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International Foundation Year Pre-Masters Programme International Study Centre 3 Outstanding Fashion Schools, 3 Great Cities: London 1 World of Fashion
international foundation year pre-masters programme international study centre 3 outstanding fashion schools, 3 great cities: London 1 world of fashion. Milano The world of fashion has 3 capitals: London, Paris and Milano. As well as being home to the world’s most important fashion and prêt-à-porter companies these ‘capitals of creativity’ also Paris offer the best job opportunities and experiences to launch an exciting career in fashion. International Study Centre Based in London, Europe’s vibrant creative centre, Istituto Marangoni International Study Centre provides a tailor-made university preparation programme for international students hoping to enter the fashion industry. Upon successful completion of the programme Istituto Marangoni offers a wide range of degrees in the fields of fashion and design. Students that meet the required entry requirements will love the atmosphere of the three fashion schools in London, Paris and Milano*. With schools at these 3 world fashion capitals, Istituto Marangoni offers students the unique opportunity to experience different locations and cultures over the course of their degree programme. Students can study their first year at a location of their choosing, before completing their final two years at any one of the other locations (you can of course also complete your entire course at one location if you prefer)*. * The three year undergraduate programmes in Milano are awarded by Istituto Marangoni, and are diplomas. The three year undergraduate programmes in Paris are awarded by Istituto Marangoni; the undergraduate courses taught in London, as well as those taught in English in Paris, will be awarded with BA (Hons) degrees by Manchester Metropolitan University. -
Course Syllabus & Itinerary, THTR 216, Maymester 2015 the Art
Course Syllabus & Itinerary, THTR 216, Maymester 2015 The Art, History, & Business of London Fashion We will explore many facets of the business of style that make London one of the most cutting-edge and influential fashion capitals of the world. Our study will begin with an overview of fashion history and its connection to the fine and decorative arts. We will learn about the origins of Haute Couture, from its roots in England and France in the 19th century, to today’s well known designers and trendsetters who have kept this cosmopolitan city at the forefront of the industry. Dynamic British designers from the 20th and 21st century at the heart of our study, who have continually pushed boundaries and changed rules of etiquette in their quest for fashion to mirror political, economic, and sociopolitical changes in society, include: Charles Frederick Worth, considered to be the father of Haute Couture; Mary Quant and her mini-skirt revolution; Vivienne Westwood and her influence on the world of punk fashion; Alexander McQueen and his creation of artful garments; and Stella McCartney and her ethical, sustainable approach to design. Excursions will include trips to: world renowned museums, to study works of fine and decorative art and historic examples of clothing; theatrical performances, to compare the theatricality of stage costumes and the principles of stage design to both runway and everyday fashion; the Making of Harry Potter, to see how designers create artful film designs; and a variety of commercial fashion venues, in which contemporary -
Members' Directory
ROYAL WARRANT HOLDERS ASSOCIATION MEMBERS’ DIRECTORY 2019–2020 SECRETARY’S FOREWORD 3 WELCOME Dear Reader, The Royal Warrant Holders Association represents one of the most diverse groups of companies in the world in terms of size and sector, from traditional craftspeople to global multinationals operating at the cutting edge of technology. The Members’ Directory lists companies by broad categories that further underline the range of skills, products and services that exist within the membership. Also included is a section dedicated to our principal charitable arm, the Queen Elizabeth Scholarship Trust (QEST), of which HRH The Prince of Wales is Patron. The section profiles the most recent alumni of scholars and apprentices to have benefited from funding, who have each developed their skills and promoted excellence in British craftsmanship. As ever, Royal Warrant holders and QEST are united in our dedication to service, quality and excellence as symbolised by the Royal Warrant of Appointment. We hope you find this printed directory of use when thinking of manufacturers and suppliers of products and services. An online version – which is regularly updated with company information and has enhanced search facilities – can be viewed on our website, www.royalwarrant.org “UNITED IN OUR DEDICATION TO Richard Peck SERVICE, QUALITY CEO & Secretary AND EXCELLENCE” The Royal Warrant Holders Association CONTENTS Directory of members Agriculture & Animal Welfare ...............................................................................................5 -
2Bemag Issue11.Pdf
COVER EDITORIAL With number 11 in the air and summer just around the corner, a new stage has arrived at 2beMAG . The progress that our magazine is reaching on a monthly basis has been rewarded by all of you with an incredible increase in readers and followers within the universe 2beMAG. It is that much, than in order to meet that need of Muse Francesca Cortevesio information that every reader has, we have created the Agency Seven 2BEMAG BLOGGERS TEAM: a team of bloggers that post Photography Jose Grimm by post will bring the latest developments around the Stylist Liliana world of fashion, photography, art and design. Our team Make Up & Hair Sheila consists of young experts in all fields that encompass Location Italy 2beMAG from photography to urban fashion, through graphic design or contemporary art. So relax and enjoy the number 11, at the end of this, we’ll invite you to visit our blog and meet our 2beMAG BACKCOVER Bloggers Team, enjoy! Yours sincerely, Jose Grimm, editor in chief. e-mail: [email protected] 08 2beMag STAFF Editor in Chief Advertising JOSE GRIMM ANTONIO CHACÓN [email protected] [email protected] General Coordinator Advertising ROMAN AUSTIN OLGA VARELA [email protected] [email protected] Art Director Net Working DANI MELO DR. WATSON [email protected] [email protected] Fashion Stylist Marketing LAURA SUNYER LIDIA JOHNSON [email protected] [email protected] Art Writer Social Networks LORENA VILELA PAU PIA [email protected] [email protected] Software Developer POL ESCARPENTER Production [email protected] JULIA MUELAS / Leula Production Company / [email protected] Raw Talents Issue 09 OUR RAW CONTRIBUTORS Shay Kedem [email protected] www.shaykedem.com _editorial. -
Cecil Beaton (1904–80) Was One of the Great Creative Figures of the British Twentieth Century
Access Guide Please return at the end of your visit We hope this guide supports your visit. Please speak to any member of staff for more information. VERSION 2 Map Entrance Contents TBC Introduction Cecil Beaton (1904–80) was one of the great creative figures of the British twentieth century. Chiefly known as a photographer of portraits and fashion, through his work for Vogue magazine from 1924 to 1979, he was also recognised as a significant war photographer. An illustrator and caricaturist, a writer and commentator on taste and manners, Beaton was a theatre designer and art director of world renown and an influential stylist of his own homes. This exhibition focuses on Beaton’s early years. Born in Hampstead to a then prosperous timber merchant, Ernest Beaton and his wife Esther (‘Etty’), Cecil was first given a camera in 1914, aged ten. His first subjects were his mother and his willing sisters, Nancy and Barbara (‘Baba’). His transformation from middle-class suburban schoolboy to dazzling society figure against the backdrop of the Roaring Twenties and the Age of Jazz revealed a social mobility barely thinkable before the First World War. Here, then, are the Bright Young Things who brought an extraordinary era vividly to life and in so doing, nurtured and refined a remarkable photographic talent. The strength of his singular vision is such that, when we think of the Bright Young Things, we think of them in Beaton’s costumes, through Beaton’s lens and as Beaton’s friends. For full details of all events please see the What’s On guide or npg.org.uk/events Friday 20 March, 19.00 Lecture ‘When I die I want to go to Vogue’: Cecil Beaton’s Most Enduring Patron with Robin Muir Curator Robin Muir looks at the Cecil Beaton’s long working relationship with Vogue. -
Exclusive: A&F's New Ruehl
SOUNDS OF STYLE, A SPECIAL REPORT/SECTION II WWDWomen’s Wear Daily • TheTHURSDAY Retailers’ Daily Newspaper • September 2, 2004 • $2.00 Sportswear A knit display in A&F’s latest format, Ruehl. Exclusive: A&F’s New Ruehl By David Moin informally more like a big man on campus than the NEW ALBANY, OHIO — The chairman wears jeans and flip- company chieftain, the approach to brand-building is flops to work and his 650 associates follow suit at the anything but casual. The intensity is as evident as sprawling, campus-style Abercrombie & Fitch ever with A&F’s latest retail brand and its Teutonic- headquarters here. sounding name, Ruehl. That’s just the veneer, though, because for Michael And Ruehl is just the first of three new retail Jeffries and the youthful army of workers he greets See New, Page 4 PHOTO BY DAVID TURNER DAVID PHOTO BY 2 WWD, THURSDAY, SEPTEMBER 2, 2004 WWW.WWD.COM WWDTHURSDAY Hilton Launches Jewelry With Amazon Sportswear By Marc Karimzadeh GENERAL Paris Hilton in A&F ceo Michael Jeffries lays out the strategy for Ruehl, the firm’s latest chain “It’s just being a girl; every girl NEW YORK — her multicross aimed at post-college shoppers, set to open Saturday in Tampa, Fla. loves jewelry.” necklace. 1 It’s as simple as that for Paris Hilton, who on U.S. textile groups fired up the pressure on the Bush administration, saying Wednesday launched the Paris Hilton Collection of 2 they will file dozens of petitions to reimpose quotas on Chinese imports. jewelry in an exclusive agreement with Amazon.com. -
New Frameworks in Deconstructivist Fashion
New Frameworks in Deconstructivist Fashion: Its Categorization in Three Waves, Application of the Notions of Plasticity, De-design and the Inclusion of Bora Aksu and Hussein Chalayan as the Third Wave Turkish Deconstructivist Designers Gizem Kızıltunalı A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy The Manchester School of Art MIRIAD Manchester Metropolitan University August 2017 Contents Abstract……………………………………………………………………………………4 Acknowledgements……………………………………………………………………5 List of Figures……………………………………………………………………………6 Introduction…………………………………………………………………………….16 Literature Review……………………………………………………………………..30 Methodology…………………………………………………………………………….64 Chapter One: Theoretical qualities of deconstructivist fashion design ……………………………………………………………………………………………….73 Chapter Two: Observing plasticity, the de-designs and deconstructions of the first wave Japanese and the second wave Belgian deconstructivist designers …………………………………………………………88 Chapter Three: Third wave Turkish deconstructivist designers: Hussein Chalayan and Bora Aksu.…………………………………………………………..159 Chapter Four: The de-designs and deconstructions of the third wave deconstructivist designers: Hussein Chalayan and Bora Aksu..………170 Chapter Five: Commonalities of the third wave Turkish deconstructivist designers: Metamorphosis of the fashion system, deconstruction through culture………………………………………………………………………..244 Conclusion……………………………………………………………………………….365 Bibliography…………………………………………………………………………….376 -
Window Shopping: Commercial Inspiration for Fashion in the Museum." Fashion, History, Museums: Inventing the Display of Dress
Petrov, Julia. "Window Shopping: Commercial Inspiration for Fashion in the Museum." Fashion, History, Museums: Inventing the Display of Dress. London: Bloomsbury Visual Arts, 2019. 31–62. Bloomsbury Collections. Web. 30 Sep. 2021. <http://dx.doi.org/10.5040/9781350049024.ch-003>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 00:32 UTC. Copyright © Julia Petrov 2019. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 WINDOW SHOPPING: COMMERCIAL INSPIRATION FOR FASHION IN THE MUSEUM In his work on the “exhibitionary complex,” Tony Bennett (1996) showed how nineteenth-century museums and galleries were intimately connected in their design and conception to the expanding commercial architecture of the same period. The technical possibilities and visual experiences of industrial exhibitions and shopping arcades found analogous applications in museum spaces. As Mackie noted, “Both the retail shop and the public repository are designed for the display of information that is predominantly visual: looking is a means for possession as well as knowledge” (1996: 325). This blurring of commercial and intellectual cultures within the museum continues to create unease and controversy, particularly in the case of fashion exhibitions (Anaya 2013; Gamerman 2014). This chapter investigates how the introduction of fashion—an increasingly important economic and social product in the industrial period—into museums created new connections and tensions between these two worlds. It was because of its position between the disciplines of economy and history that historical fashion entered and was interpreted in museums. -
Hawaii 50Th State Pushed in Congress
The Weather ATcrage Daily Net Presa Run Foreeaat of D. 8. W eather B m a n For the Week Ending January 24th,. 1958 Generally fair, eold tonight and early Tneeday. Increasing cloudl- 12,875 nees late Tuesday. L<m- tonight B Member of the Audit to 15. High Tuesday In'mid 20«. BurcMi of OnmlatioB Manchester— 4 City of Village Charm (Classified Advertising nn Page lt> PRICE FIVE CENTS (SIXTEEN PAGES) MANCHESTER. CONN., MONDAY, JANl’ARY 26. 1959 VOL. LXXVIII, NO. 9S Vinson Backs'CubaTums Almond Will Fight iBill to Extend^^^gji^jQjj^Q' Hawaii th State 50 Order to Integrate Draft 4 Te.>..Economics Washington, Jan. 26 (/P)— The administration’s plan for Havana. Cuba, Jan. 26 (/P) Virginians Schools a 4-year e.xtension of the — C!uba’s revolutionar\’ gov- draft law got a poteftt- push ernment after a hectic 3-week Pushed in Congress Richmond, Va., Jan. 26 </P)efor. tuition grants of P^Hc funds '" ( ^ a i r m « r c a ^ f Vinson (D-Ga) organizing period^ is turning —Virginia’s Legislature ^yi^ I private schooling .of told his House Armed .Services its attention to tlie outside children as an alternative to Inte- , -w e have no rlioii e. world. meet in extraordinary session grated public schools. ] extend the draft, " Without A good deal Is ceitaln to be here Wednesday to seek new 2. Repeal the states oompul- forceful inducement, he said, beard from piovislonal president defenses for the state in its sory school attendance law, a move | „,(ing,.y pnnks would be emptied Manuel Urr\itia and his cabinet ostensibly designed to give the lo- I ),eiow the needed strength, Seaton, House Chief battle against integration inj ministers on Cuba’s economiK and calities more elbow room in mak- j . -
Members' Directory
THE ROYAL WARRANT HOLDERS ASSOCIATION MEMBERS’ DIRECTORY 2018–2019 SECRETARY’S FOREWORD 3 WELCOME Dear Reader, The Royal Warrant Holders Association represents one of the most diverse groups of companies in the world in terms of size and sector, from traditional craftspeople to global multinationals operating at the cutting edge of technology. The Members’ Directory lists companies by broad categories that further underline the range of skills, products and services that exist within the membership. Also included is a section dedicated to our principal charitable arm, the Queen Elizabeth Scholarship Trust (QEST), of which HRH The Prince of Wales is Patron. The section profiles the most recent alumni of scholars and apprentices to have benefited from funding, who have each developed their skills and promoted excellence in British craftsmanship. As ever, Royal Warrant holders and QEST are united in our dedication to service, quality and excellence as symbolised by the Royal Warrant of Appointment. We hope you find this printed directory of use when thinking of manufacturers and suppliers of products and services. An online version – which is regularly updated with company information and has enhanced search facilities – can be viewed on our website, www.royalwarrant.org “UNITED IN OUR DEDICATION TO Richard Peck SERVICE, QUALITY CEO & Secretary AND EXCELLENCE” The Royal Warrant Holders Association CONTENTS Directory of members Agriculture & Animal Welfare ...............................................................................................5 -
A Symbol of 10 Corso Como Since Its Inception, the Black and White Logo Designed by American Artist Kris Ruhs Is the 10 Corso Como Trademark
CO-BRANDING A symbol of 10 Corso Como since its inception, the black and white logo designed by American artist Kris Ruhs is the 10 Corso Como trademark. This visual signature is found throughout the 10 Corso Como world. In over two decades the 10 Corso Como logo has grown into a global brand of distinction. Items as diverse as fashion, lifestyle, design, publishing, music and cuisine now carry a 10 Corso Como label. 10 Corso Como is also working with other market leaders to develop and promote new ideas together in joint ventures co-branding around the globe. 10 Corso Como Corso Como 10 - 20154 Milan +39 02 29002674 [email protected] www.10corsocomo.com CO-BRANDING out of stock ALBRIZZI GAP ALCANTARA STEPHEN JONES BARBOUR THE PENNY LOAFER BY TOMMY HILFIGER BLUNDSTONE LACOSTE CARMINA CAMPUS RALPH LAUREN CHARLES PHILIP SHANGHAI LIBERTY CLOSED LOMOGRAPHY COACH PIERRE MANTOUX COCA COLA NATI CON LA CAMICIA COMME DES GARCONS NOKIA ENZA COSTA PETIT bateau DIESEL PRINGLE OF SCOTLAND DR. SCHOLL PAUL SMITH FRED PERRY SWATCH FREITAG TIMBERLAND DOMINO SET Hand-cut and polished acrylic IPAD 2 - IPAD 3 CASE IPAD 2 - IPAD 3 CASE WOMAN SERIE IPAD 2 - IPAD 3 CASE MINI IPAD CASE MINI IPAD CASE IPHONE 5 CASE IPHONE 5 BACK SKIN IPHONE 5 CASE BARNARD JACKET BARNARD JACKET Black Silkoil wax pocket jacket Black Silkoil wax pocket jacket CHELSEA BOOTS Black premium oil tanned leather. Elastic band detail on sides CAMEROON BAG KING CAMEROON BAG DRAWER BAG MINI TETRIS BAG TETRIS BAG KARLA MESSAGE SPOrtmESS MINI BAG KARLA MESSAGE IPAD 2 - IPAD 3 CASE LARGE KARLA KARLA SMALL KARLA KEYRING DRAGON BAG DRAGON BAG DRAGON BAG LARGE KARLA KARLA SMALL KARLA DRAGON MINI BAG Patch BAG Patch BAG Patch BAG LARGE KARLA KARLA SMALL KARLA JUDY POUCH PRINTED BAG PRINTED BAG PRINTED BAG SLIPPERS BLACK SLIPPERS WITHE Ecru/black. -
Hi! Fashion Publication
12 August—12 November 2017 National Design & Craft Gallery Kilkenny 1 December—29 April 2018 Farmleigh Gallery Dublin Curated by Gemma A. Williams Hi! Fashion has been produced by the Design & Crafts Council of Ireland in 2017 as part of the Kilkenny Arts Festival and marks the 60th anniversary of the establishment of diplomatic relations between Ireland and Japan. Hi! Fashion is supported by the Japan Foundation. INDEX FOREWORD — KAREN HENNESSY 05 WHO SPEAKS TRUE CRAFT — MARLO SAALMINK 07 REFORM DEFORM PERFORM TRANSFORM — GEMMA A. WILLIAMS 08—13 ANREALAGE 18—19 ÚNA BURKE 20—21 LAOISE CAREY 22—23 SYBIL CONNOLLY 24—25 COMME DES GARÇONS 26—27 AIDEEN GAYNOR 28—29 LAINEY KEOGH 30—31 DEREK LAWLOR 32—33 RICHARD MALONE 34—35 ISSEY MIYAKE 36—37 KENTA NISHIMURA 38—39 JOHN ROCHA 40—41 DANIELLE ROMERIL 42—43 MICHAEL STEWART 44—45 MAIKO TAKEDA 46—47 NORITAKA TATEHANA 48—49 WRITTENAFTERWARDS 50—51 KANSAI YAMAMOTO 52—53 YOHJI YAMAMOTO 54—55 NATIONAL DESIGN & CRAFT GALLERY PROGRAMME 56 CURATOR’S BIOGRAPHY 61 CREDITS & COLOPHON 63 FOREWORD Through the National Design & Craft Gallery programme, the Design & Crafts Council of Ireland continually seeks to exhibit the skill, creativity and innovation of designers and makers who push the boundaries of their craft. Placing Irish work within an international context allows us to consider how processes and materials in Ireland both correlate and contrast with those of other countries. Hi! Fashion explores and celebrates the commonalities and diferences in fashion design between Ireland and another island nation, Japan. Both countries have long histories of craft and tradition, with a cultural reach far beyond their own shores.