RSCM Honorary Awards 1936-2020 Hon
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EGLWYS GADEIRIOL LLANDAF LLANDAFF CATHEDRAL Registered Charity Number 1159090
EGLWYS GADEIRIOL LLANDAF LLANDAFF CATHEDRAL Registered Charity Number 1159090 The Weekly Notes Online: a resource for use while the building is closed www.llandaffcathedral.org.uk The Day of Pentecost – 31st May 2020 (Whitsunday) Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love! Welcome to The Weekly Notes Online. These Notes are produced each week during this period of ‘lockdown’. The Cathedral Office is closed and the office and lay staff have all been furloughed. As a clergy team we are following the instructions of the Government and the Church in Wales and are working in as full a way as possible under the current circumstances and within the current restrictions. As a Cathedral community our thoughts and prayers are with all those who are suffering as a consequence of the covid-19 pandemic. We remember those who are suffering from the virus; we give thanks and praise to God for all who care for them, especially healthcare professionals and all who maintain our hospitals and the National Health Service. We pray too for those who have died and for those who have been bereaved. May the healing mercies of our risen Lord Jesus surround them all. The Collect and Readings for today God, who as at this time taught the hearts of your faithful people by sending to them the light of your Holy Spirit: grant us by the same Spirit to have a right judgement in all things and evermore to rejoice in his holy comfort; through the merits of Christ Jesus our Saviour, who is alive and reigns with you, in the unity of the Holy Spirit, one God, now and for ever. -
RSCM Honorary Awards 1946-2012 Hon
ARSCM (151) FRSCM (179) Hon. Life RSCM (62) RSCM Honorary Awards 1946-2012 Hon. RSCM (94) Cert. Special Service (106) Total 592 Award Year Name Dates Position FRSCM 1936 Sir Hugh Percy Allen 1869-1946 A Fellow of the College of St. Nicolas in 1936. Director of the Royal College of Music FRSCM 1936 Sir Stanley Robert Marchant 1883-1949 A Fellow of the College of St. Nicolas in 1936. Principal of the Royal Academy of College FRSCM 1936 Sir Henry Walford Davies 1869-1941 A Fellow of the College of St. Nicolas in 1936. Organist of the Temple Church FRSCM 1936 Sir Walter Galpin Alcock 1861-1947 A Fellow of the College of St. Nicolas in 1936. Organist of Salisbury Cathedral FRSCM 1936 Sir Arthur Somervell 1863-1937 A Fellow of the College of St. Nicolas in 1936. Chairman of Council SECM FRSCM 1936 Sir Edward Bairstow 1874-1946 A Fellow of the College of St. Nicolas in 1936. Organist of York Minster FRSCM 1936 The Revd.Dr.Edmund Horace Fellowes 1870-1951 A Fellow of the College of St. Nicolas in 1936. Choirmaster of St.George's, Windsor and Musicologist FRSCM 1963 Dr.George N. Maybee 1913-1973 St.George's Cathedral, Kingston, Ontario, Canada FRSCM 1963 Sir David Valentine Willcocks CBE MC b.1919 Organist of King's College, Cambridge FRSCM 1963 Dr.Sidney Scholfield Campbell 1909-1974 Organist of St.George's Chapel, Windsor FRSCM 1963 Dr.Herbert Whitton Sumsion CBE 1899-1995 Organist of Gloucester Cathedral FRSCM 1963 Dr.Arthur James Bramwell Hutchings 1906-1989 Professor of Music Durham University FRSCM 1963 Dr.Leo Sowerby 1895-1968 Director, College of Church Musicians, Washington D.C., USA FRSCM 1963 Dr.Wilfred Greenhouse Allt 1889-1969 Principal of Trinity College London FRSCM 1964 Thomas Lucas Duerden 1898-1969 Organist of Blackburn Cathedral FRSCM 1964 Harold Dexter b.1920 Organist of Southwark Cathedral FRSCM 1964 Dr.Gerald Hocken Knight 1908-1979 A Fellow of the College of St. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
1169 Comments As of 25 Dec 2020
Aled Jones - Listen Obey and Be Blessed (Ocial Audio) 58,247 views • Nov 6, 2020 555 465 SHARE SAVE Aled Jones SUBSCRIBE 3.59K subscribers Ocial audio for Listen, Obey and Be Blessed by Aled Jones. Taken from the new album 'Blessings'', out now. Listen Now - https://aledjones.lnk.to/blessingsID SHOW MORE Aled Jones – Loving Kindness (Ocial Audio) Aled Jones 2.7K views • 2 months ago 4:25 All Related From Aled Jones Recently uploaded Mix - Aled Jones - Listen Obey and Be Blessed (Ocial Audio) 50+ YouTube How is Aled Jones singing "Listen, Obey and Be Blessed"? John Cedars 27K views • 1 month ago 19:51 TOP Topics 160K views • 1 year ago 3:08 24.12. 16.30 Uhr Andacht am Heiligen Abend mit Kardinal Christoph Erzdiözese Wien 3K views • Streamed 1 day ago New 1:05:22 Christmette LIVESTREAM zu Heilig Abend mit Domvikar Norbert Förster St.-Vitus Büchenbach 1.4K views • Streamed 22 hours ago New 1:14:26 Heiligabend - LIVESTREAM aus der Schirgiswalder Pfarrkirche (2020) Katholische Pfarrgemeinde Schirgiswalde 2.3K views • Streamed 22 hours ago New 1:26:56 Bless This House (with Susan Boyle) (Arr. by Simon Lole) Aled Jones - Topic 321 views • 1 month ago 3:15 1,169 Comments SORT BY Beauty Rest 1 month ago Hey guys, take it easy, Tony Morris needs more money for his expensive liquor, have some mercy壟柳 106 REPLY Hide 4 replies Tim Walthew 1 month ago I thought he used Sophia’s ice cream money for that 藍 16 REPLY Beauty Rest 1 month ago The ice cream money from Soa just wasn’t enough. -
1999 Spring Programme
CONCERT DIARY WINCHESTER MUSIC CLUB THE WAYNFLETE SINGERS Come and Sing ... Handel’s Messiah 10th June 1999 7.30pm Conductor: Neil Chippington in Winchester Cathedral 1 May 1999 from 2.00 pm Poulenc Gloria (Performance at 6.00 pm) Fauré Pavane WINCHESTER MUSIC CLUB in Winchester College Chapel Saint-Saëns Symphony No 3 in with a buffet supper in School C minor (Organ) afterwards Fauré Peléas et Mélisande Details from Mrs R. Halliwell, Bournemouth Symphony Orchestra 2 Southend Close, Hursley, S021 2LJ Conductor: David Hill (tel 01962 775584) ROSSINI 2nd July 1999 7.30pm WINCHESTER and COUNTY in Winchester Cathedral MUSIC FESTIVAL Verdi Requiem 8 May 1999 at 7.30 pm Bournemouth Symphony Orchestra in Winchester Cathedral Conductor: David Hill Petite Messe Solennelle Dvorák Stabat Mater Conductor: Francis Wells WINCHESTER MUSIC CLUB 25 November 1999 at 7.30 pm 15 May 1999 at 7.30 pm in Winchester Cathedral in Romsey Abbey Mendelssohn Elijah Susanna Spicer Mezzo soprano Charpentier Te Deum, WMC Choir and Orchestra Shelley Everall Contalto Vivaldi Beatus Vir Conductor: Neil Chippington Handel O Praise the Lord with Andrew Carwood Tenor One Consent Christopher Foster Baritone Conductor: Colin Howard Winchester Music Club Choir and Orchestra Tickets, except where indicated, from Music at Winchester (tel. 01962 977977). Elizabeth Russell Leader Neil Chippington NEW HALL, WINCHESTER COLLEGE Winchester Music Club is affiliated to the National Federation of Music Societies which represents and Saturday 20 March 1999 at 7:30 p.m. supports amateur choirs, orchestras and music By kind permission of the Headmaster promoters throughout the United Kingdom. Winchester Music Club is a Registered Charity No. -
The Great Houses & Estates of Brecknockshire
BRECKNOCK HISTORY FESTIVAL SEPTEMBER & OCTOBER 2017 The Great Houses & Estates of Brecknockshire A range of events across the historic county of Breconshire organised by members of the Brecknock History Forum. Events are being held at the following locations: Brecon Hay on Wye Llandew Llangynidr Llanhamlach Penpont Treholford Brecknock History Forum An informal gathering of groups interested in local and family history across Breconshire. For more information please contact Elaine Starling (01874 711484 or [email protected] Some events are part of OPEN DOORS which celebrates the architecture and heritage of Wales. For a full list of the events being organised for OPEN DOORS across the whole of Wales in September please see the Cadw website. Cover Illustration: Robert Johnson, Survey of the manors of Crickhowell and Tretower, 1587 (National Library of Wales, Badminton Estate Maps, Volume 3, f. 68v) This brochure is kindly sponsored by the Usk Valley Trust ‘JUSTICE AND JOY’ BRECONSHIRE ESTATES FROM THE PERSPECTIVES OF LANDLORD AND TENANT Saturday, 9 September 2017 9.30 am - 4.00 pm The Stables Conference Centre, Penpont, Brecon, LD3 8EU Cost: £10 (£8 Brecknock Society Members) The title of the conference comes from the statement by a 19th Century tenant that paying the rent was an act of justice but securing the freehold was an act of joy. No doubt landlords also have their experiences of justice and joy! Refreshments are not included but tea and coffee can be purchased and a light lunch (cost around £8) will also be available. Please let us know when registering (or by 4 September) if you require lunch. -
Greenwood Organ Company CHARLOTTE
THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC OCTOBER, 1976 J.fferson Avenue Presbyterian Church, CHOIR Detroit. Michi9an. Built by Ernest M. Gamba 1£' &1 pipes S~inn.r, 1925 loriqinal specification puba E. M. Skinner Restored in Detroit Diapason B' &1 pipes II.h.d In THE DIAPASON, M.y 1924, p. Concert Flute S' &I pipes I J: d.dicated May 3, 1926 .....m.nu.1s and kleintl EneMer II S' 122 pipet ped.I, " tanh, .lectro-pnMlmattc: action. Flute 4' &1 pipet Hand-cerved cases from Ob.rammerqau, Nazard 2-2/1' &1 pipes Germanv. R.stor.tion carried out by K.n~ Piccolo 2' &1 pipes neth end Dorothy Holden of th. K & 0 Clarinet I' 61 pipes O,gan Service Co., Fernd.I., Michigan. Orchestral Oboe S' &1 pipes Harp S' £1 notes Th. original fonal design has b •• n pre· Celesta 4' 61 notes ,et'led, without any tonel change, or addi Tremolo tions being mad •• Pouchboatds and pri matie, rel •• th.red using natur.1 ... egetabl. tanned I•• th.r; other pneumatics t.-COY SOLO .red with Poly.lon_ Phosphot.bronu con Sleniorphone S' 7J "ipel tects repl.c.d by silver contuh. Pipe GambD 8' 7] pipes work r.p..... d as ".unary. Orl)entd-choir Gamba Celesle I ' 73 pipes director is Rob.rt Hawksley; Dr. Allan A. Ophideide 16' 7] pipes Zaun is pador. Tuba Mirabilis I' 120" wind) 7] pipes GREAT Tuba I' 13 pipes Diapalon 16' 7J pipes French Horn S' 73 pipes Diap.son I S' 7] p,pes En~I ; ,h Horn S' 73 pipet Diapason II S' 73 pipes Tuba Clerio~ .' 7J piPts Claribel Flute 8' 7J pipes Tremolo EneMer S' 7] pipes Octava .' 7J pipes Flute 01' 7J pipes ECH9 Twelfth 2-2/3' 'I pipes OiilpalOn '8' 7l'pipes FiflHnth 2' &1 pipes Chimney Flute S' 7J pipes Ophideide 1&' (Solo) Voir Ce leste II I ' 122.pipes Trombe S' 73 pipes Tubo S' (Solo) Flute .' 73 pipes Tromba S' 13 pipes Clorion .' 7J pipes Vor Humana S' 73· pipes Tubo Clarion .' ISolo) Chimes (Echo) Chimes 25 notes SWEll Tremolo Bourdon 1&' 7J pipes Di tPolson I S' 7J pipes PEDAL Diopason II S' 7) pipes Clorobella S' 73 pipes Oi.!l pasoft 1&' ]2 pipes Ged.d.:t S' 7J piPH Diapason '" (Great) Gllmb. -
Edington Music Festival Association Newsletter Winter 2007
Edington Music Festival Association Newsletter Winter 2007 E WELCOME WITH THIS ISSUE We shall miss Jeremy greatly, and we Watchfulness. The setting for Solemn Wour new chairman, Peter McGeary, extend our condolences to his wife Veryan Eucharist was William Byrd’s Mass for four who was unanimously elected at this year’s and his three children. voices. Both voluntaries at this service were AGM in succession to Andrew Carwood. by Dietrich Buxtehude in recognition of the Peter has kindly contributed a biographical Judith Rose three hundredth anniversary of his death. note which is to be found below. Meanwhile UDITH ROSE, who attended the Festival On Tuesday the focus was Foundations we thank Andrew most warmly for his hard Jalong with Paul and their children in the demonstrated well through the hymn Christ work and for his vision which led to the early years, was a founder member of the is our corner-stone and Palestrina’s Missa Tu es establishment of the Association, as a result Samaritans in Peterborough whilst Paul was Petrus. of which the Festival is on a much sounder Precentor there, trained as Reader in the This year, due to the changes in the BBC financial footing than previously. We are 1970s after the family had moved to St. radio schedules for Choral Evensong, absolutely delighted that Andrew has decided John’s, Hyde Park, and felt a deepening Wednesday was the evening for the Sequence that he is, after all, able to continue as calling to the priesthood when they returned of Music and Readings. The theme for the director of the Schola Cantorum. -
Allchurches Trust Beneficiaries 2020
ALLCHURCHES TRUST LIMITED Beneficiaries of grants awarded in 2020 1 During the year, the charity awarded grants for the following national projects: 2020 £000 Grants for national projects: 4Front Theatre, Worcester, Worcestershire 2 A Rocha UK, Southall, London 15 Archbishops' Council of the Church of England, London 2 Archbishops' Council, London 105 Betel UK, Birmingham 120 Cambridge Theological Federation, Cambridge, Cambridgeshire 2 Catholic Marriage Care Ltd, Nottingham, Nottinghamshire 16 Christian Education t/a RE Today Services, Birmingham, West Midlands 280 Church Pastoral Aid Society (CPAS), Coventry, West Midlands 7 Counties (formerly Counties Evangelistic Work), Westbury, Wiltshire 3 Cross Rhythms, Stoke-on-Trent, Staffordshire 3 Fischy Music, Edinburgh 4 Fusion, Loughborough, Leicestershire 83 Gregory Centre for Church Multiplication, London 350 Home for Good, London 1 HOPE Together, Rugby, Warwickshire 17 Innervation Trust Limited, Hanley Swan, Worcestershire 10 Keswick Ministries, Keswick, Cumbria 9 Kintsugi Hope, Boreham, Essex 10 Linking Lives UK, Earley, Berkshire 10 Methodist Homes, Derby, Derbyshire 4 Northamptonshire Association of Youth Clubs (NAYC), Northampton, Northamptonshire 6 Plunkett Foundation, Woodstock, Oxfordshire 203 Pregnancy Centres Network, Winchester, Hampshire 7 Relational Hub, Littlehampton, West Sussex 120 Restored, Teddington, Middlesex 8 Safe Families for Children, Nottingham, Nottinghamshire 280 Safe Families, Newcastle-upon-Tyne, Tyne and Wear 8 Sandford St Martin (Church of England) Trust, -
Gendered Musical Responses to First World War Experiences Abstract
Gendered Musical Responses to First World War Experiences Abstract This article investigates how women composers have responded to and commemorated the First World War. It juxtaposes works written between 1915 and 1916 by Susan Spain-Dunk, Morfydd Owen and Adela Maddison, with contemporary responses as part of the centenary commemorations (2014-18) by Cecilia MacDowall, Catherine Kontz and Susan Philipz. Pierre Nora’s concept of ‘sites of memory’, Benedict Anderson’s ‘imagined communities’ and Judith Butler’s theory of mourning provide a framework in order to analyse the different functions of this music in terms of our collective memory of the War. The article ultimately argues that this music contributes to a re-evaluation of how female composers experience the cultural impact of the War. By anachronistically discussing these stylistically disparate works alongside one another, there is the possibility of disrupting the progressively linear canonical musical tradition. In August 1914, London’s musical society was taken by surprise at the outbreak of war. As it was outside the main concert season, only the Proms concerts, then held at the Queen’s Hall, had to immediately consider their programming choices. On 15 August the decision was taken to cancel a performance of Strauss, and two days later an all Wagner-programme was replaced with works by Debussy, Tchaikovsky and a rendition of the Marseillaise.1 This instigated a debate in the musical press, which continued throughout the War, questioning nationalistic tendencies in music, the role of musicians in wartime, and how the War would influence musical composition. Meanwhile, women’s music, which had increasingly gained currency from the early twentieth century, continued with some vibrancy throughout the War, albeit often in non-mainstream venues and private contexts. -
Choir of St John's College, Cambridge Andrew Nethsingha
Choir of St John’S COLLEGE, CAMBRIDGE ANDREW NETHSINGHA Felix Mendelssohn, 1847 Mendelssohn, Felix Painting by Wilhelm Hensel (1794 – 1861) / AKG Images, London The Call: More Choral Classics from St John’s John Ireland (1879 – 1962) 1 Greater Love hath no man* 6:02 Motet for Treble, Baritone, Chorus, and Organ Alexander Tomkinson treble Augustus Perkins Ray bass-baritone Moderato – Poco più moto – Tempo I – Con moto – Meno mosso Douglas Guest (1916 – 1996) 2 For the Fallen 1:21 No. 1 from Two Anthems for Remembrance for Unaccompanied Chorus Slow Sir Charles Hubert Hastings Parry (1848 – 1918) 3 My soul, there is a country 4:00 No. 1 from Songs of Farewell, Six Motets for Unaccompanied Chorus Slow – Daintily – Slower – Animato – Slower – Tempo – Animato – Slower – Slower 3 Roxanna Panufnik (b. 1968) 4 The Call† 4:21 for Chorus and Harp For Andrew Nethsingha and the Choir of St John’s College, Cambridge Felix Mendelssohn (1809 – 1847) Hear my prayer* 11:21 Hymn for Solo Soprano, Chorus, and Organ Wilhelm Taubert gewidmet Oliver Brown treble 5 ‘Hear my prayer’. Andante – Allegro moderato – Recitativ – Sostenuto – 5:51 6 ‘O for the wings of a dove’. Con un poco più di moto 5:29 Sir Charles Hubert Hastings Parry 7 I was glad* 5:28 Coronation Anthem for Edward VII for Chorus and Organ Revised for George V Maestoso – Slower – Alla marcia 4 Sir Charles Villiers Stanford (1852 – 1924) 8 Beati quorum via 3:39 No. 3 from Three [Latin] Motets, Op. 38 for Unaccompanied Chorus To Alan Gray and the Choir of Trinity College, Cambridge Con moto tranquillo ma non troppo lento Sir John Tavener (1944 – 2013) 9 Song for Athene 5:31 for Unaccompanied Chorus Very tender, with great inner stillness and serenity – With resplendent joy in the Resurrection Sir Charles Villiers Stanford 10 Te Deum laudamus* 6:47 in B flat major • in B-Dur • en si bémol majeur from Morning, Communion, and Evening Services, Op. -
A Conductor's Guide to the Da Vinci Requiem by Cecilia Mcdowall
University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall Jantsen Blake Touchstone Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Commons Recommended Citation Touchstone, J. B.(2020). A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5920 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A CONDUCTOR’S GUIDE TO THE DA VINCI REQUIEM BY CECILIA MCDOWALL by Jantsen Blake Touchstone BaChelor of MusiC Mississippi College, 2011 BaChelor of MusiC Education Mississippi College, 2013 Master of MusiC Mississippi College, 2013 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of MusiCal Arts in Conducting SChool of MusiC University of South Carolina 2020 ACCepted by: AliCia W. Walker, Major Professor Jabarie Glass, Committee Member Andrew Gowan, Committee Member J. Daniel Jenkins, Committee Member Cheryl L. Addy, ViCe Provost and Dean of the Graduate SChool © Copyright by Jantsen Blake Touchstone, 2020 All Rights Reserved ii DEDICATION To my wife, Amy Touchstone, for your endless support, patience, love, and saCrifiCe. Your support, patience and understanding have allowed me to complete this projeCt; I thank you. iii ACKNOWLEDGEMENTS I would begin by thanking CeCilia MCDowall for writing such wonderful choral musiC and allowing such aCCess to her life and thoughts.