National Institute of Open Schooling Regional Centre, Bhubaneswar ID Card Despatch Details (Stream-1, Block-II, 2012-13)
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Hindu Samskars 2 Main Aim of Marriage ❑Dharma ❑Praja Or Progeny ❑Rati, Kama Or Sex Gratification ❑Rina Or Debts ❑Socio-Cultural Continuity
Hindu Samskars 2 Main aim of Marriage ❑Dharma ❑Praja or Progeny ❑Rati, Kama or Sex Gratification ❑Rina or Debts ❑Socio-Cultural Continuity (c) Hindu Swayamsevak Sangh USA - For internal use only 3 Hindu Samskars Action/thoughts -> Samskar -> Character -> Direction of Life The net sum total of the samskars at the end of this life is the force which gives a person the next direction after this life. In Hindu way of life, 16 major milestones are identified. Activities/procedures are prescribed to be done at each of these milestones and these are called 16 samskars. (c) Hindu Swayamsevak Sangh USA - For internal use only 4 16 Samskars Before birth 1. Garbhadan: The first coming together of the husband & wife for bringing about conception. 2. Pumsvan: Ceremony performed when the first signs of conception are seen, and is to be performed when someone desires a male child. 3. Seemantonnayan (Seemant + Unnayan): Performed during the seventh month of pregnancy. By this time the heart, mind and brain of the baby are formed and functional. The parents to be and their relatives offer prayers to the Almighty for mental & intellectual growth of the child. (c) Hindu Swayamsevak Sangh USA - For internal use only 5 16 Samskars After birth in childhood 4. Jatakarma: After the birth of the child, the child is given a secret name, he is given taste of honey & ghee, mother starts the first breast-feeding after chanting of a mantra. 5. Nama-karana: In this ceremony the child is given a formal name. Performed on the 11th day. 6. Nishkramana: In this the formal darshan of sun & moon is done for the child. -
Fundamental Concepts of Hinduism
Fundamental Concepts of Hinduism My Salutations to all Devas-Rishis-Pithrus OM DEDICATED TO LORD YAMA, MARKANDEYA, NACHIKETAS, SAVITRI AND NANDI, THE ETERNAL ATTENDANT OF LORD SIVA, WHO HAVE ALL UNRAVELLED THE MYSTERIES OF THE LIFE BEYOND DEATH OM "Hinduism is not just a faith. It is the union of reason and intuition that cannot be defined but is only to be experienced” - Dr. Sarvepalli Radhakrishnan (1888-1975) ॐ अञानतिमिरा्ध्य ञाना्जनशलाकया । चषुु्िीमलिं यॳन ि्िॴ रीगरवॳु निः ॥ om ajnana-timirandasya jnananjnana salakaya caksur unmilitam yena tasmai sri gurave namah “I offer my most humble obeisance to my spiritual master who has opened my eyes which were blinded by ignorance with the light of knowledge.: [FOR PRIVATE CIRCULATION] 1 INTRODUCTION The Information on this article “Fundamental Concepts of Hinduism” furnished here in is compiled from various mail friends, internet sites and elders who have knowledge on this subject. The documents referred in the net sites are quoted as told but not gone through by me for their authencity. Every effort has been taken not to leave essential points but to make the reading informative and interesting. Since the subject matter is lengthy and it could not be confined in one or two postings - it may appear lengthy. Hindu Dharma says, “To lead a peaceful life, one must follow the Sastras which are the rules of the almighty that cannot be changed by passage of time(i.e.kruta,thretha,dwapara&kali yuga).The almighty says, “Shruthi smrithi mamaivaagya yaasthaam ullangya varthathe | Aagya chhedi mamadhrrohi math bhaktopi na vaishnavahah||” Which means,vedas and sastras are my commands and one who surpasses these rules have breaken my laws and cannot be considered as my bhakta or a vaishnava. -
Page 1 5/2/2019 SIVA PAADAADI KESHANTA VARNANA STOTRAM
5/2/2019 SIVA PAADAADI KESHANTA VARNANA STOTRAM - MAHAPERIYAVA SATSANG MAHAPERIYAVA SATSANG Search this site Home SIVA PAADAADI KESHANTA VARNANA STOTRAM Everyday Satsang kāmakoṭi sandeśa SATSANG LECTURES Jayadev Ashtapadi - Sri Raman Bhagavatar MAHAPERIYAVA DHARSHAN Anusham MAITREEM BHAJATA ஏகாதஶி/Ekadaśi ரேதாஷம்/Pr… ெபௗரண் Śri Adi Śankara Charitam - Śukla Panchami Śukla Shashti िशवपादािदके शावणनोम् ல நத்ரம் - ஸந்யாஸ னம் ஶிவ பாதா3 ேகஶா3ந்த வர்ணன Sankata Hara Chaturti ஸ் ேதாத்ரம் Advaitam https:sriadishankarastutis/shiva काणं नो िवधां कटक - तटल - स - वाटी - िनकु - ीडा - संस - िवाधर - िनकर - वधू - गीत - ापदानः । तारैहरंब - नादैरिलत - िननदत् तारकाराित - के की कै लासः शविनवृिभ - जनकपद: सवदा पवतेः॥१॥ https://sites.google.com/site/mahaperiyavasatsang/siva-paadaadi-keshaanta-varnana-stotram 1/64 5/2/2019 SIVA PAADAADI KESHANTA VARNANA STOTRAM - MAHAPERIYAVA SATSANG கல் யாணம் ேநா த⁴த்தாம் கடக - தடலஸத் - கல் பவா -நிஞ் ஜ- க்ரடாீ ³ - ஸம் ஸக்த - த்³யாத⁴ர - நிகர - வ⁴ - ³த - த்³ராபதா³ந: । தாைரர் - ேஹரம் ப³ - நாைத³ஸ் - தரத - நிநத³த் - தாரகாரா - ேக- ைகலாஸஶ் - ஶர்வ - நிர்வ் ʼத்ய⁴ - ஜநக - பத³ஸ் - ஸர்வதா³ பர்வேதந்த்³ர: ॥ 1॥ kalyāṇaṃ no vidhattāṃ kaṭaka - taṭalasat - kalpavāṭī - nikuñja- krīḍā - saṃsakta - vidyādhara - nikara - vadhū - gīta - rudrāpadānaḥ । tārair - heramba - nādais - taralita - ninadat - tārakārāti - kekī- kailāsaś - śarva - nirvṛtyabhi - janaka - padas - sarvadā parvatendraḥ ॥ 1॥ பரேமஶ் வரனின் சாந்தமான வாஸஸ் தானமான ைகலாஸம் என் ற மைல நமக்ெகல் ெலாக்ம் மங் களத்ைத உண் டாக்கட் ம் . -
Natya Shastra
This page uses content from Wikipedia and is licensed under CC BY-SA. Natya Shastra The Nāṭya Śāstra (Sanskrit: नाट्य शा , Nāṭyaśāstra) is a Sanskrit Hindu text on the performing arts. [1][2] The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between Part of a series on 200 BCE and 200 CE,[3][4] but estimates vary between 500 BCE and 500 CE.[5] Hindu scriptures and texts The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance.[6][7] Shruti [2][8] The Nāṭya Śāstra is notable as an ancient encyclopedic treatise on the arts, one which has Smriti influenced dance, music and literary traditions in India.[9] It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not the primary Vedas goal, and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness, and reflects on spiritual and Rigveda moral questions.[8][10] The text has inspired secondary literature such as Sanskrit bhasya (reviews and Samaveda commentaries) such as by the 10th century Abhinavagupta.[11] -
1 QUINTESSENCE of MANU SMRITI ( Aaachaara Khanda)
QUINTESSENCE OF MANU SMRITI ( Aaachaara Khanda) Compiled, translated and edited by V.D.N.Rao, former General Manager, India Trade Promotion Organization, Pragati Maidan, New Delhi, Ministry of Commerce, Govt.of India, now at Chennai. 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda-Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika Essence of Hindu Festivals and Austerities Essence of Manu Smriti*------------------- Quintessence of Manu Smriti* Note: All the above Scriptures already released on www. Kamakoti. Org/news as also on Google by the respective references. -
Indian Culture & Heritage
1 Chapter-1 Culture and Heritage: The Concept We all know that when we hear or say 'culture', we think of the food habits, life style, dress, tradition, customs, language, beliefs and sanskaras. Have you ever thought that human being has made an astonishing progress in various spheres of life whether it is language culture, art or architecture or religion. Have you ever wondered as to how it happened? Definitely, because we did not have to make a fresh start every time but we could go forward and reconstruct on achievements accomplished by our ancestors. All the aspects of life like language, literature, art, architecture, painting, music, customs traditions, laws have come to us as heritage from our ancestors. Then, you add something new to it and make it rich for the coming generations. It is a constant and never ending process. Man possesses unique characteristic from the beginning known as culture. Every nation, country and region has its own culture. Culture denotes the method with which we think and act. It includes those things as well which we have received in inheritance being a member of this society. Art, music literature, craft, philosophy, religion and science are all part of culture, though it also incorporates customs, traditions, festivals, way of living and one's own concept on various aspects of life. All the achievements of a human being can be termed as culture. 1.0 Aims:- After studying this chapter you will be able to:- • Know about meaning and concept of culture. • Acquaint youself with general characteristics of culture. -
ENCYCLOPEDIA of India 73269 FM Vol4 I-Xvi GGS 10/12/05 9:40 AM Page 2
73269_FM_Vol4_i-xvi_GGS 10/12/05 9:40 AM Page 1 ENCYCLOPEDIA OF India 73269_FM_Vol4_i-xvi_GGS 10/12/05 9:40 AM Page 2 editorial board Editor in Chief the curator of Southeast Asian Art at the Los Angeles County Museum of Art. Stanley Wolpert Stanley Wolpert is a distinguished professor emeritus of Deena Khathkate History at the University of California, Los Angeles. Deena Khathkate is the former assistant director of the His publications include Tilak and Gokhale: Revolution Monetary and Financial Systems Department at the and Reform in the Making of Modern India (1962); Morley International Monetary Fund, Washington, D.C. He is and India, 1906–1910 (1967); Roots of Confrontation in also the former managing editor of World Development, a South Asia (1982); Jinnah of Pakistan (1984); Zulfi Bhutto monthly journal of development studies published by of Pakistan (1993); Nehru: A Tryst with Destiny (1996); Elsevier. He has authored several articles on economics Gandhi’s Passion: The Life and Legacy of Mahatma Gandhi in academic journals, including Quarterly Journal of Eco- (2002); A New History of India (7th edition, 2003); and nomics, Review of Economics and Statistics, and Oxford Eco- India (3d edition, 2005) as well as his forthcoming nomic Papers. Shameful Flight: The Last Years of the British Empire in India. Raju G. C. Thomas Raju G. C. Thomas is the Allis Chalmers Distinguished Board Members Professor of International Affairs, Marquette University. Among his dozen books, edited and co-edited, are Robert Brown Indian Security Policy (1986); Perspectives on Kashmir Robert Brown is a professor in the Department of Art (1994); Democracy, Security and Development in India History at the University of California, Los Angeles and (1996); and India’s Nuclear Security (2001). -
World Religions and Hinduism
COMPARATIVE RELIGIONS World Religions: Narrative, Mysticism, Philosophy, ritual, history What is Religion? • Religion is philosophical action that arises from the dedication and identification of a person or people with a larger tradition or narrative. Through religion, individuals look for transcendence of their particular circumstance in relation to God. • Not all religions are monotheistic, so "gods" might replace God, above, but religion tends to point toward a singular ultimate reality. • "Ultimate reality" is another common substitute for "God," but this downplays the personal manner by which this reality is known. Major Religions • Hinduism has roots in the Vedic tradition extending back to 1500 B.C., but formalized by about 400 A.D. It is ostensibly polytheistic, though many Hindus consider themselves monotheists. • Buddhism had its origin in India around 500 B.C., based on the teachings of Gautama Buddha. While there are many forms of Buddhism, they all focus on the universal need for nirvana, or non- existence through detachment. Many Buddhists consider themselves monotheistic or atheistic. • Taoism has its origins in Chinese religions going back at least to the 4th century A.D. Taoism emphasizes harmony with nature. Major Religions • Confucianism bases its teachings on those of Kong Fu Zi (Confucius- Grand Master Kong), emphasizing the duty humans have to one another, in particular Filial Piety, or the duty one has to one's parents and children. • Judaism: has its origins about 2000 B.C. or earlier. Describes the relationship of a singular people and God. The focus of Judaism is the return to a covenantal relationship with God for all humanity. -
Sanskara (Saṃskāra/ संस्कार)
Sanskara (saṃskāra/ संकार) By Dr. Subhash Chandra Sanskara are rites of passage in a human being's life described in ancient Sanskrit texts, as well as a concept in the karma theory of Indian philosophies. The word literally means "putting together, making perfect, getting ready, to prepare", or "a sacred or sanctifying ceremony" in ancient Sanskrit and Pali texts of India. There are no evidence is available in regarding Sanskara in Vedic Literature and Brahmana Literature. Sanskaras are generally descried in Sutra Literatures. According to Baraha, Paraskara, Bodhayana, vaikhanasa Gihyasutras and Manusmriti there are 18 sansakaras. Sanskaras are celebrated since pregnancy to death. In Hinduism, the sanskaras vary in number and details according to regional traditions. They range from the list of 40 sanskaras in the Gautama Dharmasutra from about the middle of 1st millennium BCE, to 16 sanskaras in the Grhyasutra texts from centuries later. The list of sanskaras in Hinduism include both external rituals such as those marking a baby's birth and a baby's name giving ceremony, as well as inner rites of resolutions and ethics such as compassion towards all living beings and positive attitude. Etymology and meaning Saṃskāra has various context driven meanings, that broadly refer to "the putting together, accomplishing well, making perfect, a form of solemn recognition and getting ready, engaging in works and acknowledging the purification of body by cleansing or mind by education or an object by a process (such as polishing a gem or refining a metal)". The term appears in the Śrutis, and in the Smritis of diverse schools of Hinduism as well as the texts of Jainism, Buddhism and Sikhism. -
Illustrated-Encyclopedia-Of-Hinduism
The Illustrated Encyclopedia of Hinduism The Illustrated Encyclopedia of Hinduism James G. Lochtefeld, Ph.D. The Rosen Publishing Group, Inc. New York To teachers whose gift of learning I can never fully repay. To students whose learning has taught me, and whose friendship has enriched me. To Fiona, Vera, and Gavin, who put life back into perspective every day, although they have yet to know this. To Rachel, who has made all of this possible. Published in 2002 by The Rosen Publishing Group, Inc. 29 East 21st Street, New York, NY 10010 Copyright © 2002 by James G. Lochtefeld First Edition All rights reserved. No part of this book may be reproduced in any form without permission in writing from the publisher, except by a reviewer. Library of Congress Cataloging-in-Publication Data Lochtefeld, James G., 1957– The illustrated encyclopedia of Hinduism/James G. Lochtefeld. p. cm. Includes bibliographical references and index. ISBN 0-8239-2287-1 (set) ISBN 0-8239-3179-X (volume 1) ISBN 0-8239-3180-3 (volume 2) 1. Hinduism Encyclopedias. I. Title. BL1105.L63 2002 294.5'03—dc21 99-27747 CIP Manufactured in the United States of America Staff Credits Editors: Margaret Haerens, Michael Isaac, Christine Slovey Editorial Assistant: Rob Kirkpatrick Book Design: Olga M. Vega Cover Design: MaryJane Wojciechowski Production Design: Erica Clendening, Beverly Fraser, Christine Innamorato, MaryJane Wojciechowski Table of Contents Volume One Introduction vi How to Use This Book xiii Contents by Subject xiv Entries A–M 1–450 Volume Two Entries N–Z 451–786 Note on Transliteration 787 Pronunciation Guide 788 Bibliography 795 Index 807 Photo Credits 875 About the Author 876 v Introduction As you drive through the cornfields of northern Illinois, just north of the town of Aurora, you may see a massive brick building that seems out of place. -
Spirituality and Religion Past, Present and Future
SPIRITUALITY AND RELIGION PAST, PRESENT AND FUTURE Dr. Priya Ranjan Trivedi Dr. Markandey Rai fo'o fgUnw fo|kihB Vishwa Hindu Vidyapeeth New Delhi 1 Published by Vishwa Hindu Vidyapeeth Priyaranjan Dham, Indraprasthapeeth A 14-15-16, Paryavaran Complex New Delhi - 110030 JULY 2018 Printed in India Data has been collected for the Book “Spirituality and Religion Interface” from different sources. The Publishers are thankful to all those who have supported this cause. The publishers also show gratitude to them. Printed at Green Graphics, New Delhi - 110030, India 2 CONTENTS Page No. Preface 5 Chapter 1 Spirituality 6 Chapter 2 Religion 19 Chapter 3 Scope of Spirituality 42 Chapter 4 Scope of Religion 51 Chapter 5 Neo-Vedanta 58 Chapter 6 Esotericism 69 Chapter 7 Spiritual But Not Religious 73 Chapter 8 Catholic Spirituality 75 Chapter 9 Christian Mysticism 81 Chapter 10 Five Pillars of Islam 101 Chapter 11 Sufism 106 Chapter 12 Jihad 142 Chapter 13 Buddhism 155 Chapter 14 Hinduism 200 Chapter 15 Hindustan 227 Chapter 16 Orientalism 229 Chapter 17 Sanātanī 242 Chapter 18 Hindu Reforms Movements 244 Chapter 19 Hindu Denominations 246 Chapter 20 Purusārtha 255 Chapter 21 Diksha 260 Chapter 22 Dharma 262 Chapter 23 Artha 274 Chapter 24 Kama 278 Chapter 25 Moksha 283 Chapter 26 Ishvara 295 Chapter 27 God in Hinduism 302 Chapter 28 Ahimsa 307 Chapter 29 Vegetarianism and Religion 317 Chapter 30 Cattle in Religion 329 Chapter 31 Sattvic Diet 338 Chapter 32 Mitahara 341 Chapter 33 Śruti 344 3 Chapter 34 Smriti 348 Chapter 35 Hindu Scriptures 352 -
Faculty of Juridical Sciences
FACULTY OF JURIDICAL SCIENCES COURSE:BALLB Semester –IV SUBJECT: SOCIOLOGY-III SUBJECT CODE:BAL-401 NAME OF FACULTY: DR.SHIV KUMAR TRIPATHI Lecture-24 Samskara as rituals Sanskaras in Hinduism are rites of passage that begin with one's birth, celebrates certain early steps in a baby's growth and his or her welcome into the world in the presence of friends and family, then various stages of life (Ashrama (stage)) such as first learning day, graduation from school, wedding and honeymoon, pregnancy, raising a family, as well as those related to final rites associated with cremation.[17] These rites of passage are not uniform, and vary within the diverse traditions of Hinduism. Some may involve formal ceremonies, yajna (fire) ceremonies with the chanting of Vedic hymns. Others are simple, private affairs involving a couple, with or without friends, other family families or a religious person such as priest or pandit.[17] Sanskaras are not considered as end in themselves, but are means of social recognition as well as the passage of a person from one significant stage of life to another.[18] Various elements of Sanskaras and rituals of life's passage are mentioned in Vedas of Hinduism, one of the oldest known scriptures in the world. The most extensive, but divergent discussions of these rites of passage are found in the numerous Dharmasutras and Grhyasutras from the 1st millennium BCE.[18][19] Many of these rites of passage include formal ceremonies, with ritual readings of hymns, chants and ethical promises, aiming to orient the individual(s)