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Michael Foale
NASA-5 Michael Foale | Collision and Recovery | Foale Bio | Needed on Mir | Meanwhile | Collision and Recovery Mike Foale went to Mir full of enthusiasm in spite of the fire and other problems during the NASA-4 increment. He expected hard work, some discomfort, and many challenges; and he hoped to integrate himself fully into the Mir-23 crew. The challenges became enormous when a Progress resupply vehicle accidentally rammed the space station, breaching the Back to Spektr module and causing a dangerous depressurization. The NASA-5 Mir-23 crew worked quickly to save the station; and in the TOC troubled months that followed, Foale set an example of how to face the more dangerous possibilities of spaceflight. Meanwhile on the ground, NASA’s Mir operations were changing, too. In part because of the problems, Foale’s NASA-5 increment catalyzed a broader and deeper partnership with the Russian Space Agency. Mike Foale’s diverse cultural, educational, and family background helped him adapt to his life onboard Mir. Born in England in 1957 to a Royal Air Force pilot father and an American mother, his early childhood included living overseas on Royal Air Force bases. An English boarding school education taught him how to get along with strangers; and, as a youth, he wrote his own plan for the future of spaceflight. At Cambridge University, Foale earned a Bachelor of Arts in physics and a doctorate in astrophysics. But, in the midst of this progress, disaster struck. Foale was driving through Yugoslavia with his fiance and brother when an auto accident took their lives but spared his own. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Scott Parazynski 2016 U.S. Astronaut Hall of Fame Inductee
Scott Parazynski 2016 U.S. Astronaut Hall of Fame Inductee Scott E. Parazynski (M.D.) was selected as a NASA astronaut in March 1992. A veteran of five Space Shuttle flights, Parazynski has logged more than 1,381 hours in space, including more than 47 hours on seven spacewalks. Parazynski first flew in space on Nov. 3, 1994, on board STS-66 Atlantis. The STS-66 Atmospheric Laboratory for Applications and Science-3 (ATLAS-3) mission was part of an on- going program to determine the Earth’s energy balance and atmospheric change over an 11-year solar cycle, particularly with respect to humanity’s impact on global-ozone distribution. The crew successfully evaluated the Interlimb Resistance Device, a free-floating exercise he co- invented to prevent musculoskeletal atrophy in microgravity. As flight engineer of Atlantis, Parazynski returned to space on STS-86, which launched from Kennedy Space Center on Sept. 25, 1997. This was the seventh mission to rendezvous and dock with the Russian Space Station Mir. Highlights of the mission included the exchange of U.S. crew members Mike Foale and David Wolf and the first shuttle-based joint American-Russian spacewalk. The crew also deployed the Spektr Solar Array Cap, which was designed to be used in a future Mir spacewalk to seal a leak in the Spektr module’s damaged hull. Parazynski’s next flight into space was on Oct. 29, 1998, aboard STS-95, Discovery with Senator John Glenn. During the nine-day mission, the crew supported a variety of research payloads, including the deployment of the Spartan solar-observing spacecraft (in which Parazynski navigated) and the testing of the Hubble Space Telescope Orbital Systems Test Platform. -
K-2 ELA Handout
COSA Common Core State Standards Regional Series “Reading and Writing in the Classroom” A Statewide Regional Series for District and School Leaders of CCSS Elementary (K-2) English Language Arts Session Locations: April 14, 2014 – Eagle Crest Resort, Redmond, OR April 28, 2014 – Linn County Expo Center, Albany, OR May 6, 2014 - Convention Center, Pendleton, OR ELA Presenter: Jon Schuhl, SMc Curriculum, [email protected] Goals of CCSS Reading and Writing in the Classroom . U.S. students will become more competitive with A+ countries. Colleges will have less remediation for incoming students. Students across the country will have standards that are of equal rigor. Allows for development of common Jon Schuhl assessments and teaching materials. SMc Curriculum Spring 2014 The Standards Define: The Standards Do NOT Define: . what is most essential . how teachers should teach . grade level expectations . all that can or should be taught . what students are expected to know and be able . the nature of advanced work to do . intervention methods or materials . cross-disciplinary literacy skills . the full range of supports for English learners . mathematical habits of mind and students with special needs ELA Features ELA Features Reading Writing: Text types, responding to reading, and research . Balance of literature and informational texts . Text complexity and growth of comprehension . Writing arguments/opinions . The reading standards place equal emphasis on . Writing informative/explanatory texts the sophistication of what students read and the . Writing narratives skill with which they read. Strong and growing across-the-curriculum emphasis on students writing arguments and informative/explanatory texts 1 ELA Features ELA Features Language: Conventions (grammar), effective use, Speaking and Listening: Flexible communication and vocabulary and collaboration . -
Postcolonial Approaches to Music in the Space Age
Graduate Theses, Dissertations, and Problem Reports 2019 Listening for the Cosmic Other: Postcolonial Approaches to Music in the Space Age Paige Zalman West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Musicology Commons Recommended Citation Zalman, Paige, "Listening for the Cosmic Other: Postcolonial Approaches to Music in the Space Age" (2019). Graduate Theses, Dissertations, and Problem Reports. 3797. https://researchrepository.wvu.edu/etd/3797 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. “Listening for the Cosmic Other: Postcolonial Approaches to Music in the Space Age” Paige Zalman Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis Stimeling, Ph.D., -
Locating the Astronaut Body in Space
Wesleyan University The Honors College Locating the Astronaut Body in Space by Rachel Quinn Fischhoff Class of 2008 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Dance and American Studies Middletown, Connecticut April, 2008 Table of Contents Acknowledgments Introduction 1 Chapter 1: The Astronaut Body in Freefall 5 Chapter 2: The Lunar Stage 37 Chapter 3: How to Make Two Dances 59 Conclusion 77 Selected Primary Sources 80 Bibliography 83 Acknowledgements Thank you Rachel Hirsch, Martha Armstrong Gray, Ted Munter and Moses Rifkin for first teaching me to learn all things in all ways. I would like to thank Nicole Stanton for her unwavering support throughout this process, the faculty of the Dance and American Studies Departments for helping me become the choreographer, dancer, and thinker I am today, and of course my fellow majors, who have never stopped teaching and inspiring me. To the toothbrush owners and dinner patrons of 43A Home Avenue, thank you. Kathleen, David, and Martha Fischhoff, thank you for making all things possible. Introduction Even a cursory glance at contemporary media shows the vital place astronauts have come to occupy in the national imagination of the United States. Space Camp, located at 1 Tranquility Base in Huntsville, AL offers day and residential programs for children ages 7 to 18. The camp’s website also advertises programs designed for corporate groups, educators, and “Special Programs” for the visually impaired and hard of hearing. The space-related work of Hollywood icon Tom Hanks alone includes film (Apollo 13), a televised miniseries (From Earth to the Moon), an IMAX movie (Magnificent Desolation: Walking on the Moon 3D), and the forward to a recent popular science book (Andrew Chaikin’s A Man on the Moon). -
2020 Annual Report
Ensure that the United States continues its commitment to NASA’s programs of record and maintains American leadership in human space exploration, space science, space commerce and technology. 2020 ANNUAL REPORT A Message from Leadership The Coalition for Deep Space Exploration (CDSE) has provided yearly activity reports to our members for the past several years, but this year we are kicking off what will now be our “Annual Report,” highlighting milestones and activities immediately past. This is our inaugural issue. It goes without saying that 2020 was a year to remember, full of challenges, but also full of promise. As with the nation and the world, this was also the case in space. Our national programs in space continue to move full speed ahead. The year saw final testing of the first Orion crew capsule, destined to take humans farther into the solar system than ever before. The Space Launch System (SLS) entered final testing before shipping to NASA Kennedy Space Center, where the Exploration Ground Systems will process and integrate Orion and SLS for their first launch together in late 2021. Meanwhile, the James Webb Space Telescope completed a comprehensive test program with a scheduled launch also in 2021. At the same time, progress continued on the lunar Gateway and the Human Landing Systems, which will enable human presence around and on the Moon. The Mars Perseverance rover is scheduled to land on the Red Planet on February 18. Other NASA science missions span our solar system and beyond, contribute to our knowledge of the universe, the origins of our planet, and ultimately, where we are going as we face the challenges of a changing Earth. -
Shuttle Missions 1981-99.Pdf
1 2 Table of Contents Flight Page Flight Page 1981 STS-49 .................................................................................... 24 STS-1 ...................................................................................... 5 STS-50 .................................................................................... 25 STS-2 ...................................................................................... 5 STS-46 .................................................................................... 25 STS-47 .................................................................................... 26 1982 STS-52 .................................................................................... 26 STS-3 ...................................................................................... 5 STS-53 .................................................................................... 27 STS-4 ...................................................................................... 6 STS-5 ...................................................................................... 6 1993 1983 STS-54 .................................................................................... 27 STS-6 ...................................................................................... 7 STS-56 .................................................................................... 28 STS-7 ...................................................................................... 7 STS-55 ................................................................................... -
Table of Manned Space Flights Spacecalc
CBS News Manned Space Flights Current through STS-117 Table of Manned Space Flights SpaceCalc Total: 260 Crew Launch Land Duration By Robert A. Braeunig* Vostok 1 Yuri Gagarin 04/12/61 04/12/61 1h:48m First manned space flight (1 orbit). MR 3 Alan Shepard 05/05/61 05/05/61 15m:22s First American in space (suborbital). Freedom 7. MR 4 Virgil Grissom 07/21/61 07/21/61 15m:37s Second suborbital flight; spacecraft sank, Grissom rescued. Liberty Bell 7. Vostok 2 Guerman Titov 08/06/61 08/07/61 1d:01h:18m First flight longer than 24 hours (17 orbits). MA 6 John Glenn 02/20/62 02/20/62 04h:55m First American in orbit (3 orbits); telemetry falsely indicated heatshield unlatched. Friendship 7. MA 7 Scott Carpenter 05/24/62 05/24/62 04h:56m Initiated space flight experiments; manual retrofire error caused 250 mile landing overshoot. Aurora 7. Vostok 3 Andrian Nikolayev 08/11/62 08/15/62 3d:22h:22m First twinned flight, with Vostok 4. Vostok 4 Pavel Popovich 08/12/62 08/15/62 2d:22h:57m First twinned flight. On first orbit came within 3 miles of Vostok 3. MA 8 Walter Schirra 10/03/62 10/03/62 09h:13m Developed techniques for long duration missions (6 orbits); closest splashdown to target to date (4.5 miles). Sigma 7. MA 9 Gordon Cooper 05/15/63 05/16/63 1d:10h:20m First U.S. evaluation of effects of one day in space (22 orbits); performed manual reentry after systems failure, landing 4 miles from target. -
U.S. and Russian Human Space Flights and Russian Human U.S
APPENDIX C 79 U.S. and Russian Human Space Flights 1999 Year Fiscal Activities 1961–September 30, 1999 Spacecraft Launch Date Crew Flight Time Highlights (days:hrs:min) Vostok 1 Apr. 12, 1961 Yury A. Gagarin 0:1:48 First human flight. Mercury-Redstone 3 May 5, 1961 Alan B. Shepard, Jr. 0:0:15 First U.S. flight; suborbital. Mercury-Redstone 4 July 21, 1961 Virgil I. Grissom 0:0:16 Suborbital; capsule sank after landing; astronaut safe. Vostok 2 Aug. 6, 1961 German S. Titov 1:1:18 First flight exceeding 24 hrs. Mercury-Atlas 6 Feb. 20, 1962 John H. Glenn, Jr. 0:4:55 First American to orbit. Mercury-Atlas 7 May 24, 1962 M. Scott Carpenter 0:4:56 Landed 400 km beyond target. Vostok 3 Aug. 11, 1962 Andriyan G. Nikolayev 3:22:25 First dual mission (with Vostok 4). Vostok 4 Aug. 12, 1962 Pavel R. Popovich 2:22:59 Came within 6 km of Vostok 3. Mercury-Atlas 8 Oct. 3, 1962 Walter M. Schirra, Jr. 0:9:13 Landed 8 km from target. Mercury-Atlas 9 May 15, 1963 L. Gordon Cooper, Jr. 1:10:20 First U.S. flight exceeding 24 hrs. Vostok 5 June 14, 1963 Valery F. Bykovskiy 4:23:6 Second dual mission (with Vostok 6). Vostok 6 June 16, 1963 Valentina V. Tereshkova 2:22:50 First woman in space; within 5 km of Vostok 5. Voskhod 1 Oct. 12, 1964 Vladimir M. Komarov 1:0:17 First three-person crew. Konstantin P. Feoktistov Boris G. -
Downbeat.Com July 2015 U.K. £4.00
JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores.