Appendix A: Naipaul's Family, a House for Mr Biswas and the Mimic

Total Page:16

File Type:pdf, Size:1020Kb

Appendix A: Naipaul's Family, a House for Mr Biswas and the Mimic Appendix A: Naipaul’s Family, A House for Mr Biswas and The Mimic Men Naipaul’s fiction makes imaginative use of actual people. His father Seepersad (1906–53) is the model for Mr Biswas. After Seepersad’s father died when he was six years old, Seepersad and his impoverished mother became dependent on his mother’s sister (Tara of Biswas) and her wealthy husband (Ajodha) who owned rum shops, taxis and other busi- nesses. After some schooling Seepersad became a sign-painter; he painted a sign for the general store connected to Lion House (Hanuman House in Biswas) owned by the Capildeos (the Tulsis) of Chaguanas and married Bropatie Capildeo (Shama). Although his seven children were born in Lion House he usually resided elsewhere. After he had painted advertising signs for the Trinidad Guardian (the Sentinel in Biswas), the editor allowed him to submit articles, then hired him as a reporter. As Seepersad had a highly developed sense of humour his reports and interviews made him well known. After several moves Seepersad became the newspaper’s Chaguanas correspondent but lived by himself in a wooden house away from Lion House until he had a mental collapse – possibly influenced by his resig- nation from the paper after the editor had been fired and its policy changed, and possibly by a fierce quarrel with the very orthodox Hindu Capildeos about religious reform. After his nervous breakdown he became an overseer on a Capildeo estate (Green Vale) and then a shopkeeper (The Chase). He rejoined the Guardian, and moved to Port of Spain where for ten years he lived in various houses owned by the Capildeos before acquiring his own house (the Sikkim Street house). He spent three years with a new Department of Social Welfare, after which the Department was abolished and he returned again to the Guardian, although he lost his pension rights. He died of a heart attack during 1953 when V. S. Naipaul was studying in England. There is a specific family context to The Mimic Men and to the descriptions of Trinidadian politics in Naipaul’s early fiction from The Mystic Masseur to The Mimic Men. It concerns his mother’s side of the family. The Capildeos were descended from a minor Indian aristocrat and pundit who was kidnapped in Calcutta and sent to Trinidad as an indentured labourer. There he married Rosalie Soogee Gobin (Mrs Tulsi in Biswas) with whom he had nine daughters and two sons before he died (1925). Rudranath, the younger son, attended Queen’s Royal College, where he was (like Ganesh in The Mystic Masseur) for a time, as a rural Indian, a misfit who studied 207 208 Appendix A hard but did not do well, and after graduation taught. He (like Owad of Biswas) went to university in England where he was elected head of several student organizations, read the Statesman and became an avid supporter of Soviet Communism. He returned to Trinidad where he lived with his mother while he and his elder brother, Sambhoonath (Shekhar of Biswas) became involved in one of the new political parties (various details are used in The Mystic Masseur where Rudranath is a source for Indarsingh). Rudranath returned to England, for postgraduate research, then became the leader of the DLP when the Trinidadian opposition needed a well-known educated Indian to oppose Eric Williams’ PNM. Although predominantly Indian the DLP was multiracial and for a time included Uriah Butler and Albert Gomes among its leadership. Because of its mixed racial leadership, most of whom were the older, flamboyant, independent politicians, it was also unstable and when an Indian quit in 1957 Butler declared that all Indians were traitors. Rudranath Capildeo (Ralph Singh of The Mimic Men) was wealthy, politi- cally ineffective, divided his time between England and Trinidad, wrote spiritualistic autobiographies (like The Mystic Masseur and Singh in The Mimic Men) but won a majority in the 1958 election. As Williams saw his PNM leading Trinidad to independence and hoped to head a Caribbean federation, both of which the Indians opposed as leading to black domina- tion, he accused the Indians of treason, of being a ‘hostile and recalcitrant minority’, the ‘greatest danger facing the country’, and violence followed. The 1961 elections, which the PNM won, were particularly brutal with PNM supporters looting Indian shops and homes while the predominantly black police made house by house searches for arms in Indian areas. Rudranath foolishly declared the Indians would overthrow the government by force but did nothing. Williams declared a state of emergency. Rudranath broke down and returned to England where he lived in Brighton. Gomes also soon fled.81 This is part of the material which has been transformed in The Mimic Men. Appendix B: Naipaul, Trinidad, Guyana and Africa Trinidad and Guyana are among the new nations whose populations are not native and where the coming of independence created mutual fears of dominance between opposing ethnic groups. In nearby Guyana during the 1950s the nationalist movement split into rival Indian and black parties; the Indian socialists who won the elections were twice deposed, first by the British and later with American help. There were bloody inter-racial riots and the country was long ruled by a tyrannical black nationalist govern- ment which led it to economic ruin and refused to hold fair elections. The period between 1946 and 1961 was particularly bad in Trinidad as the black urban population, led by Eric Williams, was pressing for complete independence from England and for a Trinidadian-led Caribbean Federation, while the Indian population opposed both, fearing domination by black majorities. Eric Williams, who led the PNM, was charismatic, tough, unscrupulous and influenced by the Marxist model of a one-party state. Having led Trinidad towards independence he believed opposition was treasonable. Although he spoke of the need for a multiracial Trinidad he used a rhetoric of religious deliverance in which national freedom meant government by those of African descent. When in power he appointed no Hindu Indians to the senior positions and, according to C. L. R. James, some of the leadership of Williams’s PNM were fanatically anti-Hindu Indian (although the PNM did include Muslim Indians).82 Those who in Europe and the United States favoured independence and black rule in Africa and the Caribbean seldom spoke up against the mistreatment of Indians, and sometimes justified it by arguing that the Indians were an alien entrepre- neurial class who blocked black advancement into business. (Notice the comments of Linda and Bobby about Indian shopkeepers in ‘In a Free State’.) Naipaul distinguishes between nations, such as the United States and England, where those of African descent are a minority subject to discrimination and nations where they discriminate against others or, as in parts of Africa, among themselves. 209 Notes INTRODUCTION 1. ‘n.b’, TLS, 19 July 2002, 16. 2. Many of Naipaul’s sources and allusions are mentioned in John Thieme, The Web of Allusions (London: Hansib, 1988). 3. The factual basis of many of the writings can be found in Landeg White, V. S. Naipaul (London: Macmillan, 1975). 4. V. S. Naipaul, Between Father and Son/Family Letters, ed. Gillon Aitken (London: Little Brown, 2000). 5. Rhonda Cobham, ‘The Caribbean Voices Programme and the Development of West Indian Short Fiction: 1945–1958’ in The Story Must Be Told: Short Narrative Prose in the New English Literature, Peter O. Stummer ed. (Würzburg: Konigshausen & Neuman, 1986), 146–60. 6. Paul Theroux, Sir Vidia’s Shadow: A Friendship Across Five Continents (New York: Houghton Mifflin, 1998). 7. V. S. Naipaul, ‘Our Universal Civilization’, The New York Review of Books (31 January 1991), 22–5. 8. See Ben Whitaker, ed., The Fourth World. Victims of Group Oppression (New York: Schocken, 1973). The situation for Indians became worse in Uganda, Zaire and Fiji. 9. He regards both as exiles wounded by their ‘homes’, who turned to travel writing. Arnold Rampersad, ‘V. S. Naipaul: Turning in the South’, Raritan, 20:1 (Summer 1990), 24–47; 45–6. 10. Stephen Schiff, ‘The Ultimate Exile’, The New Yorker (23 May 1994), 60–71. 11. See Bruce King, ed., West Indian Literature (London: Macmillan, 1979, enlarged 1995); Kenneth Ramchand, The West Indian Novel and its Background (London: Faber, 1970); Louis James, Caribbean Literature in English (London and New York: Longman, 1999). 12. See Naipaul’s ‘Foreword’ to The Adventures of Gurudeva and other Stories (London: Deutsch, 1976); and Reinhard W. Sander, The Trinidad Awakening: West Indian Literature of the Nineteen-Thirties (New York: Greenwood Press, 1988), 150. 13. The Adventures, 9–10. MIGUEL STREET, THE MYSTIC MASSEUR AND THE SUFFRAGE OF ELVIRA 14. Landeg White, V. S. Naipaul (London: Macmillan, 1975), 50. Also see Earl Lovelace, The Dragon Can’t Dance (Burnt Mill, Harlow: Longman Caribbean Writers Series, 1986; first published 1979), 23. 210 Notes 211 15. Ivar Oxaal, Black Intellectuals Come to Power. The Rise of Creole Nationalism in Trinidad and Tobago (Cambridge, Mass.: Schenkman, 1968), 100–1. As late as 1961 PNM posters described Eric Williams as Moses II. The use of Messianic rhetoric was earlier associated with Uriah Butler. 16. For the Capildeos see Oxaal’s Black Intellectuals Come to Power, 160–80. 17. George Lamming also regards the West Indian black community as absurdly mimicking the English and as racially sensitive. See Lamming, ‘A Wedding in the Spring’, Commonwealth Short Stories, Anna Rutherford and Donald Hannah, eds (London: Edward Arnold, 1971; Macmillan, 1979), 44–56. 18. The People’s National Movement was led by Dr Eric Williams and the Democratic Labour Party had Dr Rudranath Capildeo as its leader although, unlike Williams, his scholarship and display of knowledge had no political direction.
Recommended publications
  • Literary Awards 2018
    Baileys Women’s Prize for Fiction The Golden Man Booker Home Fire (winner) 2018 marked the 50th year of the Man Kamila Shamsie Booker Prize for fiction. Of all the winning Isma, Aneeka and Parvaiz are novels over the years, one from each decade siblings from an immigrant was nominated for the shortlist. family in the UK. After their In a Free State (1971) by V.S. Naipul mother’s death Isma looked Moon Tiger (1987) by Penelope Lively after her brother and sister. The English Patient (1992) by Michael Now free to pursue her own Ondaatje dreams she can’t stop worrying about her Wolf Hall (2009) by Hilary Mantel sister who she left behind, or her brother Lincoln in the Bardo (2017) by George who has fled to pursue the jihadist legacy of Saunders a father they never knew. st From the shortlist, readers voted The English Sing, Unburied, Sing (finalist) Patient as their favourite. Jesmyn Ward The English Patient (winner) This is a novel of how far the bonds of family Michael Ondaatje stretch, particularly when they are tested by 1 Four lives cross paths in an poverty, drugs and race. With Italian villa at the end of a loving but mostly absent the Second World War. A mother, Jojo is a 13 year old boy looking for a role model. 2018 nurse, a soldier and a thief are all troubled by the past While he finds one in his of the English patient, a grandfather where does his man who has been burnt father, about to be released Literary beyond recognition who from prison, fit in? lies in the upstairs bedroom.
    [Show full text]
  • LYNNE MACEDO Auteur and Author: a Comparison of the Works of Alfred Hitchcock and VS Naipaul
    EnterText 1.3 LYNNE MACEDO Auteur and Author: A Comparison of the Works of Alfred Hitchcock and V. S. Naipaul At first glance, the subjects under scrutiny may appear to have little in common with each other. A great deal has been written separately about the works of both Alfred Hitchcock and V. S. Naipaul, but the objective of this article is to show how numerous parallels can be drawn between many of the recurrent ideas and issues that occur within their respective works. Whilst Naipaul refers to the cinema in many of his novels and short stories, his most sustained usage of the filmic medium is to be found in the 1971 work In a Free State. In this particular book, the films to which Naipaul makes repeated, explicit reference are primarily those of the film director Alfred Hitchcock. Furthermore, a detailed textual analysis shows that similarities exist between the thematic preoccupations that have informed the output of both men throughout much of their lengthy careers. As this article will demonstrate, the decision to contrast the works of these two men has, therefore, been far from arbitrary. Naipaul’s attraction to the world of cinema can be traced back to his childhood in Trinidad, an island where Hollywood films remained the predominant viewing fare throughout most of his formative years.1 The writer’s own comments in the “Trinidad” section of The Middle Passage bear this out: “Nearly all the films shown, apart from those in the first-run cinemas, are American and old. Favourites were shown again and Lynne Macedo: Alfred Hitchcock and V.
    [Show full text]
  • VS. Naipaul: a Bibliographical Update (198 7-94)
    VS. Naipaul: A Bibliographical Update (198 7-94) KELVIN JARVIS JLHIS IS A bibliographical update of my V. S. Naipaul: A Selective Bibliography with Annotations: 195J-198J, covering the period 1987-94. Since 1 g87 (when An Enigma of Arrival: A Novel in Five Sections appeared), Naipaul has published three books—A Turn in the South ( 1989), India: A Million Mutinies Now ( 1990), and A Way in the World ( 1994)—and more than 18 substantial pieces, in addition to delivering various lectures and acceptance speeches. This checklist is arranged in six parts. Part I contains Naipaul's most recent writings and comments, listed under three head• ings: published books, articles, and interviews, with entries given chronologically. Part II covers recent bibliographical listings of his work. Part III includes 16 full-length books written about him. Part PV lists articles on him in books, reference volumes, journals, and magazines. Part V has book reviews and critical studies of his individual books. And Part VI itemizes doctoral theses exclu• sively or partly on him. Conference papers have featured prominently in the spate of attention Naipaul continues to generate; these papers are usu• ally quite elusive to trace, particularly if they are not published collectively and within a reasonably short time frame. Thus this checklist omits offerings on Naipaul from conferences and all foreign-language citations. It also excludes newspaper articles with imprints prior to 1987. The Enigma of Arrival spans Naipaul's life in England and echoes a finality in his writing career. The protagonist of this novel writes: "with time passing, I felt mocked by what I had already done; it seemed to belong to a time of vigour, now past for good.
    [Show full text]
  • "Other" in V. S. Naipaul's "A House for Mr. Biswas"
    Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 7 No. 1; February 2016 Australian International Academic Centre, Australia Flourishing Creativity & Literacy The Situation of Colonial 'Other' in V. S. Naipaul’s A House for Mr. Biswas Tahereh Siamardi (Corresponding author) Department of English Literature, Karaj Branch, Islamic Azad University, Karaj, Iran PO Box 31485-313, Karaj, Iran E-mail: [email protected] Reza Deedari Department of English Literature, Karaj Branch, Islamic Azad University, Karaj, Iran PO Box: 31485-313, Karaj, Iran Email: [email protected] Doi:10.7575/aiac.alls.v.7n.1p.122 Received: 15/09/2015 URL: http://dx.doi.org/10.7575/aiac.alls.v.7n.1p.122 Accepted: 11/11/2015 Abstract The focus of the present study is to demonstrate traces of Homi k. Bhabha’s notion of identity in V.S. Naipaul’s A House for Mr. Biswas (1961). As a prominent postcolonial figure, Bhabha has contemplated over the formation of identity in the colonizing circumstances. He discusses on what happens to the colonizer and the colonized while interacting each other, arguing that both the colonizer and the colonized influence one another during which their identity is formed, fragmented and alienated. In considering Naipaul’s A House for Mr. Biswas as postcolonial text, by the help of postcolonial theories of Homi Bhabha, it is argued that, mentioned novel sums up Naipaul’s approach to how individuals relate to places. This novel shows that individuals’ quest for home and a place of belonging is complicated first, by the reality of homelessness, and second, by the socio-cultural complexities peculiar to every place.
    [Show full text]
  • A Study of Place in the Novels of VS Naipaul
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Towards a New Geographical Consciousness: A Study of Place in the Novels of V. S. Naipaul and J. M. Coetzee Thesis submitted by Taraneh Borbor for the qualification of Doctor of Philosophy in English literature The University of Sussex September 2010 1 In the Name of God 2 I declare that the work in this thesis was carried out in accordance with the regulations of the University of Sussex. The work is original except where indicated by special reference in the text and no part of the thesis has been submitted for any other degree. The thesis has not been presented to any other university for examination either in the United Kingdom or overseas. Signature: 3 ABSTRACT Focusing on approaches to place in selected novels by J. M. Coetzee and V. S. Naipaul, this thesis explores how postcolonial literature can be read as contributing to the reimagining of decolonised, decentred or multi-centred geographies. I will examine the ways in which selected novels by Naipaul and Coetzee engage with the sense of displacement and marginalization generated by imperial mappings of the colonial space.
    [Show full text]
  • A Study of Vs Naipaul's Postcolonial Surveillance
    THE LOFTY EYES: A STUDY OF V.S. NAIPAUL’S POSTCOLONIAL SURVEILLANCE AND TOURISM IN AMONG THE BELIEVERS: AN ISLAMIC JOURNEY AND BEYOND BELIEF: ISLAMIC EXCURSIONS AMONG THE CONVERTED PEOPLES BY NURUL ‘AIN BINTI ABDULLAH A dissertation submitted in fulfilment of the requirement for the degree of Master of Human Sciences in English Literary Studies Kulliyyah of Islamic Revealed Knowledge and Human Sciences International Islamic University Malaysia OCTOBER 2017 ABSTRACT The Nobel laureate V.S. Naipaul (1932 –) has made extensive comments on Muslims and on their religious practices in his two widely circulated travel writings, Among the Believers: An Islamic Journey (1981) and Beyond Belief: Islamic Excursions among the Converted Peoples (1998). These two works have triggered debates about his representation of Muslims, as it is believed that his treatment of Muslims and Islam evinces his limited perspective. Under the surface of his gentlemanlike ways of listening and retelling the stories of the people he met in the Muslim countries he visited, his tendency to judge and caricature is palpable in these two books. It seems that he visited the four countries–Indonesia, Iran, Malaysia and Pakistan–and wrote the two books only to reinforce his distorted, preconceived notions and ideas about Islam; and his travels are only to find evidences to vindicate his negative notions. Omitting facts that do not suit his tendency to caricature, he fails to provide a balanced and unbiased representation of the countries and the people he encountered. Based on this premises, this study investigates Naipaul’s portrayal of Islam and Muslims in the two books mentioned and seeks to differentiate the cultural and individual practices that are put forth as Islamic by Naipaul from normative, actual Islamic values.
    [Show full text]
  • Reseña De" Naipaul: Man and Writer" De Gillian Dooley
    Caribbean Studies ISSN: 0008-6533 [email protected] Instituto de Estudios del Caribe Puerto Rico Fraser, Peter D. Reseña de "Naipaul: Man and Writer" de Gillian Dooley Caribbean Studies, vol. 38, núm. 1, enero-junio, 2010, pp. 212-215 Instituto de Estudios del Caribe San Juan, Puerto Rico Disponible en: http://www.redalyc.org/articulo.oa?id=39220687019 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto 212 PEDRO L. SAN MIGUEL Tal transposición respondió en buena medida a una concepción raciali- zada de la historia según la cual los esclavos de Haití, por ser negros y de origen africano, no po dían representar ideales tan magnos como la Libertad y la Historia Universal—así, con mayúscula. No empece su crítica profunda a la construcción hegeliana de la “historia universal”, Buck-Morss está lejos de repudiar tal concepto. Al contrario, en el segundo ensayo que compone su libro, titulado precisamente “Universal History”, la autora reclama la necesidad de recuperarlo, si bien transformándolo de manera que Occidente no sea concebido como el eje único y absoluto de una historia universal. De con- cretarse su llamado a radicalizar el concepto de la “historia universal”, la historia de Haití y de los esclavos que lucharon por la libertad—por la de ellos, sin duda, pero metafóricamente también por la de muchos otros humanos—jugaría, seguramente, no el papel marginal que ha ocupado hasta ahora en los relatos históricos, sino un papel central y determi- nante.
    [Show full text]
  • Representation of Postcolonial Identity in Naipaul's Works
    Vol. 4(10), pp. 451-455, December, 2013 DOI: 10.5897/IJEL2013.0481 International Journal of English and Literature ISSN 2141-2626 ©2013 Academic Journals http://www.academicjournals.org/IJEL Review Representation of postcolonial identity in Naipaul's works Bijender Singh V.P.O. Jagsi, Tehsil Gohana, District Sonepat, Haryana, India. Accepted 29 July, 2013 This paper attempts to explore representation of postcolonial identity in V. S. Naipaul’s three works A House for Mr. Biswas, A Bend in the River and An Enigma of Arrival. This paper attempts to relate how these three works are replete with the theme of identity as the chief protagonists of all these three novels hanker after to find a place for them in the world to assert their identities. Their minds vacillate between two contradictory cultures existing in that time. Researcher attempts to analyze the different strands of identity to make the work more comprehensive and to radicalize its global demand. The origin of the word ‘identity’ and its literary importance has been projected through this paper along with the different meanings of identity having a slight difference in their meaning. Postcolonial Diasporic authors and their works have been mentioned in the paper to carry out further research on the theme of postcolonial identity. V. S. Naipaul’s earned vacuity of female authors by challenging them and their rabble-rousing strengthened his identity in the world, has been assessed and analyzed. It has been studied how in these three novels, main protagonists try to claim their place in the world that is full of challenges in their real life and consequently, the environment of these novels poses a cultural-clash to make their journey of life more complicated and hard to live in antagonistic surroundings.
    [Show full text]
  • For Mr Biswas and the Mimic Men
    Appendix A Naipaul's Family, A House for Mr Biswas and The Mimic Men As Naipaul dislikes writing about the unfamiliar his fiction makes imaginative use of actual people and events. His sources are useful to understand the autobiographical implications of the novels. His father Seepersad (b. 1906) is the model for Mr Biswas. Mter Seepersad's father died when he was six years old, Seepersad and his impoverished mother became dependent on his mother's sis­ ter (the novel's Tara) and her wealthy husband (Ajodha) who owned rum shops, taxis and other businesses. Mter some school­ ing Seepersad became a sign-painter; he painted a sign for the general store connected to Lion House (Hanuman House) owned by the Capildeos (the Tulsis) of Chaguanas and married Bropatie Capildeo (Shama). Although his children were born in Lion House he usually resided elsewhere. Mter he had painted advertising signs for the Trinidad Guardian (the Sentinel), the editor allowed him to submit articles, then hired him as a reporter. As Seepersad had a highly developed sense of humour his reports and interviews made him well known. Mter several moves he became the newspa­ per's Chaguanas correspondent but lived by himself in a wooden house away from Lion House until he had a mental collapse - possibly influenced by his resignation from the paper after the editor had been fired and its policy changed, and possibly by a fierce quarrel with the very orthodox Hindu Capildeos about reli­ gious reform. Mter his nervous breakdown he became an overseer on a Capildeo estate (Green Vale) and then a shopkeeper (The Chase).
    [Show full text]
  • Paradox of Freedom in the Novels of V. S. Naipaul
    International Jour nal of Applie d Researc h 2020; 6(2): 100-102 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Paradox of freedom in the novels of V. S. Naipaul Impact Factor: 5.2 IJAR 2020; 6(2): 100-102 www.allresearchjournal.com Received: 16-12-2019 Amandeep Accepted: 18-01-2020 Abstract Amandeep In addition to upsetting the cultural ties of the colonized people, colonization also led to their uprooting PGT English, AMSSS Ghaso and displacement. There was a massive transplantation of population between the colonies which Khurd, Jind, Haryana, India separated the colonized from their native lands and forced them to accommodate themselves in alien surroundings. This shift of population between the colonies was a deliberate measure taken to make the colonial societies heterogeneous, as homogeneous ones could have caused a political threat to the colonizers. this mixing up of various peoples created grave problems both at the individual and social levels. The intense alienation and sense of homelessness that such colonized individuals experience maybe ascribed to their displacement in the alien environment. Keywords: Paradox, freedom, novels Introduction Cultural colonization accomplished what military conquest alone could not have achieved for the colonizers. It paved its way into the minds of the colonised and made them complaisant victims. This colonization of the minds maimed the psyche of the colonized in a severe way. It robbed them of all originality and instead, instilled in them a dependency complex. The crippling effect of this complex manifests itself in the post independence period in the inability of the former colonized people to stand independently on their own and in their continuing dependence on the West for ideas and technology.
    [Show full text]
  • V. S. Naipaul's a House for Mr Biswas: a Satire on Hinduism
    V. S. NAIPAUL’S A HOUSE FOR MR BISWAS: A SATIRE ON HINDUISM Bijender Singh Research Scholar Dravidian University, Kuppam Andhra Pradesh, India Abstract Present paper is an attempt to explore how V.S. Naipaul’s novel A House for Mr Biswas is a satire on Hindu customs, traditions, rituals and rites. Naipaul’s novels are about his peregrination of orthodoxies prevalent in Hinduism. Through the paper the researcher tries to highlight that some Hindu Brahmins of high society claim themselves of supreme caste but their actions are inferior even to those people who are considered from the lowest stratum of society. They claim with proud to be Brahmins and follow the Hindu rituals blindly but they have no any quest for religion, salvation, sacrifice or goodness. They follow the Hindu rituals impassively because their ancestors did so. But they defy and infringe all rules and customs of the Hindu religion whenever the rituals come on their way. Hindus are famous for vegetarianism and their love for Hindu religious books. But in this novel they discard all rules to grind their own axes and follow the western culture blindly. These Hindus don’t refrain even from eating meat whereas even the egg is not touched in Hindu families. Such kind of themes have been projected and studied extensively in this paper. Key-Words: Hinduism, Traditions, Rituals, Post-Colony, Satire, Humanity. V. S. Naipaul’s A House for Mr. Biswas is a story of Indian Hindu migrants whose grand-parents have been migrated in Trinidad and Tobago as indentured labourers on the sugarcane estates and started living there permanently.
    [Show full text]
  • V.S. Naipaul: from Gadfly to Obsessive
    V.S. Naipaul: From Gadfly to Obsessive Mohamed Bakari* All the examples Naipaul gives, all the people he speaks to tend to align themselves under the Islam versus the West opposition he is determined to find everywhere. It is all tiresome and repetitious. Edward W.Said The Man and the Prize : The announcement of the 2001 Nobel Laureate for Literature in October that year elicited the kind of reaction that was predictable, given the reputation and the choice, that of Sir Vidhiadar Surajparasad Naipaul. Of Indian ancestry, V.S. Naipaul is a grandchild of Hindu Brahmins who found their way to the Caribbean island of Trinidad as indentured labourers to escape the grinding poverty of Utterpradesh. Naipaul’s was just one of a stream of families that were encouraged to migrate to the West Indies from the former British colonies of India and Chinese enclaves in Mainland China. Slavery had been abolished in the British Empire in 1832 and the former African slaves were no longer available to the sugarcane plantations and labour had to be sought from somewhere. In their natural ingenuity the British devised the new institution of indentured labour, which was really a new euphemism for a new form of servitude. Whereas the slaves were forcibly repatriated against their will, the new indentured labourers had the carrot of landownership dangled in front of them, to lure them to places they had no idea of. The new immigrants added a new dimension to an already complex racial situation, by adding the Asian layer to the Carib, European and African admixtures created by Alternatives: Turkish Journal of International Relations, Vol.2, No.3&4, Fall&Winter 2003 243 waves of migration.
    [Show full text]