Journal Humanities
ISSN 1341-2000 THE JOURNAL OF HUMANITIES Vol. 24 2018 THE INSTITUTE OF HUMANITIES MEIJI UNIVERSITY THE JOURNAL OF HUMANITIES MEIJI UNIVERSITY VOLUME 24 March 31, 2018 Editor TOYOKAWA Koichi Assistant Editors KOZAI Youhei NAKAZAWA Takashi OCHIAI Hiroki SEKINOU HIDEAKI YAMAMOTO Yohei Advisory Editors FUJIYAMA Ryuzo HATOOKA Keita ISHIGURO Taro IWANO Takuji KAMASAKI Futoshi MAEDA Nobuko MAJIMA Ayu MATSUZAWA Jun SHIMIZU Maki TAKIGUCHI Mika TAMURA Hisao YAMAZAKI Kenji The Institute of Humanities, Meiji University 1-1 Kanda-Surugadai Chiyoda-ku Tokyo 101-8301 TEL 03-3296-4135 FAX 03-3296-4283 ISSN 1341-2000 PRINTED IN JAPAN THE JOURNAL OF HUMANITIES MEIJI UNIVERSITY VOLUME 24 CONTENTS SAHARA Tetsuya The Macedonian origins of the “Black Hand” and the Sarajevo incident 1 ItoDA Soichiro Nietzsches literarisches Schaffen — Eine stilistische und prosodische Studie im Spannungsfeld zwischen Prosa und Lyrik — 35 The Journal of Humanities, Meiji Univ., Vol. 24(March 31, 2018), 1-34 The Macedonian origins of the “Black Hand” and the Sarajevo incident SAHARA Tetsuya 3 The Macedonian origins of the “Black Hand” and the Sarajevo incident SAHARA Tetsuya Introduction World War I (WWI) was triggered by the Sarajevo incident. The Habsburg heir apparent, Archduke Franz Ferdinand, was killed with his wife by an Austro-Hungarian subject of Bosnian origin, Gavrilo Princip, on 28 June 1914. The relatively insignificant incident with a local charac- ter1 gave the pretext for an ultimatum to Serbia, as Princip and his comrades were allegedly abetted by a secret organization formed inside the Serbian Army, Ujedinjenje ili smrt (Union or Death) or, as it was more popularly known, the Black Hand.2 Contrary to Austrian allegations, involvement of the Black Hand in the Sarajevo incident was quite subtle and indirect.3 It is, accordingly, unrea- sonable to consider the Black Hand to be the main conspirator in the assassination.
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