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2018 Celebrity Birthday Book!
2 Contents 1 2018 17 1.1 January ............................................... 17 January 1 - Verne Troyer gets the start of a project (2018-01-01 00:02) . 17 January 2 - Jack Hanna gets animal considerations (2018-01-02 09:00) . 18 January 3 - Dan Harmon gets pestered (2018-01-03 09:00) . 18 January 4 - Dave Foley gets an outdoor slumber (2018-01-04 09:00) . 18 January 5 - deadmau5 gets a restructured week (2018-01-05 09:00) . 19 January 6 - Julie Chen gets variations on a dining invitation (2018-01-06 09:00) . 19 January 7 - Katie Couric gets a baristo’s indolence (2018-01-07 09:00) . 20 January 8 - Jenny Lewis gets a young Peter Pan (2018-01-08 09:00) . 20 January 9 - Joan Baez gets Mickey Brennan’d (2018-01-09 09:00) . 20 January 10 - Jemaine Clement gets incremental name dropping (2018-01-10 09:00) . 21 January 11 - Mary J. Blige gets transferable Bop-It skills (2018-01-11 09:00) . 22 January 12 - Raekwon gets world leader factoids (2018-01-12 09:00) . 22 January 13 - Julia Louis-Dreyfus gets a painful hallumination (2018-01-13 09:00) . 22 January 14 - Jason Bateman gets a squirrel’s revenge (2018-01-14 09:00) . 23 January 15 - Charo gets an avian alarm (2018-01-15 09:00) . 24 January 16 – Lin-Manuel Miranda gets an alternate path to a coveted award (2018-01-16 09:00) .................................... 24 January 17 - Joshua Malina gets a Baader-Meinhof’d rice pudding (2018-01-17 09:00) . 25 January 18 - Jason Segel gets a body donation (2018-01-18 09:00) . -
Front Matter Winter 11
Winter 2011 An online Journal of Voice BlazeVOX [books] Buffalo, NY BlazeVOX11 Winter 2011 Copyright © 2011 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the publisher’s written permission, except for brief quotations in reviews. Printed in the United States of America Book design by Geoffrey Gatza First Edition BlazeVOX [books] 76 Inwood Place Buffalo, NY 14209 [email protected] publisher of weird little books BlazeVOX [ books ] blazevox.org 2 4 6 8 0 9 7 5 3 1 B l a z e V O X Table of Contents Poetry Sean Borodale Abigale Louise LeCavalier Alison Lyons Ambrielle Army Andrew Baron Avery Zaduk bruno neiva Changming Yuan Charles Wilkinson Curt Hopkins Simon Perchik Dave Migman Aviva Englander Cristy Deanna Rusek David McAleavey Matt Higdon Terry van Vliet Don Cozzette Dennis Etzel Jr. Emily Ho Ed Makowski Gonzalo Salesky Enola Mirao Iain Britton Dave Migman Jacqueline L. Jiang Chieu Ivan Jenson Jen Besemer Heller Levinson Julie Kovacs Jim Bennett Karlanna Lewis Julie Ellinger Hunt Kristi Nimmo Sarah Kosch Michael Kerszewsky minko terez Mattia Marino Margot Block Marcia Chicca Marthe Reed Purdey M. Kreiden Nils Norelius rob mclennan Pattabi Seshadri SPLV Richard Fox Shinwell Johnson Richard Cronshey W. M. Rivera Thomas Cochran Robin F. Brox Adam Fagin Matthew Walz Fiction: Philip Kobylarz Fishing for Television Michael Quinlan October 31, 2003 Michael C. Thompson Shadowless Jim Meirose Friendship Dolan Morgan A Spider’s Faith in Webs Anthony Johnson Outlast Abbi Nguyen The Foreign Dream Acta Biographia Winter 2011 Author Bios IntroductionIntroduction Occupy BlazeVOX Welcome to Winter! The snow is falling, finally, now in Buffalo. -
Superchunk 22
P.O. Box 1235 Chapel Hill, NC 27514 USA Phone: 919.688.9969 x125 www.mergerecords.com International Sales: Lauren Brown- [email protected] TRACK LISTING: SIDE A SIDE B 1. The Majestic 5. A Small Definition 2. Reg 6. Dance Lessons 3. Her Royal Fisticuffs 7. Basement Life 4. The Mine Has Been Returned 8. Still Feed Myself to Its Original Owner SIDE A SIDE B 9. Fader Rules 13. Everyone Gets Crushed 10. Never Too Young to Smoke 14. Beat My Guest 11. Detroit Has A Skyline [Acoustic] 15. With Bells On 12. Does Your Hometown Care? 16. Clover MRG 221 17. Sexy Ankles Record Store Day SIDE A SIDE B 18. White Noise 23. The Length of Las Ramblas Exclusive 19. Thin Air 24. Becoming a Speck 20. Scary Monsters (and Super 25. The Hot Break Creeps) 26. A Collection of Accounts 21. 1,000 Pounds (Duck Kee 27. Freaks in Charge Style) 28. Blending In Superchunk 22. Anything Could Happen Cup of Sand **NOTE: Track 13, 22, and 27 not previously available on Cup of Sand 2CD I’ll be honest: this compilation came out 14 years ago, and I still don’t recognize the titles (reissue) of 60% of these songs, despite drumming on all but one of them. You think Alan Alda remembers every M*A*S*H episode? I’m sure he can give a scene-by-scene breakdown of the show’s now-legendary final installment (“Goodbye, Farewell and Amen”) and yet have no memory whatsoever of the episode where they help an injured cow give birth (“The Birthday Girls”). -
John Oliver, Burkean Frames, and the Performance of Public Intellect Gabriel Francis Nott Bates College, [email protected]
Bates College SCARAB Honors Theses Capstone Projects 5-2017 Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect Gabriel Francis Nott Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Nott, Gabriel Francis, "Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect" (2017). Honors Theses. 198. http://scarab.bates.edu/honorstheses/198 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Nott 1 Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect An Honors Thesis Presented to The Faculty of the Department of Rhetoric Bates College In partial fulfilment of the requirements for the Degree of Bachelor of Arts By Gabriel Nott Lewiston, Maine March 24, 2017 Nott 2 Table of Contents Acknowledgements 3 “Our Main Story Tonight Is…”: Introducing John Oliver 4 The Men Behind the Desk: A History of the Political Comedy News Host 10 Watching the Watchers: A Review of Existing Literature 33 Burkean Frames: A Theoretical Foundation 43 Laughing and Learning: John Oliver’s Comic Performance of Public Intellect 63 John Oliver and the Performance of Public Intellect 65 John Oliver, the Comic Comic 70 Oliver vs. the Walking, Talking Brush Fire 78 Oliver’s Barrier 84 John Oliver and the News Media 86 “That’s Our Show”: John Oliver and the Future of Civic Discourse 89 Works Cited 92 Nott 3 Acknowledgements Though mine is the only name appearing on the cover page of this thesis, it would be folly on my part not to acknowledge that this work is the product of the efforts of many people other than myself, a fact for which I am endlessly grateful. -
NEWS RELEASE Contact: Shawn Farley at 413-545-4159 Or at [email protected]
NEWS RELEASE Contact: Shawn Farley at 413-545-4159 or at [email protected] FOR IMMEDIATE RELEASE: February 13, 2013 WHAT: UPRIGHT CITIZENS BRIGADE TOURING COMPANY RESCHEDULED WHEN: Friday, March 8 at 8 p.m. and 10 p.m. (rescheduled from Friday, February 8 that was postponed due to snow storm) WHERE: Bowker Auditorium University of Massachusetts Amherst TICKETS: General Admission: $20; Five College, GCC, STCC students and youth 17 and under are $10. Call 1-800-999-UMAS or 545-2511 for tickets or go online to http://www.fineartscenter.com/ IMAGES: To download images relating to this press release please go online to IMAGES: To download images relating to this press release please go online to https://fac.umass.edu/Online/PressRoom UPRIGHT CITIZENS BRIGADE BRINGS COMEDY IMPROV TO UMASS “Upright Citizens Brigade -- The CBGB of alternative comedy.” New York Magazine Let’s try this again. The Upright Citizens Brigade Touring Company that was originally scheduled to appear on Friday, February 8 th but had to be postponed due to the snow storm has been rescheduled for Friday March 8th for two shows at 8 p.m. and 10 p.m. Opening the 8 p.m. show will be UMass’ own Vocal Suspects, the premiere co- ed a cappella group. Opening the 10 p.m. show will be UMass’ Mission: Improvable. The Upright Citizens Brigade (UCB) Touring Company cast is hand-picked from the best improv comedians in the country -- a veritable "next wave" of comedy superstars from the theatre that produced Amy Poehler, Horatio Sanz, Ed Helms, UMass alum Rob Corddry, Rob Riggle, Paul Scheer & Rob Huebel and countless others. -
Split Single Announces New Album, Amplificado, out June 25Th on Inside Outside Records
April 27, 2021 For Immediate Release Split Single Announces New Album, Amplificado, Out June 25th on Inside Outside Records Watch Video for Lead Single, "(Nothing You Can Do To) End This Love" Split Single, the collective project of Chicago-based musician Jason Narducy (Bob Mould Band, Superchunk, Verbow), announces their new album, Amplificado, out June 25th on Inside Outside Records. Recorded at Electrical Audio in Chicago by Narducy (guitar/vocals), REM’s Mike Mills (bass), Jon Wurster (drums), Amplificado is a tight collection of rock songs dealing with the anxiety of living through a chaotic and cruel Republican majority rule and under the limitations of a worldwide pandemic. The new album comes nearly five years aer the release of Split Single’s 2016 album, Metal Frames, “a powerhouse pop record that prides itself on tenacious vocals and resolute rhythm guitar” (Stereogum) recorded with Wurster and Wilco’s John Sitrratt, and last year’s acclaimed, Jeff Award-nominated production of Verböten, a musical inspired by Narducy’s now-seminal childhood punk rock band of the same name. In conjunction with today’s announcement, Split Single presents the album’s lead single, “(Nothing You Can Do To) End This Love,” a message of love and support to the LGBTQ+ community. “The chords and melody for this song sounded like defiance to me,” says Narducy. “I wanted to write a lyric that matched this sonic mood. The first words that came into my head were ‘She loves her and he loves him.’ So it ended up being an unconventional love song. I’m expressing support and joy for diverse couples everywhere, including but not only my friends that appear in the video.” The charming accompanying video was directed by Jamie Fleischel. -
The Daily Show: Journalism's Jester
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2009 The aid ly show: Journalism's jester Mark R. McCarthy University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation McCarthy, Mark R., "The aid ly show: Journalism's jester" (2009). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/2090 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Daily Show: Journalism’s Jester by Mark R. McCarthy A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities College of Arts and Sciences University of South Florida Co-Major Professor Daniel Belgrad, Ph.D. Co-Major Professor Margit Grieb, Ph.D. A. David Payne, Ph.D. Date of Approval: February 12, 2009 Keywords: Infotainment, fake news, news, media studies, television news © Copyright 2009, Mark R. Mccarthy Acknowledgements Thank you to Margit Grieb, Ph.D. for her support in all of my academic endeavors. Daniel Belgrad, Ph.D. for his unending patience. And to A. David Payne, Ph.D. for his unique and invaluable perspective. Dedication This work is dedicated to Jimmy for keeping me on task by asking me “shouldn’t you graduate first?” each time my attention would stray. Table of Contents List of Figures. -
“The Greatest Gift Is the Realization That Life Does Not Consist Either In
“The greatest gift is the realization that life does not consist either in wallowing in the past or peering anxiously into the future; and it is appalling to contemplate the great number of often painful steps by which ones arrives at a truth so old, so obvious, and so frequently expressed. It is good for one to appreciate that life is now. Whatever it offers, little or much, life is now –this day-this hour.” Charles Macomb Flandrau Ernest Hemingway drank here. Cuban revolutionaries Fidel Castro and Che Guevera drank here. A longhaired young hippie musician named Jimmy Buffett drank and performed here, too. From the 1930’s through today this rustic dive bar has seen more than its share of the famous and the infamous. It’s a little joint called Capt. Tony’s in Key West, Florida. Eighty-seven-year-old Anthony ‘Capt. Tony’ Tarracino has been the owner and proprietor of this boozy establishment since 1959. It seems Tony, as a young mobster, got himself into some serious trouble with ‘the family’ back in New Jersey and needed to lay low for a while. In those days, the mosquito invested ‘keys’ (or islands) on the southernmost end of Florida’s coastline was a fine place for wise guys on the lam to hide out. And this was well before the tee-shirt shops, restaurants, bars, art galleries, charming B&B’s and quaint hotels turned Key West into a serious year-round tourist destination. Sure, there were some ‘artsy’ types like Hemingway and Tennessee Williams living in Key West during the late 50’s when Tony bought the bar, but it was a seaside shanty town where muscular hard-working men in shrimp boats and cutters fished all day for a living. -
PDF Version of Issue #3
DARK MATTER: WOMEN WITNESSING #3 Editorial Lise Weil Kristin Flyntz PART I : EXTINCTION From The Lost Journals of Sacajewea Debra Magpie Earling After•Word Ghost Dance: the poems of Debra Magpie Earling Melissa Kwasny Dreams before Extinction Naeemeh Naeemaei Our Radiant Lives Deena Metzger Her Body is Burning Mary Sutton My Grandmother Said Netanyahu Naomi Shihab Nye Arrest Lena Khalaf Tuffaha Tree Holocaust Sara Wright Extinction Altars Beverly Naidus Turning Point Marilyn DuHamel Bear Requiem Susan Cerulean Our Safe Word Margo Berdeshevsky PART II : DEVOTION Serach bat Asher speaks Mei Mei Sanford First, a Mother: Interview with Megan Hollingsworth of ex•tinc•tion wit•ness Lise Weil Beauty from Brokenness: Interview with Lily Yeh Caroline Casey After•Word Our Call to Indigenous Consciousness: Taiaiake Alfred’s Wasáse Sharon English From the Beginning Nova Cynthia Anderson Calling out the Names Anne Bergeron Dark Matter: Women Witnessing - December, 2015 Issue #3 - EXTINCTION / DEVOTION PART II : DEVOTION (continued) Song of the Chesapeake Julie Gabrielli I am Nothing without my Dead Nora Jamieson After•Word Nora Jamieson’s Deranged Patricia Reis The Bone in My Yard: a Story-Carrier’s Path Rebecca Brams Listening to Natural Law: Interview with Ayya Santacitta Lise Weil After•Word Kenny Ausubel’s Dreaming the Future Courtney Cable Offerings Cynthia Travis Page 3 of 220 Editorial Issue #3. EXTINCTION/DEVOTION “The last one was killed in 1959, but there was no funeral and no one cried. I don’t know where his tomb is to put flowers on it. I can only wail and mourn his passing in my own way.” – Naeemeh Naeemaei For this issue of Dark Matter, we put out a call for material focusing on “devotion”—and yet much of what’s here also revolves around the theme of “extinction.” The paintings of Iranian artist Naeemeh Naeemaei are a stunning case in point. -
Athens General Fund
• . • • OHIO UNIVER_SITY Board of Trustees Ohio University Minutes June 23, 2006 • • MINUTES OF THE MEETING OF THE BOARD OF TRUSTEES OF OHIO UNIVERSITY 5 Friday, June 23, 2006 Margaret M. Walter Hall, Governance Room Ohio University, Athens Campus THE OHIO UNIVERSITY BOARD OF TRUSTEES • MINUTES OF June 23, 2006 MEETING TABLE OF CONTENTS Minutes of April 14, 2006 • President's Report 400 • Provost's Report 415 • Treasurer's Report 451 Academic Quality Committee (Tab 1) • Academic Quality Committee Minutes (Tab 1) 453 • Resolution 2006 — 2045 - Major and Degree Program Reviews 462 School of Health Sciences School of Educational Studies Department of Social Work School of Music School of Art • Resolution 2006 — 2046 — Appointment to Regional Coordinating • Councils 548 • Resolution 2006 — 2047 - Revision of Regional Coordinating Council Bylaws 555 • Resolution 2006 — 2048 - Name Change for the J. Warren McClure School of Communication Systems Management 560 • Resolution 2006 — 2049 - Phase Out of the Bachelor of Fine Arts and the Master of Arts Programs, School of Art, College of Fine Arts 565 Audit, Finance, Facilities, and Investment Committee (Tab 2) • Audit, Finance, Facilities, and Investment Committee Minutes 576 • Resolution 2006 — 2050 — Internal Audit Annual Audit Plan 584 • Resolution 2006 — 2051 — Revision to Administrative Senate Constitution Bylaws 587 • Resolution 2006 — 2052 — Approval to Hire Consultants and Develop Construction Documents 590 • Resolution 2006 — 2053 — Approval of Construction Documents and Authority to Award -
I Am Journalism (And So Can You!): Jon Stewart, Stephen Colbert, and the Role of the Journalist
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2010 I am journalism (and so can you!): Jon Stewart, Stephen Colbert, and the role of the journalist Eugene Wagner University of Nevada Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Broadcast and Video Studies Commons, Journalism Studies Commons, and the Speech and Rhetorical Studies Commons Repository Citation Wagner, Eugene, "I am journalism (and so can you!): Jon Stewart, Stephen Colbert, and the role of the journalist" (2010). UNLV Theses, Dissertations, Professional Papers, and Capstones. 221. http://dx.doi.org/10.34917/1442590 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. I AM JOURNALISM (AND SO CAN YOU!): JON STEWART AND THE ROLE OF THE JOURNALIST by Eugene E. Wagner Bachelor of Arts Washington University on St. Louis 2000 A thesis submitted -
Megan Cannon's Santaland Diaries After 25 Years, Julian Olf Takes His
The University of MassachusettsSTAGES Amherst Department of Theater Alumni Newsletter Spring 2009 After 25 years, Julian Olf takes his leave by GIL MCCAULEY It can be difficult to say goodbye to a colleague who has selflessly given an amazing amount of his time, expertise and resources to the place and people around him. It is even more difficult when that colleague has also been a mentor and a friend. Such is the case for me in bidding farewell to Julian Olf. Julian has been a caretaker, orchestrator and motivator in the Department since coming to it in 1983. The students, the faculty and Gil's piece continues on page 6. You will find more about Julian and his time in the Katie Lynch and Evan Fuller in The Chairs, the last piece Julian directed here. (photo by Jon Crispin) department on pages 6-8 of this issue. Megan Cannon's Santaland Diaries by MEGAN CANNON for FoodPlay, a national touring theater dunnnn…. company that teaches kids about healthy So I did what all people do when I’ve had a lot of interesting jobs living through theater and juggling. So looking for digs. Or anything really. I in the last few years. I got to drive the when I saw an ad for Santaland Manager went on Craigslist. Several trips to the Batmobile and blow things up, make at Macy’s on Backstagejobs.com, who city and lots of scary shared apartment monsters, dance back-up for a well- was I to say no? situations later and I had secured a known rock band (ok, ok, it was Dorothy What qualifies a person to be beautiful room in large apartment on the Dinosaur for the Wiggles, but to the Santa’s boss? Apparently everything on a charming street in Harlem! With a 5-year-olds, they are like Metallica!) and my resume.