DIVYA VANI Volume 9 Number 2, 3 & 4
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The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
My Life with Meher Baba by W
My Life with Meher Baba By W. D. Kain An Avatar Meher Baba Trust eBook Copyright © May 2021 Avatar Meher Baba Perpetual Public Charitable Trust, AhmeDnagar M.S. InDia Source: My Life with Meher Baba By W. D. Kain Copyright © 1994 W.D. Kain PHOTOGRAPHS PRINTED BY AZAD HIND STORES (P) LTD. SCO 34, Sector 17 - E, Chandigarh Printed at: Parnami Printing Press, Maheshpur, Panchkula eBooks at the Avatar Meher Baba Trust Web Site The Avatar Meher Baba Trust's eBooks aspire to be textually exact though non-facsimile reproductions of published books, journals and articles. With the consent of the copyright holders, these online editions are being made available through the Avatar Meher Baba Trust's web site, for the research needs of Meher Baba's lovers and the general public around the world. Again, the eBooks reproduce the text, though not the exact visual likeness, of the original publications. They have been created through a process of scanning the original pages, running these scans through optical character recognition (OCR) software, reflowing the new text, and proofreading it. Except in rare cases where we specify otherwise, the texts that you will find here correspond, page for page, with those of the original publications: in other words, page citations reliably correspond to those of the source books. But in other respects-such as lineation and font-the page designs differ. Our purpose is to provide digital texts that are more readily downloadable and searchable than photo facsimile images of the originals would have been. Moreover, they are often much more readable, especially in the case of older books, whose discoloration and deteriorated condition often makes them partly illegible. -
Delia De Leon with Mehera Irani
t'. C . DELIA DE LEON WITH MEHERA IRANI I DELIA DE LEON Born February 10th 1901, Colon, Panama Died January 21st 1993, Kew,England ALL MANDALI SALUTE DEAREST DELIA BELOVED BABA'S EVER FAITHFUL LEYLA AND HIS BIGGEST BLESSING TO ENGLAND NOW MERGED IN HIS OCEAN OF LOVE DELIA SUPREMELY HAPPY IN THE MANSION OF HER LORD AVATAR MEHER BABA MANI AND MEHERAZAD FAMILY January 22nd,1993 THE GUARDIAN Wednesday February 10 1993 Delia deLeon Head of theQ Delia DE LEON, who has died at the age of 91, founded cind ran the legendary Q Theatre, the first fringe try-out theatre, in 1924. The hst of actors who appeared atjthe Q, necir the Thames at Kew Bridge, in cluded Vivien Leigh, Dirk Bogarde, Peggy Ashcroft, Denholm Elliot, Margaret Lockwood, Donald Sinden, Sean Connery and Roger Moore. With her brother and sister-in-law, Delia contributed much of the origi nal capital and worked at the theatre, as an actress (under the stage name Deha Delvina). It finally closed in 1956 after a disastrous transfer of The Czarina to the West End con sumed most of her money and a great deal of nervous energy. Looking for respite, Delia read a magazine article by Charles Purdom, who later became a great friend, alx)ut a man named Meher Baba. It changed her life and career. "All my life", she wrote in her recent autobiography, The Ocean of teacher of ballet, and Kitty Davy, a included Pete Townshend of The Love, "I had two intense desires. The staunch, spirited and intensely prac Who, Ronnie Laine of The Faces and first.. -
The Meher Beacon Circular for the Meher Baba Sydney Community Issue 2 – January 2018
The Meher Beacon Circular for the Meher Baba Sydney Community Issue 2 – January 2018 The Meher Beacon January 2018 So, perhaps if you’re facing a challenge today, Baba’s Editorial message to put his image in front, just might make things a Emily Chantiri little easier. It is something I am working towards; even if it’s just for a moment to stop and remember him. Welcome to the second issue of Meher Beacon. In this issue Kevin Mossberger discusses working for Baba and Ross Also, a reminder that Amartithis and Baba’s birthday are Keating shares a piece on heart work. Kevin has a wonderful coming up over the next few weeks. Hope to see you all at tale when he took a car trip with Josh Wolterding and these events. More details listed at the end of the newsletter. Therese and Paul Williams. The trip was to find the Baron von Frankenberg's home in Camden; with very little Lastly, June 2018 marks the 60th Anniversary of Meher information on the whereabouts, they find the home and it’s Baba’s visit to Avatar’s Abode. The Avatar’s Abode an amusing story. Anniversary committee have worked hard to put on a fabulous week to celebrate Baba’s visit there in 1958. Kris Wyld takes us on a journey to Baba’s cave in Assisi where coincidentally, she arrives on October the 4th, the day A big thank you to all our contributors: of St. Francis’s death. Kris shares her story with her Italian kindred spirit, Valeria. -
Boycotts and Sanctions Against South Africa: an International History, 1946-1970
Boycotts and Sanctions against South Africa: An International History, 1946-1970 Simon Stevens Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Simon Stevens All rights reserved ABSTRACT Boycotts and Sanctions against South Africa: An International History, 1946-1970 Simon Stevens This dissertation analyzes the role of various kinds of boycotts and sanctions in the strategies and tactics of those active in the struggle against apartheid in South Africa. What was unprecedented about the efforts of members of the global anti-apartheid movement was that they experimented with so many ways of severing so many forms of interaction with South Africa, and that boycotts ultimately came to be seen as such a central element of their struggle. But it was not inevitable that international boycotts would become indelibly associated with the struggle against apartheid. Calling for boycotts and sanctions was a political choice. In the years before 1959, most leading opponents of apartheid both inside and outside South Africa showed little interest in the idea of international boycotts of South Africa. This dissertation identifies the conjuncture of circumstances that caused this to change, and explains the subsequent shifts in the kinds of boycotts that opponents of apartheid prioritized. It shows that the various advocates of boycotts and sanctions expected them to contribute to ending apartheid by a range of different mechanisms, from bringing about an evolutionary change in white attitudes through promoting the desegregation of sport, to weakening the state’s ability to resist the efforts of the liberation movements to seize power through guerrilla warfare. -
Annual Report 2016 Annual Report 2016
King’s College, Cambridge Annual Report 2016 Annual Report 2016 Contents The Provost 2 The Fellowship 5 Tutorial 18 Undergraduates 31 Graduates 38 Chapel 45 Choir 49 Research 56 Library and Archives 59 Bursary 62 Staff 65 Development 68 Major Promotions, Appointments or Awards 94 Appointments & Honours 96 Obituaries 103 Information for Non-Resident Members 249 The organ in the Chapel has just returned to use, after complete The Provost refurbishment and cleaning. The remarkable bright sound, not to mention the resplendent gilding of the pipes, is a revelation. A gala concert is planned for 9 November to celebrate the organ’s return. 2 After the excitements of the 2015 Chapel The King’s Community Orchard is now fully laid out in the field to the 3 THE PROVOST celebrations, 2016 has been a year of quiet south of Garden Hostel. It features rare and heritage varieties of fruit tree, progress on a number of fronts. Buildings and a nuttery. It is intended that the produce will be available to all the have figured largely. The conservation King’s community; some fruit is already available in this first year. We are cleaning of the Gibbs Building is essentially THE PROVOST very grateful to our Senior Horticulturalist Steven Coghill and his team for complete, and its new appearance, with the this and all their other work in the College gardens. Portland stone glowing in its original colour, is breathtaking. The College is about Many of you will know that we have a new Director of Development. to apply for listed building consent for a Following Julie Bressor’s decision to return to the United States at the end plan for the interior, which will repair the of last year, Lorraine Headen was seconded to us from the University Professor Michael Proctor staircases and reorganise the basements to Development Office, where she was a Principal Gifts Officer, as an interim produce more useful and attractive spaces. -
Reading Magazines: Stefan Lorant and Picture Post, 1939-1941 : A
Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2012 Reading Magazines: Stefan Lorant And Picture Post, 1939-1941 : A Study Of The icP ture Editor's Work From The Archive Of Modern Conflict's Collection Hila Cooper Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Photography Commons Recommended Citation Cooper, Hila, "Reading Magazines: Stefan Lorant And Picture Post, 1939-1941 : A Study Of The icturP e Editor's Work From The Archive Of Modern Conflict's Collection" (2012). Theses and dissertations. Paper 1304. This Thesis is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. READING MAGAZINES: STEFAN LORANT AND PICTURE POST, 1939-1941. A study of the picture editor’s work from the Archive of Modern Conflict’s Collection Hila Cooper BA Honors University of Haifa, 2007 A thesis presented to Ryerson University and The Archive of Modern Conflict (AMC), Toronto in partial fulfillment of the requirements of Master of Arts in the Program of Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2012 © Hila Cooper i AUTHOR’S DECLARATION PAGE I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. -
JANGBAR-DISSERTATION-2018.Pdf (1.197Mb)
Copyright by Sakina Jangbar 2018 The Dissertation Committee for Sakina Jangbar Certifies that this is the approved version of the following Dissertation: Rhetorical Silence: An Emerging Genre Committee: Richard A. Cherwitz, Supervisor Barry S. Brummett Scott R. Stroud Jeffrey S. Walker Rhetorical Silence: An Emerging Genre by Sakina Jangbar Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2018 Dedication To my mom and dad, who prayed for me To my husband, who encouraged me To my children, who inspired me To my professors, who counseled me To my friends, who cheered me Acknowledgements This project has reached fruition with the help of many folks. Foremost, I would like to thank my adviser, Rick Cherwitz, who understood what I wanted to say and helped me say it. I am also grateful for the assistance of my committee members: Barry Brummett, Scott Stroud, and Jeffrey Walker. A special thank you to Ellen Kimball at the Meher Center in Myrtle Beach, SC, for directing me to rich sources for my research on Meher Baba. I am grateful for Peter Marston’s guidance throughout my educational journey. No one could ask for a better mentor and friend. A warm thank you to my parents, who prayed for my success. And, I have nothing but gratitude for my husband and children, who turned my dream into a family project. v Abstract Rhetorical Silence: An Emerging Genre Sakina Jangbar, PhD The University of Texas at Austin, 2018 Supervisor: Richard A. -
The Attraction of Meher Baba to British Audiences in the 1930S. Journal of Religious History, 41(2), 215-234
Mukherjee, S. (2017). Indian Messiah: the attraction of Meher Baba to British audiences in the 1930s. Journal of Religious History, 41(2), 215-234. https://doi.org/10.1111/1467-9809.12402 Peer reviewed version License (if available): CC BY-NC Link to published version (if available): 10.1111/1467-9809.12402 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Wiley at http://onlinelibrary.wiley.com/doi/10.1111/1467-9809.12402/abstract. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Indian Messiah: The attraction of Meher Baba to British audiences in the 1930s* Abstract This article considers the British reception to Meher Baba, an Indian religious figure, who first travelled to Britain in 1931. Following a tradition of Indian religious figures who toured Britain and America in the nineteenth and twentieth century, Baba was removed from organised religion and placed emphasis on self-realisation, and attracted large British followings notably dominated by women. This article argues that the 1930s witnessed a continuing interest in Indian religious figures and adherence to Orientalist stereotypes about Indian religiosity despite changing political dynamics. Exploring a range of public and private responses to Baba, following comparison with his contemporary Jiddu Krishnamurti, and discussing the role of British mediators Paul Brunton and Francis Younghusband, this article explores British impressions of Indian religious figures in the 1930s and how they were informed by notions of race, religiosity and gender. -
America's Heartland Remembers
Words and Pictures Before, During, America’s Heartland Remembers America’s America’s Heartland Remembers America’s and After September 11th, 2001 “Your Spirit of America is a sumptuous treasure trove and I very much appreciate having it as part of my library. There’s wonderful vitality in all those voices. Many thanks, and best wishes.” —Two-Time Pulitzer Prize Winner David McCullough, Historian and Author of the Current Bestseller, John Adams, West Tisbury, Massachusetts “The tragedies of September 11th, 2001, crystallized for many the definition of good and evil, and stimu- lated a reexamination of values, both personal and national. The stories, poems, and photographs of America’s Heartland Remembers, reflect the core values of the American Midwest experience – of family, self- reliance, hard work, and simple pleasures. In this important collection of Midwest voices and images, our heritage, our heroes, and our hang-ups are edi- fied. The hearts and hopes of these artists till the soil of the American soul in preparation for a better world, a better tomorrow, and a better humanity.” —JoAnne Killeen, Owner of Write for You, Former Editor of the Enterpriser, La Crosse, Wisconsin America’s Heartland Remembers is the story of the American people and land, as viewed from the Heartland around the time of the terrorist attacks of September 11th, 2001. It is the smaller-format sequel to Spirit of America, winner of the Sept 12 Guild’s Spirit of America Award. More than 150 writers and photographers have contributed to the two books, and include La Crosse Mayor John Medinger, Robert Cook, Bernard McGarty, William Kulas, Steve Kiedrowski, • LuAnn Gerber, Geeta Sharma Jensen, Rick Romell, Rick • Wood, Bob Smith, Matt Marcou, Nina Valiska, and many Marcou & Pauls others. -
Picture Post and the Photographic Essay: Émigré
PICTURE POST AND THE PHOTOGRAPHIC ESSAY: ÉMIGRÉ PHOTOGRAPHERS AND VISUAL NARRATIVES, 1938-1945 by Amy Alice Shulman A thesis submitted to the University of Birmingham for the Degree of Doctor of Philosophy Art History, Curating and Visual Studies School of Languages, Cultures, Art History and Music The University of Birmingham January 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the pioneering British weekly magazine Picture Post (1938-1957) which introduced a mass audience to the innovative style of European photojournalism characterised by the format of the photographic essay. Founded by the Hungarian émigré, Stefan Lorant (1901-1997) and led by Sir Tom Hopkinson (1905-1990) from 1940 until 1950, Picture Post has not yet been the focus of a single academic publication. This thesis explores the concept of visual narration through a selection of photographic essays published in the magazine between 1938 and 1945, and utilises the unpublished corresponding contact sheets to expose the manipulation of photographs. The present work has utilised archival material of the Picture Post archive, which forms part of the Hulton Archive at Getty Images, London, to inform a discussion surrounding the topics of manipulation, migration and memory in relation to photography, in order to identify the specific approach of Picture Post to photographic narration. -
Bibliography
AVATAR MEHER BABA BIBLIOGRAPHY 1928 to February 25, 1978 Exte!"e" to 2#15, $%th re'%(%o!( )or*( by a!" about Meher Baba %! E!+,%(h a!" other Euro-ea! ,a!+ua+e( .o/-%,e" by Ba, 0AT1 E"%te" 2 Pre-are" 3or Pub,%4at%o! by 56 F,a++ 7RI8 0E) 9ELHI 1978 1-"ate" by )/6 GRAHAM B,oo/%!+to!, I!"%a!a I! 4o,,aborat%o! $%t& 5%m MIGDOLL a!" 9a'%" HOB8O0 Avatar:( Abo"e Ar4&%ve(, ;uee!(,a!", Au(tra%,a 2#19 "I! Ho!or o3 5%/ MIG9OLL <19=9>2#18?" "The boo* that I (ha,, ma*e -eo-,e rea" %( the boo* o3 the heart that ho,"( the *ey to the my(tery o3 ,%3e666@ MEHER BABA .o-yr%+ht A B 1978, Ba, 0atu, Meher 0aCar, 7%!+:( Roa", Ahme"!a+ar <MS?, I!"%a F%r(t E"%t%o! 1978 D## 4o-%e( Pub,%(he" by 56 F,a++ 7r%(, $%th the *%!" -er/%((%o! o3 A"% 76 Ira!%, Ahme"!a+ar <MS?, I!"%a E 2 Pr%!te" by A O 3or" Pr%!t4ra3t I!"%a Pvt6 Lt"6 F8, 84%!"%a Hou(e, 0e$ 9e,&% 11###1, I!"%a Re'%(e" a!" E te!"e" E"%t%o! 2##9 2!" Re'%(e" 2 E te!"e" E"%t%o! 2#1F Dr" Re'%(e" 2 E te!"e" E"%t%o! 2#19 Pub,%(he" by the Avatar Meher Baba Per-etua, Pub,%4 .har%tab,e Tru(t E 2 Po(te" $%t&%! the O!>,%!e Library TABLE OF CONTENTS Avatar Meher Baba : a short biographical sketch by Adi K !ra"i ii #re$ace to the Origi"al Editio" iv #re$ace to the %evised a"d Exte"ded Editio" vi Abbreviatio"s a"d Symbols xii Mo"ograph Sectio" ()*+, Serial Sectio" *+-)*,* So."d %ecordi"g Sectio" *,/)/*( Motio" #ict.re Sectio" /**)//+ 0ideorecordi"g Sectio" //()/1( A"alytical Sectio" /1*)/2- Appe"dix /21)/3( !"de& ()11 i A0ATA% ME4E% BABA A Short Biographical Sketch By A5! K !%AN! Bor" i" #oo"a6 !"dia6 o" Febr.ary *-6 (37,6 Mer8a" S !ra"i6 k"o8" as Meher Baba6 received 4is ed.catio" i" the to8" o$ 4is birth.