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Course Syllabus & Itinerary, THTR 216, Maymester 2015 the Art
Course Syllabus & Itinerary, THTR 216, Maymester 2015 The Art, History, & Business of London Fashion We will explore many facets of the business of style that make London one of the most cutting-edge and influential fashion capitals of the world. Our study will begin with an overview of fashion history and its connection to the fine and decorative arts. We will learn about the origins of Haute Couture, from its roots in England and France in the 19th century, to today’s well known designers and trendsetters who have kept this cosmopolitan city at the forefront of the industry. Dynamic British designers from the 20th and 21st century at the heart of our study, who have continually pushed boundaries and changed rules of etiquette in their quest for fashion to mirror political, economic, and sociopolitical changes in society, include: Charles Frederick Worth, considered to be the father of Haute Couture; Mary Quant and her mini-skirt revolution; Vivienne Westwood and her influence on the world of punk fashion; Alexander McQueen and his creation of artful garments; and Stella McCartney and her ethical, sustainable approach to design. Excursions will include trips to: world renowned museums, to study works of fine and decorative art and historic examples of clothing; theatrical performances, to compare the theatricality of stage costumes and the principles of stage design to both runway and everyday fashion; the Making of Harry Potter, to see how designers create artful film designs; and a variety of commercial fashion venues, in which contemporary -
Vogue on Yves Saint Laurent
Model Carrie Nygren in Rive Gauche’s black double-breasted jacket and mid-calf skirt with long- sleeved white blouse; styled by Grace Coddington, photographed by Guy Bourdin, 1975. Linda Evangelista wears an ostrich-feathered couture slip dress inspired by Saint Laurent’s favourite dancer, Zizi Jeanmaire. Photograph by Patrick Demarchelier, 1987. At home in Marrakech, Yves Saint Laurent models his new ready-to-wear line, Rive Gauche Pour Homme. Photograph by Patrick Lichfield, 1969. DIOR’S DAUPHIN FASHION’S NEW GENIUS A STYLE REVOLUTION THE HOUSE THAT YVES AND PIERRE BUILT A GIANT OF COUTURE Index of Searchable Terms References Picture credits Acknowledgments “CHRISTIAN DIOR TAUGHT ME THE ESSENTIAL NOBILITY OF A COUTURIER’S CRAFT.” YVES SAINT LAURENT DIOR’S DAUPHIN n fashion history, Yves Saint Laurent remains the most influential I designer of the latter half of the twentieth century. Not only did he modernize women’s closets—most importantly introducing pants as essentials—but his extraordinary eye and technique allowed every shape and size to wear his clothes. “My job is to work for women,” he said. “Not only mannequins, beautiful women, or rich women. But all women.” True, he dressed the swans, as Truman Capote called the rarefied group of glamorous socialites such as Marella Agnelli and Nan Kempner, and the stars, such as Lauren Bacall and Catherine Deneuve, but he also gave tremendous happiness to his unknown clients across the world. Whatever the occasion, there was always a sense of being able to “count on Yves.” It was small wonder that British Vogue often called him “The Saint” because in his 40-year career women felt protected and almost blessed wearing his designs. -
Junya Watanabe Comme Des Garçons 89 & 90
THE NEW MILLENNIUM ERA: THE FUTURE OF TEXTILES By Sarah E. Braddock Clarke TOKYO ZOKEI UNIVERSITY – 23 June 2016 Going back to the 1960s (and 1967 to be precise) British fashion designer Mary Quant said: “Some day we will blow clothes the way we blow glass. It’s ridiculous that fabric should be cut up to make a flat thing go round a round person.” At the very end of the 1990s there were many predictions for what the clothing of the new millennium would look like - The French fashion designer Thierry Mugler said: “The future of fashion? It has none. The trend is no fashion. We are getting nakeder and nakeder.” Continuing with that theme the French philosopher Jean Baudrillard said: “In this new erotic world every illusionistic element is missing (…) the body is present, even over-exposed, but only as part of the technical equipment.” And British designer John Galliano thought that: “The only way to get forward in fashion is to return to construction.” While Karl Lagerfeld believes the future of fashion is in the textiles used… Slide List OPENING 1. Lifestyle & Sport – We Can Make the World Stop by The Glitch Mob – 2011 used by GoPro to show extreme sports of many types, all around the world. The decade of 2000s saw a huge rise in adventure holidays and adrenalin-fuelled extreme sports and this music sums the decade up. Video – 05:12: http://www.youtube.com/watch?v=gOLY7bjCTTE UK 2. Dress of the Year at the Fashion Museum, Bath (started in 1963) – with images and a description of each winner in 2000s from 2000 to 2009: http://www.fashionmuseum.co.uk/galleries/dress-year BOUDICCA 3. -
Cecil Beaton (1904–80) Was One of the Great Creative Figures of the British Twentieth Century
Access Guide Please return at the end of your visit We hope this guide supports your visit. Please speak to any member of staff for more information. VERSION 2 Map Entrance Contents TBC Introduction Cecil Beaton (1904–80) was one of the great creative figures of the British twentieth century. Chiefly known as a photographer of portraits and fashion, through his work for Vogue magazine from 1924 to 1979, he was also recognised as a significant war photographer. An illustrator and caricaturist, a writer and commentator on taste and manners, Beaton was a theatre designer and art director of world renown and an influential stylist of his own homes. This exhibition focuses on Beaton’s early years. Born in Hampstead to a then prosperous timber merchant, Ernest Beaton and his wife Esther (‘Etty’), Cecil was first given a camera in 1914, aged ten. His first subjects were his mother and his willing sisters, Nancy and Barbara (‘Baba’). His transformation from middle-class suburban schoolboy to dazzling society figure against the backdrop of the Roaring Twenties and the Age of Jazz revealed a social mobility barely thinkable before the First World War. Here, then, are the Bright Young Things who brought an extraordinary era vividly to life and in so doing, nurtured and refined a remarkable photographic talent. The strength of his singular vision is such that, when we think of the Bright Young Things, we think of them in Beaton’s costumes, through Beaton’s lens and as Beaton’s friends. For full details of all events please see the What’s On guide or npg.org.uk/events Friday 20 March, 19.00 Lecture ‘When I die I want to go to Vogue’: Cecil Beaton’s Most Enduring Patron with Robin Muir Curator Robin Muir looks at the Cecil Beaton’s long working relationship with Vogue. -
New Frameworks in Deconstructivist Fashion
New Frameworks in Deconstructivist Fashion: Its Categorization in Three Waves, Application of the Notions of Plasticity, De-design and the Inclusion of Bora Aksu and Hussein Chalayan as the Third Wave Turkish Deconstructivist Designers Gizem Kızıltunalı A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy The Manchester School of Art MIRIAD Manchester Metropolitan University August 2017 Contents Abstract……………………………………………………………………………………4 Acknowledgements……………………………………………………………………5 List of Figures……………………………………………………………………………6 Introduction…………………………………………………………………………….16 Literature Review……………………………………………………………………..30 Methodology…………………………………………………………………………….64 Chapter One: Theoretical qualities of deconstructivist fashion design ……………………………………………………………………………………………….73 Chapter Two: Observing plasticity, the de-designs and deconstructions of the first wave Japanese and the second wave Belgian deconstructivist designers …………………………………………………………88 Chapter Three: Third wave Turkish deconstructivist designers: Hussein Chalayan and Bora Aksu.…………………………………………………………..159 Chapter Four: The de-designs and deconstructions of the third wave deconstructivist designers: Hussein Chalayan and Bora Aksu..………170 Chapter Five: Commonalities of the third wave Turkish deconstructivist designers: Metamorphosis of the fashion system, deconstruction through culture………………………………………………………………………..244 Conclusion……………………………………………………………………………….365 Bibliography…………………………………………………………………………….376 -
Window Shopping: Commercial Inspiration for Fashion in the Museum." Fashion, History, Museums: Inventing the Display of Dress
Petrov, Julia. "Window Shopping: Commercial Inspiration for Fashion in the Museum." Fashion, History, Museums: Inventing the Display of Dress. London: Bloomsbury Visual Arts, 2019. 31–62. Bloomsbury Collections. Web. 30 Sep. 2021. <http://dx.doi.org/10.5040/9781350049024.ch-003>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 00:32 UTC. Copyright © Julia Petrov 2019. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 WINDOW SHOPPING: COMMERCIAL INSPIRATION FOR FASHION IN THE MUSEUM In his work on the “exhibitionary complex,” Tony Bennett (1996) showed how nineteenth-century museums and galleries were intimately connected in their design and conception to the expanding commercial architecture of the same period. The technical possibilities and visual experiences of industrial exhibitions and shopping arcades found analogous applications in museum spaces. As Mackie noted, “Both the retail shop and the public repository are designed for the display of information that is predominantly visual: looking is a means for possession as well as knowledge” (1996: 325). This blurring of commercial and intellectual cultures within the museum continues to create unease and controversy, particularly in the case of fashion exhibitions (Anaya 2013; Gamerman 2014). This chapter investigates how the introduction of fashion—an increasingly important economic and social product in the industrial period—into museums created new connections and tensions between these two worlds. It was because of its position between the disciplines of economy and history that historical fashion entered and was interpreted in museums. -
Hi! Fashion Publication
12 August—12 November 2017 National Design & Craft Gallery Kilkenny 1 December—29 April 2018 Farmleigh Gallery Dublin Curated by Gemma A. Williams Hi! Fashion has been produced by the Design & Crafts Council of Ireland in 2017 as part of the Kilkenny Arts Festival and marks the 60th anniversary of the establishment of diplomatic relations between Ireland and Japan. Hi! Fashion is supported by the Japan Foundation. INDEX FOREWORD — KAREN HENNESSY 05 WHO SPEAKS TRUE CRAFT — MARLO SAALMINK 07 REFORM DEFORM PERFORM TRANSFORM — GEMMA A. WILLIAMS 08—13 ANREALAGE 18—19 ÚNA BURKE 20—21 LAOISE CAREY 22—23 SYBIL CONNOLLY 24—25 COMME DES GARÇONS 26—27 AIDEEN GAYNOR 28—29 LAINEY KEOGH 30—31 DEREK LAWLOR 32—33 RICHARD MALONE 34—35 ISSEY MIYAKE 36—37 KENTA NISHIMURA 38—39 JOHN ROCHA 40—41 DANIELLE ROMERIL 42—43 MICHAEL STEWART 44—45 MAIKO TAKEDA 46—47 NORITAKA TATEHANA 48—49 WRITTENAFTERWARDS 50—51 KANSAI YAMAMOTO 52—53 YOHJI YAMAMOTO 54—55 NATIONAL DESIGN & CRAFT GALLERY PROGRAMME 56 CURATOR’S BIOGRAPHY 61 CREDITS & COLOPHON 63 FOREWORD Through the National Design & Craft Gallery programme, the Design & Crafts Council of Ireland continually seeks to exhibit the skill, creativity and innovation of designers and makers who push the boundaries of their craft. Placing Irish work within an international context allows us to consider how processes and materials in Ireland both correlate and contrast with those of other countries. Hi! Fashion explores and celebrates the commonalities and diferences in fashion design between Ireland and another island nation, Japan. Both countries have long histories of craft and tradition, with a cultural reach far beyond their own shores. -
Dress of the Year 2019
Fashion Museum January–June 2020 DRESS OF THE YEAR 2019 Kendall Jenner wears Giambattista Valli for H&M FashionMuseum Fashion Museum | Assembly Rooms, Bennett Street, Bath BA1 2QH @Fashion_Museum Gallery information for 2020 3 Fashion_Museum fashion_museum_bath “If you are into clothes, “This is a wonderful fashion and history this collection of vintage Welcome is the place for you!” fashion.” The Fashion Museum Bath is one of the world’s great museum collections of historical and Online reviews from Tripadvisor in 2020 contemporary dress. Fashion has the power to capture the imagination and to illuminate personal and social stories. The Museum’s headline exhibition, A History of Fashion in 100 Objects, shows how fashions have changed throughout the ages, whilst the annual Dress of the Year selection shines a spotlight on contemporary fashion. Continuing until March 2020 is Glove Stories, where exquisite, historical gloves are interlaced with our headline exhibition. From 28 March the Museum will be exploring the story of footwear with more than 100 pairs of shoes on display as part of its Shoephoria! exhibition. The Collection Stories gallery and Fashion Focus displays will continue to offer an exciting look behind the scenes of the Museum’s outstanding collection. Visitors can also create their own period outfit from the replica dressing-up items, based on the Museum’s collection. The accompanying events programme offers creative workshops, family activities and special one-off experiences. Front cover image: A visit to the Museum lasts an hour or Dress of the Year 2019 more and includes an audioguide available Kendall Jenner wears Giambattista Valli for in 12 languages. -
FASHION GENERAL THEORY M-267.Pdf
Contents Unit Page No. Section - A 1. What is Fashion? 1-17 2. Principal of Fashion 18-31 3. Elements of Design 32-46 4. Principles of Design 47-57 5. Colour Theory 58-70 Section - B 6. Fashion Apparel Industry Overview 71-81 7. Fashion Accessories 82-88 8. History of Apparel Industry 89-116 UNIT Whal is Fashion'^ 1 NOTES WHAT IS FASHION? STRUCTURE 1.1 Learning Objective . 1.2 Introduction 1.3 Fashion 1.4 Fashion Designing 1.5 Fashion Designer 1.6 Fashion design process 1.7 Classification of Fashion 1.8 Sources of Fashion 1.9 Factors Favoring and Retarding fashion 1.10 Summary 1.11 Review Questions 1.1 LEARNING OBJECTIVE After completion of this unit, you should be able to ; • Describe the Fashion • Define the Fashion Designing • Describe the Fashion Designer • Explain fashion designing process • Explain Classification of Fashion 1.2 INTRODUCTION Fashion now occupies the centre stage in popular understandings of modern culture. It enjoys unprecedented coverage in the global media, both print and electronic and defines the tenor of urban life like no other visual medium. India today has a rapidly growing economy with even better future prospects. Thus the country today is witnessing rapid growth in many sectors which include the Indian Fashion Industry. Self-Instructional Material 1 Fashion General Fashion- design can be a fantastic career journey but it requires a vast Theory amount of skill, hard work and education. Fashion design can be a wonderful career filled with adventure, creativity, and a chance to influence clothing choices all across the nation and around the world. -
From 22Nd April to 16Th October Tel. : +33 (0) 254 209 922 Photo : © E
From 22nd April to 16th October www.domaine-chaumont.fr Tel. : +33 (0) 254 209 922 Photo : © E. Sander Photo Domaine de Chaumont-sur-Loire 20th Chaumont-sur-Loire International Garden Festival From 22 April to 16 October 2011 2011 theme : “Gardens of the future or the art of happy biodiversity” It is biodiversity that gives us the pleasure of discovery, the beauty of landscapes, the meeting of languages and the richness of exchanges. It makes the world a delight and fosters the possibility of a shared world arising out of our differences. The garden is both a source and an end in itself, the expression of nature in its original form, of transformation and organisation, of utility and pleasure, and thus all on its own brings together all the richness of the world, everything nature gives us and all that knowledge and history have brought in terms of transformations, organisation and rites, creativity and expression over the centuries. The garden is a celebration of the diversity of people and nature, of living species, of their coexistence and of the necessary balance between them. Nowadays, this balance is under threat. People have drawn on natural resources as if they were taking them from a bottomless well, without any concern for their conservation and their uniqueness. The ever-increasing speed at which species are being lost is jeopardising biodiversity and the multiplicity of nature’s life forces. “Over the last 50 years, the natural world has been in considerable decline. Species are dying out and with them the biological, chemical and structural characteristics that they carried with them. -
Donatella Versace's Day, Alber Elbaz's Deep Thoughts, Diana Vreeland's Family & Christian Louboutin's Garden FALL FA
Green=Pantone 8264 C Spine width = 7/32” (final) The The wall sTreeT journal Magazine wall sePTeMBer 2012 s T ree T journal Magazine FALL FASHION Donatella Versace’s Day, Alber Elbaz’s Deep Thoughts, Diana Vreeland’s Family & Christian Louboutin’s Garden se PTe MB er 2012 0912_WSJ_Cover_Shipped_02.indd 1 7/17/12 1:42 PM RALPH LAUREN__205608742.indd 2 7/17/12 2:06 PM RALPH LAUREN__205608742.indd 3 7/17/12 2:07 PM NEW YORK BEVERLY HILLS DALLAS CHICAGO GREENWICH BAL HARBOUR View the Runway Show and go behind the scenes with the Ralph Lauren application on your iPhone® or visit RALPHLAURENCOLLECTION.COM Ralph Lauren_ 205608743.indd 2 7/17/12 3:51 PM Ralph Lauren_ 205608743_2.indd 3 7/17/12 3:52 PM armani_205609334_US.indd 2 7/23/12 4:01 PM armani_205609334_US.indd 3 7/23/12 4:02 PM ESTEELAUDER_205607332_EK.indd 2 7/2/12 12:21 PM Constance is wearing Pure Color Nail Lacquer in GL Bête Noire, Vivid Shine Lipstick in FL Forbidden Apple and EyeShadow in 03 Cyber Lilac. esteelauder.com © 2012 Estée Lauder Inc. ESTEELAUDER_205607332_EK.indd 3 7/2/12 12:22 PM Ermenegildo_205608147_US.indd 2 7/10/12 2:21 PM Ermenegildo_205608147_US.indd 3 7/10/12 2:21 PM AMERICANA MANHASSET ATHENS BAL HARBOUR DALLAS DUBAI LAS VEGAS LOS ANGELES MADRID NEW YORK RIYADH SOUTH COAST PLAZA TORTUGA BAY OSCARDELARENTA.COM OSCAR DE LA RENTA.indd 2 7/18/12 1:54 PM OSCAR DE LA RENTA.indd 3 7/18/12 1:54 PM Omega_205608611.indd 2 7/16/12 4:29 PM Omega_205608611.indd 3 7/16/12 4:29 PM GUESS_205607865_EK 2 7/6/12 2:46 PM GUESS_205607865_EK 3 7/6/12 2:46 PM NEW YORK 717 MADISON AVENUE EAST HAMPTON 23 MAIN STREET LAS VEGAS FORUM SHOPS DEVIKROELL.COM devikroll_205608009_US.indd 2 7/23/12 3:56 PM devikroll_205608009_US.indd 3 7/23/12 3:57 PM september 28 88 FASHIONABLY LOUD AND INCREDIBLY BAROQUE The heavy jewels, brilliant embroidery and exquisite lace of fall’s finery shine among Paris’s glittering streets. -
Loulou De La Falaise
[Download free ebook] Loulou de la Falaise Loulou de la Falaise Ariel de Ravenel, Natasha Fraser-Cavassoni ebooks | Download PDF | *ePub | DOC | audiobook #635282 in Books imusti 2014-10-14 2014-10-14Original language:EnglishPDF # 1 13.10 x 1.28 x 9.95l, 1.25 #File Name: 0847843297272 pagesRizzoli International Publications | File size: 37.Mb Ariel de Ravenel, Natasha Fraser-Cavassoni : Loulou de la Falaise before purchasing it in order to gage whether or not it would be worth my time, and all praised Loulou de la Falaise: Loulou de la Falaise is the first monograph to celebrate the life and work of the style icon and muse to Yves Saint Laurent who became the embodiment of French chic. Renowned for her bohemian chic, daring style as well as for her lightness, nonchalance, and humor, Loulou de la Falaise was not only an influential fashion icon but also a breath of fresh air to the world of Parisian haute couture. The Anglo-French beauty assisted the designer Halston and modeled briefly for Diana Vreelands Vogue before moving to Paris in 1972 to work alongside the iconic designer Yves Saint Laurent. A true original, her sense of color and fantasy and her attitude would energize the mythic house and fashion in general. For almost forty years, de la Falaise would forge her professional reputation designing extraordinary jewelry and accessories both for Yves Saint Laurent as well as for her own line. This elegant volume is a life in pictures, with over 400 images by legendary contemporary photographers, from Helmut Newton and Richard Avedon to Steven Meisel and Bettina Rheims, as well as an essay by Pierre Berg and interviews with Loulou intimates such as Betty Catroux, Ins de la Fressange, Diane von Furstenberg, Christian Louboutin, Elsa Peretti, Paloma Picasso, Andr Leon Talley, and Oscar de la Renta.