EK£E™H | EXHIBITION 17 - 23 OKTøBPIOY | OCTOBER «ºøKIøN ¢HMHTPIA¢H™: TO ME°A§O EYPY°øNIO MATI» KøN™TANTINOY¶O§H 1894-A£HNA 1977 «PHOKION DEMETRIADES: THE GREAT WIDE-ANGLE EYE» CONSTANTINOPLE 1894-ATHENS 1977 ŒÎıÂÛË 30 ÚˆÙfiÙ˘ˆÓ ÛΛÙÛˆÓ ÙÔ˘ ºˆÎ›ˆÓ· ¢ËÌËÙÚÈ¿‰Ë. H ¤ÎıÂÛË Û˘Óԉ‡ÂÙ·È ·fi ÙËÓ ÚÔ‚ÔÏ‹ ÔÌÒÓ˘Ì˘ Ù·ÈÓ›·˜ ‰È¿ÚÎÂÈ·˜ 9’, Ô˘ ‰ËÌÈÔ˘ÚÁ‹ıËΠÂȉÈο ÁÈ· ÙËÓ ÂΉ‹ÏˆÛË, Û ÛÎËÓÔıÂÛ›· M¤Ì˘ ™˘Ú¿ÙÔ˘. | The exhibition is accompanied by a 9 min. film under the same title, which is created especially for the occasion, directed by Memi Spyratou. ™ÙÔ ÂÍÒÊ˘ÏÏÔ: «¢ÚÔ̤·˜ Ì οÓÈÛÙÚÔ» K·ÏÏÈÙ¯ÓÈ΋ ÂÈ̤ÏÂÈ· Â͈ʇÏÏÔ˘: M¿ÓÔ˜ §A°OYBAP¢O™ (
[email protected]) H ·Ú¯·ÈÔÏÔÁ›· Ù˘ AÚ¯·ÈÔÏÔÁ›·˜ ◊Ù·Ó ‰‡ÛÎÔÏË Ë ·ÂÈÎfiÓÈÛË ÙˆÓ ÁÏ˘ÙÒÓ, ̈۷˚ÎÒÓ, ·ÁÁ›ˆÓ ÎÏ. ÚÈÓ ·fi ÙËÓ ÂʇÚÂÛË Ù˘ ʈÙÔÁÚ·Ê›·˜. °ÓˆÛÙÔ› ˙ˆÁÚ¿ÊÔÈ, ÁχÙ˜ Î·È ¯·Ú¿ÎÙ˜ ۯ‰›·˙·Ó, Û˘¯Ó¿ ¯ˆÚ›˜ Ó· ‰ËÏÒÛÔ˘Ó ÙÔ fiÓÔÌ¿ ÙÔ˘˜. ™ÙËÓ ÂÈÎfiÓ·, ¤Ó·˜ ‰ÚÔ̤·˜ Ì οÓÈÛÙÚÔ ·fi ÙË Û˘ÏÏÔÁ‹ ÙÔ˘ ÏfiÚ‰Ô˘ X¿ÌÈÏÙÔÓ, Ô˘ ‹Ù·Ó Ú¤- ۂ˘ Ù˘ MÂÁ. BÚÂÙ·Ó›·˜ ÛÙËÓ IÙ·Ï›·. TÔ ¤ÚÁÔ ·˘Ùfi, ÛÙ· 1770, ¤ÁÈÓ ¯·Ú·ÎÙÈÎfi Î·È ‰ËÌÔÛȇıËÎÂ, ¯ˆÚ›˜ ÂÚÈÛÛfiÙÂÚ˜ ÏÂÙÔ̤ÚÂȘ, Û’ ¤Ó·Ó ÙfiÌÔ Ì ÔÏϤ˜ ÂÈÎfiÓ˜ Î·È ıˆڋıËÎÂ Ë ·ÎÚÈ‚fiÙÂÚË ¤Î‰Ô- ÛË Ù˘ ÂÔ¯‹˜. O A°øNA™ Ô˘ ÎÏ›ÓÂÈ Ê¤ÙÔ˜ Ù· 20 ÙÔ˘ ¯ÚfiÓÈ·, ·ÊÈÂÚÒÓÂÙ·È ÛÙÔÓ ÛÎËÓÔı¤ÙË M¿ÓÔ ∑∞Ã∞ƒπ∞, Ô˘ ·Ú·Ì¤ÓÂÈ ·ÈÒÓÈÔ˜ ¤ÊË‚Ô˜, Ê›ÏÔ˜, Û˘ÓA°øNÈÛÙ‹˜ Î·È Û˘Ì·Ú·ÛÙ¿Ù˘ ÙfiÛˆÓ Î·È ÙfiÛˆÓ ¯ÚfiÓˆÓ AGON, which turns 20 this year, is dedicated to the perennially young Manos ZACHARIAS, director, friend, companion and brother-in-arms over many many years The archaeology of Archaeology The depiction of sculptures, mosaics, vases etc.