DOCSLIB.ORG

The 2021 Guide to Manuscript Publishers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The 2021 Guide to Manuscript Publishers Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing ................................................................................................... 20 Agate Publishing ..................................................................................................... 22 Allworth Press ......................................................................................................... 23 Artisan ..................................................................................................................... 25 Beacon Press ........................................................................................................... 26 Amberley................................................................................................................. 28 BenBella .................................................................................................................. 29 Big Sky Publishing ................................................................................................. 31 Carrel Books ........................................................................................................... 32 Chelsea Green ......................................................................................................... 34 Chicago Review Press............................................................................................. 35 Chronicle Books...................................................................................................... 36 Chelsea Green ......................................................................................................... 38 City Lights Books ................................................................................................... 39 Duke University Press............................................................................................. 41 The Experiment ....................................................................................................... 43 ECW Press .............................................................................................................. 44 Equinox Publishing ................................................................................................. 45 The Feminist Press .................................................................................................. 46 Free Spirit Publishing ............................................................................................. 47 Gill Books ............................................................................................................... 49 Haymarket Books.................................................................................................... 51 Hohm Press ............................................................................................................. 52 Inanna Publications and Education Inc ................................................................... 53 5 Authors Publish The 2021 Guide to Manuscript Publishers Jessica Kingsley Publishers (JKP) .......................................................................... 55 Laurence King ......................................................................................................... 56 Measure Press ......................................................................................................... 58 Microcosm .............................................................................................................. 60 New Harbinger ........................................................................................................ 62 North Atlantic Books .............................................................................................. 63 Oneworld Publishing .............................................................................................. 64 The O'Brien Press ................................................................................................... 66 Owl Canyon Press ................................................................................................... 67 Princeton University Press ...................................................................................... 68 Prometheus Books .................................................................................................. 69 The Quarto Publishing Group ................................................................................. 70 Schaffner Press........................................................................................................ 71 Skyhorse Publishing................................................................................................ 72 SmartPop Books...................................................................................................... 74 Source Books .......................................................................................................... 76 Storey Publishing .................................................................................................... 77 Thames & Hudson .................................................................................................. 79 Timber Press ........................................................................................................... 80 The New Press ........................................................................................................ 81 Ulysses Press ........................................................................................................... 83 UNO Press .............................................................................................................. 84 Workman................................................................................................................. 85 Literary Fiction Publishers .......................................................................................... 86 404 Ink .................................................................................................................... 87 8th House Publishing ............................................................................................... 88 Able Muse ............................................................................................................... 90 Acre Books.............................................................................................................. 91 Ad Lumen Press ...................................................................................................... 92 aunt lute ................................................................................................................... 93 BlazeVOX ............................................................................................................... 94 6 Authors Publish The 2021 Guide to Manuscript Publishers Bellevue Literary Press ........................................................................................... 95 Clash Books ............................................................................................................ 96 Coffee House Press ................................................................................................. 97 Dalkey Archive Press .............................................................................................. 98 Deep Vellum ........................................................................................................... 99 Douglas & McIntyre ............................................................................................. 100 époque press .......................................................................................................... 101 Fairlight Books...................................................................................................... 102 Flashpoint Publications ......................................................................................... 104 Harvard Square Editions ....................................................................................... 105 Ig Publishing ........................................................................................................
Load more

Recommended publications
  • Donald Trump Shoots the Match1 Sharon Mazer
    Donald Trump Shoots the Match1 Sharon Mazer The day I realized it can be smart to be shallow was, for me, a deep experience. —Donald J. Trump (2004; in Remnick 2017:19) I don’t care if it’s real or not. Kill him! Kill him! 2 He’s currently President of the USA, but a scant 10 years ago, Donald Trump stepped into the squared circle, facing off against WWE owner and quintessential heel Mr. McMahon3 in the “Battle of the Billionaires” (WrestleMania XXIII). The stakes were high. The loser would have his head shaved by the winner. (Spoiler alert: Trump won.) Both Trump and McMahon kept their suits on—oversized, with exceptionally long ties—in a way that made their heads appear to hover, disproportionately small, over their bulky (Trump) and bulked up (McMahon) bodies. As avatars of capitalist, patriarchal power, they left the heavy lifting to the gleamingly exposed, hypermasculinist bodies of their pro-wrestler surrogates. McMahon performed an expert heel turn: a craven villain, egging the audience to taunt him as a clueless, elitist frontman as he did the job of casting Trump as an (unlikely) babyface, the crowd’s champion. For his part, Trump seemed more mark than smart. Where McMahon and the other wrestlers were working around him, like ham actors in an outsized play, Trump was shooting the match: that is, not so much acting naturally as neglecting to act at all. He soaked up the cheers, stalked the ring, took a fall, threw a sucker punch, and claimed victory as if he (and he alone) had fought the good fight (WWE 2013b).
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Jean-Yves Mollier
    French publishing in World War Two: A habitus of submission? Jean-Yves Mollier The present article sets out to explore the situation of French publishing between June 1940 and August 1944. Before addressing the main argument, however, it is important to bear in mind that it is difficult to understand this key sector of French cultural life in the period immediately prior to the Nazi occupation without looking back at its development over the preceding decades and even centuries. Similarly, understanding the deeper meaning underlying the attitude of the leading publishers who occupied the higher echelons of the publishing union means bearing in mind their “centuries-old habitus of submission”1 to authority. Take for example the “voluntary delegation of notables representing Paris's industrial sector” led by the industrialists Emile Menier and Jean- François Cail and the printer Henri Plon to the Elysée Palace on December 19, 1851 to thank Louis- Napoléon Bonaparte for “guaranteeing the defence of order, family, and property” after seizing power in a coup seventeen days earlier.2 Though it is important not to overstate the importance of such an event in the contemporary context, it can be seen as symbolic of a craven attitude to power that remained largely unchanged in the summer of 1940. Napoleon I and his successors set up a system to police the book trade, with inspectors whose task it was to keep a close eye not only on ports and borders, but also printers, bookshops, pedlars, second-hand bookshops, and any other premises or itinerant points of sale where books could be acquired.
    [Show full text]
  • Frankfurt October
    Translation Rights List Frankfurt October 1 1 Contents • About Bookouture p. 3 • Rights Department p. 4 • Historical p. 5 • Crime Thriller p. 21 • Women’s Fiction p. 78 • p. 104 • Schedule 2021 p. 106 • Rights Representatives p. 111 2 Digital publisher of brilliant fiction Bookouture is a fast-growing UK-based digital imprint specialising in a broad range of fiction and building authors globally. At just 8 years old, and with a team of 38 people, Bookouture has already scored 353 Amazon UK top 100 hits, and sold over 40 million copies. • From only 634 books and 154 authors, we sold 9.2 million copies in 2019 • We have had over 52 top-five Kindle bestsellers and over 78 top-ten Kindle bestsellers. 51% of all our titles have hit the Amazon UK Top 100. • We publish super-smart writing that keeps our readers up late into the night o Women’s fiction o Crime o Historical o Psychological suspense o Police procedurals o Chick lit o Paranormal romance o Young adult o Seasonal fiction o Sagas o Romance o Psychological thrillers o Thrillers o Holiday reads ‘Britain's Hottest Digital Publisher ’ 3 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director Worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, the Indian Subcontinent and all of Eastern Europe excluding Poland [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager The USA, France, Greece, Hebrew
    [Show full text]
  • Typography: Language Made Visible Annotated Bibliography
    Typography: Language Made Visible Annotated Bibliography Subject Markers. (*) Praxis (†) History and Theory (‡) Philosophy Armstrong, Helen. Graphic Design Theory: Readings from the Field. New York: Princeton Architectural Press, . Paperback. Condition: good.† Baines, Phil. Penguin By Design: A Cover Story –. New York: Penguin, . Paperback. Condition: very good.*† Bertin, Jaques. Semiology of Graphics: Diagrams, Networks, Maps. Redlands, CA: Esri Press, . Hardcover. Condition: excellent.*† Purchased spring of from Amazon. I have mixed feelings about this volume. On one hand, I am incredibly happy to see a brilliant and foundational work affordably back in print. On the other, I am a bit disgusted by the quality of the edition. The original edition of the English translation is a beautifully designed volume. The reissued edition features a blindingly white coated paper, and a puzzling insistence by Esri on using comically oversized Times New Roman typeface. The illustrations, however, have been better reproduced (and in some cases enhanced) from the earlier version. Apart from dealing with symbols, colors, and other graphic conventions, Bertin also discusses the uses of letters, labels, and visual hierarchies. Bildi Grafiks. Tempus Fugit. Barcelona: Index Books, . Hardcover. Condition: good.*‡ I purchased this book in the spring of from Amazon. The book was part of a project to redesign the calendar for the campus student film society into something readable and typographically coherent. This volume represents essentially the only book I could find on the subject of calendar design after many days of searching. It deals with novel arrangements, a dash of history, and a few interesting essays on the nature of time and representation.
    [Show full text]
  • The Founder Effect
    Baen Books Teacher Guide: The Founder Effect Contents: o recommended reading levels o initial information about the anthology o short stories grouped by themes o guides to each short story including the following: o author’s biography as taken from the book itself o selected vocabulary words o content warnings (if any) o short summary o selected short assessment questions o suggested discussion questions and activities Recommended reading level: The Founder Effect is most appropriate for an adult audience; classroom use is recommended at a level no lower than late high school. Background: Published in 2020 by Baen Books, The Founder Effect tackles the lens of history on its subjects—both in their own words and in those of history. Each story in the anthology tells a different part of the same world’s history, from the colonization project to its settlement to its tragic losses. The prologue provides a key to the whole book, serving as an introduction to the fictitious encyclopedia and textbook entries which accompany each short story. Editors’ biographies: Robert E. Hampson, Ph.D., turns science fiction into science in his day job, and puts the science into science fiction in his spare time. Dr. Hampson is a Professor of Physiology / Pharmacology and Neurology with over thirty-five years’ experience in animal neuroscience and human neurology. His professional work includes more than one hundred peer-reviewed research articles ranging from the pharmacology of memory to the first report of a “neural prosthetic” to restore human memory using the brain’s own neural codes. He consults with authors to put the “hard” science in “Hard SF” and has written both fiction and nonfiction for Baen Books.
    [Show full text]
  • From Hardcover to Paperback
    THE ORIGIN OF PAPERBACKS IN AMERICA Maria Bissonette GENERAL HISTORY INTRODUCTON CONCLUSION In the 1950’s, American publishers joined in on the growing popularity of paperback production. The purpose of this project is to discover and The shift in the making of books with hard discuss the development of American covers to paper backs reveals sociological shift in publishing, specifically the transition from both book and American culture of the time. hardcover books to paperback books. This While at first glance, then and now, the decision project will look specifically at the change for change might seem solely financially within the American publishing industry but motivated, the transition is actually based on… will also mirror the changes made in other countries way of publishing books, seeing as having both hardcover and paperback books is a global practice. Focusing on the modern shift of VISUAL DIFFERENCES the binding of books will also reveal the KEYWORDS HARDCOVER Hardcover – This describes the kind of binding WORKS CITED that is inherently rigid, as the term suggests. This kind of binding in more durable and sturdier “How Paperbacks Transformed the Way but is also more expensive to manufacture. The Americans Read.” Mental Floss, 19 Apr. 2014, spine of the book is flexible but the front and www.mentalfloss.com/article/12247/how- back covers are not, something paperbacks can paperbacks-transformed-way-americans-read. be. Hardcovers are usually made from cardboard or a form of heavy paperboard. Osnos, Peter. “How Book Publishing Has Changed Since 1984.” The Atlantic, Atlantic Paperback – Sometimes known as “softcover”, Media Company, 12 Apr.
    [Show full text]
  • Publishing in the Nineteenth Century
    1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976).
    [Show full text]
  • Select Bibliography©
    SELECT BIBLIOGRAPHY© Julie Savarino is an internationally known subject matter expert and thought leader in the discipline of business development for law firms, lawyers, and other professional services firms. Each handbook, program, workshop, webinar, app, and publication created, delivered, and/or authored by Julie Savarino of Business Development Inc. is based on her disciplined study of many resources (a selection appears below) and her 30 years’ experience working with thousands of lawyers, accountants, experts, other professional service providers, leading law and accounting firms, and numerous other professional services firms around the world. Julie regularly upgrades her knowledge and handout materials by engaging in focused study, research and analysis which includes reading, research and applying her over 30 years of professional experience creating, leading and participating in thousands of new business development situations, proposals, client interviews, meetings, events, surveys, and studies. She has read and studied thousands of books and other materials and regularly reads, analyzes, and assimilates updated, new information into her consulting practice and materials from numerous sources. Below are select bibliographical sources (listed alphabetically by category) that Julie has studied and continues to study and stay abreast of. ** indicates Julie Savarino’s recommendations of some of the best reading material on each subject. Resources on Client Service ** Discovering the Soul of Service, Leonard Berry, The Free Press,
    [Show full text]
  • A Fascinating Literary Puzzle Very Special Souvenirs!
    http://enter.lagardere.net www.lagardere.com INNOVATION IS CORE TO OUR BRANDS AND BUSINESSES A fascinating literary puzzle 02 Calmann-Lévy publishes Guillaume Musso’s new novel Very special souvenirs! 03 Lagardère Travel Retail France reappointed to run Eiffel Tower offi cial stores May 2019 #150 PUBLISHING More Stories from Gaul Asterix celebrates his 60th birthday this year, and to mark the occasion, Éditions Albert René are reissuing the very fi rst Asterix book – Astérix le Gaulois – in both luxury and Artbook editions. This anniversary year will culminate in the publication, on October 24, of the 38th book in the Asterix series, with a projected print run of more than 5 mil- © Emanuele Scorcelletti lion copies: La Fille de Vercingétorix. Calmann-Lévy publishes Guillaume Musso’s new novel Late February brought the debut of a new Instagram account, #lArtdAsterix, that offers an inside look at “the art of Asterix”. www.asterix.com A fascinating literary puzzle Guillaume Musso at Hachette Livre island, determined to discover his lated into 34 languages. In July it TRAVEL RETAIL is hitting the headlines twice with secret. That same day, a woman’s will be released as The Reunion the release of La Vie secrète des body is found on a beach and the by Little, Brown in the United States écrivains (Authors’ secret life) and island is cordoned off by the author- and Orion in the UK, and produc- the paperback version of La Jeune ities. Thus begins a dangerous con- tion of a TV adaption for France Fille et la Nuit. frontation between Mathilde and Télévisions is set to start soon.
    [Show full text]
  • Program Book Is Copyright © 199 File Science Fiction Assn., Inc., P.O Isville, KY 40268-0009
    Jui^O-Ikl, IW B iCmtive West -Um Louisvim -Nmikw (w Of fclJII -Cw IB. Fjiibo {jin Guffi W -UoMM Pm £ -Poca fnm flw (lUBT (imw ill. WiLU-nms Trnim Ima Watt-C / Program Book is copyright © 199 file Science Fiction Assn., Inc., P.O isville, KY 40268-0009. WWW: http://memb 5rcon. Email: [email protected] ited by Bob Roel m. All rights reserved for the con thousand copies have been prints Beechmont Press Inc., Louisville, Kentucky. Addition railable for sale for $3.00 each. Rive is a non-profit, all ■volunteer organization dedicated ti of science fiction and sf fandom. r^^NCE AGAIN, FOR THE NEXT”TO“LAST TIME, We you have any news you'd like included in the news­ M welcome you to RiverCon. Enjoy yourselves, letter, leave it in the container marked for it at the k. -Jrelax, revel in our shared interest—even volunteers and information desk, which is located at passion—for all things science-fictional. the west end of the hallway opposite the Mary Room. Deadline for each morning's issue is 9:00 p.m. the With only two more RiverCons to go, we want previous evening. everyone to have the best experience possible. So let us know if there's anything we can do to make Information Tables your weekend more pleasant. Please come back Representatives of some upcoming Worldcons and next year for our final celebration. future convention bidders are expected to be at tables along the hallway near the registration area. They will Badges be happy to provide you with all the information you Everyone: PLEASE WEAR YOUR RIVERCON MEM­ need in order to make an informed choice in site BERSHIP BADGE! Any time you are in a convention selection voting.
    [Show full text]
  • Louisa Pritchard Associates Frankfurt Book Fair 2018
    LOUISA PRITCHARD ASSOCIATES FRANKFURT BOOK FAIR 2018 Louisa Pritchard Associates, Flat 5, 81 Battersea Church Road, London SW11 3LY Tel: + 44 20 7193 7145 Email: [email protected] The complete list LPA is proud to represent: Geraldine Cooke Literary Agency (translation rights) Elliott & Thompson (ANZ, translation) Annette Green Authors’ Agency (US and translation rights) Influx Press (ANZ, US and translation rights) Andrew Mann Ltd (translation, excluding Germany) MBA Literary Agents (translation rights) Moth Publishing (ANZ, US and translation rights) Myriad Editions (ANZ, US and translation rights) Emily Sweet Associates (translation rights) The Science Factory (translation rights, excluding Japan and Korea) Robert Smith Literary Agency (translation rights) The Zeno Agency (Brazil, France, Greece, Netherlands, Portugal, Spain, Nordic countries) For all enquiries, please contact: Louisa Pritchard LPA Flat 5 81 Battersea Church Road London SW11 3LY Email: [email protected] Tel: + 44 20 7193 7145 Mobile: + 44 7714 721 787 We’ll be based at table 8N in the agents’ centre at the Frankfurt Book Fair. 1 CONTENTS FICTION Crime and thrillers 3 General fiction 12 YA and children’s 39 Science fiction and fantasy 40 Gift books and graphic novels 45 NON-FICTION Health and well-being 52 Philosophy 57 Popular science 61 Economics 93 Current affairs, feminism 94 and politics History, biography and memoir 98 2 LPA 2018 Crime and thrillers THE KENNEDY MOMENT Peter Adamson ‘It reads like an Elmore Leonard novel, only with more emotion and more depth. I was spellbound, in genuine suspense, the writing is so damned good.’ Adam Fifield Compelling and convincing political thriller about five professionals at the top of their careers who hatch an ‘unthinkable’ plot to blackmail the government of the United States.
    [Show full text]