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Planning Curriculum in Art and Design
Planning Curriculum in Art and Design Wisconsin Department of Public Instruction Planning Curriculum in Art and Design Melvin F. Pontious (retired) Fine Arts Consultant Wisconsin Department of Public Instruction Tony Evers, PhD, State Superintendent Madison, Wisconsin This publication is available from: Content and Learning Team Wisconsin Department of Public Instruction 125 South Webster Street Madison, WI 53703 608/261-7494 cal.dpi.wi.gov/files/cal/pdf/art.design.guide.pdf © December 2013 Wisconsin Department of Public Instruction The Wisconsin Department of Public Instruction does not discriminate on the basis of sex, race, color, religion, creed, age, national origin, ancestry, pregnancy, marital status or parental status, sexual orientation, or disability. Foreword Art and design education are part of a comprehensive Pre-K-12 education for all students. The Wisconsin Department of Public Instruction continues its efforts to support the skill and knowledge development for our students across the state in all content areas. This guide is meant to support this work as well as foster additional reflection on the instructional framework that will most effectively support students’ learning in art and design through creative practices. This document represents a new direction for art education, identifying a more in-depth review of art and design education. The most substantial change involves the definition of art and design education as the study of visual thinking – including design, visual communications, visual culture, and fine/studio art. The guide provides local, statewide, and national examples in each of these areas to the reader. The overall framework offered suggests practice beyond traditional modes and instead promotes a more constructivist approach to learning. -
Global Learning in American Higher Education: Strategies for Developing Global Citizens in an Era of Complex Interdependence
Innovation, Technology, and Knowledge Management Series Editor Elias G. Carayannis, George Washington University, Washington, DC, USA For further volumes: http://www.springer.com/series/8124 Andreas Altmann • Bernd Ebersberger Editors Universities in Change Managing Higher Education Institutions in the Age of Globalization 123 Editors Andreas Altmann Bernd Ebersberger MCI Management Center Innsbruck—The MCI Management Center Innsbruck—The Entrepreneurial School Entrepreneurial School Innsbruck Innsbruck Austria Austria ISBN 978-1-4614-4589-0 ISBN 978-1-4614-4590-6 (eBook) DOI 10.1007/978-1-4614-4590-6 Springer New York Heidelberg Dordrecht London Library of Congress Control Number: 2012946186 Ó Springer Science+Business Media New York 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. -
Protecting 30% of the Planet for Nature: Costs, Benefits and Economic Implications
Protecting 30% of the planet for nature: costs, benefits and economic implications Working paper analysing the economic implications of the proposed 30% target for areal protection in the draft post-2020 Global Biodiversity Framework Anthony Waldron1; Vanessa Adams2; James Allan3; Andy Arnell4; Greg Asner5; Scott Atkinson6; Alessandro Baccini7; Jonathan EM Baillie8; Andrew Balmford1; J Austin Beau9; Luke Brander10; Eduardo Brondizio11; Aaron Bruner12; Neil Burgess4; K Burkart13; Stuart Butchart14; Rio Button15; Roman Carrasco16; William Cheung17; Villy Christensen18; Andy Clements19; Marta Coll20; Moreno di Marco21; Marine Deguignet4; Eric Dinerstein22; Erle Ellis23; Florian Eppink24; Jamison Ervin25; Anita Escobedo26; John Fa27; Alvaro Fernandes-Llamazares28; Sanjiv Fernando22; Shinichiro Fujimori29; Beth Fulton30; Stephen Garnett31; James Gerber32; David Gill33; Trisha Gopalakrishna34; Nathan Hahn22; Ben Halpern35; Tomoko Hasegawa36; Petr Havlik37; Vuokko Heikinheimo28; Ryan Heneghan38; Ella Henry39; Florian Humpenoder40; Harry Jonas41; Kendall Jones42; Lucas Joppa43; A.R. Joshi44; Martin Jung37; Naomi Kingston4; Carissa Klein45; Tamas Krisztin37; Vicky Lam46; David Leclere39; Peter Lindsey47; Harvey Locke48; TE Lovejoy49; Philip Madgwick50; Yadvinder Malhi34; Pernilla Malmer51; Martine Maron52; Juan Mayorga53; Hans van Meijl54; Dan Miller55; Zsolt Molnar56; Nathaniel Mueller57; Nibedita Mukherjee1; Robin Naidoo58; Katia Nakamura59; Prakash Nepal60; RF Noss61; Beth O’Leary62; D Olson63; Juliano Palcios Abrantes64; Midori Paxton65; Alexander -
Gardner • Even Orpheus Needs a Synthi Edit No Proof
James Gardner Even Orpheus Needs a Synthi Since his return to active service a few years ago1, Peter Zinovieff has appeared quite frequently in interviews in the mainstream press and online outlets2 talking not only about his recent sonic art projects but also about the work he did in the 1960s and 70s at his own pioneering computer electronic music studio in Putney. And no such interview would be complete without referring to EMS, the synthesiser company he co-founded in 1969, or namechecking the many rock celebrities who used its products, such as the VCS3 and Synthi AKS synthesisers. Before this Indian summer (he is now 82) there had been a gap of some 30 years in his compositional activity since the demise of his studio. I say ‘compositional’ activity, but in the 60s and 70s he saw himself as more animateur than composer and it is perhaps in that capacity that his unique contribution to British electronic music during those two decades is best understood. In this article I will discuss just some of the work that was done at Zinovieff’s studio during its relatively brief existence and consider two recent contributions to the documentation and contextualization of that work: Tom Hall’s chapter3 on Harrison Birtwistle’s electronic music collaborations with Zinovieff; and the double CD Electronic Calendar: The EMS Tapes,4 which presents a substantial sampling of the studio’s output between 1966 and 1979. Electronic Calendar, a handsome package to be sure, consists of two CDs and a lavishly-illustrated booklet with lengthy texts. -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
Teaching Electronic Music – Journeys Through a Changing Landscape
Revista Vórtex | Vortex Music Journal | ISSN 2317–9937 | http://vortex.unespar.edu.br/ D.O.I.: https://doi.org/10.33871/23179937.2020.8.1.12 Teaching electronic music – journeys through a changing landscape Simon Emmerson De Montfort University | United Kingdom Abstract: In this essay, electronic music composer Simon Emmerson examines the development of electronic music in the UK through his own experience as composer and teacher. Based on his lifetime experiences, Emmerson talks about the changing landscape of teaching electronic music composition: ‘learning by doing’ as a fundamental approach for a composer to find their own expressive voice; the importance of past technologies, such as analogue equipment and synthesizers; the current tendencies of what he calls the ‘age of the home studio’; the awareness of sonic perception, as opposed to the danger of visual distraction; questions of terminology in electronic music and the shift to the digital domain in studios; among other things. [note by editor]. Keywords: electronic music in UK, contemporary music, teaching composition today. Received on: 29/02/2020. Approved on: 05/03/2020. Available online on: 09/03/2020. Editor: Felipe de Almeida Ribeiro. EMMERSON, Simon. Teaching electronic music – journeys throuGh a chanGinG landscape. Revista Vórtex, Curitiba, v.8, n.1, p. 1-8, 2020. arly learning. The remark of Arnold Schoenberg (in the 1911 Preface to his Theory of Harmony) – “This book I have learned from my pupils” – is true for me, too. Teaching is E learning – without my students I would not keep up nearly so well with important changes in approaches to music making, and it would be more difficult to develop new ideas and skills. -
Winchester Cathedral Record 2020 Number 89
Winchester Cathedral Record 2020 Number 89 Friends of Winchester Cathedral 2 The Close, Winchester, Hampshire SO23 9LS 01962 857 245 [email protected] www.winchester-cathedral.org.uk Registered Charity No. 220218 Friends of Winchester Cathedral 2020 Royal Patron Her Majesty the Queen Patron The Right Reverend Tim Dakin, Bishop of Winchester President The Very Reverend Catherine Ogle, Dean of Winchester Ex Officio Vice-Presidents Nigel Atkinson Esq, HM Lord Lieutenant of Hampshire Cllr Patrick Cunningham, The Right Worshipful, the Mayor of Winchester Ms Jean Ritchie QC, Cathedral Council Chairman Honorary Vice-President Mo Hearn BOARD OF TRUSTEES Bruce Parker, Chairman Tom Watson, Vice-Chairman David Fellowes, Treasurer Jenny Hilton, Natalie Shaw Nigel Spicer, Cindy Wood Ex Officio Chapter Trustees The Very Reverend Catherine Ogle, Dean of Winchester The Reverend Canon Andy Trenier, Precentor and Sacrist STAFF Lucy Hutchin, Director Lesley Mead Leisl Porter Friends’ Prayer Most glorious Lord of life, Who gave to your disciples the precious name of friends: accept our thanks for this Cathedral Church, built and adorned to your glory and alive with prayer and grant that its company of Friends may so serve and honour you in this life that they come to enjoy the fullness of your promises within the eternal fellowship of your grace; and this we ask for your name’s sake. Amen. Welcome What we have all missed most during this dreadfully long pandemic is human contact with others. Our own organisation is what it says in the official title it was given in 1931, an Association of Friends. -
My Life with Meher Baba by W
My Life with Meher Baba By W. D. Kain An Avatar Meher Baba Trust eBook Copyright © May 2021 Avatar Meher Baba Perpetual Public Charitable Trust, AhmeDnagar M.S. InDia Source: My Life with Meher Baba By W. D. Kain Copyright © 1994 W.D. Kain PHOTOGRAPHS PRINTED BY AZAD HIND STORES (P) LTD. SCO 34, Sector 17 - E, Chandigarh Printed at: Parnami Printing Press, Maheshpur, Panchkula eBooks at the Avatar Meher Baba Trust Web Site The Avatar Meher Baba Trust's eBooks aspire to be textually exact though non-facsimile reproductions of published books, journals and articles. With the consent of the copyright holders, these online editions are being made available through the Avatar Meher Baba Trust's web site, for the research needs of Meher Baba's lovers and the general public around the world. Again, the eBooks reproduce the text, though not the exact visual likeness, of the original publications. They have been created through a process of scanning the original pages, running these scans through optical character recognition (OCR) software, reflowing the new text, and proofreading it. Except in rare cases where we specify otherwise, the texts that you will find here correspond, page for page, with those of the original publications: in other words, page citations reliably correspond to those of the source books. But in other respects-such as lineation and font-the page designs differ. Our purpose is to provide digital texts that are more readily downloadable and searchable than photo facsimile images of the originals would have been. Moreover, they are often much more readable, especially in the case of older books, whose discoloration and deteriorated condition often makes them partly illegible. -
The Parthenon Sculptures Sarah Pepin
BRIEFING PAPER Number 02075, 9 June 2017 By John Woodhouse and Sarah Pepin The Parthenon Sculptures Contents: 1. What are the Parthenon Sculptures? 2. How did the British Museum acquire them? 3. Ongoing controversy 4. Further reading www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 The Parthenon Sculptures Contents Summary 3 1. What are the Parthenon Sculptures? 5 1.1 Early history 5 2. How did the British Museum acquire them? 6 3. Ongoing controversy 7 3.1 Campaign groups in the UK 9 3.2 UK Government position 10 3.3 British Museum position 11 3.4 Greek Government action 14 3.5 UNESCO mediation 14 3.6 Parliamentary interest 15 4. Further reading 20 Contributing Authors: Diana Perks Attribution: Parthenon Sculptures, British Museum by Carole Radatto. Licenced under CC BY-SA 2.0 / image cropped. 3 Commons Library Briefing, 9 June 2017 Summary This paper gives an outline of the more recent history of the Parthenon sculptures, their acquisition by the British Museum and the long-running debate about suggestions they be removed from the British Museum and returned to Athens. The Parthenon sculptures consist of marble, architecture and architectural sculpture from the Parthenon in Athens, acquired by Lord Elgin between 1799 and 1810. Often referred to as both the Elgin Marbles and the Parthenon marbles, “Parthenon sculptures” is the British Museum’s preferred term.1 Lord Elgin’s authority to obtain the sculptures was the subject of a Select Committee inquiry in 1816. It found they were legitimately acquired, and Parliament then voted the funds needed for the British Museum to acquire them later that year. -
Summary of the 27Th Plenary Session, October 2003
BRITISH-IRISH INTER- PARLIAMENTARY BODY COMHLACHT IDIR- PHARLAIMINTEACH NA BREATAINE AGUS NA hÉIREANN _________________________ TWENTY-SEVENTH PLENARY CONFERENCE 20 and 21 OCTOBER 2003 Hanbury Manor Hotel & Country Club, Ware, Hertfordshire _______________________ OFFICIAL REPORT (Final Revised Edition) (Produced by the British-Irish Parliamentary Reporting Association) Any queries should be sent to: The Editor The British-Irish Parliamentary Reporting Association Room 248 Parliament Buildings Stormont Belfast BT4 3XX Tel: 028 90521135 e-mail [email protected] IN ATTENDANCE Co-Chairmen Mr Brendan Smith TD Mr David Winnick MP Members and Associate Members Mr Harry Barnes MP Mr Séamus Kirk TD Senator Paul Bradford Senator Terry Le Sueur Mr Johnny Brady TD Dr Dai Lloyd AM Rt Hon the Lord Brooke Rt Hon Andrew Mackay MP of Sutton Mandeville CH Mr Andrew Mackinlay MP Mr Alistair Carmichael MP Dr John Marek AM Senator Paul Coughlan Mr Michael Mates MP Dr Jerry Cowley TD Rt Hon Sir Brian Mawhinney MP Mr Seymour Crawford TD Mr Kevin McNamara MP Dr Jimmy Devins TD Mr David Melding AM The Lord Dubs Senator Paschal Mooney Ms Helen Eadie MSP Mr Arthur Morgan TD Mr John Ellis TD Mr Alasdair Morrison MSP Mr Jeff Ennis MP Senator Francie O’Brien Ms Margaret Ewing MSP Mr William O’Brien MP Mr Paul Flynn MP Mr Donald J Gelling CBE MLC Ms Liz O’Donnell TD Mr Mike German AM Mr Ned O’Keeffe TD Mr Jim Glennon TD Mr Jim O’Keeffe TD The Lord Glentoran CBE DL Senator Ann Ormonde Mr Dominic Grieve MP Mr Séamus Pattison TD Mr John Griffiths AM Senator -
Anglicans and Old Catholics Serving in Europe 2019 Report
Anglicans and Old Catholics Serving in Europe A Report of the Anglican–Old Catholic International Coordinating Council 2013–2019 to the Anglican Consultative Council 17 Hong Kong April/ May 2019 and the International Bishops’ Conference, Lublin June 2019 AOCICC Amersfoort 2013 Kilkenny 2014 Contents Preface by the Co-Chairs 5 Executive Summary 7 Members of the Council 2013–2019 8 1 Introduction 9 a Bonn 1931: Belonging together 9 b The context of Europe: Walking together in an evolving Europe 10 c The context of the ecumenical movement 11 2 The significance of the Bonn Agreement today 13 a An Anglican Communion perspective 13 b An Old Catholic perspective 14 3 The AOCICC’s story 1998–2019 16 4 Outworking of the AOCICC mandate 19 a The AOCICC’s work achieved 2013–2019 19 b. Mandate i: ‘To continue to explore the nature and meaning of our communion’ 20 Mandate ii: ‘To promote knowledge of our churches and their relationship’ 22 Mandate iii: ‘To assist the annual meeting of Old Catholic and Anglican bishops’ 27 Mandate iv: ‘To explore the possibility of establishing a representative body’ 30 Mandate v: ‘To advise on the establishment of appropriate instruments’ 32 Mandate vi: ‘To review the consistency of ecumenical agreements’ 34 5 Proposals for the next AOCICC mandate 36 For submission to ACC-17, 2019 36 Anglican–Old Catholic Relations 36 Appendix 1 – Communiqués 37 Appendix 2 45 Willibrord Declaration 2017 45 Endnotes 47 3 Zurich 2015 Ghent 2016 Preface by the Co-Chairs To the Anglican Consultative Council (ACC) and the International Bishops’ Conference of Old Catholic Churches (IBC). -
Updated 31.10.12)
Police and Crime Commissioners: Who’s running? (updated 31.10.12) This table lists those candidates who are confirmed as standing in the first elections for Police and Crime Commissioners on 15 November 2012. For more information on these candidates, click on their name. To view to view a historical list of all candidates, including unsuccessful candidates and those who withdrew, scroll down to the second table. Force Conservatives Labour Liberal Democrats UKIP Other parties Independent Avon and Somerset Ken Maddock John Savage Pete Levy Sue Mountstevens Bedfordshire Jas Parmar Oliver Martins Linda Jack Kevin Carroll (British Freedom/EDL) Mezanur Rashid Cambridgeshire Graham Bright Ed Murphy Rupert Moss- Paul Bullen Stephen Goldspink (English Ansar Ali Eccardt Democrats) Farooq Mohammed Cheshire John Dwyer John Stockton Ainsley Arnold Louise Bours Sarah Flannery Cleveland Ken Lupton Barry Coppinger Joe Michna (Green Party) Sultan Alam Cumbria Richard Rhodes Patrick Leonard Pru Jupe Mary Robinson Derbyshire Simon Spencer Alan Charles David Gale Rod Hutton Devon and Cornwall Tony Hogg Nicky Williams Brian Blake Bob Smith Graham Calderwood Brian Greenslade Ivan Jordan Tam MacPherson William Morris John Smith Dorset Nick King Rachel Rogers Andy Canning Martyn Underhill Durham Nick Varley Ron Hogg Mike Costello Kingsley Smith Dyfed-Powys Christopher Salmon Christine Gwyther Essex Nicholas Alston Val Morris-Cook Andrew Smith Robin Tilbrook (English Democrats) Linda Belgrove Mick Thwaites Gloucestershire Victoria Atkins Rupi Dhanda Alistair