Poetry Project Newsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Consumer Superbrands 2019 Top 10 Consumer Superbrands Relevancy
Consumer Superbrands 2019 Top 10 Consumer Superbrands BRAND CATEGORY LEGO 1 Child Products - Toys and Education Apple 2 Technology - General Gillette 3 Toiletries - Men's Grooming Rolex 4 Watches British Airways 5 Travel - Airlines Coca-Cola 6 Drinks - Non-Alcoholic - Carbonated Soft Drinks Andrex 7 Household - Kitchen Rolls, Toilet Roll and Tissues Mastercard 8 Financial - General Visa 9 Financial - General Dyson 10 Household & Personal Care Appliances Relevancy Index Top 20 BRAND CATEGORY Amazon 1 Retail - Entertainment & Gifts Aldi 2 Retail - Food & Drink Macmillan Cancer Support 3 Charities Netflix 4 Media - TV Google 5 Social, Search & Comparison Sites Lidl 6 Retail - Food & Drink PayPal 7 Financial - General LEGO 8 Child Products - Toys and Education Samsung 9 Technology - General YouTube 10 Social, Search & Comparison Sites Visa 11 Financial - General Heathrow 12 Travel - Airports Purplebricks 13 Real Estate Cancer Research UK 14 Charities Oral-B 15 Toiletries - Oral Care Apple 16 Technology - General Dyson 17 Household & Personal Care Appliances TripAdvisor 18 Travel - Agents & Tour Operators Nike 19 Sportswear & Equipment Disney 20 Child Products - Toys and Education continues... Consumer Superbrands 2019 Category Winners CATEGORY BRAND Automotive - Products Michelin Automotive - Services AA Automotive - Vehicle Manufacturer Mercedes-Benz Charities Cancer Research UK Child Products - Buggies, Seats and Cots Mamas & Papas Child Products - General JOHNSON'S Child Products - Toys and Education LEGO Drinks - Alcoholic - Beer, Ale -
227-Newsletter.Pdf
THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 2011 #227 LETTERS POEM NATHANIEL MACKEY INTERVIEW CARLA HARRYMAN & LYN HEJINIAN TALK WITH CORINA COPP CALENDAR PATRICK JAMES DUNAGAN REVIEWS CHAPBOOKS BY ARIEL GOLDBERG, JESSICA FIORINI, JIM CARROLL, ALLI WARREN & NICHOLAS JAMES WHITTINGTON CATHERINE WAGNER REVIEWS ANDREA BRADY CACONRAD REVIEWS SUSIE TIMMONS FARRAH FIELD REVIEWS PAUL LEGAULT CARLEY MOORE REVIEWS EILEEN MYLES ERIK ANDERSON REVIEWS RENEE GLADMAN DAVID BRAZIL REVIEWS MINA PAM DICK STEPHANIE DICKINSON REVIEWS LEWIS WARSH MATT LONGABUCCO REVIEWS MIŁOSZ BIEDRZYCKI JAMIE TOWNSEND REVIEWS PAUL FOSTER JOHNSON ABRAHAM AVNISAN REVIEWS CAROLINE BERGVALL NICOLE TRIGG REVIEWS JULIANA LESLIE ERICA KAUFMAN REVIEWS KARINNE KEITHLEY $5? 02 APR/MAY 11 #227 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Arlo Quint PROGRAM ASSISTANT: Nicole Wallace MONDAY NIGHT COORDINATOR: Macgregor Card MONDAY NIGHT TALK SERIES COORDINATOR: Michael Scharf WEDNESDAY NIGHT COORDINATOR: Joanna Fuhrman FRIDAY NIGHT COORDINATORS: Brett Price SOUND TECHNICIAN: David Vogen VIDEOGRAPHER: Alex Abelson BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Vanessa Garver INTERNS: Nina Freeman, Stephanie Jo Elstro, Rebecca Melnyk VOLUNTEERS: Jim Behrle, Rachel Chatham, Corinne Dekkers, Ivy Johnson, Erica Kaufman, Christine Kelly, Ace McNamara, Annie Paradis, Christa Quint, Judah Rubin, Lauren Russell, Thomas Seely, Erica Wessmann, Alice Whitwham, Dustin Williamson The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. -
Poetry Project Newsletter
THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 10 #223 LETTERS & ANNOUNCEMENTS FEATURE PERFORMANCE REVIEWS KARINNE KEITHLEY & SARA JANE STONER REVIEW LEAR JAMES COPELAND REVIEWS A THOUGHT ABOUT RAYA BRENDA COULTAS REVIEWS RED NOIR KEN L. WALKER INTERVIEWS CECILIA VICUÑA POEMS DEANNA FERGUSON CALENDAR BRANDON BROWN REVIEWS AARON KUNIN, LAUREN RUSSELL, JOSEPH MASSEY & LAUREN LEVIN TIM PETERSON REVIEWS JENNIFER MOXLEY DAVID PERRY REVIEWS STEVE CAREY JULIAN BROLASKI REVIEWS NATHANAËL (NATHALIE) STEPHENS BILL MOHR REVIEWS ALAN BERNHEIMER DOUGLAS PICCINNINI REVIEWS GRAHAM FOUST ERICA KAUFMAN REVIEWS MAGDALENA ZURAWSKI MAXWELL HELLER REVIEWS THE KENNING ANTHOLOGY OF POETS THEATER ROBERT DEWHURST REVIEWS BRUCE BOONE $5? 02 APR/MAY 10 #223 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Corrine Fitzpatrick PROGRAM ASSISTANT: Arlo Quint MONDAY NIGHT COORDINATOR: Dustin Williamson MONDAY NIGHT TALK SERIES COORDINATOR: Arlo Quint WEDNESDAY NIGHT COORDINATOR: Stacy Szymaszek FRIDAY NIGHT COORDINATORS: Nicole Wallace & Edward Hopely SOUND TECHNICIAN: David Vogen BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Nicole Wallace INTERNS: Sara Akant, Jason Jiang, Nina Freeman VOLUNTEERS: Jim Behrle, Elizabeth Block, Paco Cathcart, Vanessa Garver, Erica Kaufman, Christine Kelly, Derek Kroessler, Ace McNamara, Nicholas Morrow, Christa Quint, Lauren Russell, Thomas Seeley, Logan Strenchock, Erica Wessmann, Alice Whitwham The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. Checks should be made payable to The Poetry Project, St. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
The Poetry Project at 50
The Poetry Project december 2016 / january 2017 Issue #249 The Poetry Project december 2016 / January 2017 Issue #249 Director: Stacy Szymaszek Managing Director: Nicole Wallace Archivist: Will Edmiston Program Director: Simone White Archival Assistant: Marlan Sigelman Communications & Membership Coordinator: Laura Henriksen Bookkeeper: Carlos Estrada Newsletter Editor: Betsy Fagin Workshop/Master Class Leaders (Spring 2017): Lisa Jarnot, Reviews Editor: Sara Jane Stoner Pierre Joris, and Matvei Yankelevich Monday Night Readings Coordinator: Judah Rubin Box Office Staff: Micaela Foley, Cori Hutchinson, and Anna Wednesday Night Readings Coordinator: Simone White Kreienberg Friday Night Readings Coordinator: Ariel Goldberg Interns: Shelby Cook, Iris Dumaual, and Cori Hutchinson Friday Night Readings Assistant: Yanyi Luo Newsletter Consultant: Krystal Languell Volunteers Mehroon Alladin, Mel Elberg, Micaela Foley, Hadley Gitto, Jessica Gonzalez, Olivia Grayson, Cori Hutchinson, Raffi Kiureghian, Anna Kreienberg, Phoebe Lifton, Ashleigh Martin, Dave Morse, Batya Rosenblum, Isabelle Shallcross, Hannah Treasure, Viktorsha Uliyanova, and Shanxing Wang. Board of Directors Camille Rankine (Chair), Katy Lederer (Vice-Chair), Carol Overby (Treasurer), and Kristine Hsu (Secretary), Todd Colby, Adam Fitzgerald, Boo Froebel, Erica Hunt, Jonathan Morrill, Elinor Nauen, Laura Nicoll, Purvi Shah, Jo Ann Wasserman, and David Wilk. Friends Committee Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Viki Hudspith, -
5.00 #214 February/MARCH 2008 the Jack Kerouac School of Disembodied Poetics Summer Writing Program 2008
$5.00 #214 FEBRUARY/MARCH 2008 The Jack Kerouac School of Disembodied Poetics Summer Writing Program 2008 7EEKLY7ORKSHOPSs*UNEn*ULYs"OULDER #/ WEEK ONE: June 16–22 The Wall: Troubling of Race, Class, Economics, Gender and Imagination Samuel R. Delany, Marcella Durand, Laird Hunt, Brenda Iijima, Bhanu Kapil, Miranda Mellis, Akilah Oliver, Maureen Owen, Margaret Randall, Max Regan, Joe Richey, Roberto Tejada and Julia Seko (printshop) WEEK TWO: June 23–29 Elective Affinities: Against the Grain: Writerly Utopias Will Alexander, Sinan Antoon, Jack Collom, Linh Dinh, Anselm Hollo, Daniel Kane, Douglas Martin, Harryette Mullen, Laura Mullen, Alice Notley, Elizabeth Robinson, Eleni Sikelianos, Orlando White and Charles Alexander (printshop) WEEK THREE: June 30–July 6 Activism, Environmentalism: The Big Picture Amiri Baraka, Lee Ann Brown, Junior Burke, George Evans, Bobbie Louise Hawkins, Lewis MacAdams, Eileen Myles, Kristin Prevallet, Selah Saterstrom, Stacy Szymaszek, Anne Waldman, Daisy Zamora and Karen Randall (printshop) WEEK FOUR: July 7–13 Performance, Community: Policies of the USA in the Larger World Dodie Bellamy, Rikki Ducornet, Brian Evenson, Raymond Federman, Forrest Gander, Bob Holman,Pierre Joris, Ilya Kaminsky, Kevin Killian, Anna Moschovakis, Sawako Nakayasu, Anne Tardos, Steven Taylor, Peter & Donna Thomas (printshop) Credit and noncredit programs available Poetry s&ICTIONs4RANSLATION Letterpress Printing For more information on workshops, visit www.naropa.edu/swp. To request a catalog, call 303-245-4600 or email [email protected]. Keeping the world safe for poetry since 1974 THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #214 FEBRUARY/MARCH 2008 NEWSLETTER EDITOR John Coletti 4 ANNOUNCEMENTS DISTRIBUTION Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 6 READING REPORTS THE POETRY PROJECT LTD. -
Week on Our Hot Snacks’ Page 32 »
29.05.2015 RN ON THE ROAD Test purchases, illicit alcohol: a day in the life of trading standards INVESTIGATION Page 28 » Constructing an opportunity ‘Local builders spend £500 a week on our hot snacks’ Page 32 » NEWS l CONVENIENCE l PROFIT www.betterretailing.com l £2.20 ‘We’ll prove £40m deal’s a win-win’ PAYPOINT l Booker to meet with Londis and Budgens retailers to answer questions and address concerns following merger. Facebook l Premier and Family Shopper stores promised better frenzy premium and fresh & chilled infrastructure. Page 5 » unites TOBACCO retailers Director Andrew High court Goddard to visit group founder after challenge 1,400 members over plain join in a week. packaging Page 5 » JTI, Philip Morris RETAIL CRIME and BAT file lawsuits against government. ‘My terror Page 4 » at the REGIONAL tillpoint’ Knifepoint attack Sinkhole is the harsh reality nightmare of handling high- Sales down 70% as cash services like retailer trades from PayPoint, says his car. Page 12 » retailer. Page 14 » Vol 126 No 22 Raspberry Vipul FOR TRADE USE ONLY The Wharf in Ebley Stroud has become Take a Break PoS push the first Mace store to open an ice cream parlour. With 18 22 planned for 17,000 flavours for customers to try, owner Vipul Panchmatia independent stores is hoping to sell 40 to 50 tubs a week. In its first three Page 7 days the parlour pulled in £400 in sales. » IRRESISTIBLY TASTY PROFITS New baked Cracker Crisps from Jacob’s, the market leader in savoury biscuits. Available in 3 top selling flavours. -
Disclaimer Notes to the Annual Report and Accounts This PDF
Disclaimer Notes to the Annual Report and Accounts This PDF version of the Unilever Annual Report and Accounts 2005 is an exact copy of the document provided to Unilever’s shareholders. Certain sections of the Unilever Annual Report and Accounts 2005 have been audited. Sections that have been audited are set out on pages 78 to 151, 157 to 172 and 174 to 177. The auditable part of the report of the Remuneration Committee as set out on page 69 has also been audited. The maintenance and integrity of the Unilever website is the responsibility of the Directors; the work carried out by the auditors does not involve consideration of these matters. Accordingly, the auditors accept no responsibility for any changes that may have occurred to the financial statements since they were initially placed on the website. Legislation in the United Kingdom and the Netherlands governing the preparation and dissemination of financial statements may differ from legislation in other jurisdictions. Disclaimer Except where you are a shareholder, this material is provided for information purposes only and is not, in particular, intended to confer any legal rights on you. This Annual Report and Accounts does not constitute an invitation to invest in Unilever shares. Any decisions you make in reliance on this information are solely your responsibility. The information is given as of the dates specified, is not updated, and any forward-looking statements are made subject to the reservations specified on page 4 of the Report. Unilever accepts no responsibility for any information on other websites that may be accessed from this site by hyperlinks. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry Permalink https://escholarship.org/uc/item/2kb1h96x Author Smith, Matthew Bingham Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry By Matthew Bingham Smith A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Mairi McLaughlin Professor Ann Smock Professor Lyn Hejinian Summer 2015 Abstract Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry by Matthew Bingham Smith Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair My dissertation offers a transnational perspective on the lively dialogue between French and American poetry since the 1970s. Focusing on the institutions and practices that mediate this exchange, I show how American and French poets take up, challenge or respond to shifts in the poetic field tied to new cross-cultural networks of circulation. In so doing, I also demonstrate how poets imagine and realize a diverse set of competing publics. This work is divided into three chapters. After analyzing in my introduction the web of poets and institutions that have enabled and sustained this exchange, I show in my first chapter how collaborations between writers and translators have greatly impacted recent poetry in a case study of two American works: Andrew Zawack’s Georgia (2009) and Bill Luoma’s My Trip to New York City (1994). -
PREFACE 1. for an Analysis of Machine Metaphors and the Impact of Technology in Imperial Settings See Michael P. Adas, Machines
Notes PREFACE 1. For an analysis of machine metaphors and the impact of technology in imperial settings see Michael P. Adas, Machines as the Measure of Man (Ithaca, NY, 1990). See also Anson Rabinbach, The Human Motor (New York, 1990). 2. Les Jeux Olympiques, 776 av. J.C.-1896 (Paris, 1896) 108. 3. Ideal Health and How to Obtain It by Physical Culture, by 'M.D/ (Lon don, 1909) 1. 4. The problems with studying the body in the context of private life in this period have already been cogently laid out by Michelle Perrot (ed.), A History of Private Life: From the Fires of Revolution to the Great War (Cambridge, MA, 1990) 1-5. Even most sociologists, who are typically less tradition bound than historians, would admit that there is as yet no sociology of the body, only a diffuse and cautious effort to begin collecting bodily related data. As Anthony Synnott argues in The Body Social: Symbolism, Self and Society (New York, 1993), psy chologists and philosophers as well as historians have tended to ignore the body. Groundbreaking work by historians of gender and sexuality such as Judith Walkowitz, Peter Brown and Thomas Laqeuer are notable exceptions in this regard. 5. See David Landes, Prometheus Unbound: Technological Change and Indus trial Development in Western Europe from 1750 to the Present (Cambridge, 1969) 357. 6. Ibid. 7. Like the geographical nation, biological categories such as gender often implicitly finesse questions about their specificity and substance. These are taken for granted as the visible which denotes the under lying truth of differences. -
Blake, Duncan, and the Politics of Writing from Myth
ARTICLE upbringing, Duncan read Blake as a poet of hermetic vi- sion.3 For Duncan, Blake sees clearly into the essential truth of his own time, and this insight carries a deep social re- sponsibility. In Roots and Branches and Fictive Certainties, Blake, Duncan, and the Politics of Duncan draws from his sense of an occult Blake to deepen Writing from Myth his own exploration of the poetic textures of personal ex- perience. In Bending the Bow, he takes his reading of Blake beyond the personal and poetic implications of occult mys- By Linda Freedman ticism toward an intensely ethical political engagement. This does not represent a rupture from the concerns ex- Linda Freedman ([email protected]) is a lecturer pressed in Roots and Branches and Fictive Certainties, but in British and American literature at University College a development. In both instances, Duncan comes into his London. She is a graduate of Oxford and London and a creative potential thinking about Blake in terms of touch. former fellow of Selwyn College, Cambridge. She is the The act of touching something, or someone, had a partic- author of Emily Dickinson and the Religious Imagina- ular personal significance for him as a signifier of both in- tion (Cambridge University Press, 2011) and is current- timacy and reality. At the age of three he was hurt in an ly writing a book about William Blake and America. accident in the snow and became cross-eyed so that he saw She has a particular interest in transatlantic connec- double. In Roots and Branches he spoke about the effects tions and in the relationship between literature, reli- of his injury in metaphysical terms: “I had the double re- gion, and the visual arts. -
Roots and Routes Poetics at New College of California
Roots and Routes Poetics at New College of California Edited by Patrick James Dunagan Marina Lazzara Nicholas James Whittington Series in Creative Writing Studies Copyright © 2020 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Creative Writing Studies Library of Congress Control Number: 2020935054 ISBN: 978-1-62273-800-7 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Max Kirkeberg, diva.sfsu.edu/collections/kirkeberg/bundles/231645 All individual works herein are used with permission, copyright owned by their authors. Selections from "Basic Elements of Poetry: Lecture Notes from Robert Duncan Class at New College of California," Robert Duncan are © the Jess Collins Trust.