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Tangela Sears Is the Area's Loudest Voice Against
OCTOBER 1-7, 2015 | VOLUME 18 | NUMBER 49 MIAMINEWTIMES.COM I FREE TANGELA SEARS IS THE AREA’S LOUDEST VOICE AGAINST URBAN BLOODSHED. PAGE 7 NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE. 301A HOLLYWOOD, FL 33020 [email protected] 954-342-7700 VOL. 18 | NO. 49 | OCTOBER 1-7, 2015 EDITORIAL EDITOR Chuck Strouse MANAGING EDITOR Deirdra Funcheon EDITORIAL OPERATIONS MANAGER Keith Hollar browardpalmbeach.com ASSOCIATE WEB EDITOR Jose D. Duran browardpalmbeach.com STAFF WRITERS Laine Doss, Chris Joseph, Jessica Swanson, Kyle Swenson MUSIC EDITOR Falyn Freyman ARTS & CULTURE/FOOD EDITOR Rebecca McBane CLUBS EDITOR Laurie Charles PROOFREADER Mary Louise English CONTRIBUTORS Emily Bloch, Nicole Danna, Michelle DeCarion, Doug Fairall, Abel Folgar, Victor Gonzalez, Natalya Jones, Jonathan Kendall, Angel Melendez, Dave Minsky, Andrea Richard, David Rolland, Gillian Speiser, Terra Sullivan, John Thomason, Sara Ventiera, David Von Bader, Lee Zimmerman ART | CONTENTS | | CONTENTS ART DIRECTOR Miche Ratto ASSISTANT ART DIRECTOR Kristin Bjornsen PRODUCTION PRODUCTION MANAGER Mike Lugo PRODUCTION ASSISTANT MANAGER Jorge Sesin ADVERTISING ART DIRECTOR Andrea Cruz PRODUCTION ARTIST Michael Campina Photo by Karli Evans Karli by Photo EWS | PULP EWS N ADVERTISING ADVERTISING DIRECTOR Alexis Guillen ONLINE SUPPORT MANAGER Ryan Garcia Featured Stories ▼ Y | MARKETING DIRECTOR Morgan Stockmayer EVENT DIRECTOR CarlaChristina Thompson DA RETAIL/MARKETING COORDINATOR Carolina del Busto SENIOR ACCOUNT EXECUTIVES Sarah Abrahams, Shot Through Peter Heumann, Kristi Kinard-Dunstan ACCOUNT EXECUTIVES the Heart Michelle Beckman, Paige Bresky, Jasmany Santana, Liza Vallejos Tragedy hits home for anti-gun activist Tangela Sears. CLASSIFIED GE | NIGHT+ SENIOR ACCOUNT EXECUTIVES BY TREVOR BACH | PAGE 7 A Patrick Butters, Ladyane Lopez, Joel Valez-Stokes T S CIRCULATION CIRCULATION DIRECTOR Richard Lynch Wizards and CIRCULATION ASSISTANT MANAGER Rene Garcia Hobbits BUSINESS GENERAL MANAGER Russell A. -
Superchunk 22
P.O. Box 1235 Chapel Hill, NC 27514 USA Phone: 919.688.9969 x125 www.mergerecords.com International Sales: Lauren Brown- [email protected] TRACK LISTING: SIDE A SIDE B 1. The Majestic 5. A Small Definition 2. Reg 6. Dance Lessons 3. Her Royal Fisticuffs 7. Basement Life 4. The Mine Has Been Returned 8. Still Feed Myself to Its Original Owner SIDE A SIDE B 9. Fader Rules 13. Everyone Gets Crushed 10. Never Too Young to Smoke 14. Beat My Guest 11. Detroit Has A Skyline [Acoustic] 15. With Bells On 12. Does Your Hometown Care? 16. Clover MRG 221 17. Sexy Ankles Record Store Day SIDE A SIDE B 18. White Noise 23. The Length of Las Ramblas Exclusive 19. Thin Air 24. Becoming a Speck 20. Scary Monsters (and Super 25. The Hot Break Creeps) 26. A Collection of Accounts 21. 1,000 Pounds (Duck Kee 27. Freaks in Charge Style) 28. Blending In Superchunk 22. Anything Could Happen Cup of Sand **NOTE: Track 13, 22, and 27 not previously available on Cup of Sand 2CD I’ll be honest: this compilation came out 14 years ago, and I still don’t recognize the titles (reissue) of 60% of these songs, despite drumming on all but one of them. You think Alan Alda remembers every M*A*S*H episode? I’m sure he can give a scene-by-scene breakdown of the show’s now-legendary final installment (“Goodbye, Farewell and Amen”) and yet have no memory whatsoever of the episode where they help an injured cow give birth (“The Birthday Girls”). -
Saladdays 23 Press Web.Pdf
23 THE TRASE THE ORIGINAL. SINCE NOW. DC_15S1.TRASE.GREEN.240X225+5.indd 1 17/02/15 17:57 One mag two Covers WHAT’S HOT Awolnation - Ramona Rosales Pushing - Federico Tognoli Editor In Chief/Founder - Andrea Rigano Art Director - Antonello Mantarro [email protected] Advertising - Silvia Rapisarda [email protected] Traduzioni - Fabrizio De Guidi Photographers Luca Benedet, Arianna Carotta, Alessio Fanciulli Oxilia, Alex Luise, Gaetano Massa, Fabio Montagner, Luca Pagetti, Enrico Rizzato, Federico Romanello, Ramona Rosales, Kari Rowe, Alberto Scattolin, Federico Tognoli Artwork Thunderbeard thunder-beard.blogspot.com Contributors Francesco Banci, Milo Bandini, Luca Basilico, Stefano Campagnolo, Marco Capelli, Matteo Cavanna, Cristiano Crepaldi, Young D, Fabrizio De Guidi, Flavio Ignelzi, Max Mameli, Marco Mantegazza, Simone Meneguzzo, Turi Messineo, Max Mbassadò, Angelo Mora(donas), Noodles, Eros Pasi, Marco Pasini, Davide Perletti, Salmo, SECSE, Alexandra Romano, Alessandro Scontrino, Marco ‘X-Man’ Xodo Stampa We Are Renegades / Rigablood Tipografia Nuova Jolly - Viale Industria 28 35030 Rubano (PD) Salad Days Magazine è una rivista registrata presso il 08 Black Hole 54 Cancer Bats Tribunale di Vicenza, N. 1221 del 04/03/2010. 12 Boost 58 Norm Will Rise 20 Awolnation 64 Family Album Get in touch 24 Justin “Figgy” Figueroa 72 Close Up - I Lottatori Del Rap www.saladdaysmag.com [email protected] 30 Don’t Sweat The Technique 76 Necro facebook.com/saladdaysmag 34 Lo Skateboard Alla Stretta Olimpica 81 Diane Arbus E Il Bambino Nel Parco twitter.com/SaladDays_it 37 Young Blood 84 Rebellion Fest Instagram - @saladdaysmagazine 40 Danny Trejo 87 Pseudo Slang L’editore è a disposizione di tutti gli interessati nel 44 Adolescents vs Svetlanas 92 Highlights collaborarecon testi immagini. -
Listening for the Hiss: Lo-Fi Liner Notes As Curatorial Practices
Popular Music (2018) Volume 37/2. © Cambridge University Press 2018, pp. 253–270, This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0261143018000041 Listening for the hiss: lo-fi liner notes as curatorial practices ALEXANDRA SUPPER Maastricht University, Department of Technology and Society Studies, Maastricht, the Netherlands E-mail: [email protected] Abstract Lo-fi music is commonly associated with a recording aesthetic marked by an avoidance of state-of- the-art technologies and an inclusion of technical flaws, such as tape hiss and static. However, I argue that lo-fi music is not defined merely by the presence of such imperfections, but by a discourse which deliberately draws attention to them. Album liner notes play an important role in this dis- course, as they can function as curatorial practices, through which lo-fi artists give an appropriate frame of reference to their recordings. By highlighting the ‘honest’ character of the recordings, the intimate recording spaces, the materiality of the equipment and its ambiguous character as machine/ instrument/performer, they invite listeners to adopt a genre-adequate mode of listening. Rather than listening past hiss and other recording artefacts as undesirable qualities, listeners are asked to listen for these qualities as an essential element of not just the recordings, but the music itself. Introduction ‘Recorded by Justin Vernon in the hunting cabin, Northwest Wisconsin.’ This short statement in the liner notes of Bon Iver’s indie folk album For Emma, Forever Ago describes an important element of the album’s success: ‘[The recordings made in the hunting cabin] were supposed to be demos, but they caught fire when he posted them online; the subsequent album went on to sell more than 300,000 copies. -
Split Single Announces New Album, Amplificado, out June 25Th on Inside Outside Records
April 27, 2021 For Immediate Release Split Single Announces New Album, Amplificado, Out June 25th on Inside Outside Records Watch Video for Lead Single, "(Nothing You Can Do To) End This Love" Split Single, the collective project of Chicago-based musician Jason Narducy (Bob Mould Band, Superchunk, Verbow), announces their new album, Amplificado, out June 25th on Inside Outside Records. Recorded at Electrical Audio in Chicago by Narducy (guitar/vocals), REM’s Mike Mills (bass), Jon Wurster (drums), Amplificado is a tight collection of rock songs dealing with the anxiety of living through a chaotic and cruel Republican majority rule and under the limitations of a worldwide pandemic. The new album comes nearly five years aer the release of Split Single’s 2016 album, Metal Frames, “a powerhouse pop record that prides itself on tenacious vocals and resolute rhythm guitar” (Stereogum) recorded with Wurster and Wilco’s John Sitrratt, and last year’s acclaimed, Jeff Award-nominated production of Verböten, a musical inspired by Narducy’s now-seminal childhood punk rock band of the same name. In conjunction with today’s announcement, Split Single presents the album’s lead single, “(Nothing You Can Do To) End This Love,” a message of love and support to the LGBTQ+ community. “The chords and melody for this song sounded like defiance to me,” says Narducy. “I wanted to write a lyric that matched this sonic mood. The first words that came into my head were ‘She loves her and he loves him.’ So it ended up being an unconventional love song. I’m expressing support and joy for diverse couples everywhere, including but not only my friends that appear in the video.” The charming accompanying video was directed by Jamie Fleischel. -
Permanent Resident
Old Dominion University ODU Digital Commons English Theses & Dissertations English Spring 2018 Permanent Resident Joshua McGarry Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/english_etds Part of the Creative Writing Commons Recommended Citation McGarry, Joshua. "Permanent Resident" (2018). Master of Fine Arts (MFA), Thesis, English, Old Dominion University, DOI: 10.25777/ekt0-8k31 https://digitalcommons.odu.edu/english_etds/38 This Thesis is brought to you for free and open access by the English at ODU Digital Commons. It has been accepted for inclusion in English Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. PERMANENT RESIDENT by Joshua McGarry B.A. December 2014, Old Dominion University A Thesis Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS ENGLISH OLD DOMINION UNIVERSITY May 2018 Approved by: Tim Seibles (Director) Luisa A. Igloria (Member) Delores B. Phillips (Member) ABSTRACT PERMANENT RESIDENT Joshua McGarry Old Dominion University, 2018 Director: Prof. Tim Seibles This thesis emerges out of the author’s own experiences as a permanent resident of the USA in a time of increasing tension towards immigrants. As the poems progress they deal not only with the immediate political concerns, but also with the familial issues of living on another continent as the poems address the way distance adds an extra layer of strain the death of the author’s grandfather in early 2016. The thesis attempts to find a counterpoint to the increased sense of nationalism and distance through the use of music as a plane of aesthetic engagement that goes beyond nation. -
Farrar, Straus & Giroux International Rights Guide
FARRAR, STRAUS & GIROUX INTERNATIONAL RIGHTS GUIDE FRANKFURT BOOK FAIR 2016 Devon Mazzone Director, Subsidiary Rights [email protected] 18 West 18th Street, New York, NY 10011 (212) 206-5301 Amber Hoover Foreign Rights Manager [email protected] 18 West 18th Street, New York, NY 10011 (212) 206-5304 2 FICTION Farrar, Straus and Giroux FSG Originals MCD/FSG Sarah Crichton Books 3 Baldwin, Rosecrans THE LAST KID LEFT A Novel Fiction, June 2017 (manuscript available) MCD/FSG Nineteen-year-old Nick Toussaint Jr. is driving drunk through New Jersey on his way to Mexico. The dead bodies of Toussaint’s doctor and his wife lie in the backseat. When Nick crashes the car, police chief Martin Krug becomes involved in the case. Despite an easy murder confession from Nick, something doesn’t quite add up for the soon-to-be retired Krug. An itch he can’t help but scratch. Nick is extradited to his hometown of Claymore, New Hampshire—a New England beach town full of colorful characters, bed-and-breakfasts, and outlet malls—where the local scandal rocks the residents. Meanwhile his girlfriend, sixteen-year-old Emily Portis, rallies behind her boyfriend, her protector. THE LAST KID LEFT charts the evolution of their relationship and of Emily’s own coming of age, in the face of tragedy and justice. Rosecrans Baldwin is the author of Paris, I Love You but You’re Bringing Me Down and You Lost Me There. He has written for GQ, The New York Times, the Los Angeles Times, and The Guardian. -
Tim Montana and the Shrednecks Butte’S Own and Country Music’S Renegade Band
EVEL 2014 KNIEVEL DAYS EVEL KNIEVEL DAYS • 2014 • 1 Table of Contents 6 12 14 16 Page 4, 5 ......................................Seattle Cossacks Page 6 ...........................................Moneta Page 7 ...........................................Black Flag Page 11 ........................................Kids Area Page 12 ........................................Spanky Spangler & Spanky Army Page 13 ........................................Tim Montana & The Shrednecks Page 14 ........................................Swoop Productions Page 15 ........................................7-inch Daredevil Page 15 ........................................Aaron “Wheelz” Fotheringham Page 15 ........................................Bryce Hudson Page 15 ........................................Chris Clark Page 15 ........................................Alchemy Indoor Skate Page 16 ........................................“Cowboy” Kenny Bartram Page 17 ........................................Circus Una Page 17 ........................................Derek Cook Page 17 ........................................Dr. Danger Page 20 ........................................Levi Renz Page 20 ........................................John Parker [Stuntmasters Inc.] Page 20 ........................................Jonny Harnisch [Stuntmasters Inc.] Page 20 ........................................Eddie Braun and the Sky Cycle/Rocket Page 20 ........................................Kamakazie Kid Page 21 ........................................Stunt Dog Productions Page -
All the Things You Are: Jazz Music, Pathways Analysis, and a Theory of Cultural Flows
All The Things You Are: Jazz Music, Pathways Analysis, and a Theory of Cultural Flows by Tyler Harris, BA. A Thesis submitted to the Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree of Masters of Arts Communications School of Journalism and Communications Caiieton University Ottawa, Ontario Canada July 19, 2006 ©Tyler Harris, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-18269-7 Our file Notre reference ISBN: 978-0-494-18269-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. -
Arbiter, September 22 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 9-22-2003 Arbiter, September 22 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. BOISE STATE'S I N D· E PEN DEN T' STU DEN ,T NEW SPA' PER SIN C E 193 3 MONDAY CELEBRATING SEPTEMBER~2, 2003, 70 YEARS Russia heritage dances WIDE RIGHT, WRONG CALL I .26 , I into Boise A missed field goal followed by a questionable play gave A&E~5 24 OSUthe tough win SPOrts - 6 FIRST COPY FREE, VOLUME 16 ISSUE 10 BYAMY OLSEN CA M PUS News Reporter , The Arbiter _ SHORTS 0, what is ASBSU doing for you this year? The Associated Students of Boise State University COMPILED BY plan to serve up plenty of programs and changes JASON KAUFFMAN for Boise State students, while focusing primarily News Editor on funds and school pride. Among the biggest goals for this year are: Clothesline Project Returns To Boise Removing the statue in the quad. State October 1, 2 Problem: The red statue is not' only a hindrance to the function of the quad, but is also considered by many to be The Boise State Boise State's student aesthetically displeasing. -
The Racial Politics and Possibilities of US Skateboarding Culture
http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Colour in the Lines: The Racial Politics and Possibilities of US Skateboarding Culture A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy at The University of Waikato by Neftalie S. Williams 2020 Abstract This thesis examines the informal sporting culture of skateboarding as a contested site of racial politics in the United States of America (US). Action sports scholars have long identified the ‘whiteness’ of this sport but rarely created space for the voices of people of colour (POC) within skateboarding. Underpinned by Critical Race Theory (CRT), this project centralizes the previously unheard voices of POC and reveals the unique challenges, strategies, and successes of POC within the elite skateboarding culture across particular historical contexts of skateboarding and within US society. With the aim of understanding the complex and nuanced experiences of race within the skateboarding culture, sport, and industry, I conducted semi-structured interviews with forty male and seven female skateboarders of colour who have played critical roles in the culture as athletes, company owners, managers and media producers. -
Reviews Kaki King
Reviews Kaki King record’s centerpiece “Brush Up Against You,” a more-or-less instrumental blues 2013’s wildly popular From the Hills undertaking that teeters on the avant- Below the City. This isn’t just a band garde. Finally, the whole thing wraps up rolling over the successes of their debut, with a tribute to Osborne’s New Orleans but rather an ensemble harnessing and blues roots, a modern reimagining of expanding their sound with supreme James Wayne’s “Junco Partner.” It’s a solid confidence. Along with tracks that recall effort all around that, more than anything, the slick, foot-stomping, roots rock comes off as a testament to the power created on their debut (“Sedona,” “Honey of the low-key, carefree jam session. Slider”), the quartet experiments with a Sam D’Arcangelo rawer, garage-rock sound (“15 Years,” “By God”) brimming with the honesty Nicki Bluhm & The Gramblers and energy of their live performance. Loved Wild Lost LITTLE SUR Thematically, honesty is all over this Nicki Bluhm comes across record—almost in a defiant manner—as as a modern country guitarist Matt Myers exclaims on the troubadour who’s been delicate “For No One,” “Sing a song for schooled in traditional you, but I sing for no one.” Rob Slater trappings. Her easygoing demeanour blends contemporary attitude Unknown Mortal Orchestra Jr.—are evident throughout, especially in stood in my way.”) And while succeeding with down-home distinction. With hubby Multi-Love SECRETLY CANADIAN the combined melody and mayhem that songs take a more subdued turn, from Tim Bluhm (of The Mother Hips) and her Portland-via-New Zealand defines “Living Zoo,” “On The Way” and the troubled tone of “Tell ‘Em to Hold band The Gramblers in tow, Bluhm takes trio Unknown Mortal “Another Day.” Along the way, they give On” to the moving, melodic ballads her inspiration from both Bakersfield and Orchestra have shaded listeners plenty to connect with as far “St.