DOCSLIB.ORG

Cfda+ 2017 41 Voices

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cfda+ 2017 41 Voices In 2013, the CFDA identified a need to connect global graduating talent to our membership, so we created CFDA+ with the goal to provide visibility to creative capital from around the world. Since then, we have reviewed more than 1,000 portfolios, interviewed more than 600 recent graduates from 43 leading schools across 32 countries, and have spotlighted 245 graduates to a community of industry and education. Through these dynamic conversations, we’ve been privileged to gain not only a window into each designer’s personal identity, design process, and ethos, but also a first access view of the future of fashion. This year, we framed our questions openly, asking “I want to…”, “One wish I have for fashion’s future is...”, and “Future me will…”. The consistency of their answers netted to a narrative that underline the themes for 2017. Their voices created an empowered message of inclusivity, diversity, unity, and hope – with sustainability, technology, innovation, and culture mattering to the next generation now more than ever before. For our fifth year, we invite you to preview the power of “we” – 41 CFDA+ 2017 talents selected from 24 schools, who are unique in their creativity but share a collective zeitgeist – that we are all connected. CFDA+ is a curated platform to spotlight exemplary graduating talent. Selected CFDA+ 2017 Design Graduates receive a one-year profile-based showcase on CFDA.com, whose profiles are visible to the CFDA Membership community of 500+ leading American designers. Additionally, the CFDA is honored to continue its collaboration with Floriane de Saint Pierre’s Paris-based Eyes on Talents, which will generously spotlight CFDA+ and provide the talent with unique global exposure. The CFDA works to support and identify top-tier graduate and undergraduate talent from a global community of invited colleges. 02 03 A Aastha Shah | 06-09 Womenswear/Textiles S Academy of Art University L E Samuel Tick | 176-179 Alice Winzar | 10-13 Lela Thompson | 110-113 Footwear/Lifestyle Womenswear Emma Collins | 50-53 Knitwear Savannah College of Art and University of Brighton Menswear Drexel University Design Marist College O Alyssa Wardrop | 16-19 Loulou Hicks | 116-119 Olivia Bradley | 146-149 Shania Matthews | 180-183 Womenswear Erika Tompkins | 56-59 Menswear/ Streetwear/ Womenswear Womenswear/Knitwear Fashion Institute of Womenswear Sportswear University of Brighton Polimoda International Technology Academy of Art University Kingston University Institute of Fashion Design and Marketing Ann Xiao | 20-23 P Universal (Unisex) F Jamela Law | 80-83 Shelby Wauligman | 186-189 Ultimo Tafe Sydney Institute Textiles M Peggy Kuo | 150-153 Universal (Unisex) of Fashion Fang Katy Liu | 60-63 LaSalle College of the Arts Madeline Moore | 120-123 Textiles University of Cincinnati Textiles Universal (Unisex) Academy of Art University Anna Sajeski | 26-29 Academy of Art University Jasper McGilvray | 86-89 Columbia College Chicago Sidharth Chawla | 190-193 Knitwear Menswear Pierpaolo Grasso | 156-159 Handbags/Optical Drexel University University of Westminster Menswear/Genderfluidity Parsons School of Design Polimoda International G Jennifer Koh | 90-93 N Institute of Fashion Design Sophie Ward | 194-197 Gabriela Sacconi | 66-69 Womenswear Naeun Kim | 126-129 and Marketing Knitwear C Universal (Unisex) Parsons Paris Universal (Unisex)/Menswear Kingston University Carly Dean | 30-33 School of the Art Institute of Savannah College of Art and Textiles Chicago Design R Academy of Art University Y K Nicholas Yip | 130-133 Rachel Yoo | 160-163 Catriona Pringle | 36-39 Kaitlyn Fitzgerald | 96-99 Menswear Menswear Yiran Duan | 198-201 Womenswear/Knitwear I Childrenswear University of Westminster Rhode Island School of Menswear Royal College of Art Ian Richardson | 70-73 Parsons School of Design Design Parsons School of Design Womenswear/Accessories Nikki Kaia Lee | 136-139 Chloe Scott | 40-43 University of Westminster Kasubika Chola | 100-103 Womenswear/Textiles Rebecca Holmes | 166-169 Menswear Textiles/Denim Savannah College of Art and Womenswear/Knitwear University of Westminster Ilaria Meucci | 76-79 Kingston University Design Kingston University Z Footwear/Handbags Zimo Yan | 202-205 Christina Miyagi | 46-49 Polimoda International Kate Clark | 106-109 Noah Pica | 140-143 Ryan Zhen Yu | 170-173 Textiles Textiles Institute of Fashion Design Textiles Menswear Womenswear Savannah College of Art and Academy of Art University and Marketing Kingston University Rhode Island School of Design Academy of Art University Design 04 05 AASTHA SHAH* *Aastha Shah and Peggy Kuo are collaborators “I love cultures. I aspire to create an experience for people to celebrate cultures around the world.” Academy of Art University BFA Fashion Design — Womenswear with a secondary focus in Textiles Artisanal, CAD/Technical Design, Embellishment, Print, Wearables, Woven Materials VIBRANT 06 03 AASTHA SHAH 02 09 ALICE WINZAR “To create garments with style, elegance and comfort for women to wear with confidence and ease.” University of Brighton BA (Hons) Fashion Design — Womenswear 3D/Creative Technical Design, Artisanal/Handcrafted, Bespoke/Custom, CAD/ Technical Design, Evening Wear, Luxury, Outerwear, Surface Design, Wearables HABITATION 10 03 ALICE WINZAR 02 13 “A CHANGE IN ATTITUDE TOWARDS OUR BODIES AND OUR RELATIONSHIP TO THE ENVIRONMENT.” MADELINE MOORE Columbia College Chicago Chicago, Illinois 02 03 ALYSSA WARDROP “One wish I have for fashion’s future is for young, talented designers to be supported and spotlighted.” Fashion Institute of Technology BFA Fashion Design — Womenswear Artisanal/Handcrafted, Luxury, Print, Surface Design, Wearables, Woven Materials ABSTRACT 16 03 ALYSSA WARDROP 02 19 ANN XIAO “To reduce the waste created through fast fashion and overconsumption. As a designer I want to utilize technology and waste to create fashion that is not harmful to the world around us.” Ultimo Tafe Sydney Institute of Fashion BFA Fashion Design — Universal (Unisex) 3D/Creative Technical Design, Digital Fabrication, Embellishment, Print, Sustainability/Systems, Wearables PORTRAIT 20 03 ANN XIAO 02 23 “MINDFUL MATERIALS AND CREATION PROCESSES SHOULD BE IMPROVED.” ERIKA TOMPKINS Academy of Art University San Francisco, California 02 03 ANNA SAJESKI “For everyday consumers to better understand the idea of quality over quantity and to demand sustainable practices within the industry.” Drexel University BS Fashion Design — Knitwear Digital Fabrication, Fully Fashioned Knitwear, Machine Knitting, Print HALCYON 26 03 ANNA SAJESKI 02 29 CARLY DEAN “I hope to contribute to the future of sustainability in the fashion industry by exploring innovative and sustainable materials.” Academy of Art University MFA Textile Design — Textiles Fiber Arts, Print, Surface Design, Sustainability/Systems, Woven Materials REVIVE 30 03 CARLY DEAN 02 33 “ADVANCE TECHNOLOGY TO INNOVATE DESIGN WITHOUT LOSING THE BEAUTY OF HANDCRAFT.” LELA THOMPSON Drexel University Philadelphia, Pennsylvania 02 03 CATRIONA PRINGLE “I never want to stop learning and expanding my knowledge in knitwear. A job where I could not learn from − would be the worst job in the industry.” ” Royal College of Art MA Fashion Design — Womenswear with a secondary in Knitwear Fully Fashioned Knitwear, Hand Knitting, Machine Knitting CRAFT 36 03 CATRIONA PRINGLE 02 39 CHLOE SCOTT “I want to make tailoring more accessible.” University of Westminster BA (Hons) Fashion Design — Menswear Luxury, Outerwear ECCENTRIC 40 03 CHLOE SCOTT 02 43 “PUSH BOUNDARIES TO DISRUPT TRADITIONAL NORMS.” ALYSSA WARDROP Fashion Institute of Technology New York, New York 02 03 CHRISTINA MIYAGI “Upcycling is the future of fashion. As a textile designer, I have the ability to transform surfaces and I want to use that skill to reduce waste within the industry.” Academy of Art University BFA Textile Design — Textiles CAD/Technical Design, Denim, Fiber Arts, Print, Surface Design HYPNOTYZING 46 03 CHRISTINA MIYAGI 02 49 EMMA COLLINS “The fashion industry is tied to a vast majority of the economic and social issues facing the world today. As designers, we are capable of solving those issues.” Marist College BFA Fashion Design — Menswear 3D/Creative Technical Design, Bespoke/Custom DEVELOPMENTAL 50 03 EMMA COLLINS 02 53 “ANYTHING BENEFICIAL TO THE PLANET CAN ONLY BE GOOD FOR THE ECONOMY.” SOPHIE WARD Kingston University London, England 02 03 ERIKA TOMPKINS “Impact the industry by questioning the norm in order to establish a sustainable level of quality, wearbility, and attention to manufacturing processes.” Academy of Art University BFA Fashion Design — Womenswear Outerwear, Sustainability/Systems, Woven Materials SURREAL 56 03 ERIKA TOMPKINS 02 59 FANG KATY LIU “I am committed to finding a way to produce local and sustainable clothing with my original prints. Materials that are healthy for the environment are beautiful and important.” Academy of Art University MFA Textile Design — Textiles Fiber Arts, Print, Surface Design, Woven Materials EXPERIMENTING 60 03 FANG KATY LIU 02 63 “IT IS UP TO MY GENERATION TO CHANGE PERSPECTIVES.” JAMELA LAW LaSalle College of the Arts Singapore, Singapore 02 03 GABRIELA SACCONI “One wish I have for fashion’s future is to see fashion become a more inclusive landscape. I believe fashion can be at the forefront of positive change because clothes are not just products — they carry culture, stories, and evoke feelings.” School of the Art Institute of Chicago BFA Fashion Design — Universal (Unisex) Artisanal/Handcrafted,
Load more

Recommended publications
  • International Foundation Year Pre-Masters Programme International Study Centre 3 Outstanding Fashion Schools, 3 Great Cities: London 1 World of Fashion
    international foundation year pre-masters programme international study centre 3 outstanding fashion schools, 3 great cities: London 1 world of fashion. Milano The world of fashion has 3 capitals: London, Paris and Milano. As well as being home to the world’s most important fashion and prêt-à-porter companies these ‘capitals of creativity’ also Paris offer the best job opportunities and experiences to launch an exciting career in fashion. International Study Centre Based in London, Europe’s vibrant creative centre, Istituto Marangoni International Study Centre provides a tailor-made university preparation programme for international students hoping to enter the fashion industry. Upon successful completion of the programme Istituto Marangoni offers a wide range of degrees in the fields of fashion and design. Students that meet the required entry requirements will love the atmosphere of the three fashion schools in London, Paris and Milano*. With schools at these 3 world fashion capitals, Istituto Marangoni offers students the unique opportunity to experience different locations and cultures over the course of their degree programme. Students can study their first year at a location of their choosing, before completing their final two years at any one of the other locations (you can of course also complete your entire course at one location if you prefer)*. * The three year undergraduate programmes in Milano are awarded by Istituto Marangoni, and are diplomas. The three year undergraduate programmes in Paris are awarded by Istituto Marangoni; the undergraduate courses taught in London, as well as those taught in English in Paris, will be awarded with BA (Hons) degrees by Manchester Metropolitan University.
    [Show full text]
  • Members' Directory
    ROYAL WARRANT HOLDERS ASSOCIATION MEMBERS’ DIRECTORY 2019–2020 SECRETARY’S FOREWORD 3 WELCOME Dear Reader, The Royal Warrant Holders Association represents one of the most diverse groups of companies in the world in terms of size and sector, from traditional craftspeople to global multinationals operating at the cutting edge of technology. The Members’ Directory lists companies by broad categories that further underline the range of skills, products and services that exist within the membership. Also included is a section dedicated to our principal charitable arm, the Queen Elizabeth Scholarship Trust (QEST), of which HRH The Prince of Wales is Patron. The section profiles the most recent alumni of scholars and apprentices to have benefited from funding, who have each developed their skills and promoted excellence in British craftsmanship. As ever, Royal Warrant holders and QEST are united in our dedication to service, quality and excellence as symbolised by the Royal Warrant of Appointment. We hope you find this printed directory of use when thinking of manufacturers and suppliers of products and services. An online version – which is regularly updated with company information and has enhanced search facilities – can be viewed on our website, www.royalwarrant.org “UNITED IN OUR DEDICATION TO Richard Peck SERVICE, QUALITY CEO & Secretary AND EXCELLENCE” The Royal Warrant Holders Association CONTENTS Directory of members Agriculture & Animal Welfare ...............................................................................................5
    [Show full text]
  • 2Bemag Issue11.Pdf
    COVER EDITORIAL With number 11 in the air and summer just around the corner, a new stage has arrived at 2beMAG . The progress that our magazine is reaching on a monthly basis has been rewarded by all of you with an incredible increase in readers and followers within the universe 2beMAG. It is that much, than in order to meet that need of Muse Francesca Cortevesio information that every reader has, we have created the Agency Seven 2BEMAG BLOGGERS TEAM: a team of bloggers that post Photography Jose Grimm by post will bring the latest developments around the Stylist Liliana world of fashion, photography, art and design. Our team Make Up & Hair Sheila consists of young experts in all fields that encompass Location Italy 2beMAG from photography to urban fashion, through graphic design or contemporary art. So relax and enjoy the number 11, at the end of this, we’ll invite you to visit our blog and meet our 2beMAG BACKCOVER Bloggers Team, enjoy! Yours sincerely, Jose Grimm, editor in chief. e-mail: [email protected] 08 2beMag STAFF Editor in Chief Advertising JOSE GRIMM ANTONIO CHACÓN [email protected] [email protected] General Coordinator Advertising ROMAN AUSTIN OLGA VARELA [email protected] [email protected] Art Director Net Working DANI MELO DR. WATSON [email protected] [email protected] Fashion Stylist Marketing LAURA SUNYER LIDIA JOHNSON [email protected] [email protected] Art Writer Social Networks LORENA VILELA PAU PIA [email protected] [email protected] Software Developer POL ESCARPENTER Production [email protected] JULIA MUELAS / Leula Production Company / [email protected] Raw Talents Issue 09 OUR RAW CONTRIBUTORS Shay Kedem [email protected] www.shaykedem.com _editorial.
    [Show full text]
  • Junya Watanabe Comme Des Garçons 89 & 90
    THE NEW MILLENNIUM ERA: THE FUTURE OF TEXTILES By Sarah E. Braddock Clarke TOKYO ZOKEI UNIVERSITY – 23 June 2016 Going back to the 1960s (and 1967 to be precise) British fashion designer Mary Quant said: “Some day we will blow clothes the way we blow glass. It’s ridiculous that fabric should be cut up to make a flat thing go round a round person.” At the very end of the 1990s there were many predictions for what the clothing of the new millennium would look like - The French fashion designer Thierry Mugler said: “The future of fashion? It has none. The trend is no fashion. We are getting nakeder and nakeder.” Continuing with that theme the French philosopher Jean Baudrillard said: “In this new erotic world every illusionistic element is missing (…) the body is present, even over-exposed, but only as part of the technical equipment.” And British designer John Galliano thought that: “The only way to get forward in fashion is to return to construction.” While Karl Lagerfeld believes the future of fashion is in the textiles used… Slide List OPENING 1. Lifestyle & Sport – We Can Make the World Stop by The Glitch Mob – 2011 used by GoPro to show extreme sports of many types, all around the world. The decade of 2000s saw a huge rise in adventure holidays and adrenalin-fuelled extreme sports and this music sums the decade up. Video – 05:12: http://www.youtube.com/watch?v=gOLY7bjCTTE UK 2. Dress of the Year at the Fashion Museum, Bath (started in 1963) – with images and a description of each winner in 2000s from 2000 to 2009: http://www.fashionmuseum.co.uk/galleries/dress-year BOUDICCA 3.
    [Show full text]
  • Exclusive: A&F's New Ruehl
    SOUNDS OF STYLE, A SPECIAL REPORT/SECTION II WWDWomen’s Wear Daily • TheTHURSDAY Retailers’ Daily Newspaper • September 2, 2004 • $2.00 Sportswear A knit display in A&F’s latest format, Ruehl. Exclusive: A&F’s New Ruehl By David Moin informally more like a big man on campus than the NEW ALBANY, OHIO — The chairman wears jeans and flip- company chieftain, the approach to brand-building is flops to work and his 650 associates follow suit at the anything but casual. The intensity is as evident as sprawling, campus-style Abercrombie & Fitch ever with A&F’s latest retail brand and its Teutonic- headquarters here. sounding name, Ruehl. That’s just the veneer, though, because for Michael And Ruehl is just the first of three new retail Jeffries and the youthful army of workers he greets See New, Page 4 PHOTO BY DAVID TURNER DAVID PHOTO BY 2 WWD, THURSDAY, SEPTEMBER 2, 2004 WWW.WWD.COM WWDTHURSDAY Hilton Launches Jewelry With Amazon Sportswear By Marc Karimzadeh GENERAL Paris Hilton in A&F ceo Michael Jeffries lays out the strategy for Ruehl, the firm’s latest chain “It’s just being a girl; every girl NEW YORK — her multicross aimed at post-college shoppers, set to open Saturday in Tampa, Fla. loves jewelry.” necklace. 1 It’s as simple as that for Paris Hilton, who on U.S. textile groups fired up the pressure on the Bush administration, saying Wednesday launched the Paris Hilton Collection of 2 they will file dozens of petitions to reimpose quotas on Chinese imports. jewelry in an exclusive agreement with Amazon.com.
    [Show full text]
  • Hawaii 50Th State Pushed in Congress
    The Weather ATcrage Daily Net Presa Run Foreeaat of D. 8. W eather B m a n For the Week Ending January 24th,. 1958 Generally fair, eold tonight and early Tneeday. Increasing cloudl- 12,875 nees late Tuesday. L<m- tonight B Member of the Audit to 15. High Tuesday In'mid 20«. BurcMi of OnmlatioB Manchester— 4 City of Village Charm (Classified Advertising nn Page lt> PRICE FIVE CENTS (SIXTEEN PAGES) MANCHESTER. CONN., MONDAY, JANl’ARY 26. 1959 VOL. LXXVIII, NO. 9S Vinson Backs'CubaTums Almond Will Fight iBill to Extend^^^gji^jQjj^Q' Hawaii th State 50 Order to Integrate Draft 4 Te.>..Economics Washington, Jan. 26 (/P)— The administration’s plan for Havana. Cuba, Jan. 26 (/P) Virginians Schools a 4-year e.xtension of the — C!uba’s revolutionar\’ gov- draft law got a poteftt- push ernment after a hectic 3-week Pushed in Congress Richmond, Va., Jan. 26 </P)efor. tuition grants of P^Hc funds '" ( ^ a i r m « r c a ^ f Vinson (D-Ga) organizing period^ is turning —Virginia’s Legislature ^yi^ I private schooling .of told his House Armed .Services its attention to tlie outside children as an alternative to Inte- , -w e have no rlioii e. world. meet in extraordinary session grated public schools. ] extend the draft, " Without A good deal Is ceitaln to be here Wednesday to seek new 2. Repeal the states oompul- forceful inducement, he said, beard from piovislonal president defenses for the state in its sory school attendance law, a move | „,(ing,.y pnnks would be emptied Manuel Urr\itia and his cabinet ostensibly designed to give the lo- I ),eiow the needed strength, Seaton, House Chief battle against integration inj ministers on Cuba’s economiK and calities more elbow room in mak- j .
    [Show full text]
  • Members' Directory
    THE ROYAL WARRANT HOLDERS ASSOCIATION MEMBERS’ DIRECTORY 2018–2019 SECRETARY’S FOREWORD 3 WELCOME Dear Reader, The Royal Warrant Holders Association represents one of the most diverse groups of companies in the world in terms of size and sector, from traditional craftspeople to global multinationals operating at the cutting edge of technology. The Members’ Directory lists companies by broad categories that further underline the range of skills, products and services that exist within the membership. Also included is a section dedicated to our principal charitable arm, the Queen Elizabeth Scholarship Trust (QEST), of which HRH The Prince of Wales is Patron. The section profiles the most recent alumni of scholars and apprentices to have benefited from funding, who have each developed their skills and promoted excellence in British craftsmanship. As ever, Royal Warrant holders and QEST are united in our dedication to service, quality and excellence as symbolised by the Royal Warrant of Appointment. We hope you find this printed directory of use when thinking of manufacturers and suppliers of products and services. An online version – which is regularly updated with company information and has enhanced search facilities – can be viewed on our website, www.royalwarrant.org “UNITED IN OUR DEDICATION TO Richard Peck SERVICE, QUALITY CEO & Secretary AND EXCELLENCE” The Royal Warrant Holders Association CONTENTS Directory of members Agriculture & Animal Welfare ...............................................................................................5
    [Show full text]
  • A Symbol of 10 Corso Como Since Its Inception, the Black and White Logo Designed by American Artist Kris Ruhs Is the 10 Corso Como Trademark
    CO-BRANDING A symbol of 10 Corso Como since its inception, the black and white logo designed by American artist Kris Ruhs is the 10 Corso Como trademark. This visual signature is found throughout the 10 Corso Como world. In over two decades the 10 Corso Como logo has grown into a global brand of distinction. Items as diverse as fashion, lifestyle, design, publishing, music and cuisine now carry a 10 Corso Como label. 10 Corso Como is also working with other market leaders to develop and promote new ideas together in joint ventures co-branding around the globe. 10 Corso Como Corso Como 10 - 20154 Milan +39 02 29002674 [email protected] www.10corsocomo.com CO-BRANDING out of stock ALBRIZZI GAP ALCANTARA STEPHEN JONES BARBOUR THE PENNY LOAFER BY TOMMY HILFIGER BLUNDSTONE LACOSTE CARMINA CAMPUS RALPH LAUREN CHARLES PHILIP SHANGHAI LIBERTY CLOSED LOMOGRAPHY COACH PIERRE MANTOUX COCA COLA NATI CON LA CAMICIA COMME DES GARCONS NOKIA ENZA COSTA PETIT bateau DIESEL PRINGLE OF SCOTLAND DR. SCHOLL PAUL SMITH FRED PERRY SWATCH FREITAG TIMBERLAND DOMINO SET Hand-cut and polished acrylic IPAD 2 - IPAD 3 CASE IPAD 2 - IPAD 3 CASE WOMAN SERIE IPAD 2 - IPAD 3 CASE MINI IPAD CASE MINI IPAD CASE IPHONE 5 CASE IPHONE 5 BACK SKIN IPHONE 5 CASE BARNARD JACKET BARNARD JACKET Black Silkoil wax pocket jacket Black Silkoil wax pocket jacket CHELSEA BOOTS Black premium oil tanned leather. Elastic band detail on sides CAMEROON BAG KING CAMEROON BAG DRAWER BAG MINI TETRIS BAG TETRIS BAG KARLA MESSAGE SPOrtmESS MINI BAG KARLA MESSAGE IPAD 2 - IPAD 3 CASE LARGE KARLA KARLA SMALL KARLA KEYRING DRAGON BAG DRAGON BAG DRAGON BAG LARGE KARLA KARLA SMALL KARLA DRAGON MINI BAG Patch BAG Patch BAG Patch BAG LARGE KARLA KARLA SMALL KARLA JUDY POUCH PRINTED BAG PRINTED BAG PRINTED BAG SLIPPERS BLACK SLIPPERS WITHE Ecru/black.
    [Show full text]
  • A Content Analysis of Advertiser Influence on Editorial Content In
    A CONTENT ANALYSIS OF ADVERTISER INFLUENCE ON EDITORIAL CONTENT IN FASHION MAGAZINES by CANDACE CAMILLE WALTON (Under the Direction of Jose F. Blanco) ABSTRACT The purpose of this exploratory research is to address and analyze the amount of influence that advertisers have over editorial content in the media, specifically men‟s and women‟s fashion magazines. The sample consisted of a total of sixteen fashion magazines, with four different magazine titles (two targeted towards women and two targeted towards men) representing two different publishers. A survey was also conducted with a member of the editorial staff of one of the publications in the sample. Descriptive statistics (percentages) and SPSS correlation tests were used to test relationships among the variables and answer the research questions. The results yielded percentages that pointed towards editorial independence from advertisers, however, significant correlation was found between advertisers and editorial content as well. INDEX WORDS: Fashion magazines, advertisements, editorial, advertorial, brand mentions A CONTENT ANALYSIS OF ADVERTISER INFLUENCE ON EDITORIAL CONTENT IN FASHION MAGAZINES by CANDACE CAMILLE WALTON B.S., Georgia Southern University, 2008 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF SCIENCE ATHENS, GEORGIA 2010 © 2010 Candace Camille Walton All Rights Reserved. A CONTENT ANALYSIS OF ADVERTISER INFLUENCE ON EDITORIAL CONTENT IN FASHION MAGAZINES by CANDACE CAMILLE WALTON Major Professor: Jose F. Blanco Committee: Yoo-Kyoung Seock Jan M. Hathcote Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2010 iv TABLE OF CONTENTS Page LIST OF TABLES ........................................................................................................................
    [Show full text]
  • Prospectus Main 2013-14 En.Pdf
    school talent speaks italian everywhere. In London as in New York, in Beijing as in Mumbai, the term ‘fashion-design’, together with ‘cuisine’, to tell you the truth, is synonymous with Italian style. The label ‘Made in Italy’ lends a certain glamour to or implies a certain value in any design, encompassing as it does a variety of products, styles, workmanship and details that are transposable and, in many cases, across sectors and disciplines. Unlike Istituto Marangoni, for those who do not work in the interlinked fields of fashion and design, there could be some doubt regarding their identification as a united historical-cultural front, one that is distinctive, national and composed of functionality, experimentation, entrepreneurial genius and craftsmanship: the Italian genius loci. Yet it is precisely this bridge, the project as a creative expression and its manage- ment as a business model, which has been the basis of the successful teaching methodology at Istituto Marangoni for almost 80 years: the school recognizes the pe- dagogic importance of teaching this combined special mix of ‘project + management’ and it was with this mix that a new distinctive, unique, personal and decidedly Italian educational model was born in 1935 in Milano. Since then, Istituto Marangoni has never ceased to believe in the value of proper training, constantly updating its programmes and courses, which strictly adhere to the evolving market and cultural trends in fashion, to be able to respond to the specific needs of a sector which is often overlooked in public education. Istituto Marangoni fashion schools in Milano, London, Paris and Shanghai have enhanced the talents of four generations of professionals; almost 40,000 individuals worldwide.
    [Show full text]
  • 001 in SUMMER COVER.Indd 5 13/05/2016 16:21 IL COACH DPS.Indd 2 09/05/2016 10:26
    SUMMER 2016 £7 where sold LONDON THE OFFICIAL LUXURY LIFESTYLE MAGAZINE ■ SIMON CALDER ON THE SEASON ■ ■ ■ ESSENTIAL ACCESSORIES IN LONDON 2016 VOLUME THIRTEEN ISSUE THREE VOLUM ■ ■ ART & MISSONI ■ SPIRITED ■ SOPHISTICATED ■ SMART SMART White heatBASK IN THE LAZY DAYS OF SUMMER in association with ® ■ ART ■ FASHION ■ STYLE ■ CULTURE ■ local guides worldwide 001_IN SUMMER COVER.indd 5 13/05/2016 16:21 ©2016 COACH® PRE FALL 2016 Glovetanned Rogue 36 in Oxblood, Patchwork Shearling Vest on Rianne coach.com IL COACH DPS.indd 2 09/05/2016 10:26 ©2016 COACH® PRE FALL 2016 Glovetanned Rogue 36 in Oxblood, Patchwork Shearling Vest on Rianne coach.com IL COACH DPS.indd 3 09/05/2016 10:27 HUGO BOSS UK LTD. Phone +44 (0)20 7554 5700 hugoboss.com 5700 7554 (0)20 +44 Phone LTD. UK BOSS HUGO Non-EU residents can Shop Tax Free in store. More information at premiertaxfree.com IL HUGO BOSS DPS.indd 2 12/05/2016 12:52 BOSS_InLondon_UK_DPS_BW008_1505.indd 1 11.05.16 17:18 BOSS_InLondon_UK_DPS_BW008_1505.indd 2 11.05.16 17:18 HUGO BOSS UK LTD. Phone +44 (0)20 7554 5700 hugoboss.com 5700 7554 (0)20 +44 Phone LTD. UK BOSS HUGO Non-EU residents can Shop Tax Free in store. More information at premiertaxfree.com IL HUGO BOSS DPS.indd 3 12/05/2016 12:55 BOSS_InLondon_UK_DPS_BW008_1505.indd 1 11.05.16 17:18 BOSS_InLondon_UK_DPS_BW008_1505.indd 2 11.05.16 17:18 THIS EDITION WELCOME VOGUE PROFILE it instead.” Cubitts also promises absolutely none ofthem the apressured replacement up-selling pair, but that we can are make happy choosing to fix frames so intimidating, with anti-scratch and anti-glare coatings offered as standard.
    [Show full text]
  • U.S. Seeks to Curb Cuba Hit-Run Raids
    Weather DistribuKon 1 jujh tmytntyrt a, titt Today Ugh today and tomorrow In low 22,400 M's, Saturday, (air and warmer. See weather, page 2. DIAL SH I -0010 VOL 85 NO 196 luwd dtll* Uetdar rrl4ty..B«m< Ciui RED BANK, N. J., THURSDAY, MARCH 28, 1963 7c PER COPY PAGE ONE Pact Veto Extends News Strike NEW YORK (AP) A small own leadership and turned downTimes and the Herald Tribune— But Donald R. McVey, execu- tors made concessions to get thli* group of union photoengravers— a settlement formula that had had announced an increase in tive secretary of the Publishers cut. holding out for a 75-minute cut inbeen recommended by Mayor newsstand prices from 5 to 10 Association of New York City, A desire for an immediate 35- their work week—kept eight New Robert F. Wagner and accepted cents, so sure were they o( pub- said publishers are "unwilling to hour week for all photoengraverl York City daily newspapers oft by other newspaper unions in- lishing today. resume negotiations" and see noapparently was the chief factor in the streets today and threatened volved, including the printers, "I don't know just eaxctly what point in meeting with the union. the vote to reject. whose Dec. 8 strike led to the to prolong the 111-day newspaper we're going to do now," said Tur- The publishers and union nego- The photoengravers' basic week. blackout. Iy wages before the strike aver* shutdown indefinitely. ner Catledge, managing editor of tiators had agreed to a reduction the struck New York Times.
    [Show full text]