DOCSLIB.ORG

Gezamenlijke Catalogus Joint Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gezamenlijke Catalogus Joint Catalogue 2020 Joint Catalogue Catalogus Gezamenlijke Antiquaren van Nederlandsche Vereeniging t V N d J z g N g r V g C A l C l v d J z g N i e e e o a i e u e e u a n a a i a e o a i e q r d r i m n d s n r e t t n t j n r i m n d e u e e l n e g e a i d a k l n e g e e a e r a t n r J G l q s l e a t n r A n r n l n l l o e 2 o u c o n l l v n v i i e a d Ci a i z 0 g a h g d C i a a t a n g n g s aj n n a 2 u r e u s a j n n C i n i d i c tk d t m 0 s e e c t k d q n s n a G h ae s e n V h a e s g e c e A g t u A l c nC e e l c J a a n z h n o h la N r o h o 2 l r a e v t v t g e it e G e g e a i 0 o e i m u i a e V V ja d e u n 2 g n e n q n q V ee kl e z n e e t 0 u u n e u C r C eo r a i r A s a l r a A a V n e 2 a V g l m g G e 2 i r e r n t e t e 0 t eu C a C e i e e 0 j e e e t r i n 2 a re a n a n n N z n 2 a k n n n q i 0 l e t i d t l g e J a i 0 l e e i u g o e 2 a q s a i d o m g o e g a i gN Gn 0 l u c l j v e i e i N g G n C i r n ue ei 2 o a h o k a r n n n e u e i a n e g s - - - 0 -e - - e n - t - g - s - - t g n a C l a G t o van Antiquare Gezamnlijk Catlogus Joint Catlogue 20 Nedrlansch a e il ol g j g u zamenlijk Catlogus Joint Catlogue 20 Nedrlansch Vernig van An - vek eu s na d C 2 Joint Catlogue 20 Nedrlansch Vernig van Antiquare Gezamnlijk e nA a 0 lr t at 02 oJa qi l idn u go N z tns ra su e a hc Ce ed gem e a n r in at G oJ - Ngnil l eV ze i de kj go er a tn re e av u e em oJl n e in n ina A g 02 - tnd n ni 2 cs it aCg 0 z eh C uq at eN ma ta ra ol - ne la ne Vg l o resu g ji ug e eG ni ek e ne - g i - N av 02 de n C 02 re A ta l tn la oJ na qi o ni sd au ug t hc er s z e n ma aC G ne at eV e - il ol er ig kj ug ne gn e e i - v N na 02 de aC 2 e nA at 0 lr it l J na q go o d au su ni cs er t eh n z eG ma aC eV - ne at r il ol e g kj ug in ni e e - g av 02 N n aC 02 de A at re tn ol al qi ug dn au s cs r e eh n eG eV - er ne i - Ledenlijst Nederlandsche Vereeniging van Antiquaren Aalten Dordrecht Harrison–Hiett Scrinium Quist 75 Maastricht Amersfoort Eerbeek Paul Bremmers 28 Leen Helmink Iris Antique Globes Middelburg Amsterdam Egmond aan den Hoef De Boekenbeurs 22–23 E.H. Ariëns Kappers B.M. Israel 44–47 Dat Narrenschip John Benjamins 14–20 Enschede Oegstgeest Brinkman 24–27 Konstantinopel 60–61 Novemberland 66–70 Charbo 29 Inter-Antiquariaat Ermelo Overasselt Mefferdt & de Jonge 43 Petrus Plancius Pictura Prints 71 Junk 50–51 De Kloof 58–59 Gorinchem Overveen A. Kok & Zn. 56–57 Rashi 77 Dik Ramkema 76 Schierenberg 90 ‘t Goy Ter Hole Die Schmiede 80–81 Asher 10–13 Secundus 86–87 Schuhmacher 82–84 Forum 36–39 Spinoza 85 Tilburg Groningen De Rijzende Zon Bergen op Zoom adr. van den bemt 8–9 Utrecht Frederik Muller 62–65 Isis 48 Acanthus 5–7 Breda Haarlem Vianen Plantijn 72–74 Bubb Kuyper Gert Jan Bestebreurtje 21 De Bilt De Vries & de Vries 94–95 Zoetermeer Zaal 91 Heerlen MC Rare Books Den Bosch Emile Kerssemakers 53–55 Zutphen Luïscius Helenaveen Matthys de Jongh 49 Den Haag Leo Smiet Zwijndrecht Fokas Holthuis 42 Hoofddorp De Roo 78–79 Florisatus 32–35 Krul 52 Arine van der Steur Antwerpen, België Leiden Van Stockum Demian 30–31 Burgersdijk & Niermans De Slegte 88 Diemen Hotei A. Gerits & Son 40–41 Erik Tonen 92–93 Lochem Bestuur NVvA Gert Jan Bestebreurtje (Gert Jan Bestebreurtje Rare Books) ¶ voorzitter Bart de Roo (Boekhandel en Antiquariaat De Roo) ¶ penningmeester Peter Everaers (Antiquariaat Secundus) ¶ secretaris Laurens Hesselink (Antiquariaat Forum) Leo Smiet Colofon Redactie & vormgeving: Antiquariaat Forum & Asher Rare Books Oplage: 4000 exemplaren Gezet met Adobe Garamond, Futura, Constantia, League Gothic, Lekton Nederlandsche Vereeniging van Antiquaren Gezamenlijke Catalogus Joint Catalogue 2020 Voorwoord Preface Na lang twijfelen is de Nederlandsche After lengthy consideration, the Dutch Vereeniging van Antiquaren (NVvA) in Association of Antiquarian Booksellers overleg met de congres- en beurscommis- (Nederlandsche Vereeniging van Anti- sies van onze vereniging en het bestuur quaren or NVvA), in consultation with its van de International League of Antiquarian conference and trade fair committee and Booksellers (ILAB) tot onze grote spijt tot the board of the International League of de conclusie gekomen dat het niet haalbaar en Antiquarian Booksellers (ILAB), has with great verantwoord is om een congres en beurs in het najaar regret concluded that it is not feasible or responsible in Nederland te houden. to hold a conference and trade fair in the Netherlands Voor de commissieleden was het teleurstellend om deze this autumn. beslissing te nemen omdat zo veel voorbereidend werk al The committee members were especially disappointed was verricht. U zult begrijpen dat we gezien de pandemie to have to make this decision because so much prepara- geen andere keuze hadden. ‘Social distancing’ maakt de tory work had already been done. You will understand beide evenementen onmogelijk. that given the pandemic, we had no other choice. Onze jaarlijkse beurs zal natuurlijk weer plaats vinden in ‘Social distancing’ would make both events impossible. 2021. Wij zullen te zijner tijd hierover nadere informatie Our annual trade fair will of course take place again in verschaffen via onze website. 2021. We will provide further information on this in Onze leden waren inmiddels begonnen met voorberei- due time via our website. dingen te treffen voor de aangekondigde beurs dit najaar. Our members had already started to prepare for the Zoals het maken van een keuze uit hun rijke en interes- fair originally planned for this autumn, making a sante collectie boeken en prenten die getoond zouden choice from their rich and interesting stocks of books worden in hun stand aan de beursbezoekers. and prints to display in their booths for the visitors. Daarom heeft het NVvA bestuur besloten dit jaar wel For this reason, the NVvA board has decided that this een gedrukte Gemeenschappelijke Catalogus met bij- year we will publish a printed joint catalogue with dragen van Nederlandse leden uit te brengen. Op die contributions from our Dutch members. In this way, manier willen wij ons aan u als trouwe bezoeker aan onze we wish to present ourselves on paper to you, the loyal beurs, dit jaar op papier presenteren. Zo blijven we in visitors to our fair. We hope this will help us stay in contact en stellen u in de gelegenheid toch te kunnen touch and give you the opportunity to enjoy five cen- genieten van vijf eeuwen papieren werelderfgoed. Alles turies of world heritage on paper: everything at your binnen handbereik. fingertips. Onze leden hebben hun best gedaan u met een rijk geva- Our members have done their best to surprise you rieerd aanbod van antiquarische en bibliofiele boeken with a richly varied selection of antiquarian and bib- en originele prenten te verassen met hun bijdragen in liophile books and original prints described in their de geïllustreerde catalogus die nu voor u ligt. Als u vra- contributions to the illustrated catalogue that now gen heeft over de aangeboden boeken en prenten kunt lies before you. If you have any questions about the u vanzelfsprekend contact opnemen met de aanbieder. books and prints offered here, you can of course con- Neemt u ook eens de tijd om een bezoek te brengen aan tact the booksellers offering them.
Load more

Recommended publications
  • Addison Street Poetry Walk
    THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K.
    [Show full text]
  • Bancroftiana N Umber 118 • University of California, Berkeley • Spring 2001
    N EWSLETTER OF THE FRIENDS OF THE BANCROFT LIBRARY BANCROFTIANA N UMBER 118 • UNIVERSITY OF CALIFORNIA, BERKELEY • SPRING 2001 With the Free Speech Movement Collections, You are There he Free Speech Movement at the and a speech by President Clark Kerr, documents with searchable digital Berkeley Campus of the University where Mario Savio demanded the right materials. Those examining the archive ofT California announced the date of its to speak but was refused, leading 10,000 on the Internet view samples of actual creation in a pamphlet titled Here We students to march in protest. photographs, videos, documents, and a Stand: On January 4, 1965, the Free Speech time line of events. The project is to be “On October 3, 1964, the Free Movement held its first legal rally on the presented to the public at a Bancroft Speech Movement was founded. Since steps on Sproul Hall accompanied by exhibit opening and symposium on that day we have worked unceasingly Joan Baez ballads. April 13-14, 2001. for free speech by attempting to create a These history-making events and The Collections feature the Univer- public dialogue on the issues; by many others are recorded in photo- sity Archives’ Free Speech Movement protesting regulations we think uncon- graphs, books, flyers, speeches, and other Records, with files focused on student stitutional, inadequate, and unfair; and documents housed in The Bancroft movements primarily in California. finally by reluctantly violating certain of Library. Bancroft launched the Free However, the selection of original the regulations. Tomorrow the question Speech Movement Collections in the material stretches from the 1960s Civil of free speech will be considered by the summer of 1999.
    [Show full text]
  • Radio Transmission Electricity and Surrealist Art in 1950S and '60S San
    Journal of Surrealism and the Americas 9:1 (2016), 40-61 40 Radio Transmission Electricity and Surrealist Art in 1950s and ‘60s San Francisco R. Bruce Elder Ryerson University Among the most erudite of the San Francisco Renaissance writers was the poet and Zen Buddhist priest Philip Whalen (1923–2002). In “‘Goldberry is Waiting’; Or, P.W., His Magic Education As A Poet,” Whalen remarks, I saw that poetry didn’t belong to me, it wasn’t my province; it was older and larger and more powerful than I, and it would exist beyond my life-span. And it was, in turn, only one of the means of communicating with those worlds of imagination and vision and magical and religious knowledge which all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists heard and saw and ‘tuned in’ on. Poetry was not a communication from ME to ALL THOSE OTHERS, but from the invisible magical worlds to me . everybody else, ALL THOSE OTHERS.1 The manner of writing is familiar: it is peculiar to the San Francisco Renaissance, but the ideas expounded are common enough: that art mediates between a higher realm of pure spirituality and consensus reality is a hallmark of theopoetics of any stripe. Likewise, Whalen’s claim that art conveys a magical and religious experience that “all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists . ‘turned in’ on” is characteristic of the San Francisco Renaissance in its rhetorical manner, but in its substance the assertion could have been made by vanguard artists of diverse allegiances (a fact that suggests much about the prevalence of theopoetics in oppositional poetics).
    [Show full text]
  • André Breton Och Surrealismens Grundprinciper (1977)
    Franklin Rosemont André Breton och surrealismens grundprinciper (1977) Översättning Bruno Jacobs (1985) Innehåll Översättarens förord................................................................................................................... 1 Inledande anmärkning................................................................................................................ 2 1.................................................................................................................................................. 3 2.................................................................................................................................................. 8 3................................................................................................................................................ 12 4................................................................................................................................................ 15 5................................................................................................................................................ 21 6................................................................................................................................................ 26 7................................................................................................................................................ 30 8...............................................................................................................................................
    [Show full text]
  • Burmese, a Grammar of (Soe).Pdf
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A GRAMMAR OF BURMESE by MYINTSOE A DISSERTATION Presented to the Department of Linguistics and the Graduate School of the University of Oregon in partial fulfillment o f the requirements for the degree of Doctor of Philosophy December 1999 Reproduced with permission of the copyright owner.
    [Show full text]
  • Surrealism-Revolution Against Whiteness
    summer 1998 number 9 $5 TREASON TO WHITENESS IS LOYALTY TO HUMANITY Race Traitor Treason to whiteness is loyaltyto humanity NUMBER 9 f SUMMER 1998 editors: John Garvey, Beth Henson, Noel lgnatiev, Adam Sabra contributing editors: Abdul Alkalimat. John Bracey, Kingsley Clarke, Sewlyn Cudjoe, Lorenzo Komboa Ervin.James W. Fraser, Carolyn Karcher, Robin D. G. Kelley, Louis Kushnick , Kathryne V. Lindberg, Kimathi Mohammed, Theresa Perry. Eugene F. Rivers Ill, Phil Rubio, Vron Ware Race Traitor is published by The New Abolitionists, Inc. post office box 603, Cambridge MA 02140-0005. Single copies are $5 ($6 postpaid), subscriptions (four issues) are $20 individual, $40 institutions. Bulk rates available. Website: http://www. postfun. com/racetraitor. Midwest readers can contact RT at (312) 794-2954. For 1nformat1on about the contents and ava1lab1l1ty of back issues & to learn about the New Abol1t1onist Society v1s1t our web page: www.postfun.com/racetraitor PostF un is a full service web design studio offering complete web development and internet marketing. Contact us today for more information or visit our web site: www.postfun.com/services. Post Office Box 1666, Hollywood CA 90078-1666 Email: [email protected] RACE TRAITOR I SURREALIST ISSUE Guest Editor: Franklin Rosemont FEATURES The Chicago Surrealist Group: Introduction ....................................... 3 Surrealists on Whiteness, from 1925 to the Present .............................. 5 Franklin Rosemont: Surrealism-Revolution Against Whiteness ............ 19 J. Allen Fees: Burning the Days ......................................................3 0 Dave Roediger: Plotting Against Eurocentrism ....................................32 Pierre Mabille: The Marvelous-Basis of a Free Society ...................... .40 Philip Lamantia: The Days Fall Asleep with Riddles ........................... .41 The Surrealist Group of Madrid: Beyond Anti-Racism ......................
    [Show full text]
  • Loewinsohn, Ron. Papers
    http://oac.cdlib.org/findaid/ark:/13030/ft6f59n7wq No online items Guide to the Ron Loewinsohn Papers Papers, 1932-2014M0856 Processed by Mara Holian; machine-readable finding aid created by Steven Mandeville-Gamble. Department of Special Collections and University Archives 2002; revised 2021 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Ron Loewinsohn M0856761 1 Papers Papers, 1932-2014M0856 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Ron Loewinsohn papers Creator: Loewinsohn, Ron. Identifier/Call Number: M0856 Identifier/Call Number: 761 Physical Description: 20 Linear Feet(40 manuscript storage boxes) Date (inclusive): 1932-2014 Abstract: The collection contains correspondence, published and unpublished manuscripts between American poet Ron Loewinsohn and many of the most prominent American authors of the mid-to-late 20th Century. Scope and Content The Ron Loewinsohn Papers primarily consist of correspondence collected by Loewinsohn over more than two decades, as well as materials concerning both published and unpublished manuscripts. The primary group of correspondence is from contemporary authors and artists, including Robert Creeley, Denise Levertov, Philip Whalen, and others. Some letters, including those from Allen Ginsberg and William Carlos Williams were not identified in the original listing. Additionally, there is a wealth of correspondence from personal acquaintances, students, and family not directly involved in the San Francisco and New York poetry scenes of the 1960s. Loewinsohn also received a considerable amount of correspondence from universities with which he was affiliated and publishers regarding his works. The materials pertaining to Loewinsohn's published manuscripts concern several major works.
    [Show full text]
  • Bern Porter and Four Little Magazines
    Colby Quarterly Volume 9 Issue 2 June Article 6 June 1970 The Leaves Fall in the Bay Area: Regarding Bern Porter and Four Little Magazines Harriet S. Blake Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 9, no.2, June 1970, p.85-104 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Blake: The Leaves Fall in the Bay Area: Regarding Bern Porter and Four L Colby Library Quarterly 85 THE LEAVES FALL IN THE BAY AREA: REGARDING BERN' PORTER AND FOUR LITTLE MAGAZINES By HARRIET S. BLAKE OR SEVERAL YEARS Bernard H. Porter, Colby 1932, has been Fcontributing his own work, his source material, and the relevant works of his associates to the Robinson Rare Book Room in the Colby College Library. Porter, a physicist who worked on the atomic bomb project during World War II and left it after Hiroshima, has been active in photography, illustra­ tion, writing, publishing and printing. He has been particularly interested in combinations of art forms and new and experi­ mental work. Much of his time during the 1940s and 50s was spent in California, where he contributed considerable material to little magazines and was particularly active in the formation and publication of four. The earliest, The Leaves Fall, was edited in Ohio from 1942-1945 by his friend Fred Lingel, an engineer. This four­ page leaflet, the only one of the four not published in Cali­ fornia, offered Porter a vehicle for his poems, essays, aphorisms and drawings, as well as an occasional chance to edit an issue.
    [Show full text]
  • Poem on the Page: a Collection of Broadsides
    Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches.
    [Show full text]
  • The Berkeley Poetry Conference
    THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson.
    [Show full text]
  • Artaud in Performance: Dissident Surrealism and the Postwar American Avantgarde
    Artaud in performance: dissident surrealism and the postwar American avant-garde Article (Published Version) Pawlik, Joanna (2010) Artaud in performance: dissident surrealism and the postwar American avant-garde. Papers of Surrealism (8). pp. 1-25. ISSN 1750-1954 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/56081/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk © Joanna Pawlik, 2010 Artaud in performance: dissident surrealism and the postwar American literary avant-garde Joanna Pawlik Abstract This article seeks to give account of the influence of Antonin Artaud on the postwar American literary avant-garde, paying particular attention to the way in which his work both on and in the theatre informed the Beat and San Francisco writers’ poetics of performance.
    [Show full text]
  • Notes on Paha Buyang*
    Linguistics of the Tibeto-Burman Area Volume 29.1 — April 2006 NOTES ON PAHA BUYANG* Li Jinfang1 Central University for Nationalities and University of Melbourne Luo Yongxian2 University of Melbourne This paper is an outline of some of the major features of the phonology and grammar of a dialect of the Buyang language, a Tai-Kadai language with roughly 2000 speakers spread over the border area of Yunnan and Guangxi Provinces in China, and northern Vietnam and Laos. The particular variety described is the Paha variety spoken in Yanglian village, Guangnan County in Yunnan Province, China. The genetic position of Buyang within Tai-Kadai, and the influence of Zhuang and Chinese on the language are also discussed. Keywords: Tai-Kadai, Buyang, language description, Yunnan, endangered languages 1. INTRODUCTION Buyang is a small ethnic group in Southwest China, with approximately 2,000 speakers. They are distributed in the following locations (see Map 1). 1) Southeast of Gula Township of Funing County Yunnan Province on the Sino-Vietnamese border. There are eight villages: Ecun, Dugan, Zhelong, Nada, Longna, Maguan, Langjia, and Nianlang. These form the largest concentration of Buyang, with about 1,000 speakers. These villages, which are in close geographical proximity, are referred to by the local Han and Zhuang people as 布央八寨 ‘the eight Buyang villages’; 2) North of Guangnan County in southeastern Yunnan. About five hundred speakers live in Yanglian Village of Dixu Township, and about a hundred in Anshe Village of Bada Township; 3) Central Bohe Township of Napo County, western Guangxi Zhuang Autonomous Region, on the Sino-Vietnamese border.
    [Show full text]