath the of the earth or the system of the world.