Loewinsohn, Ron. Papers
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Addison Street Poetry Walk
THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K. -
Bancroftiana N Umber 118 • University of California, Berkeley • Spring 2001
N EWSLETTER OF THE FRIENDS OF THE BANCROFT LIBRARY BANCROFTIANA N UMBER 118 • UNIVERSITY OF CALIFORNIA, BERKELEY • SPRING 2001 With the Free Speech Movement Collections, You are There he Free Speech Movement at the and a speech by President Clark Kerr, documents with searchable digital Berkeley Campus of the University where Mario Savio demanded the right materials. Those examining the archive ofT California announced the date of its to speak but was refused, leading 10,000 on the Internet view samples of actual creation in a pamphlet titled Here We students to march in protest. photographs, videos, documents, and a Stand: On January 4, 1965, the Free Speech time line of events. The project is to be “On October 3, 1964, the Free Movement held its first legal rally on the presented to the public at a Bancroft Speech Movement was founded. Since steps on Sproul Hall accompanied by exhibit opening and symposium on that day we have worked unceasingly Joan Baez ballads. April 13-14, 2001. for free speech by attempting to create a These history-making events and The Collections feature the Univer- public dialogue on the issues; by many others are recorded in photo- sity Archives’ Free Speech Movement protesting regulations we think uncon- graphs, books, flyers, speeches, and other Records, with files focused on student stitutional, inadequate, and unfair; and documents housed in The Bancroft movements primarily in California. finally by reluctantly violating certain of Library. Bancroft launched the Free However, the selection of original the regulations. Tomorrow the question Speech Movement Collections in the material stretches from the 1960s Civil of free speech will be considered by the summer of 1999. -
Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
Reflections on Poetry & Social Class
The Stamp of Class: Reflections on Poetry and Social Class Gary Lenhart http://www.press.umich.edu/titleDetailLookInside.do?id=104886 The University of Michigan Press, 2005. Opening the Field The New American Poetry By the time that Melvin B. Tolson was composing Libretto for the Republic of Liberia, a group of younger poets had already dis- missed the formalism of Eliot and his New Critic followers as old hat. Their “new” position was much closer to that of Langston Hughes and others whom Tolson perceived as out- moded, that is, having yet to learn—or advance—the lessons of Eliotic modernism. Inspired by action painting and bebop, these younger poets valued spontaneity, movement, and authentic expression. Though New Critics ruled the established maga- zines and publishing houses, this new audience was looking for something different, something having as much to do with free- dom as form, and ‹nding it in obscure magazines and readings in bars and coffeehouses. In 1960, many of these poets were pub- lished by a commercial press for the ‹rst time when their poems were gathered in The New American Poetry, 1946–1960. Editor Donald Allen claimed for its contributors “one common charac- teristic: total rejection of all those qualities typical of academic verse.” The extravagance of that “total” characterizes the hyperbolic gestures of that dawn of the atomic age. But what precisely were these poets rejecting? Referring to Elgar’s “Enigma” Variations, 85 The Stamp of Class: Reflections on Poetry and Social Class Gary Lenhart http://www.press.umich.edu/titleDetailLookInside.do?id=104886 The University of Michigan Press, 2005. -
The Berkeley Poetry Conference
THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Roots and Routes Poetics at New College of California
Roots and Routes Poetics at New College of California Edited by Patrick James Dunagan Marina Lazzara Nicholas James Whittington Series in Creative Writing Studies Copyright © 2020 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Creative Writing Studies Library of Congress Control Number: 2020935054 ISBN: 978-1-62273-800-7 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Max Kirkeberg, diva.sfsu.edu/collections/kirkeberg/bundles/231645 All individual works herein are used with permission, copyright owned by their authors. Selections from "Basic Elements of Poetry: Lecture Notes from Robert Duncan Class at New College of California," Robert Duncan are © the Jess Collins Trust. -
Issue Print Test
NONSITE.ORG - ISSUE #15: B-SIDE MODERNISM (SPRING 2015) ARTICLES “CROWDED AIR”: PREVIOUS MODERNISMS IN SOME 1964 NEW YORK LITTLE MAGAZINES STEPHANIE ANDERSON In our “literary” listings and groupings […] we make constellations of the works of poetry that are, if they are anything, linked by gender, works of our selves, drawings of our spiritual kinship, of when and where what we are is happening. —Robert Duncan 1 In the most recent issue of Lana Turner, Joshua Clover draws out the differences between what he terms the “genealogical” and the “historical” avant-gardes. The former, he claims, “is a diachronic account which takes genealogy for history”; in doing so, it necessarily suffers from “the affirmation trap,” which blunts an avant-garde’s political ambitions for “an enlarged struggle toward the transformation of basic social arrangements” by positioning itself (and whatever political claims it does make) “within the cultural sphere.” Thus an unavoidable contradiction arises: a genealogical avant-garde “has no choice but to affirm the very cultural continuity which it must also claim to oppose.” It preserves an existing social sphere and concerns itself not with social “antagonism” but with questions of form and the status of art—though it also requires “a matching of aesthetic practice to some corresponding and contemporaneous social content.” 2 In contrast, a historical avant-garde is “synchronic” and “align[s] itself first with the negation of the current social arrangement including the negation of culture both as a medium for transmission and as such.” Formally, it is distinct from previous avant-gardes. Clover’s delineations are provocative and compacted; they describe the contemporary Anglophone poetry scene, and appeal for a genuinely historical “negationist” avant-garde that moves beyond the “affirmation trap” through a “direct engagement with lived social antagonism,” 3 yet they also have a history. -
Vol. 1 No. 2 $1.00
' EVERGREEN BOOKS LIBRAA~' 00 NOT REM~VE GRQuE~R@%IDENC~.~~~ by He,mo" Melrllle $1.25 THE VERSE IN ENGLISH OF RICHARD CRASHAW .. ... .. .. $1.25 SELECTED WRITINGS OF THE INGENIOUS MRS. APHRA bEHN $1.45 COUNT D'ORGEL by Roymond Radiguel . $1.25 THE SACRED FOUEIT by Henry Jo THE MAROUIS DE SADE by Simone With Seledons from His Wriling FLAUBERT: A BIOGRAPHY by Philip IMMORTALITY by Ashley Mcntagu JAPANESE LlTERATURE: An lnlrodu bv Donald Keene IE.10) EAKTH by Emile Zola 1.75 lE.11) TO THE HAPPY FEW: THE SELECTED LETTERS OF STENDHAL . $1.45 (E.14) LITTLE NOVELS OF 51ClLY by Giovanni Verga - Ironrlrrlcd by D. H. Lowrenre 1.25 IE.16) CHEKHOV: A LIFE by Dorid Mogarrhork . $1.45 IE.17) MASTRO-DON GESUALDO by Gioronni V lrontlmed by D. H. Lawrence 1.45 (E.18) MOLLOY by Somuel Beckett . $1.45 IE-211 GERMlNlE by Edmond and Juler de Goncourt $1.25 IE-221 THE INSULTED AND INJURED by Fyodor Do~toersky $1.45 IE-231 OEDIPUS-MYTH AND COMPLEX: A Review of Pry~hoonolyti~Theory by Pmrick Mullahy . $1.45 IE-24) JUNG'S PSYCHOLOGY AND ITS SOCIAL MEANING by Ira Progolf . $1.25 IE-25) PUDD'NHEAD WILSON by Mork Twoin (E-26) MID-CENTURY FRENCH POETS by Wollore Forhe . .... (E-27) VIRGIN SOIL by Iran Turgener (E-281 MAN0 MAJRA by Khushwonl Singh (E-29) THE POEMS OF CATULLUS Ironslaled by Horace Gregory. $1.25 (E-30) THREE EXEMPLARY NOVELS by Miguel de Unomuno . $1.45 (E-31) DEMOCRACY AND DICTATORSHIP by 2. -
Diss Title Page
Dynamics of Politicization in the Twentieth-Century U.S. Poetry Field by Barış Büyükokutan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Sociology) in The University of Michigan 2010 Doctoral Committee: Professor George P. Steinmetz, Chair Professor Howard A. Kimeldorf Professor Alan M. Wald Professor Michael D. Kennedy, Brown University Professor Gisèle Sapiro, Centre national de la recherche scientifique © Barış Büyükokutan 2010 To my mother ii Acknowledgements Many people helped me directly and indirectly over my eight years at Michigan. George Steinmetz, my principal advisor, allowed me to pursue my interests wherever they went while not failing to make some very fateful interventions that decisively shaped my work for the better. Howard Kimeldorf was always there when I needed his advice, always supportive, and always the first to respond to my queries. Gisèle Sapiro gave valuable advice during the research stage. Alan Wald and Michael Kennedy, the remaining members of my dissertation committee, were helpful and available. Müge Göçek, my former advisor, trusted my instincts; Peggy Somers gave much-needed support during the coursework stage; and Nükhet Sirman constantly reminded me of other perspectives that I could easily have forgotten as a result of disciplinary isolation. Poets Neeli Cherkovski, Diane di Prima, Lawrence Ferlinghetti, Joanne Kyger, Ron Loewinsohn, and Gary Snyder kindly spent time with me, answering my numerous questions. I owe much to Ann Arbor friends: Shpresa and Besnik Pula, Lai Sze Tso, Heejin Jun, Sadia Saeed, Atef Said, Camilo Leslie, Kristen Hopewell, Mariana Craciun, Maria Farkas, Ethan Schoolman, David Dobbie, Claire Decoteau, Hiro Saito, Avi Astor, Cedric Deleon, Matt Desan, Eric Eide, Marco Garrido, Alex Gerber, Kim Greenwell, Claire Whitlinger, Elizabeth Young, Meagan Elliott, and Dan Hirschman. -
Richard Brautigan Committed Suicide in a House He Owned in Bolinas, California, a Small Coastal Town Some Twenty Miles North of San Francisco
by Jay Boyer PS m W4 13 no .19 o o Boise State University Western Writers Series Number 79 By Jay Boyer Arizona State University Editors: Wayne Chatterton James H. Maguire Business Manager: James Hadden Cover Design and Illustration by Amy Skov, Copyright 1987 Boise State University, Boise, Idah o Copyright 1987 by the Boise State University Western Writers Series ALL RIGHTS RESERVED Libra ry of Congress Card No. 87·70030 International Standard Book No. Cl-8843().()78.1 Selections from Tlu AbQrlion, T1u Hawklim Mr.mster, Willard and His Bawl ing Trophies, Sombrero Falkme, and Dreaming ofBabylon are reprinted by per mission of Simon & Schuster. Printed in the United States of America by Boise State University Printing and Graphics Services Boise, Idaho At the age of forty-nine, Richard Brautigan committed suicide in a house he owned in Bolinas, California, a small coastal town some twenty miles north of San Francisco. Files from the Marin County Coroner's office and the office of the Sheriff of Marin Coun ty suggest that he stood at the foot of his bed looking out a window and put a handgun to his head, a Smith & Wesson .44 Magnum he'd borrowed from his friend Jimmy Sakata, the sixty year-old proprietor of Cho-Cho's, a Japanese restaurant in San Fran cisco that Brautigan was particularly fond of. He shot himself around the first of October 1984. The precise date of his suicide cannot be determined since he was living alone at the time and his body, so badly decomposed that it defied recognition, was not discovered until 25 October 1984.