Poems by and About Lowell A. Levant
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Addison Street Poetry Walk
THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K. -
Bancroftiana N Umber 118 • University of California, Berkeley • Spring 2001
N EWSLETTER OF THE FRIENDS OF THE BANCROFT LIBRARY BANCROFTIANA N UMBER 118 • UNIVERSITY OF CALIFORNIA, BERKELEY • SPRING 2001 With the Free Speech Movement Collections, You are There he Free Speech Movement at the and a speech by President Clark Kerr, documents with searchable digital Berkeley Campus of the University where Mario Savio demanded the right materials. Those examining the archive ofT California announced the date of its to speak but was refused, leading 10,000 on the Internet view samples of actual creation in a pamphlet titled Here We students to march in protest. photographs, videos, documents, and a Stand: On January 4, 1965, the Free Speech time line of events. The project is to be “On October 3, 1964, the Free Movement held its first legal rally on the presented to the public at a Bancroft Speech Movement was founded. Since steps on Sproul Hall accompanied by exhibit opening and symposium on that day we have worked unceasingly Joan Baez ballads. April 13-14, 2001. for free speech by attempting to create a These history-making events and The Collections feature the Univer- public dialogue on the issues; by many others are recorded in photo- sity Archives’ Free Speech Movement protesting regulations we think uncon- graphs, books, flyers, speeches, and other Records, with files focused on student stitutional, inadequate, and unfair; and documents housed in The Bancroft movements primarily in California. finally by reluctantly violating certain of Library. Bancroft launched the Free However, the selection of original the regulations. Tomorrow the question Speech Movement Collections in the material stretches from the 1960s Civil of free speech will be considered by the summer of 1999. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Mcdowell Title Page
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 Permalink https://escholarship.org/uc/item/5mf693nb Author McDowell, Tara Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 By Tara Cooke McDowell A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Emerita Anne M. Wagner, Chair Professor Emeritus T.J. Clark Professor Emerita Kaja Silverman Spring 2013 Abstract House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 by Tara McDowell Doctor of Philosophy in History of Art University of California, Berkeley Professor Emerita Anne M. Wagner, Chair This dissertation examines the work of the San Francisco-based artist Jess (1923-2004). Jess’s multimedia and cross-disciplinary practice, which takes the form of collage, assemblage, drawing, painting, film, illustration, and poetry, offers a perspective from which to consider a matrix of issues integral to the American postwar period. These include domestic space and labor; alternative family structures; myth, rationalism, and excess; and the salvage and use of images in the atomic age. The dissertation has a second protagonist, Robert Duncan (1919-1988), preeminent American poet and Jess’s partner and primary interlocutor for nearly forty years. Duncan and Jess built a household and a world together that transgressed boundaries between poetry and painting, past and present, and acknowledged the limits and possibilities of living and making daily. -
Loewinsohn, Ron. Papers
http://oac.cdlib.org/findaid/ark:/13030/ft6f59n7wq No online items Guide to the Ron Loewinsohn Papers Papers, 1932-2014M0856 Processed by Mara Holian; machine-readable finding aid created by Steven Mandeville-Gamble. Department of Special Collections and University Archives 2002; revised 2021 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Ron Loewinsohn M0856761 1 Papers Papers, 1932-2014M0856 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Ron Loewinsohn papers Creator: Loewinsohn, Ron. Identifier/Call Number: M0856 Identifier/Call Number: 761 Physical Description: 20 Linear Feet(40 manuscript storage boxes) Date (inclusive): 1932-2014 Abstract: The collection contains correspondence, published and unpublished manuscripts between American poet Ron Loewinsohn and many of the most prominent American authors of the mid-to-late 20th Century. Scope and Content The Ron Loewinsohn Papers primarily consist of correspondence collected by Loewinsohn over more than two decades, as well as materials concerning both published and unpublished manuscripts. The primary group of correspondence is from contemporary authors and artists, including Robert Creeley, Denise Levertov, Philip Whalen, and others. Some letters, including those from Allen Ginsberg and William Carlos Williams were not identified in the original listing. Additionally, there is a wealth of correspondence from personal acquaintances, students, and family not directly involved in the San Francisco and New York poetry scenes of the 1960s. Loewinsohn also received a considerable amount of correspondence from universities with which he was affiliated and publishers regarding his works. The materials pertaining to Loewinsohn's published manuscripts concern several major works. -
Focusfall07.Pdf
Table of Contents ADVENTURE . 1 REFERENCE . 12 BIRDING . 1 SCIENCE . 13 CHILDREN’S . 1-5 SPORTS . 14-15 Living Creatures . 3 TRAVEL . 16-17 Sports . 4 US HISTORY. 18-20 US History . 4-5 WRITING. 21 ECOLOGY . 5 Nature Writing . 21 HEALTHY LIVING . 6-10 Travel Writing . 21 Martial Arts . 9-10 YOGA. 21 NAUTICAL. 10 OUTDOOR & NATURE. 10-12 Living Creatures . 12 Ordering Information New Accounts, For accounts wishing to be Established Accounts Canadian Orders Sales Representatives serviced by the New York Order Dept. and Inquiries & General Information sales staff call: Random House, Inc. Random House of Canada, Inc. Random House, Inc. Phone: 212-572-2328 Attn: Order Entry Diversified Sales Special Markets Fax: 212-572-4961 400 Hahn Road 2775 Matheson Blvd. East 1745 Broadway Specialty Wholesale: Westminster, MD 21157 Mississauga, ON L4W 4P4 6th Floor If you are distributing to a Phone: 800-733-3000 Phone: 800-668-4247 New York, NY 10019 specialty retailer please call: Fax: 800-659-2436 Fax: 905-624-6217 E-mail orders to: Phone: 888-591-1200, x2 [email protected] Fax: 212-572-4961 Customer Service International Sales and Credit Depts. Random House, Inc. Specialty Retail: Premium Sales: Phone: 1-800-733-3000 International Division For accounts wishing to be Phone: 800-800-3246 serviced by a field rep call Fax: 212-572-4961 Price and availability are subject 1745 Broadway to change without notice. our Field Sales Department: 6th Floor Phone: 800-729-2960 New York, NY 10019 Fax: 800-292-9071 Phone: 212-829-6712 E-mail orders to: Fax: 212-829-6700 [email protected] E-mail: [email protected] Our Specialty Retail Field Representatives Anne McGilvray Krikorian Miller Associates Portfolio Ted Weinstein And & Company 978-465-7377 212-685-7377 The Company He Keeps 312-321-0710 (Chicago) CT, MA, ME, NH, NY, RI, VT NY (Metro and Westchester) 503-222-5105 (Zips 120-125/127-149) 952-932-7153 (Minnetonka) NJ (Excluding Southern tip) AK, ID, OR, WA AR, KS, IL, IN, LA, MO, MN, Lines By Alan Green N. -
Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
The Board of Library Trustees May Act on Any Item on This Agenda
PLEASE NOTE: Special Starting BERKELEY PUBLIC LIBRARY Time BOARD OF LIBRARY TRUSTEES Regular Meeting AGENDA South BRANCH February 10, 2010 6:30 p.m. 1901 Russell Street The Board of Library Trustees may act on any item on this agenda. I. PRELIMINARY MATTERS A. Call to Order B. Public Comments (6:00 – 6:30 p.m.) (Proposed 30-minute time limit, with speakers allowed 3 minutes each) C. Report from library employees and unions, discussion of staff issues Comments / responses to reports and issues addressed in packet. D. Report from Board of Library Trustees E. Approval of Agenda II. PRESENTATIONS A. Measure FF South Branch Library Update 1. Presentation by Field Paoli Architects on the Schematic Design Phase; and Staff Report on the Process, Community Input and Next Steps. 2. Public Comment (on this item only) 3. Board discussion B. Measure FF Claremont Branch Library Update 1. Presentation by Gould Evans Baum Thornley Architects on the Schematic Design Phase; and Staff Report on the Process, Community Input and Next Steps. 2. Public Comment (on this item only) 3. Board discussion C. Measure FF West Branch Library Update 1. Review presentation made by Harley Ellis Devereaux/GreenWorks Studio on the Conceptual Design Phase; and Staff Report on the Process, Community Input and Next Steps at February 6, 2010 Special BOLT meeting. Refer to February 6, 2010 Agenda Packet. Notes and comments from the meeting to be delivered. 2. Public Comment (on this item only) 3. Board discussion III. CONSENT CALENDAR The Board will consider removal and addition of items to the Consent Calendar prior to voting on the Consent Calendar. -
The Berkeley Poetry Conference
THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Roots and Routes Poetics at New College of California
Roots and Routes Poetics at New College of California Edited by Patrick James Dunagan Marina Lazzara Nicholas James Whittington Series in Creative Writing Studies Copyright © 2020 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Creative Writing Studies Library of Congress Control Number: 2020935054 ISBN: 978-1-62273-800-7 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Max Kirkeberg, diva.sfsu.edu/collections/kirkeberg/bundles/231645 All individual works herein are used with permission, copyright owned by their authors. Selections from "Basic Elements of Poetry: Lecture Notes from Robert Duncan Class at New College of California," Robert Duncan are © the Jess Collins Trust.