A Study of Place in the Novels of VS Naipaul
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Literary Awards 2018
Baileys Women’s Prize for Fiction The Golden Man Booker Home Fire (winner) 2018 marked the 50th year of the Man Kamila Shamsie Booker Prize for fiction. Of all the winning Isma, Aneeka and Parvaiz are novels over the years, one from each decade siblings from an immigrant was nominated for the shortlist. family in the UK. After their In a Free State (1971) by V.S. Naipul mother’s death Isma looked Moon Tiger (1987) by Penelope Lively after her brother and sister. The English Patient (1992) by Michael Now free to pursue her own Ondaatje dreams she can’t stop worrying about her Wolf Hall (2009) by Hilary Mantel sister who she left behind, or her brother Lincoln in the Bardo (2017) by George who has fled to pursue the jihadist legacy of Saunders a father they never knew. st From the shortlist, readers voted The English Sing, Unburied, Sing (finalist) Patient as their favourite. Jesmyn Ward The English Patient (winner) This is a novel of how far the bonds of family Michael Ondaatje stretch, particularly when they are tested by 1 Four lives cross paths in an poverty, drugs and race. With Italian villa at the end of a loving but mostly absent the Second World War. A mother, Jojo is a 13 year old boy looking for a role model. 2018 nurse, a soldier and a thief are all troubled by the past While he finds one in his of the English patient, a grandfather where does his man who has been burnt father, about to be released Literary beyond recognition who from prison, fit in? lies in the upstairs bedroom. -
A Psychological Study in James Joyce's Dubliners and VS
International Conference on Shifting Paradigms in Subaltern Literature A Psychological Study in James Joyce’s Dubliners and V. S. Naipaul’s Milguel Street: A Comparative Study Dr.M.Subbiah OPEN ACCESS Director / Professor of English, BSET, Bangalore Volume : 6 James Joyce and [V]idiadhar [S] Urajprasad Naipaul are two great expatriate writers of modern times. Expatriate experience provides Special Issue : 1 creative urges to produce works of art of great power to these writers. A comparison of James Joyce and V.S. Naipaul identifies Month : September striking similarities as well as difference in perspective through the organization of narrative, the perception of individual and collective Year: 2018 Endeavour. James Joyce and V.S. Naipaul are concerned with the lives of ISSN: 2320-2645 mankind. In all their works, they write about the same thing, Joyce write great works such as Dubliners, an early part of great work, Impact Factor: 4.110 and Finnegans Wake, in which he returns to the matter of Dubliners. Similarly, Naipaul has written so many works but in his Miguel Citation: Street, he anticipated the latest autobiographical sketch Magic Seeds Subbiah, M. “A returns to the matter of Miguel Street an autobiographical fiction Psychological Study in about the life of the writer and his society. James Joyce’s Dubliners James Joyce and V.S. Naipaul are, by their own confession, and V.S.Naipaul’s committed to the people they write about. They are committed to the Milguel Street: A emergence of a new society free from external intrusion. Joyce wrote Comparative Study.” many stories defending the artistic integrity of Dubliners. -
Coetzee's Stones: Dusklands and the Nonhuman Witness
Safundi The Journal of South African and American Studies ISSN: 1753-3171 (Print) 1543-1304 (Online) Journal homepage: http://www.tandfonline.com/loi/rsaf20 Coetzee’s stones: Dusklands and the nonhuman witness Daniel Williams To cite this article: Daniel Williams (2018): Coetzee’s stones: Dusklands and the nonhuman witness, Safundi, DOI: 10.1080/17533171.2018.1472829 To link to this article: https://doi.org/10.1080/17533171.2018.1472829 Published online: 21 Jun 2018. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsaf20 SAFUNDI: THE JOURNAL OF SOUTH AFRICAN AND AMERICAN STUDIES, 2018 https://doi.org/10.1080/17533171.2018.1472829 Coetzee’s stones: Dusklands and the nonhuman witness Daniel Williams Society of Fellows, Harvard University, Cambridge, MA, USA ABSTRACT KEYWORDS Bringing together theoretical writing on objects, testimony, and J. M. Coetzee; testimony; trauma to develop the category of the “nonhuman witness,” this nonhuman; objects; essay considers the narrative, ethical, and ecological work performed ecocriticism; postcolonialism by peripheral objects in J. M. Coetzee’s Dusklands (1974). Coetzee’s insistent object catalogues acquire narrative agency and provide material for a counter-narrative parody of first-personal reports of violence in Dusklands. Such collections of nonhuman witnesses further disclose the longer temporality of ecological violence that extends beyond the text’s represented and imagined casualties. Linking the paired novellas of Dusklands, which concern 1970s America and 1760s South Africa, the essay finds in Coetzee’s strange early work a durable ethical contribution to South African literature precisely for its attention to nonhuman claimants and environments. -
A Study of the Inheritance of Loss and Half a Life
Orientalising the Postcolonial Nation-State: A Study of The Inheritance of Loss and Half a Life A Dissertation Submitted to the Central University of Punjab For the Award of Master of Philosophy in Comparative Literature by Manpreet Kaur Administrative Guide: Prof. Paramjit Singh Ramana Dissertation Coordinator: Dr. Zameerpal Kaur Centre for Comparative Literature School of Languages, Literature and Culture Central University of Punjab, Bathinda August, 2012 CERTIFICATE I declare that the dissertation entitled “Orientalising the Postcolonial Nation-State: A Study of The Inheritance of Loss and Half a Life,” has been prepared by me under the guidance of Prof. Paramjit Singh Ramana, and Dr. Zameerpal Kaur, Assistant Professor, Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab. No part of this dissertation has formed the basis for the award of any degree or fellowship previously. (Manpreet Kaur) Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab, Bathinda-151001. Date: ii Acknowledgement It is a pleasure to thank God, for making me able to achieve what I am today. I want to express my thanks to God, my parents and my family members. I would like to express my deepest gratitude to the stalwart of my department my supervisor and Professor. P. S. Ramana, Dean, School of Languages, Literature and Culture and my dissertation Coordinator Dr. Zameerpal Kaur, Assistant Professor, Centre for Comparative Literature for their ingenuous guidance. I want to express my thanks to Dr. Amandeep Singh, Assistant Professor, Centre for Comparative Literature for his continuous and extremely useful assistance. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
History Workshop
UNIVERSITY OF THE WITWATERSRAND, JOHANNESBURG HISTORY WORKSHOP STRUCTURE AND EXPERIENCE IN THE MAKING OF APARTHEID 6-10 February 1990 AUTHOR: David Atwell TITLE: Ths " Labyrinth of My History " : The Struggle with Filiation in J. M. Costzee's Ousklands THE "LABYRINTH OF MY HISTORY": THE STRUGGLE WITH FILIATION IN J. M. COETZEE'S DVSKLANDS DAVID ATTWELL University of the Western Cape filiation is the name given by Edward Said to thai realm of nature or "life" that defines what is historically given to us by birth, circumstance or upbringing. Affiliation represents the process whereby filiative ties are broken and new ones formed, within cultural systems that constitute alternative sources of authority or coherence ("Secular Criticism" 16-20). The fiction of J. M. Coetzee can be described in terms of the way it embodies this shift; from the early work, in which colonialism is the stony ground on which consciousness and identity are formed, to the later, in which the inter-textual networks of literature are explored for their promise of partial, qualified forms of freedom. It would be a mistake, however, to read Life and Times ofMichael K and Foe as a-historical departures from the more socially critical Dusklands and In the Heart cf the Country. Affiliation is itself a historical process; it is the place where biography and culture meet. In Coetzee, it is also, among other things, a way of upholding a particular kind of critical consciousness, one that is always alert to both the disingenuous exercise of power, and the disingenuous representation of power. 1 In this essay, I am concerned with a small portion of the movement from filiation to affiliation within the corpus of Coetzee's novels: its beginnings in Dusklands. -
Self-Reflexivity in African Fiction: a Study on Coetzee’S Summertime
Indian J. Soc & Pol.1 (2): 21-24 : 2014 ISSN : 2348-0084 SELF-REFLEXIVITY IN AFRICAN FICTION: A STUDY ON COETZEE’S SUMMERTIME ASWATHY S M1 1Guest Lecturer, Dept. of English, Sree Narayana College for Women, Kollam, Kerala. INDIA ABSTRACT One of the things that distinguish postmodern aesthetic work from modernist work is extreme self-reflexivity. Postmodernists tend to take this even further than the modernists but in a way that tends often to be more playful, even irreverent. This same self-reflexivity can be found everywhere in pop culture, for example the way the Scream series of movies has characters debating the generic rules behind the horror film. In modernism, self-reflexivity tended to be used by "high" artists in difficult works .Post modernism, self-reflexive strategies can be found in both high art and everything from Seinfeld to MTV. In postmodern architecture, this effect is achieved by keeping visible internal structures and engineering elements (pipes, support beams, building materials, etc.). In many ways, postmodern artists and theorists and in Life and Times of Michael K. Coetzee‟s next novel, continue the sorts of experimentation that we can also find 1999s Disgrace, is a strong statement on the political in modernist works, including the use of self- climate in post–Apartheid South Africa. consciousness, parody, irony, fragmentation, generic Coetzee's Summertime opens and closes with mixing, ambiguity, simultaneity, and the breakdown journal entries, the only time the author (as character) between high and low forms of expression. In this way, speaks directly. The reader‟s temptation when reading postmodern artistic forms can be seen as an extension of Summertime is to try to work out what is brute fact, what modernist experimentation; however, others prefer to is irony, what is something else, but it‟s a temptation represent the move into postmodernism as a more radical which should be resisted. -
The Word 'Diaspora' Has Been Taken from Greek Meaning 'To Disperse'
Indo-anglian Diaspora Writers Arti Gupta Ph.D. Scholar Jharkhand Rai University Ranchi India Abstract In today‟s world Short Stories are widely accepted among the readers as they are read in one sitting .Besides entertaining, they are the simplest way of communicating the way of life. Indo-Anglian short stories are exceptionally rich and varied in content. The writers of the genre through their literary contributions have greatly enriched the English Literature. Revolution caused by printing, population explosion, literacy and the development of modern mass media of communication added to its scope. Owing to such developments this fiction has taken a U-turn in the recent years. New attitudes have been struck, new areas of experience have been exposed. A greater awareness of values in the context of increased westernisation and urbanisation in republic India and freedom from sentiment seem to distinguish the new writing. There, emerged hence the diaspora writers of Indian origin. Today people all over the world are being nourished by the writres of the Indian Diaspora and contempraneity namely- V.S.Naipaul, Salman Rushdie, Chetan Bhagat, Jhumpa Lahiri etc. Diaspora is a journey towards seif-realization, self-recognition, self-knowledge and self- definition. The diasporic literature has helped in providing a link between India and the rest of the world.that enhanced tremendous seif-confidence with a combative spirit, by spreading values, virtues and universal peace. Perhaps, this helps in understanding various cultures, breaking the barriers between different countries, The word „diaspora‟ has been taken from Greek meaning „to disperse‟. It may be defined as the voluntary or forcible movement of people from their homelands into new regions. -
Introduction
I INTRODUCTION The objective of the thesis has been to explore the rootlessness in the major fictional works of V.S. Naipaul, the-Trinidad-born English author. The emphasis has been on the analysis of his writings, in which he has depicted the images of home, family and association. Inevitably, in this research work on V.S. Naipaul’s fiction, multiculturalism, homelessness (home away from home) and cultural hybridity has been explored. Naipaul has lost his roots no doubt, but he writes for his homeland. He is an expatriate author. He gives vent to his struggle to cope with the loss of tradition and makes efforts to cling to the reassurance of a homeland. Thepresent work captures the nuances of the afore-said reality. A writer of Indian origin writing in English seems to have an object, that is his and her imagination has to be there for his/her mother country. At the core of diaspora literature, the idea of the nation-state is a living reality. The diaspora literature, however, focuses on cultural states that are defined by immigration counters and stamps on one’s passport. The diaspora community in world literature is quite complex. It has shown a great mobility and adaptability as it has often been involved in a double act of migration from India to West Indies and Africa to Europe or America on account of social and political resources. Writers like Salman Rushdie, RohingtonMistry, Bahrain Mukherjee, and V.S. Naipaul write from their own experience of hanging in limbo between two identities: non-Indian and Indian. -
OCCASIONAL PAPERS on LITERATURES and CULTURES (Monograph-1) 2011
OCCASIONAL PAPERS ON LITERATURES AND CULTURES (Monograph-1) 2011 Social Exclusion in Postcolonial Fiction: A Reading of Kiran Desai’s The Inheritance of Loss Ashok K Mohapatra Department of English U.G.C. Special Assistance Programme (DRS-I) Sambalpur University, Odisha INDIA 1 Occasional Papers on Literatures and Cultures Monograph 1 Editorial Board B.K. Tripathy, Professor R.S. Nanda, Professor K Misra, Professor Ashok K Mohapatra, Professor S. Tripathy, Reader A. Patel, Lecturer Copy-right Holder & Publisher © Department of English, Sambalpur Uniuversity, Jyoti Vihar, Burla-768019, Sambalpur, Odisha, INDIA OPLC brings out monographs annually in areas of Postcolonial Studies, Cultural Studies, Translation Studies and Literary Theory. It invites long essays from interested scholars, with word-length from 10,000 to 15,000 words, on topics pertaining to the areas in question. The monographs should make original, comprehensive and intensive engagement texts or issues. The essays should conform to the 7th edition of MLA style manual. Individual Subscription- Rs 100/- Institutional Subscription- Rs 150/- Overseas Subscription- $ 10/- 2 Social Exclusion in Postcolonial Fiction: A Reading of Kiran Desai’s The Inheritance of Loss Ashok K Mohapatra A man was only what he saw of himself in others- V.S. Naipaul Where man is at his greatest, he is unconscious – Rabindranath Tagore This essay deals with the problem of social exclusion characterizing the existence of the major characters in Kiran Desai’s The Inheritance of Loss from ontological and epistemological perspectives. Although social exclusion is usually an object of sociological enquiry with its own disciplinary justification, this essay critiques those tendencies of conservative social sciences that reify the social categories and generally claim as a virtue the positivist knowledge they produce – a knowledge that is devoid of ideology, value and politics. -
JM Coetzee's Dusklands and Cormac Mccarthy's Blood Meridian
Safundi The Journal of South African and American Studies ISSN: 1753-3171 (Print) 1543-1304 (Online) Journal homepage: http://www.tandfonline.com/loi/rsaf20 Violent Histories: J.M. Coetzee’s Dusklands and Cormac McCarthy’s Blood Meridian Donald Powers To cite this article: Donald Powers (2013) Violent Histories: J.M. Coetzee’s Dusklands and Cormac McCarthy’s Blood Meridian , Safundi, 14:1, 59-76, DOI: 10.1080/17533171.2012.760833 To link to this article: http://dx.doi.org/10.1080/17533171.2012.760833 Published online: 26 Feb 2013. Submit your article to this journal Article views: 125 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsaf20 Download by: [University of Cape Town Libraries] Date: 12 January 2016, At: 04:39 Safundi: The Journal of South African and American Studies, 2013 Vol. 14, No. 1, 59–76, http://dx.doi.org/10.1080/17533171.2012.760833 Violent Histories: J.M. Coetzee’s Dusklands and Cormac McCarthy’s Blood Meridian Donald Powers Cormac McCarthy’s Blood Meridian or the Evening Redness in the West (1985), his fifth novel, is a work that defies comparison with most books, including much of the rest of McCarthy’s oeuvre. The book earns this distinction through the detailed and voluminous depiction of violence among marauding groups of men in the Texas–Mexico borderlands around 1849. While McCarthy’s other books reveal a similarly dark fascination with the fate of wanderers and misfortunates1 and are equally virtuosic in their performance of language, what sets Blood Meridian apart is the visceral and unstinting narration of scenes of brutality, the theme of blood captured in the book’s title. -
Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June.