DOCSLIB.ORG

The Acropolis Restoration News

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Acropolis Restoration News The Acropolis Restoration News 11 ñ July 2011 View of the restored temple of Athena Nike from the E. Photo T. Souvlakis, 2010 M. Ioannidou, 2010 – 2011, The progress of restoration on the Acropolis D. Michalopoulou, K. Mamalougas, The restoration programme of the temple of Athena Nike: brief evaluation K. Karanasos, Restoration of the superstructure of the south wall of the central building of the Propylaia G. Frantzi, The gradual revealing of colour on the ceiling of the Porch of the Maidens in the Erechtheion V. Manidaki, The replacement of sculptured architectural members on the monuments of the Acropolis. Casts, copies and authentic members L. Lambrinou, The restoration of the Parthenon’s pronaos: aesthetical matter or theoretical dilemma? C. Hadziaslani,E. Kaimara, A. Leonti, New activities and publications of the Information and Education Department E. Petropoulou, News from the Acropolis New activities and publications of the Information end Education Department The school year of 2010-2011 was very as a whole offer an inter-thematic way of The film is a valuable audio-visual product creative for our Department. Completed teaching and can provide a theme to be for pupils studying the restoration works, during this period were four new produc- developed in many lessons of the school since they can listen to the people who are tions, which are described in the present curriculum; moreover it can be incorpo- carrying out the work talk about what article. rated in the teaching material of different they are doing; they can also see details of grades. In particular, great possibilities ex- the work being done, which they would Acropolis and Restoration ist for developing the theme in the frame- not be able to see otherwise. Since architectural heritage is an ines- work of Environmental Education. timable cultural good that must be pre- With the opportunity of this publication, served and handed on to future genera- All the pamphlets of the Teacher’s Pack the Department is organising an open day tions, it is of major importance to ap- are triptychs to facilitate their use in the programme on the Acropolis in the au- proach it through education. With this in classroom by smaller groups of pupils. On tumn of 2011, that will familiarise school mind, in 2010 the Department of Infor- one face of the pamphlet the subject is de- children and the general public with the mation and Education of the Acrop- monuments of the Sacred Rock and olis Restoration Service has created with the restoration works. a new Teacher’s Pack entitled “Acropolis and Restoration”. www.acropolis-athena.gr Another educational activity com- The pack is prepared for educators pleted by the Department of Infor- and for pupils, particularly of the mation and Education in 2010, is the Secondary level, who declare special on-line application “Athena, Goddess interest in the works of restoration of the Acropolis” (www.acropolis- being carried out at present on the athena.gr). The application was cre- Acropolis, and are interested in the ated in collaboration with the Acrop- problems of the monuments and the olis Museum, thanks to the generous reasons that have led to their funding from the Bodosaki Founda- restoration. It contains ten educa- tion, to which special thanks are tional pamphlets that are divided due. into two groups: Athena, the goddess of wisdom, of In the first group of pamphlets, the- culture and the arts was directly con- oretical subjects are presented that nected with the city to which she are associated in a general way with had given her name. Her presence as the restoration of ancient monu- a name, as a tradition and as an artis- ments, particularly those of the Teacher’s Pack “Acropolis and Restoration” tic expression was predominant Acropolis: the types of restorations, everywhere, especially in the most the problems of the monuments and the veloped with the necessary informative important sanctuary of the city, the reasons for the intervention, the principles text, while on the other side there is plen- Acropolis, where the goddess was wor- of the works of restoration on the Acropo- tiful photographic material with views of shipped in many different forms and ca- lis, the method of the interventions on the the monument before and after restora- pacities. Acropolis monuments. tion, accompanied by explanatory cap- tions for easier comprehension of the sub- The purpose of the on-line application is Presented analytically in the second group ject. to familiarise the user with the various na- are the restoration programmes that are tures of the divinity. By means of a virtual carried out on each individual monument The Teacher’s Pack includes also the film tour of the Acropolis Museum, the user, under the titles: Parthenon, Propylaia, “The Works on the Athenian Acropolis”, following a beam of light, looks for and Erechtheion, Temple of Athena Nike, The (duration 60 minutes) comprising 5 the- observes the exhibits of the goddess Rock, the Walls and the Environment. A matic units: The Parthenon, the West side Athena that have been chosen. special pamphlet is dedicated to proposals of the Parthenon, the Erechtheion, the for the educators. The contents of the Pack Propylaia and the Temple of Athena Nike. A number of these reflect the sacred cult 33 statues of the goddess that were once pediment, where only part of the statue named Meleso, as well as the famous Pen- within the temples and of which today no has survived. Yet another category of stat- sive Athena. trace remains, such as the clay statuette ues that can be seen in the application resembling the wooden statue of Athena comprises the various votives-dedications The application includes also a fragment of a Panathenaic amphora, the vase that was presented as a prize to victors in the Panathenaic games, on which there is a representation of the goddess Athena, ful- ly armed as a goddess of war. For each of these exhibits the user can read a brief de- scription, a relevant myth, information about the cult of Athena as well as the rel- evant ancient texts of Pausanias. In addi- tion it is possible to see the exhibit from close-up and some of them all around, vir- tually restored. Three months after the uploading of the on-line application www.acropolis- athena.gr, there have been 3,844 visits, a number that corresponds to 3,145 indi- On-line application “Athena, Goddess of the Acropolis” vidual visitors. Six hundred of these visi- Polias, the patron goddess of the city, that to the goddess that represent the goddess tors come from 49 foreign countries. It is was kept inside the Erechtheion, as well herself, such as the Athena that was interesting that a third (33%) of the vis- as the marble statue of Athena Parthenos, carved by the famous sculptor Endoios, its are direct visits. The other sources of a Roman copy of the chryselephantine the little bronze Athena Promachos, god- “traffic” are the reference websites (62%) masterpiece by Pheidias, that stood with- dess of battle, dedicated by a woman and search engines (5%). in the Parthenon. The photographs, the artistic design and Included likewise in the application are the editing of the application were done some of the most important architectural by Professor K. Antoniadis and the appli- sculptures of the Acropolis with themes cation design and development by Y. Kout- taken from the goddess's mythology, such soukos. as the impressive statue of Athena in the Gigantomachy where she is shown fight- A Day in the Acropolis Museum with ing with the Giant of earthquakes, Enge- the Goddess Athena lados, from the pediment of the “Archaios The next educational activity of the De- Naos” (the Old Temple), as well as the partment combines the on-line search for representations in relief of Athena from the goddess Athena with an actual search the Parthenon frieze and from the parapet for the goddess inside the Acropolis Muse- of the Athena Nike temple. In this same um. The programme has been organised category of architectural sculptures are by the Acropolis Museum and in its con- the statues of Athena from the two pedi- text a special Family Pack has been creat- ments of the Parthenon. The birth of the ed.The Pack contains a series of games goddess was shown in the east pediment, that help the child recognize the goddess from which her statue has disappeared Athena from her attributes and search for but the user can recreate her in his imagi- her in the Museum. The purpose of the nation with the help of a virtual recon- Pack is to attract families and to facilitate struction of the statue. So too, the strug- Digital reconstruction of the chryselephantine their visit inside the Museum. As an intro- gle of Athena with Poseidon in the west statue of Athena Parthenos duction to the programme “A Day in the Acropolis Museum with the Goddess home, the child can repeat and also con- other cases, the figures are black but the Athena”, a bilingual 3-minute film was tinue his/her game with the goddess face of the goddess is painted white, as made by K. Arvanitakis, explaining the Athena on the internet. was the practice so as to distinguish the contents of the Family Pack as well as the female from the male figure. The children on-line application (www.acropolis- Another activity the parents can enjoy search for these representations of Athena athena.gr), which everybody can visit af- with their children in the Museum, in the in the gallery of archaic exhibits, in the terwards at home.
Load more

Recommended publications
  • The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou
    The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou 20 | MUSEUM international rsi Filippopoulou is an architect and a jurist, specialised in archaeological museums planning and programming. She served as Director Eof Museum Studies in the Greek Ministry of Culture, and was also responsible for the new Acropolis museum project over 18 years. She worked as Director of the Greek Managing Authority for the European Union, co-financed cultural projects for six years. She served as an adjunct faculty member at the Departments of Architecture of the Universities of Thessaloniki and Patras, Greece. She was elected chairperson of the ICOM International Committee for Architecture and Museum Techniques (ICAMT) twice on a three-year mandate. Since 2012, she has been working as an advisor on heritage issues to the Peloponnese Regional Governor. She recently published a book entitled Τo neo Mouseio tis Acropolis—dia Pyros kai Sidirou, which retraces the new Acropolis Museum’s tumultuous history from its inception to its inauguration (Papasotiriou Publishers 2011). Her current research project is a comparative approach to the Greek archaeological museum paradigm. MUSEUM international | 21 he visitor to the new Acropolis Museum in Athens, climbing to the up- per floor and passing through the exhibition gallery door to an all-glass space flooded with natural light, is suddenly awestruck by the breathtak- ing view of the Parthenon rising up above the surrounding city (Fig. 1). Enjoying the holistic experience inspired by the natural and cultural landscape, the viewer is unaware of past controversies about the mu- seum’s location, and is certain that is the right place to be for anyone wishing to admire the ancient monument together with its architectur- al sculptures.
    [Show full text]
  • Title Page Echoes of the Salpinx: the Trumpet in Ancient Greek Culture
    Title Page Echoes of the salpinx: the trumpet in ancient Greek culture. Carolyn Susan Bowyer. Royal Holloway, University of London. MPhil. 1 Declaration of Authorship I Carolyn Susan Bowyer hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Echoes of the salpinx : the trumpet in ancient Greek culture. Abstract The trumpet from the 5th century BC in ancient Greece, the salpinx, has been largely ignored in modern scholarship. My thesis begins with the origins and physical characteristics of the Greek trumpet, comparing trumpets from other ancient cultures. I then analyse the sounds made by the trumpet, and the emotions caused by these sounds, noting the growing sophistication of the language used by Greek authors. In particular, I highlight its distinctively Greek association with the human voice. I discuss the range of signals and instructions given by the trumpet on the battlefield, demonstrating a developing technical vocabulary in Greek historiography. In my final chapter, I examine the role of the trumpet in peacetime, playing its part in athletic competitions, sacrifice, ceremonies, entertainment and ritual. The thesis re-assesses and illustrates the significant and varied roles played by the trumpet in Greek culture. 3 Echoes of the salpinx : the trumpet in ancient Greek culture Title page page 1 Declaration of Authorship page 2 Abstract page 3 Table of Contents pages
    [Show full text]
  • Call Internazionale Per Via Dei Fori Imperiali
    ACCADEMIA ADRIANEA di ARCHITETTURA e ARCHEOLOGIA ONLUS PIRANESI PRIX DE ROME ET D’ATHÈNES – 2020 NOTICE FOR SCIENTIFIC PRIZE OF ARCHITECTURE, ARCHAEOLOGY AND LANDSCAPE INTERNATIONAL CALL FOR PROJECTS FOR THE ACROPOLIS OF ATHENS AND ITS SURROUNDINGS INCLUDED IN THE UNESCO BUFFER ZONE DEADLINE FOR COMPETITION APPLICATION: APRIL 27th 2020 th DEADLINE FOR COMPETITION DOCUMENTS PHASE ONE: MAY 15 2020 st DEADLINE FOR COMPETITION DOCUMENTS PHASE TWO: AUGUST 1 2020 ACCADEMIA ADRIANEA di ARCHITETTURA e ARCHEOLOGIA ONLUS HALL OF FAME OF PIRANESI PRIX DE ROME 2010 – João Luís Carrilho Da Graça (Portugal). Archaeological site of Praça Nova, Lisbon, Portugal – Career Award to Rafael Moneo (Spain). Museum of Roman Art in Merida Spain 2011 − NietoSobejano Arquitectos (Spain). Madinat al Zahara Museum in Cordoba, Spaina − Career Award to Guido Canali (Italy). Museo di Santa Maria della Scala in Siena, Italia 2012 − Career Award to David Chipperfield (Great Britain). Neues Museum in Berlin, Germany 2013 − Career Award to Peter Eisenman (United States). Piranesi Variations, the Campus Martius of Ancient Rome 2014 − Gonçalo Byrne Arquitectos (Portugal). Museu Nacional Machado de Castro in Coinbra, Portugal − GTRF Associati (Italy). Musealization of the Mosaics of the Hall of Cromazio in Aquileia, Italy − Career Award to Josè Ignacio Linazasoro (Spain). Centro Cultural Escuelas Pías de Lavapiés in Madrid, Spagna 2015 − Career Award to Bernard Tshumi (Switzerland). Acropolis Museum in Athens, Greece 2016 − Career Award to Yoshio Taniguchi (Japan). Horyuji Treasures Gallery, National Museum of Tokyo, Japan − Alexander Schwarz + David Chipperfield Architects Berlin (Germany), Luigi Franciosini + Riccardo Petrachi (Italy), Franco Purini + Tommaso Valle (Italy). Projects of the New Via dei Fori Imperiali in Rome, Italy.
    [Show full text]
  • The Acropolis of Athens
    The Erechtheion OPERATING RULES Please be informed that the following is strictly prohibited: The Ionic building on the north side of the Acropolis plateau (Law 3028/2002 and Official was named Erechtheion after the mythical king of Athens Erech- Government Gazette 88/B/23.1.2004) theus. Construction began either before 431 BC or after 421 • to collect, remove or damage any kind of object, including ancient THE ACROPOLIS BC and was completed in 406 BC following an interruption and contemporary works of art as well as any natural item, caused by the Peloponnesian War. • to consume food or beverages, Its peculiar shape is the result of the uneven terrain and the • to smoke, OF ATHENS need to house the age-old Sacred Tokens. It was dedicated • to produce litter of any kind, to the cults of Athena Polias as well as Poseidon Erechtheus, • to behave, dress or act in a way not compatible with the nature Hephaestus and the hero Boutes. On the north side of the edifice of the archaeological site/museum, a magnificent propylon is formed, whereas the south side is • entrance to people under the influence of substances (intoxicants, dominated by the famous Prostasis (porch) of the Maidens narcotics etc.), ( Korai) or Caryatids which constitutes the overground part of the • entrance to pets, except for dogs accompanying people with tomb of the mythical king of Athens Cecrops. disabilities, On the west side the Erechtheion was connected to the Pan droseion, • entrance to all vehicles, except for emergency vehicles and those a sanctuary dedicated to the daughter of Cecrops, Pandrosos.
    [Show full text]
  • Constructing Monuments, Perceiving Monumentality and the Economics of Building : Theoretical and Methodological Approaches to Th
    CONSTRUCTING MONUMENTS, PERCEIVING MONUMENTALITY & THE ECONOMICS OF BUILDING THEORETICAL AND METHODOLOGICAL APPROACHES TO THE BUILT ENVIRONMENT edited by Ann Brysbaert, Victor Klinkenberg, Anna Gutiérrez Garcia-M. & Irene Vikatou CONSTRUCTING MONUMENTS, PERCEIVING MONUMENTALITY & THE ECONOMICS OF BUILDING Sidestone Press CONSTRUCTING MONUMENTS, PERCEIVING MONUMENTALITY & THE ECONOMICS OF BUILDING THEORETICAL AND METHODOLOGICAL APPROACHES TO THE BUILT ENVIRONMENT edited by Ann Brysbaert, Victor Klinkenberg, Anna Gutiérrez Garcia-M. & Irene Vikatou © 2018 The individual authors Published by Sidestone Press, Leiden www.sidestone.com Lay-out & cover design: Sidestone Press Photograph cover: Mural from the tomb of Rekhmire, Thebes necropolis, 18th Dynasty ISBN 978-90-8890-696-1 (softcover) ISBN 978-90-8890-697-8 (hardcover) ISBN 978-90-8890-698-5 (PDF e-book) Contents Editors’ biographies 9 List of contributors 11 Editors’ acknowledgements 15 List of abbreviations 17 PART ONE: THEORETICAL AND PRACTICAL 19 CONSIDERATIONS ON MONUMENTALITY 1. Constructing monuments, perceiving monumentality: 21 introduction Ann Brysbaert 2. Mounds and monumentality in Neolithic Europe 49 Chris Scarre 3. Architectural conspicuous consumption and design as 65 social strategy in the Argolid during the Mycenaean period Kalliopi Efkleidou 4. Outer worlds inside 87 Lesley McFadyen PART TWO: METHODOLOGICAL APPROACHES TO 103 STUDYING ARCHITECTURE 5. Interpreting architecture from a survey context: 105 recognising monumental structures Yannick Boswinkel 6. Three-dimensional documentation of architecture and 117 archaeology in the field. Combining intensive total station drawing and photogrammetry Jari Pakkanen 7. Set in stone at the Mycenaean Acropolis of Athens. 141 Documentation with 3D integrated methodologies Elisavet P. Sioumpara 8. Labour mobilization and architectural energetics in the 169 North Cemetery at Ayios Vasilios, Laconia, Greece Sofia Voutsaki, Youp van den Beld, Yannick de Raaff PART THREE: ARCHITECTURAL ENERGETICS METHODS 193 AND APPLICATIONS 9.
    [Show full text]
  • Snowe: Iraq Must Solve Its Problems Politically Leadership 100 To
    O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of ΑΠΟ ΤΟ 1915 The National Herald Greek Americans A WEEKLY GREEK AMERICAN PUBLICATION c v www.thenationalherald.com VOL. 10, ISSUE 521 October 6, 2007 $1.00 GREECE: 1.75 EURO Alex Spanos Snowe: Iraq Donates $1 Must Solve Million to Its Problems Fire Victims Politically Deeply Moved by Republican Senator Suffering Caused by Says U.S. Can’t Prop Destructive Flames Iraq Up Indefinitely By Theodore Kalmoukos Special to The National Herald By Evan C. Lambrou Special to The National Herald BOSTON – The family of California real estate magnate Alex Spanos NEW YORK – The Iraqi Government has donated $1 million to the Arch- has failed to achieve the necessary diocese’s Greek Fire Relief Fund, level of political reconciliation, the the Archdiocese announced late last main component for creating stabili- week. ty in Iraq, according to U.S. Senator When making his contribution to Olympia J. Snowe of Maine, so the the Fund, Mr. Spanos said he and U.S. needs to gradually reduce the his family were deeply moved by number of troops and eventually the pain and suffering inflicted by withdraw from Iraq. the destructive flames. U.S. forces can not guarantee “We watched with heavy hearts Iraq’s future security, she says, be- the catastrophic fires and the de- cause that ultimately has to come struction they left behind that af- from the Iraqis themselves. fected thousands of people, their In an interview with the National property and the beautiful country- TNH/COSTAS BEJ Herald this past Tuesday, October 2, side of Greece.
    [Show full text]
  • A ©Lonely Planet Publications Pty
    594594 ©Lonely Planet Publications Pty Ltd Akrotiri Peninsula 292 Ancient Delos 181-2, 180 Alalkomenes 511 Ancient Eleusis 131 Alexander the Great 532 Ancient Ialysos 328 Aliki 189 Ancient Kamiros 329 Alinda 376-7 Ancient Lato 306 Allou Fun Park & Kidom 97 Ancient Palekastro 309 Alonnisos 465-71, 466, 12 Ancient Thira 224 Amorgos 206-10, 207 Ancient Zakros 309 AMP 86 Asklipieion 362 Anafi 226-8, 227 Erechtheion 73-4 Analipsi 367 Eretria 452 Anavatos 414 Evpalinos Tunnel 403 A Ancient Agora (Athens) 75-6, 76 Gortyna 274 accommodation 16, 564-6, see Ancient Akrotiri 224 Gournia 306 also individual locations Ancient Andros 162 Hephaistia 436 children, travel with 55 Ancient Delos 181-2, 180 House of Homer 512 costs 565 Ancient Eleusis 131 Ireon 406-7 language 581-2 Ancient Ialysos 328 Keramikos 77 Acropolis (Athens) 68-74, 68, 7, 70, Ancient Kamiros 329 Keros 203 71, 531 Ancient Lato 306 Kos Town 357 Acropolis of Agios Andreas 18 Ancient Palekastro 309 Mikro Horio 349 Acropolis of Lindos 326-7 Ancient Thira 224 Palace of Knossos 268-73, 268, 13, activities 50-3, see also individual Ancient Zakros 309 270, 271 activities Andartis – Partisan of Peace 281 Palamari 476 Adamas 242-4 Paleokastro 353 Andros 158-62, 159 Aegiali 209-10 Panathenaic Stadium 80 Anemospilia 273 Aegina 137-41 Parthenon 72-3 Angistri 141-2 Aegina Town 138-40, 139 Phaestos 269 animals 559-60, see also individual Agamemnon 83 species Poliohni 436 Agathonisi 385-6, 386 endangered species 468, 476, 517, Ramnous 132 Agia Galini 284 559-60 Sanctuary of the Great Gods Agia Irini
    [Show full text]
  • The Persian and Carthaginian Invasions of 480 B.C.E., Part 1
    AMERICAN JOURNAL OF ARCHAEOLOGY THE JOURNAL OF THE ARCHAEOLOGICAL INSTITUTE OF AMERICA This article is © The Archaeological Institute of America and was originally published in AJA 112(3):377–412. This reprint is supplied to the primary author for personal, non-com- mercial use only, following the terms stipulated by the AJA Editor-in-Chief. The definitive electronic version of the article can be found at http://www.atypon-link.com/AIA/doi/ abs/10.3764/aja.112.3.377. Volume 112 ● No. 3 July 2008 ARCHAEOLOGICAL INSTITUTE OF AMERICA 2008 officers C. Brian Rose, President Elizabeth Bartman, First Vice President John Russell, Vice President for Professional Responsibilities Jenifer Neils, Vice President for Publications Mat Saunders, Vice President for Education and Outreach Alexandra Cleworth, Vice President for Societies Brian J. Heidtke, Treasurer Teresa M. Keller, Executive Director honorary PresiDents Robert H. Dyson, Jr., James R. Wiseman, Martha Sharp Joukowsky, James Russell, Stephen L. Dyson, Nancy C. Wilkie GOVERNING BOARD Elie Abemayor Donald W. Morrison Michael Ambler Robert E. Murowchick Cathleen Asch Helen Nagy Eugene Borza Lynn Quigley John McK. Camp II Paul Rissman Laura Childs Caroline Rubinstein Lawrence Coben Ann Santen Mitchell Eitel Glenn Schwartz William Fitzhugh Ava Seave Harrison Ford David C. Seigle Sebastian Heath Charles Stanish Peter Herdrich Charles Steinmetz Lillian Joyce John J. Yarmick William A. Lindsay Paul Zimansky Jerald T. Milanich TRUSTEES EMERITI Norma Kershaw Charles S. LaFollette PAST PRESIDENT Jane C. Waldbaum Andrew J. Foley, of Paul, Weiss, Rifkind, Wharton & Garrison, General Counsel memBershiP in the archaeological institute of america anD suBscriPtion to the AMerIcaN joURNAL of arcHaeoLogY The American Journal of Archaeology is published by the Archaeological Institute of America in January, April, July, and October.
    [Show full text]
  • Museum Architecture As Spatial-Storytelling - a Case Study of the Ionic Frieze in Two Parthenon Galleries
    Medium, Mediation and Interpretation: Museum Architecture as Spatial-Storytelling - A Case Study of the Ionic Frieze in Two Parthenon Galleries Fangqing Lu, BArch, MArch, Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy August 2012 Abstract In order to convey the meanings contained within artefacts, museums commonly communicate with the general public primarily through the mediation of an audiovisual interpretative framework. In addition to audiovisual mediation, this thesis demonstrates the idea that museum architecture itself can make a significant contribution to various meanings communicated by artefacts. Drawn from a comparative case-study of the detailed interpretive frameworks of two museums, the thesis investigates the extent to which museum architecture itself should be considered as a medium of spatial-storytelling, providing a rich sensory context for the process of mediation and interpretation. This idea contributes towards a more meaningful embodied experience to the general public in order to support the process of ‘self-learning’, as well as passing on intangible culture through both tangible and intangible media. Through an initial survey and conceptual mapping of 130 museums around the world, two examples were selected effectively that offered a unique opportunity for comparative study as they are effectively exhibiting the ‘same’ material in different ways - the Ionic Frieze at the Parthenon Galleries in the British Museum and the recently opened New Acropolis Museum in Athens. Besides this survey of museums, other research methods included a literature review, interviews architectural analysis and observation of visitor behaviour, as the key data collection tools employed in this research, in order to evaluate the effectiveness of museum architecture as a medium.
    [Show full text]
  • Catalogue AGON2016.Pdf
    EK£E™H | EXHIBITION 17 - 23 OKTøBPIOY | OCTOBER «ºøKIøN ¢HMHTPIA¢H™: TO ME°A§O EYPY°øNIO MATI» KøN™TANTINOY¶O§H 1894-A£HNA 1977 «PHOKION DEMETRIADES: THE GREAT WIDE-ANGLE EYE» CONSTANTINOPLE 1894-ATHENS 1977 ŒÎıÂÛË 30 ÚˆÙfiÙ˘ˆÓ ÛΛÙÛˆÓ ÙÔ˘ ºˆÎ›ˆÓ· ¢ËÌËÙÚÈ¿‰Ë. H ¤ÎıÂÛË Û˘Óԉ‡ÂÙ·È ·fi ÙËÓ ÚÔ‚ÔÏ‹ ÔÌÒÓ˘Ì˘ Ù·ÈÓ›·˜ ‰È¿ÚÎÂÈ·˜ 9’, Ô˘ ‰ËÌÈÔ˘ÚÁ‹ıËΠÂȉÈο ÁÈ· ÙËÓ ÂΉ‹ÏˆÛË, Û ÛÎËÓÔıÂÛ›· M¤Ì˘ ™˘Ú¿ÙÔ˘. | The exhibition is accompanied by a 9 min. film under the same title, which is created especially for the occasion, directed by Memi Spyratou. ™ÙÔ ÂÍÒÊ˘ÏÏÔ: «¢ÚÔ̤·˜ Ì οÓÈÛÙÚÔ» K·ÏÏÈÙ¯ÓÈ΋ ÂÈ̤ÏÂÈ· Â͈ʇÏÏÔ˘: M¿ÓÔ˜ §A°OYBAP¢O™ ([email protected]) H ·Ú¯·ÈÔÏÔÁ›· Ù˘ AÚ¯·ÈÔÏÔÁ›·˜ ◊Ù·Ó ‰‡ÛÎÔÏË Ë ·ÂÈÎfiÓÈÛË ÙˆÓ ÁÏ˘ÙÒÓ, ̈۷˚ÎÒÓ, ·ÁÁ›ˆÓ ÎÏ. ÚÈÓ ·fi ÙËÓ ÂʇÚÂÛË Ù˘ ʈÙÔÁÚ·Ê›·˜. °ÓˆÛÙÔ› ˙ˆÁÚ¿ÊÔÈ, ÁχÙ˜ Î·È ¯·Ú¿ÎÙ˜ ۯ‰›·˙·Ó, Û˘¯Ó¿ ¯ˆÚ›˜ Ó· ‰ËÏÒÛÔ˘Ó ÙÔ fiÓÔÌ¿ ÙÔ˘˜. ™ÙËÓ ÂÈÎfiÓ·, ¤Ó·˜ ‰ÚÔ̤·˜ Ì οÓÈÛÙÚÔ ·fi ÙË Û˘ÏÏÔÁ‹ ÙÔ˘ ÏfiÚ‰Ô˘ X¿ÌÈÏÙÔÓ, Ô˘ ‹Ù·Ó Ú¤- ۂ˘ Ù˘ MÂÁ. BÚÂÙ·Ó›·˜ ÛÙËÓ IÙ·Ï›·. TÔ ¤ÚÁÔ ·˘Ùfi, ÛÙ· 1770, ¤ÁÈÓ ¯·Ú·ÎÙÈÎfi Î·È ‰ËÌÔÛȇıËÎÂ, ¯ˆÚ›˜ ÂÚÈÛÛfiÙÂÚ˜ ÏÂÙÔ̤ÚÂȘ, Û’ ¤Ó·Ó ÙfiÌÔ Ì ÔÏϤ˜ ÂÈÎfiÓ˜ Î·È ıˆڋıËÎÂ Ë ·ÎÚÈ‚fiÙÂÚË ¤Î‰Ô- ÛË Ù˘ ÂÔ¯‹˜. O A°øNA™ Ô˘ ÎÏ›ÓÂÈ Ê¤ÙÔ˜ Ù· 20 ÙÔ˘ ¯ÚfiÓÈ·, ·ÊÈÂÚÒÓÂÙ·È ÛÙÔÓ ÛÎËÓÔı¤ÙË M¿ÓÔ ∑∞Ã∞ƒπ∞, Ô˘ ·Ú·Ì¤ÓÂÈ ·ÈÒÓÈÔ˜ ¤ÊË‚Ô˜, Ê›ÏÔ˜, Û˘ÓA°øNÈÛÙ‹˜ Î·È Û˘Ì·Ú·ÛÙ¿Ù˘ ÙfiÛˆÓ Î·È ÙfiÛˆÓ ¯ÚfiÓˆÓ AGON, which turns 20 this year, is dedicated to the perennially young Manos ZACHARIAS, director, friend, companion and brother-in-arms over many many years The archaeology of Archaeology The depiction of sculptures, mosaics, vases etc.
    [Show full text]
  • The New Acropolis Museum: Forging Identity Through Archaeology, Architecture, and Preservation Efforts
    The New Acropolis Museum: Forging Identity through Archaeology, Architecture, and Preservation Efforts A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Ameera Rihanna Elrasheedy IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE Nancy Miller May 2010 Acknowledgment I would like to take this opportunity to thank all of those people who played a role in the development of this paper. I am greatly indebted to the assistance of Professor Andrea Berlin, who offered me guidance and support while thinking of how to approach this topic, and always offered honest and objective advice. I would also like to thank my advisor Nancy Miller, who encouraged me throughout the writing process. I owe a great thanks to Professor Robert Mack, who always supported my research in areas where preservation and archaeology overlapped. I am also greatly indebted to my parents, Becky and Ahmed Elrasheedy, who were always encouraging, objective, and who constantly reminded me to turn my library books in. I would like to thank my friends, who have been incredibly patient with me, when the only thing I really had to talk about for an entire year was how my thesis was going. I would also like to give a heartfelt thanks to all those around the world who took an active interest in the issues raised by the construction of the New Acropolis Museum, and who took the time to make videos, blogs, and write letters in order to raise awareness regarding these issues. The campaign to save the apartment blocks at 17 and 19 Dionysiou Areopagitou street should always stand as a reminder that by working together, and voicing opinions, every person, no matter who or where they are, has the capacity to make a difference and help preserve our world heritage.
    [Show full text]
  • PAOLA MATTIOLI” AWARD – Ist EDITION
    ACCADEMIA ADRIANEA di ARCHITETTURA e ARCHEOLOGIA ONLUS ITINERANT MASTER IN ARCHITECTURE AND MUSEUM DESIGN FOR ARCHAEOLOGICAL HERITAGE “PAOLA MATTIOLI” AWARD – Ist EDITION Art.1. Institution The Accademia Adrianea di Architettura e Archeologia Onlus promotes and organizes the first edition of the Paola Mattioli Award, reserved for the students enrolled in the Itinerant Master Degree Program in “Architecture and Museum Design for Archeology – Innovative Design and Management of Archaeological Heritage”, and strictly related to the Acropolis of Athens and its surroundings. Art.2. Participation The participation to Paola Mattioli Award provides for a project development whose contents constitute the final thesis of the Master Degree Program referred to the previous point, to be discussed in Rome at the end of the educational path, on the 16th of March 2019. All the students enrolled in the Master Degree Program and who want to deal with themes of great beauty, classical cultural identity and with the promotion of architectural, artistic and archaeological heritage, can take part to the Paola Mattioli Award. That is, who wish to join and merge aesthetic and moral values in a perspective inspired by a high and panoptic view of the social role of architecture and of the architect's professional task in its various forms. The same desire that animated the feelings and aspirations of Paola Mattioli. Art.3. The Symbolic Site The place that historically is the symbol of the expressed values and subtended this call, consist of the Acropolis of Athens, cradle of Western culture and unattainable witness of beauty compared to the experience of ancient, modern and contemporary architecture.
    [Show full text]